GHOSTS DOOMED BY BRIDGE IN BRITAIN
People Are Too Busy at Cards to Bother About Christmas Wraiths
London, Dec. 30 Among the destructive effects of bridge is the total discomfiture of ghost and ghost stories without which, in the good old-fashioned days, no Christmas annual could be complete. It has no place in this years’ Christmas periodical literature, and current fiction is equally silent on the subject of the ghostly visitant who contributed to the Christmas festivities of a decade ago.
White ladies, headless monks, gray friars, wicked lords and all the vast army of spooks who were obstreperous on Christmas eve, are no longer part of the novelist’s stock in trade.
Women who anxiously inquire for a really good ghost story at the shops, meet with a blank stare of surprise. Not a single ghost story has emanated from the publishers this Christmas tide.
“Out of date,” was the terse explanation of the publisher of light literature when asked why the Christmas ghost had been exorcised. There is no demand for blood-curdling stories of clanking chains, rattling bones and dismal shrieks.
The Haunts of Ghosts
Dreary tumble-down houses, ancient feudal castles and melancholy moated granges, as will be seen from the following list of Christmas phantoms, are their favourite haunts. All of them are pedigreed ghosts with officially recorded appearances.
At Dilston Castle, Lady Westmoreland; Cullaly Castle, the wicked priest; Beddiscombe Manor, the screaming skull; Calverley Hall, Sir Hugh Calverly; Pradenham House, Isaac Disraeli; Rainham hall, the gray lady; Corby Castle, the radiant boy; Newstead Abbey, the black friar; Brookhouse, the headless woman; Copley House, the two heads; Pomeroy Castle, the lady; Churton Hall, the lady and dog; Llyne Valley, the white horse of Llangynwyd; Holland House, Lord Holland; Bisham Abbey, the wraith of Lady Hobey; Rufford Abbey, the Cistercian father; Cheedle Rectory, the abbess of Godstown; Hampton Court, Catherine Howard and Jane Seymour.
The Spooks’ Delight.
A fine ghostly company these. Lady Derwentwater, so goes the tale, has been wont at Christmastide to revisit this earth to expiate the crime of restless ambition which impelled her to drive the Earl of Derwentwater to the scaffold.
Isaac Disraeli, father of the late Lord Beaconsfield, is said to drive a ghostly coach and pair. The beheaded form of Lord Holland used to walk in the grillroom carrying his head in his hands. The wraith of Lady Hobey carried a spectral basin, wringing her hands and vainly trying to wash out the stain of guilt, for, according to the legend, she murdered her boy because he blotted his copybook.
The Cistercian father, dressed in white, always appeared to women only, but this Christmas none of these ghosts are reported to have manifested themselves.
What is the use of their troubling, when everybody is too deep in bridge all night through to watch for them?
Bridge Is Supreme
If a census was to be taken of the amusements which occupied the guests at the country houses during the Christmas holidays it would probably be found that in sixty per cent of the cases bridge had ousted all the games associated with the old-fashioned Christmas festivities. If there were one or two children in the house they were bundled off to bed as early as possible and the house party settled down in religious silence to bridge.
In many houses the game was played for four successive afternoons and nights without a thought of turkey, plum pudding or crackers. The one anxiety was to rush thru a short meal as quickly as possible. Bridge, in fact, killed in certain circles the old-fashioned Christmas in London. Several waif-and-stray parties were given on Christmas day, the idea being to gather together the lonesome souls who dislike noisy festivities, to pull down the blinds and play bridge from luncheon until the small hours of the morning. Tea and the short dinner were regarded as interruptions and small talk as superfluous.
The Minneapolis [MN] Journal 31 December 1905: p. 3
Mrs Daffodil’s Aide-memoire: Mrs Daffodil has seen, first hand, the scourge that bridge has become: meals sent back to the kitchen, untasted, beds left vacant, presents unopened beneath the tree, mistresses left neglected at house-parties, and engagements broken off without a murmur because one of the contracting parties was absorbed in sorting out a defective trick.
But the human toll is as nothing compared to the loss of the Christmas ghost story. Mrs Daffodil entreats those who are tempted to take up the fatal deck to Think. Remember those memorable childhood Christmas Eves spent lying awake, scarcely daring to breathe under the covers or staring at the door of the cupboard, wondering if it had moved. Those happy times were all because of the Christmas ghost story and those memories will be lost to future generations if the bridge set cannot shun this noxious habit. Mrs Daffodil urges you to put down the cards and the bridge tallies shaped like little Chinese lanterns, and vow to keep alive the traditional Christmas ghost narrative. Posterity, and the terrified children of Britain, will thank you.
Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes
You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.