When Queen Ulrica was dead, her corpse was placed in the usual way in an open coffin, in a room hung with black and lighted with numerous wax candles; a company of the king’s guards did duty in the ante-room. One afternoon, the carriage of the Countess Steenbock [Stenbock] , first lady of the palace, and a particular favourite of the queen’s, drove up from Stockholm. The officers commanding the guard of honour went to meet the countess, and conducted her from the carriage to the door of the room where the dead queen lay, which she closed after her.
The long stay of the lady in the death-chamber caused some uneasiness; but it was ascribed to the vehemence of her grief; and the officers on duty, fearful of disturbing the further effusion of it by their presence, left her alone with the corpse. At length, finding that she did not return, they began to apprehend that some accident had befallen her, and the captain of the guard opened the door. He instantly started back, with a face of the utmost dismay. The other officers ran up, and plainly perceived, through the half-open door, the deceased queen standing upright in her coffin, and ardently embracing the countess. The apparition seemed to move, and soon after became enveloped in a dense smoke or vapour. When this had cleared away, the body of the queen lay in the same position as before, but the countess was nowhere to be found. In vain did they search that and the adjoining apartments, while some of the party hastened to the door, thinking she must have passed unobserved to her carriage; but neither carriage, horses, driver, or footmen were to be seen. A messenger was quickly despatched with a statement of this extraordinary circumstance to Stockholm, and there he learnt that the Countess Steenbock had never quitted the capital, and that she died at the very moment when she was seen in the arms of the deceased queen.
The Haunters and the Haunted, Ernest Rhys, 1921
Mrs Daffodil’s Aide-memoire: Queen Ulrika Eleanora of Denmark, consort of King Charles XI of Sweden, died in 1693, age 36, weakened by seven pregnancies in as many years and mourning the loss of four sons. The painting at the head of this post shows her with her lost children. She was universally beloved; her husband said at her deathbed: “Here I leave half of my heart.” He never remarried.
Maria Elisabeth Stenbock (died 1693) was Mistress of the Robes to Queen Ulrika Eleanora of Denmark 1680-1693. Portrait by David Klöcker Ehrenstrahl
A variant of this legend states that, while the queen was dying at Karlberg Palace, her favorite lady-in-waiting and Mistress of the Robes, Countess Maria Elisabeth Stenbock, lay sick in Stockholm. On the night the queen died, Countess Stenbock was seen to arrive at Karlberg and was admitted alone to the room containing the remains of the queen. The officer in charge, the splendidly-named Captain Stormcrantz, looked through the keyhole and saw the countess and the queen speaking by the window of the room. He was so shocked by the sight that he started coughing up blood. The countess, as well as her carriage, was gone in the next instant. It was found that the countess had been gravely ill in bed that day and had not left Stockholm. The King ordered that the affair be hushed up. Countess Stenbock died of her illness several weeks later, and Captain Stormcrantz also died shortly after seeing the ghostly Queen.
Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote
You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.
well there is a turn up for the books – arm in sling so lower case only – wonder why some eras produce so much material like this – perhaps the close proximity to death
Sorry to hear that! Best wishes for a quick recovery!
It is curious that the Enlightenment (which certainly had a similar death rate to the 19th century) has comparatively fewer ghost stories than the Victorian era. And to-day, when we are exposed to death much less than the Victorians, there is a surge in “ghost hunting” television shows, websites, and clubs. So one is unsure of what any of it signifies!
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thanks for best wishes and further thoughts
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