Mr. Finkhouser’s Experience as a New Year’s Caller, as Chronicled by Himself.
Young Mr. Finkhouser could have cried with vexation when he got out of bed on New Year’s morning and saw the weather. His heart came right up into his throat, and he only swallowed it by a prodigious effort. He had planned somewhat less than a thousand calls that day, and his line march, as projected, was little less than Sherman’s march to the sea. He moped, and sulked, and swore under his breath, nearly all the morning, and it was not until nearly noon that he reflected that the carriage he had engaged for the occasion was drawing pay right along, improving every drizzling hour. Then he braced up and determined to call any how. And he arrayed himself in fine broadcloth and linen and went down stairs, and there, sure enough, was the waiting carriage, floating around in the street with a drowned man on the box. Mr. Finkhouser climbed and was slowly dragged away.
We did not have the pleasure of accompanying Mr. Finkhouser on this eventful journey, and his own account of its events were somewhat too confused to be implicitly relied on. But his diary was taken from his breast pocket and its brief entries afforded an interesting study of the gradual transition from the cold formalities and conventionalities of the first calls to the cordiality and hearty friendliness and intimacy of the later and closing calls. Mr. Finkhouser was not an old veteran caller, this being his first New Year’s out, and his diary is all the more interesting on that account. It appears that Mr. Finkhouser, anxious to improve, made an entry of his salutations as soon as he returned to the carriage from each visit, and it is quite apparent that he did his best to improve on every effort. And here is the way he improved:
11:15 A.M. – “Ah-haw-aw, yes, yes. Happy New Year, Miss Dresseldorf. Happy New Year. Happy New Year; many happy returns of the day. Haw, yes, to be sure. Good morning.
11:25 A.M. — “Miss McKerrel, permit me to wish you a happy new year. Tears and clouds in the outside world, smiles and light wherever you are. Thank you. I shall be only too much honored.
It was evident that Mr. Finkhouser thought he had just about got it, as all his subsequent efforts were modeled upon this one. Note by the translator.
11:50 A.M. “Ah, my dear Miss Ballana hack, I have the inexpressible felicity to wish you a happy New Year. The light and smiles of your presence dislocates the sombre clouds and dismal tears of the weather god.”
12:40 – “My dear Mish Binnington, I have thinexpressible felicity t’wish you a happy New Year. The smiles and light, f’your presences dispates the sombre clouds and dismal tears of th’ weather god.”
2:30 p.m.—“Ah! Mdear Mish Washingham, f’y ‘low me t’call you so. I have inexpressible flicity t’wish you Happy New Year. Thlight an schmilesh f’your bri’ presence dishpate the sombre clouds an’ dismal tear of th’ weather god.”
3:45 p.m.—“Howdy, howdy, Mish Milleroy! Wish may have th’ flictable expressitive t’wish ye hampy n’y’er, fack! Th’ bri’ shimlesh an’ light f’your preselece dishlocates clomber souds an’ tearful dismals of threather gog!”
4:30 p.m.—“Howja fine y’self? ic! ‘m all rt. Have ‘nfeliseible ‘spression t’wishye haply newy’r. Hoopee doodle! I guess not! Shimleh f’your presesh dishlocatesh weather gog! Goodby, gubby. Bo good t’yersef.”
And at this point the entries, which continue some distance further, become unintelligible.
Janesville [WI] Daily Gazette 10 January 1876: p. 1
Mrs Daffodil’s Aide-memoire: In Gilded Age America, the making and receiving of New Year’s Day calls was something of a competitive sport. Society ladies boasted of the number of their callers, while young dandies boasted of their numerous visitations and of the liquid refreshments they had consumed. Mr Finkhouser was unusual only in his candid description of the inevitable dishpation resulting from a day’s rounds.
Drink was only one of the attractions of New Year’s Day receptions; eligible young ladies were the objective of multiple beaux, who flitted in and out, bestowing compliments and bonbons in this early version of “speed-dating.”
[T]he Sunday papers of the time began to print lists of those who would receive, and the houses of those mentioned in the lists were sure to be besieged by numbers of men whom the ladies had never met or heard of and desired never to meet again. Men would go calling in couples and parties, and even in droves of thirty or more, remaining as short a time at each stopping place as possible, and announcing everywhere how many calls they had already made and how many they expected to make before they finished. At every place they drank, and at each place, of course, a different brand of wine. The result was a most appalling assortment of “jags” long before sundown, and a crowding of the police stations at night. Naturally enough the second day of January was always a field day in the police courts, and the judges, some of whom probably had post-calling headaches themselves, were wont to mark S.S. for “sentence suspended,” after the name of every one who could show that he had made a beast of himself in the observance of the “good old Knickerbocker custom.”
The Fort Payne [AL] Journal 6 January 1897: p. 4
Mrs Daffodil wishes all of her readers every good thing in the New Year!
Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote
You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.
“The Crimea is the home of a country estate within pleasant driving distance of the city of Baltimore, belonging to Mr. Thomas Winans of Russian railway fame.
Close by the suburban mansion is a cottage, or rather, an elegant and commodious playhouse, which Santa Claus erected in a single night for the Winans children about twenty years since. Grace Greenwood, a frequent guest of the family, says of it:
“The small mansion was constructed in sections, and the furniture manufactured to order in town; everything marvelously complete. The children knew nothing of it. There was nothing on the lawn before their windows when they went to bed on Christmas Eve, but while they slept there were mysterious arrivals of wagons and workmen from Baltimore, and great doings by moonlight and lamplight. All night they worked, the carpenters and upholsterers, and at dawn gathered up their traps like the fairies and as silently stole away. In the morning the mother going to take the children, happened to look out on the lawn, and with an excellent imitation of innocence, exclaimed at the surprising sight, and then of course, the children ran pell-mell to see what the marvelous thing could be, and beheld the charming little villa, gay and bright, its windows flashing in the sun, and a fancy flag floating from its tower. The edifice was not of such fairy proportions that they could not keep house in it handsomely, and entertain their little friends and mamma and even papa, if he could stoop a little and make himself as small as he comfortably could. Washington Letter to N. Y. Times, May 4th, 1874.
Mrs Daffodil’s Aide-memoire: A charming fancy! Not unlike the parents who assemble toys and bicycles on Christmas Eve, only rather on a more extravagant scale.
The Winans residence on the Crimea Estate, known as Orianda House, still stands. The children’s villa was a miniature replica. One can judge by the photo-gravures of the elaborate mansion how charming it must have been. Mrs Daffodil is told by the caretaker that the structure survived until the 1950s, but it has now vanished. However the mansion is open for visitors and events. Here is more information on the house and the Winans family.
This post originally appeared in 2014.
Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes
You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.
The other night I was sitting up late–away after nine o’clock–thinking about Christmas because it was getting near at hand. And, like everybody else who muses on that subject, I was thinking of the great changes that have taken place in regard to Christmas. I was contrasting Christmas in the old country house of a century ago, with the fires roaring up the chimneys, and Christmas in the modern apartment on the ninth floor with the gasoline generator turned on for the maid’s bath.
I was thinking of the old stage coach on the snowy road with its roof piled high with Christmas turkeys and a rosy-faced “guard” blowing on a key bugle and the passengers getting down every mile or so at a crooked inn to drink hot spiced ale–and I was comparing all that with the upper berth No. 6, car 220, train No. 53.
I was thinking of the Christmas landscape of long ago when night settled down upon it with the twinkle of light from the houses miles apart among the spruce trees, and contrasting the scene with the glare of motor lights upon the highways of today. I was thinking of the lonely highwayman shivering round with his clumsy pistols, and comparing the poor fellow’s efforts with the high class bandits of today blowing up a steel express car with nitroglycerine and disappearing in a roar of gasoline explosions.
In other words I was contrasting yesterday and today. And on the whole yesterday seemed all to the good.
Nor was it only the warmth and romance and snugness of the old Christmas that seemed superior to our days, but Christmas carried with it then a special kind of thrill with its queer terrors, its empty heaths, its lonely graveyards, and its house that stood alone in a wood, haunted.
And thinking of that it occurred to me how completely the ghost business seems to be dying out of our Christmas literature. Not so very long ago there couldn’t be a decent Christmas story or Christmas adventure without a ghost in it, whereas nowadays—
And just at that moment I looked and saw that there was a ghost in the room.
I can’t imagine how he got in, but there he was, sitting in the other easy chair in the dark corner away from the firelight. He had on my own dressing gown and one saw but little of his face.
“Are you a ghost?” I asked.
“Yes,” he said, “worse luck, I am.”
I noticed as he spoke that he seemed to wave and shiver as if he were made of smoke. I couldn’t help but pity the poor fellow, he seemed so immaterial.
“Do you mind,” he went on, in the same dejected tone, “if I sit here and haunt you for a while?”
“By all means,” I said, “please do.”
“Thanks,” he answered, “I haven’t had anything decent to work on for years and years. This is Christmas eve, isn’t it?”
“Yes,” I said, “Christmas Eve.”
“Used to be my busiest night,” the ghost complained, “best night of the whole year–and now–say,” he said, “would you believe it! I went down this evening to that dinner dance they have at the Ritz Carlton and I thought I’d haunt it–thought I’d stand behind one of the tables as a silent spectre, the way I used to in King George III’s time–“
“Well?” I said.
“They put me out!” groaned the ghost, “the head waiter came up to me and said that he didn’t allow silent spectres in the dining room. I was put out.” He groaned again.
“You seem,” I said, “rather down on your luck?”
“Can you wonder?” said the ghost, and another shiver rippled up and down him. “I can’t get anything to do. Talk of the unemployed–listen!” he went on, speaking with something like animation, “let me tell you the story of my life–“
“Can you make it short?” I said.
“I’ll try. A hundred years ago–“
“Oh, I say!” I protested.
“I committed a terrible crime, a murder on the highway–“
“You’d get six months for that nowadays,” I said.
“I was never detected. An innocent man was hanged. I died but I couldn’t rest. I haunted the house beside the highway where the murder had been done. It had happened on Christmas Eve, and so, every year on that night–“
“I know,” I interrupted, “you were heard dragging round a chain and moaning and that sort of thing; I’ve often read about it.”
“Precisely,” said the ghost, “and for about eighty years it worked out admirably. People became afraid, the house was deserted, trees and shrubs grew thick around it, the wind whistled through its empty chimneys and its broken windows, and at night the lonely wayfarer went shuddering past and heard with terror the sound of a cry scarce human, while a cold sweat–“
“Quite so,” I said, “a cold sweat. And what next?”
“The days of the motor car came and they paved the highways and knocked down the house and built a big garage there, with electricity as bright as day. You can’t haunt a garage, can you? I tried to stick on and do a little groaning, but nobody seemed to pay attention; and anyway, I got nervous about the gasoline. I’m too immaterial to be round where there’s gasoline. A fellow would blow up, wouldn’t he?”
“He might,” I said, “so what happened?”
“Well, one day somebody in the garage actually SAW me and he threw a monkey wrench at me and told me to get to hell out of the garage. So I went.”
“And after that?”
“I haunted round; I’ve kept on haunting round, but it’s no good, there’s nothing in it. Houses, hotels, I’ve tried it all. Once I thought that if I couldn’t make a hit any other way, at least I could haunt children. You remember how little children used to live in terror of ghosts and see them in the dark corners of their bedrooms? Well, I admit it was a low down thing to do, but I tried that.”
“And it didn’t work?”
“Work! I should say not. I went one night to a bedroom where a couple of little boys were sleeping and I started in with a few groans and then half materialized myself, so that I could just be seen. One of the kids sat up in bed and nudged the other and said, ‘Say! I do believe there’s a ghost in the room!’ And the other said, ‘Hold on; don’t scare him. Let’s get the radio set and see if it’ll go right through him.’
“They both hopped out of bed as brisk as bees and one called downstairs, ‘Dad, we’ve got a ghost up here! We don’t know whether he’s just an emanation or partially material. We’re going to stick the radio into him–‘ Believe me,” continued the ghost, “that was all I waited to hear. Electricity just knocks me edgeways.”
He shuddered. Then he went on.
“Well it’s been like that ever since–nowhere to go and nothing to haunt. I’ve tried all the big hotels, railway stations, everywhere. Once I tried to haunt a Pullman car, but I had hardly started before I observed a notice, ‘Quiet is requested for those already retired,’ and I had to quit.”
“Well, then,” I said, “why don’t you just get immaterial or dematerial or whatever you call it, and keep so? Why not go away wherever you belong and stay there?”
“That’s the worst of it,” answered the ghost, “they won’t let us. They haul us back. These spiritualists have learned the trick of it and they just summon us up any time they like. They get a dollar apiece for each materialization, but what do we get?”
The ghost paused and a sort of spasm went all through him. “Gol darn it,” he exclaimed, “they’re at me now. There’s a group of fools somewhere sitting round a table at a Christmas Eve party and they’re calling up a ghost just for fun–a darned poor notion of fun, I call it–I’d like to–like to–“
But his voice trailed off. He seemed to collapse as he sat and my dressing gown fell on the floor. And at that moment I heard the ringing of the bells that meant that it was Christmas midnight, and I knew that the poor fellow had been dragged off to work.
Winowed Wisdom, Stephen Leacock 1926
Mrs Daffodil’s Aide-memoire: Recently, the Smithsonian online magazine made a plea for the return of the tradition of telling ghost stories at Christmas. This is a proposition Mrs Daffodil can heartily endorse. It is true that there was a decay in the quality of Christmas ghost stories, leading to amusing articles and essays totting up the cliches of the usual Christmas spectre, such as this one by Jerome K. Jerome. Mrs Daffodil previously told of how the British ghost was doomed by the introduction of the card game Bridge.
Stephen Leacock also wrote in an essay called “The Passing of the Christmas Ghost Story,” that the logistics of modern life simply were not compatible with the Christmas ghost story.
It is a nice question whether Christmas, in the good old sense of the term, is not passing away from us. One associates it somehow with the epoch of stage-coaches, of gabled inns and hospitable country homes with the flames roaring in the open fireplaces. I often think that half the charm of Christmas, in literature at least, lay in the rough weather and in the physical difficulties surmounted by the sheer force of the glad spirit of the day. Take, for example, the immortal Christmases of Mr. Pickwick and his friends at Dingley Dell and the uncounted thousands of Christmas guests of that epoch of which they were the type. The snow blustered about them. They were red and ruddy with the flush of a strenuous journey. Great fires must be lighted in the expectation of their coming. Huge tankards of spiced ale must be warmed up for them. There must be red wine basking to a ruddier glow in the firelight. There must be warm slippers and hot cordials and a hundred and one little comforts to think of as a mark of gratitude for their arrival; and behind it all, the lurking fear that some fierce highwayman might have fallen upon them as they rode in the darkness of the wood.
Take as against this a Christmas in a New York apartment with the guests arriving by the subway and the elevator, or with no greater highwayman to fear than the taxicab driver. Warm them up with spiced ale? They’re not worth it.
The Bookman, Vol. 50, 1920
Harsh, very harsh, but perhaps a fair assessment. Something of the holiday magic was certainly lost with the introduction of electricity. When ghost story writer M.R. James held his memorable Christmas ghost story readings at Cambridge College, he did not simply press a switch to plunge the room into darkness, but extinguished, one by one, all but one of the candles in the room–and a highly effective bit of stage business it was, say those who witnessed it. Even a dimmer switch could not provide such a thrill.
Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote
You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.
Thanksgiving Day is the one national festival which is peculiarly and thoroughly American. Other nations undergo annual sufferings from noise and gunpowder which are analogous to those which are associated in our minds with Fourth of July. Christmas is the common property of the Christian world, although Russia celebrates her Christmas some weeks later than other nations, in order that Russians residing in foreign countries may obtain a double supply of Christmas presents. Thanksgiving Day, however, was the invention of the New England colonists, and though it has since been universally adopted by the American people, no other nation has imitated it. We alone express our annual gratitude by the sacrifice of turkeys, and it is, hence, greatly to be desired that the one exclusively American festival should be in all respects perfect and beyond reproach.
It is impossible to deny that in active practice our method of celebrating the day is open to one serious objection. In spite of the progress which we have made towards a higher morality than that of the last century, we still adhere, on Thanksgiving Day, to one barbarous and demoralizing ceremony. To a great extent the hot New-England rum of our forefathers is banished from our dinner-tables, but the no less deadly and demoralizing pie forms part of every Thanksgiving dinner, no matter how moral and intelligent its consumers may believe themselves to be.
The Thanksgiving array of pie is usually of so varied, as well as lavish a nature, that it seems cunningly devised to entrap even the most innocent palate. If mince-pie alone were set before a virtuous family, it is quite probable that many of its members would have the courage to turn in loathing from the deadly compound, but the Thanksgiving mince-pie is always accompanied or preceded by lighter pies, in which weak-minded persons think they can indulge without injury. The thoughtless matron—for thoughtlessness, and not deliberate wickedness, is indicated by the presence of Thanksgiving pie—urges her guests to take a little chicken-pie, assuring them that it cannot injure a child. The guest who tampers with the chicken-pie is inevitably lost. The chicken-pie crust awakens an unholy hunger for fiercer viands, and when the meats are removed, he is ready and anxious for undiluted apple or pumpkin pie. From that to mince-pie the transition is swift and easy, and in nine cases out of ten the man who attends a Thanksgiving dinner and is lured into touching chicken-pie abandons all self-restraint and delivers himself up to the thraldom of a fierce longing for strong and undisguised mince-pie. Hundreds of men and women who had emancipated themselves by a tremendous effort of the will from the dominion of pie, have backslidden at the Thanksgiving dinner, and have returned to their former degradation with a fiercer appetite than ever, and with little hope that they can find sufficient strength for a second effort towards reformation.
The chief evil of the Thanksgiving display of pie is, however, its terrible influence upon the young. It is a well-known fact, however revolting it may seem when rehearsed in cold blood, that on Thanksgiving Day many a foolish mother has herself pressed pie to the lips of her innocent offspring. To the taste thus created thousands of victims of the pie habit ascribe their ruin. It is a common spectacle on Thanksgiving evening to see scores of children, mere babes in years, writhing under the influence of pie, and making the night hideous with their outcries. Physicians can testify to the appalling results of the pie orgies in which children are thus openly encouraged to take part. The amount of drugs which is consumed by the unhappy little victims on the day following Thanksgiving Day would fill the public with horror were the exact figures to be published. How can we wonder that children who are thus tempted to acquire the taste for pie by their own parents grow up to be shameless and habitual consumers of pie! The good matron who sees a haggard and emaciated man slink into a public pie shop, and presently emerge brushing the tell-tale crumbs from his beard, shudders to think that the unhappy wretch was once as young and innocent as her own darling children. And yet that very matron will sit at the foot of a Thanksgiving table groaning with pie, and will deal out the deadly compound to her children without a thought that she is awakening in them a depraved hunger that will ultimately lead them straight to the pie shop.
All the efforts of good men and women to stay the torrent of pie which threatens to engulf our beloved country will be in vain, unless the reform is begun at the Thanksgiving dinner-table. Pie must be banished from that otherwise innocent board, or it is in vain that we try to banish it from shops, restaurants, and hotels. May we not hope for a great moral crusade which will sweep pie from every virtuous table, and unite all the friends of morality in a vigorous and persistent attack upon the great evil of the land.
The Banker and the Typewriter, 1905: pp. 154-155
Mrs Daffodil’s Aide-memoire: A shocking indictment of the American Thanksgiving pie, hitherto thought to be an innocent holiday indulgence! In England, of course, one of the footmen would read this aloud at tea-time to the accompaniment of hearty laughter. The Temperance-tract language of the parody is quite spot-on. There are, of course, food reformists who rail against pie as the fons et origo of spots and dyspepsia, but those of us who enjoy a nice, flakey lard-based crust consider them cranks. Heaven knows what horrors they would conjure up about Christmas puddings and hard sauce.
Mrs Daffodil wishes all of her American readers the happiest of Thanksgivings with as much pie as they like.
This post was originally published in 2016.
Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes
You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.
Nothing could have been more brilliant than the recent pageant of precious stones which illuminated the streets of Brussels. The route followed by the novel procession was lined with dense crowds. As night set in the skies were seen to be clouded, and for a moment the weather threatened to put an unceremonious end to the program. A few drops of rain fell, but only to tantalize the spectators, for after a minute or two the downfall ceased. The procession had been formed in the Rue Ducale, and there, until nearly 8 o’clock, it remained a mysterious trail of shadows, the accoutrements of which dimly and mysteriously reflected the flickering lights of the streets. Precisely at 8 o’clock the figurantes lit their torches, the electrical apparatus was set to work and the whole street broke out into a blaze of multi-colored light. Amid enthusiastic cheers the procession was set in motion.
The first car represented Light, being an appropriate reminder that without the aid of the sun the most brilliant of precious stones would be robbed of its beauty. In a gorgeous chariot, covered with silver and blazing with light, the god Phoebus appeared in his most classical form. Following him was an escort of drummers, musicians and torch bearers, all dressed in white and silver, their tunics and casques ornamented with faceted silver plates.
Then came a troop of cavaliers representing the turquoise, the topaz, the amethyst, the sapphire, the diamond, the emerald and the ruby, serving as a sort of summary of the cars and chariots forming the main body of the procession. Of these cars the most admired were the diamond and the ruby. The brilliant white of the one and the glowing red of the other, together with the artistic grouping of the figures on both, formed pictures of real artistic merit. In each case the colors of the precious stones and their geographical associations were admirably represented.
The topaz, with its figurante in a palanquin, and its attendants flourishing gigantic yellow fans, formed an admirable picture of Asiatic luxury. The turquoise car, with its twenty beauties apparelled in blue, and its floating mass of cerulean bijouterie, was also much admired. A miscellaneous cavalcade, representing jewelry, concluded the procession. For nearly three hours this gorgeous display perambulated the boulevards and principal streets.
The Jewelers’ Circular and Horological Review 5 December 1894: p. 45
Mrs Daffodil’s Aide-memoire: One would give much to have a cinematic or even photographic record of such a brilliant occasion. Normally one thinks of Brussels lace rather than her gemstones, but this cavalcade of gemstones, complete with “figurantes”–those picturesque ladies selected for their faces and figures–sounds perfectly enchanting.
Mrs Daffodil has written before about floral parades in the States, but any “float” adored with a “floating mass of cerulean bijouterie,” must surely surpass even the most lavish productions of nature. One wonders if there were any actual gemstones worn or draped about the cars; if so, the liability cover would have been prohibitive.
Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.
Tableaux of Fortune, Cupids Dream and the Years Forecast By Electricity
A very new Halloween play and one which will be carried out most beautifully even to its most minute detail in a very fashionable set of New York young people is a “game” called the tableau of fortune. And let it be stated right here that all entertainments on Halloween night are called “games,” although l they may not partake of the nature of play nor yet be intended for the juvenile members of the family.
After the audience is seated, little tickets are distributed until each has a slip of pasteboard. Upon the slip there is the date, the initials of the hostess, a blank space, some little ornamentation like a bit of hand decoration, and a number.
In front of the audience hangs a curtain, while palms at either side, and just visible rearing their heads behind it, prepare the guests for something very fine to come.
There is a tinkle of a bell and number one appears with a big figure, mysteriously lowered over the upper edge of the curtain.
“Who holds number one?” asks the mistress of ceremonies.
“My card is number one,” replies some one–say Miss Brown.
“Well, Miss Brown, I have the honor to announce that the coming tableaux will reveal your fortune for the coming year. Note carefully the picture. It will be repeated in your own life within a twelvemonth. Let the curtain rise!”
As the curtain is pulled away there stands revealed a bride, in full bridal costume. There is the trailing high-necked gown of white, the veil, the orange blossoms, the prayer book—nothing is lacking. Of course the bride is very beautiful and the tableau is a pretty one, without considering the joy which must have been experienced by Miss Brown at the thought of herself so beautifully arrayed “within a year.”
When number two is called and the owner of the number has responded to it, the curtain again is drawn aside. This time the owner of the tableau is less fortunate, for the picture is that of a Cinderella seated by the fireplace in rags. Her shoes show the need of a fairy godmother and adown her tear-stained face the tears are still falling. A little histrionic talent and some knowledge of stage effects might not be disadvantageous here.
The next tableau, number three, may show the fairy godmother with her arms filled with finery for Cinderella, while that young lady with her back to the audience, leans toward her godmother. This would typify that young lady No. 3 will have trouble the beginning of ’95, but that love will clear a way before the year is ended.
The curtain rolls back and number four sees herself seated before a mirror giving the last touches to her face with powder puff and rouge pad. There are tiny half-moon patches upon her face, and her hair is piled high, powdered and stuck full of ornaments. She has ear-rings and is laden with jewels. If the mirror faces the audience there will be the very pretty effect of the face reflected in the glass. This tableau is extremely taking and typifies growing vanity.
CUPID’S DREAM.
Cupid’s Dream Is the sentimental title of a Halloween game which is to be produced in a large gathering of young people with tremendous effect. The cupid In a marble figure about two feet in height with an arrow in its hand. The bow is drawn and Cupid shoots his dart apparently straight at the heart of the victim.
If desired a small child could act as Cupid, or a terra cotta figure be substituted for the marble. Or, indeed, any Cupid at all might be used.
The game begins with a dialogue.
“Miss A’s love affair will now be decided. Is Miss A present?”
“I am here,” replies Miss A.
“Are you ready to know your fate in love?”
“I am ready.”
“Cupid, reveal your knowledge!”
Instantly to a musical tinkle of a silver bell, or a chime if it can be arranged, the curtain goes back–and there stands the marble Cupid. Upon him plays a clear blue light, and the audience is hushed with admiration, while all the time the bells tinkle most sweetly.
“Miss A, you will be very fortunate in love, and before the year Is ended you will have become engaged to the man of your choice, who will be a paragon of manly perfections.”
The bells tinkle until the curtain has closed. Then comes the dialogue over again. This time it is addressed to Miss B.
When the curtain goes back it is to the sound of a thin, shrill bell that rings in a monotonous way. There is no music in the light, and Cupid is bathed in a green light. The bell continues until the curtain is drawn over the unhappy sight.
“Miss B., you will love a man who adores you as well, but who is extremely jealous. His jealousy will mar your happiness.”
While Miss B’s friends are advising her what to do with a jealous man, Miss C is called, and Cupid appears again. This time there is a tolling of the bell—a very deep tolling—and poor Cupid is flooded with a deep yellow light.
“Unrequited love!” announces the master of ceremonies.
A lovely white light plays upon Cupid at Miss D’s name. And the interpretation is, “Will remain heart and quite fancy free.”
All the shades of color are shown, according to their meanings, and the delighted audience openly regret when no more Cupid Dreams are to be seen. To arrange the colored lights the room must be darkened. A gas jet back of the audience must be supplied with a pipe with a large gas burner upon it. In front of the burner there are regular calcium light slides of all colors easily taken out and replaced.
All Halloween games must have the element of luck introduced. Nor can they possibly be without love. But by the skilful blending of these two qualities a Halloween entertainment may be interesting to all–even to those with this world’s love affairs already decided. In the affair of this kind surprises are always in order and the more of these the merrier.
A. P.
The Salt Lake [UT] Herald 28 October 1894; p. 13
Mrs Daffodil’s Aide-memoire: It is quite curious how a religious festival celebrating the spirits of the dead returning to roam the earth for a night became so entangled with amorous divination rituals. We have seen this before in the fancies of “Nut Crack Night.”
One wonders if the mistress or master of ceremonies sent out spies beforehand to ascertain romantic entanglements or aversions before so blithely predicting unrequited love for a party guest. It seems as though the result would inevitably be the unhappy young woman rushing from the room in floods of tears and when next heard of, taking solemn vows in some austere convent. Surprises are not always in order….
Mrs Daffodil feels that such artistic tableaux should be on the order of “Twenty Questions,” where the guests have to guess the identity of the gentleman seen leaving the apartments of the young bride recently wed to the aged financier. Alternately, the “game” might expose a well-known gentleman as a card-cheat and a cad, at which he would quietly take his hat, and then flee the country before the ports could be watched. Hours of wholesome amusement and one needn’t enlist a child or a terra cotta cupid.
Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote
You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.
Crepe paper fancy dress costume, 1926 Fashion History MuseumMatching crepe paper fancy dress hat, 1926 Fashion History Museum
The Hallowe’en hostess says in despair, “There’s nothing new under the sun.”
But what about a paper dress masquerade party? It’s loads of fun. Ask all the girls to come dressed in the prettiest paper costumes they can devise. Tell them that before they take off their masks at midnight they will pass in a grand review in front of a court of witches.
Prize for Prettiest.
A prize should be awards to the prettiest and most unusual paper dress at the ball. It might be one of those flirtatiously inclined bisque young ladies that are so popular now, gowned in an adorable paper Hallowe’en costume. Or it might be a little bit of real art, in the shape of a replica of a famous artist’s statuette of a cat. If the lucky girl is a lover of cats, she is likely to be overjoyed at such a remembrance of the spirit of Hallowe’en. Of course, there’ll be second and third prizes, perhaps a mysterious little witch concealing beneath her skirt a pin cushion or vanity box, and a miniature pumpkin filled with colored candies.
New Use for Shelf Paper.
But let’s not forget the paper frocks—they’re the real center of excitement of this party. And here are only a few of the possibilities.
Take the afternoon frock at the left, for instance. You might not guess it, but mother’s shelf paper, with a riotous border of red, yellow and blue, makes the bodice and perky short peplum. A garland of paper flowers is the girdle, and there is just one shoulder strap—another flower garland. The skirt is of plain blue heavy paper, with a tunic almost the length of the skirt.
Next is a dainty tea gown all of orange crepe paper. The skirt has three flounces. The sleeves start out to be regular kimono sleeves, but end in flowing paper ribbons, reaching to the hem of the skirt.
The girl in the center is dressed in a clown costume of white, with a white paper ruff about her neck and a high fool’s cap on her curls.
And all over costume and cap are pasted all manner of black paper cats and scary faces and witches and owls.
Sports and Bathing.
Then comes a striking sports dress of black and white checked paper. A braided paper hat, white above with black facing, makes the whole thing just right. The dress is very simple. Black paper fringe trims the mere suggestions of sleeves, black pompom decorate the wide black paper belt and white outlines the seams of the short skirt.
Last is a paper bathing suit. Its pale yellow as to background, and has great splashes of green in the shape of conventional flowers near the hem and at the waist-line. Green petals on the yellow encircle the hem and neck. Sleeves there are none, but a frilly green cap there most certainly is, trimmed with a big yellow flower in front.
The West Virginian [Fairmont, WV] 18 October 1920: p. 7
Mrs Daffodil’s Aide-memoire: “Cheap and cheerful” about sums it up. “Deadly” might be a third adjective to describe Hallowe’en fancy dress made from paper when coupled with the inevitable candles and bonfires of that holiday. Stories of paper-clad revellers burnt to death were distressingly common in the press. Mrs Daffodil will forebear from quoting any of these, so as not to dampen the holiday spirit, but does urge her readers to use caution around open flames if trying any of the fashions above. Mrs Daffodil does have one final economical hint for Hallowe’en from Mary Dawson of the Mary Dawson Game Book, 1916:
If a costume party would be too great a tax upon prospective guests, a head-dress party can be substituted, the head-dresses being nothing more expensive than colored paper.
Suggestions for head-dresses include: a Rajah’s turban, an Egyptian lady, Dutch caps, cocked hats, a chef’s cap, dunce cap, and a Mediaeval Princess’s pointed hat. It is suggested that “flame-proof” papers be used.
More crape-paper costumes from a 1920s party book.
This post was originally published in 2015.
Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes
You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.
I am no longer a young girl. The age of illusions is over with me, and that which I state now, I state with a calm conviction in its truth which no amount of incredulity can shake. It is many years ago since I was a school-girl. It chanced that I formed a friendship with a girl of my own age, but not of my own temperament. Our physiques differed as widely as did our fates. She had been christened Emmeline, but to me, and to others of her familiars, she was always Milly Deane. A handsome brunette, with a wealth of colour and vitality about her that made of her large-pupilled grey eyes two dancing stars, and of her rounded firm cheeks two ever-blooming roses. A fine upright girl, whose attitudes never required correction at the tongue of the stiffest of governesses, and whose back never was condemned by the ignominy of a board. In the days of which I write, if Milly Deane was a fair embodiment of night, I was a fairer one of morning ; for I had waves of feathery ringlets of bright gold, when she had pounds of bonny brown ones ; and pale pink roses in my cheeks in place of her crimson blooms. The daughters of the royal tribe of wanderers–those dusky flowers who break into bloom all over the land simultaneously whenever the sun shines genially–had told our fortunes over and over again. I, Annette Davant, was to love, and be loved by, a dark gentleman, whose lot was cast in India, whither I was to accompany him, and live a life of Oriental splendour, amongst elephants, and punkahs, and Cashmere shawls. Milly, on the contrary, was to marry young young and happily a gentleman who rolled in wealth in the city, and to have a large family, and a long life, and everything else that the heart of woman can desire. We accepted these prophecies with assumed incredulity, and real belief. We left school the same quarter, and came out at the same county ball. Our homes were not very far apart. Milly Deane’ s home was in the high street of a flourishing country town; a tall, square, considerable mansion of red brick, with white stone copings, which her father had bought the freehold of on his attaining the position of first solicitor in the neighbourhood. My home was more exclusively situated. It was an old, rambling, picturesque Grange, in the environs of one of the prettiest villages of Norfolk. A house with an oaken parlour, and a cedar room in it, with a grand old grey-balustraded terrace in front of it, and with our coat-of-arms carved massively on a shield over the entrance door. It was in this house that I came home to live just before Milly Deane and I made our debut at the county ball. Ours was a very small family. It consisted only of my mother and myself. Our household was composed of a number of old, stolidly-unimaginative servants, who had lived with us for years, and to whom our interests and our nerves were of the dearest consequence. They were tenacious, too, about the regulation of the house. Idle rumour asserted it to be haunted by a discreditable ancestress, but none of those then resident in the house had either seen anything or heard anything when I left school with Milly Deane. In the order of things–at least in what appeared to be the order of things to young girls’ minds–my favourite schoolfellow and I deemed it incumbent upon ourselves to spend a large portion of our time together. It was easy enough to ride and drive over to see one another constantly; but that did not satisfy us. Friendship demanded that we should stay at each others’ houses–that our morning aspirations and evening conclusions should be breathed in each others’ ears–and the demands of friendship were attended to. We did these things, and I don’t know that we were ever the worse for doing them, in spite of the current scepticism which mocks at all that it does not understand.
The county ball, at which Milly Deane and I were to make our first appearance as grown-up and eligible young ladies, came off in the Christmas week of 1850. It had been the source of joy and woe to us both for at least a fortnight previously– that is to say, we were charmed at the idea of going–but, as became young women to whom it was still left to make the first impression, we stood very much upon the order of our going, and were severe, even in our slumbers, with audacious dressmakers, who presumed to hold adverse opinions to ours on the important subject of when it was needful for our costumes to come home. For several days before the great event Milly had been staying at the Grange with me, sharing my room, as well as my costumes, cares, and creating a feeling of dismay in the minds of one or two of our old servants by her obstinate persistence in stating that the house was haunted. It was about a week before the ball that she confided her conviction to me, first quite calmly. I had run up hurriedly into my room one afternoon, when darkness was just creeping over things, meaning to dress quickly for the dinner, that my dear mother never liked to have kept waiting. I burst into the room, with my hat and habit on, my hair blowing about somewhat loosely, and my whip in my hand, just as I had come in from riding since two o’clock. Candles were burning on my dressing table, and, by the fire, Milly stood ready dressed in a soft amber silk, which became her dark glowing beauty well. She was speaking and laughing as I came into the room; and, to my surprise–for I made sufficient noise–she did not look up at my entrance. The words I caught were, “Will call me the yellow crocus still, for I wore this dress the last night he saw me.” I looked round the room in an instant. There was no one but ourselves in it. She must have been speaking to herself–yet that was never a habit of hers. In that instant my face had time to pale, and my flesh had time to creep. “Milly,” I exclaimed, and she looked straight at me without the slightest start or hesitation. As her gaze fell upon me, though, she gave vent to a surprised ejaculation, “Annette, how have you managed to metamorphose yourself in this minute?” she asked quickly, and I said–“In this minute, indeed! I am very much as I have been ever since I started for my ride, I believe.” Milly Deane came and put her hand on my shoulder. and looked at me with bewildered eyes. ” You came in some time ago, Annette–half an hour ago, at least.” she said earnestly. “I didn’t. I wish I had; I shall be late for dinner, as it is.” I answered, beginning to hurry off my riding gear. “But you did.” she repeated emphatically. “How silly of you to try to mystify me! why you should have taken the trouble to put on your habit again, puzzles me.” “I have never had it off, Milly,” I said, rather crossly; “it is you who are trying to mystify me, talking to yourself aloud, and arraying yourself in amber silk, as if some one was coming.” “I was not talking to myself, I was talking to you,” she said, indignantly; “and you told me yourself to put on this dress, when you said Captain Danvers was coming.” “I have never spoken to you since luncheon,” I said, “and as to Captain Danvers, I have never even heard of him.” Her face blanched, as I spoke, with a sort of horror that quickly reflected itself in mine. “You never told me to put on this dress because he was coming?” she said. interrogatively. “No, I didn’t,” I said, shaking my head. “Do go and ask Mrs. Davant if you didn’t come with that message to me, half an hour ago. Stay! I’ll come too. I dare not be alone now.” “I shall not face mamma until dinner is ready,” I said, going on with my dressing. “Half an hour ago I was two miles away from home, in the middle of the common, on Cock Robin.” “Then the house is haunted,” Milly said; “and I have seen and spoken to a spirit. And it was like you,” she added stammeringly; and then she sat down, and seemed to be trying to collect herself. I had a very natural elucidation to offer, both to her and to myself, of this seeming mystery. “You probably sat down by the fire when you came up to dress?” I asked her. She nodded assent. “There is the clue to your mental maze.” I said, rather scornfully. “The heat overcame you, and you slept and dreamt a dream that has bothered you.” “It may have been a dream; but if it was, I am not awake now,” she said, slowly; “it was so vivid–so horribly vivid. I will just tell you how it all happened or how it seemed to happen,” she said. “I was sitting by the fire in my dressing-gown, when you came quickly into the room, dressed in a blue silk, with a quantity of Christmas roses in your hair and on your bosom. You didn’t look at me, but you said, ‘Make haste, and dress yourself in your amber silk, Milly; mamma wishes it.’ And when I asked, ‘Why?’ you said, ‘Oh! because Captain Danvers is coming to dinner.’ Then you went again, and I dressed: and that is all.” “A dream!” I said laughing. “Now, I am ready: mamma will think you crazy when she sees you such a swell. Who is Captain Danvers?” “An army officer,” Milly said, with a young country girl’s pride in knowing a military man. “I saw him several times while I was up in London with my aunt.” “You never mentioned him to me,” I said. “I know that,” she said, blushing a little. “I made myself a goose about him, so aunt said,” she continued, laughing, “and so I have held my tongue about him since; but I was very glad indeed when you told me just now that he was coming here to dine.” “When you dreamt it,” I insisted; and then we went in to dinner, and told this joke, as we both began to consider it, to mamma.
By the time the ball came off, we had nearly forgotten Milly’s vision, as she would insist on calling it. It does not in the least matter my mentioning now, at this distance of time, that Milly and I were the rival belles of the evening. We were young, we were fresh, we were pretty–above all, we were new. Being both under the wing of the same chaperone, we met at long intervals during the progress of the ball, and in the midst of my own triumphs I found time to notice that Milly was frequently on the arm of a handsome, distinguished looking man, a stranger, who was in the uniform of an infantry regiment. “That is Captain Danvers, Annette,” she had time to whisper to me once in the evening; and from the tone of that whisper I judged that she fancied she had met with her fate. I soon knew Captain Danvers very well indeed; for shortly after that ball, he became Milly Deane’s declared lover. I have called him distinguished looking, and so he was to our girlish eyes. Perhaps if we looked at him with the matured vision of to-day, we might substitute the word unhealthy for distinguished, and be considerably nearer the mark. But in those days he was, if not a god of beauty, a very fair object of admiration to us. He was very tall and very slight, and his hair and eyes were both black and shining, and his face was of almost a ghastly pallor. Unquestionably he was a very striking looking man; and we stricken ones, in those early days, pronounced him an Apollo. He talked in a way that was quite new to us both, too. We trembled, but admired, when he avowed his beliefs, which were few, and his non-beliefs, which were many. His shallow scepticism, and his mystical metaphysical allusions, seemed to be very brilliant things to us in those early hours of our luckless intercourse with him. Yet all the time I felt him to be a dangerous man and wondered how Milly’s infatuation would terminate for herself.
They were married in about four months from the ball at which they had renewed their acquaintance. Milly went off to India almost immediately with her husband, and so we parted, my pretty friend and I. And soon a romance of my own swept her romance from my mind and memory, although for herself I had a warm affection still. I settled down into the happy wife of a prosperous man, and the proud mother of fair good children. Milly and I corresponded with tolerable regularity. Of her husband she never spoke after the first six months or so of her marriage. That she was a disappointed and unhappy woman I could not fail to perceive.
At the end of five years Mrs. Danvers came home alone on a sort of sick leave which had been granted her by her husband. We were living in London at the time, and it seemed to me only natural that my solitary friend should have made our house her home. The very morning after her arrival in town I went to the hotel at which she had given me her address, and solicited her to do so. But she refused decidedly at once, saying that she was better alone for many reasons. I questioned her closely, with the loving curiosity my affection for her entitled me to display, as to how she was wont to pass her time, and whether her husband and herself were sympathetic in their pursuits or not. “Very sympathetic!” she said once, rather harshly. “We both like to please ourselves.” “Have I been superseded, Milly?” I persisted. “Have you any female friend in India who seems nearer and dearer to you than I do?” “I haven’t a female friend besides yourself in the world,” she said, quietly; “not one I assure you, Annette; not one that I would go a yard out of my way to confide a joy or a sorrow to.” “You would confide both to me if we were thrown much together again,” I said, determined not to be rebuffed. “Not trivial ones.” “Great ones, then?” I said. She moved uneasily off the sofa on which she had been reclining, and stood with her back to me, gazing out of the window. “Great ones, perhaps,” she said slowly, after a long pause.
“Annette,” and she turned round suddenly upon me, “shall I promise you that in the greatest trouble of my life I will come to you? I will so promise if you wish it.”
“You may not be able to come to me,” I began protesting. I was going on to say, “but I hope you will always write to me if–,” but she interrupted me. “I may not be able to come to you in the flesh,” she said emphatically ; and I answered “That is exactly what I meant; but you will write?” She nodded her beautiful head and said,–“I promise that, in my greatest trouble, I will come to you, Annette; and you, on your part, promise that you will not shrink from me.” An interruption occurred just then, and we never renewed the subject. “Annette,” she said to me one day, when we were sitting alone, talking over schoolgirl days, “have you a blue dress trimmed about the body and sleeves with Christmas roses?” “No,” I said, laughing; “haven’t you forgotten my ghostly visitation to you yet?” “No, I haven’t forgotten that ghostly visitation, and I never shall forget it.”
Milly Danvers stayed in England about eight months ; then she re-embarked for India, “which I shall probably never leave again,” she said sadly. “Does the climate try you so very much?” I asked anxiously. “Cruelly! cruelly!” she said warmly; “I can’t live there long.” “Does Captain Danvers know this?” I asked, indignantly. “Yes, dear champion of mine;” she said, affectionately. “Why else should he wish me back?” she said, curling her lip a little; “of course he knows it. Captain Danvers would not miss me–” “Oh, yes, he would!” I interrupted, hastily; her tone was so desperately despairing, that I could not bear it. “Oh, yes, he would! why else should he wish you to go back to him?” “Because no questions are asked, either about gradual decay, or sudden death there,” she said; and then she peremptorily decreed that nothing more should be said about it. We parted very soon after this, and when I heard from her that she had arrived in their cantonment in the Madras Presidency safely, the gloomy impression upon my mind by our last interview faded away.
Months passed away, and Christmas-tide was upon us. We had arranged a juvenile party on the occasion of our eldest child’s seventh birthday, and. in decking out my little men and women, and arranging my rooms, I overlooked that usually important matter–my own toilette. A couple of days before our juvenile ball, I laughingly told my husband of my dilemma. “I haven’t a ball dress fresh enough to wear in honour of our little Milly,” I said to him, “and really I have no time to go to my dressmaker.” “I will go and order you one; leave it to me, Annette,” he replied; and I agreed to do so, only stipulating that he should not make me too fine, and that he should avoid pink. The night of little Milly’s ball arrived in due season; and, fatigued with my exertions, I went up to my dressing-room, determined upon resting until it was time for me to dress. My robe had not come home yet, but I could rely on Madame Varcoe’s honour–she had said that it should be home by half-past eight at the latest, and I knew that she would keep her word. Feeling thus easy, I fell asleep, and slept a dreamless sleep of some hour and a half. Then I awoke, and found my dress laid out ready for me to put on, and my maid waiting to do my hair. “It’s one of the prettiest dresses Madame Varcoe has ever made for you,” my maid said, as I cast a glance towards the bed, “a most delicate rich blue, trimmed with the most loveliest Christmas roses.” Strange as it may appear–at least, strange as it does appear to me now–I gave no thought at the time to the coincidence between my actual dress and the dress of Millv Deane’s dream. My head was full of other things, and memory was effectually put to flight by the entrance of my three little girls, vociferously declaring “that I should be late, and that it seemed as if people were never coming.” But the little guests came all in good time, and enjoyed themselves almost as much as I did. I say almost as much as I did advisedly, for that must be the happiest ball for a woman which she organises for the first time for her eldest child. At any rate, I can imagine no higher Terpsichorean happiness than this. Yet the day has been (not so very long ago either) when I enjoyed a ball as gaily as the gayest.
It was over at last, and when I had seen my pleased and sleepy children safely into their respective beds, I went slowly to my own room, and sat down by the fire to wait for my husband. I had told my maid that I would dispense with her services, and so I sat alone, and pleased myself with recalling the little ebullitions of childish pleasure which I had witnessed that night. My husband was down in his study still, looking through the evening papers, the late editions of which had been neglected by him in his endeavours to contribute to the little people’s entertainment. It must have been about two o’clock in the morning when I roused myself from my cheerful reverie, and stood up to commence my preparations for retiring for the night. The chair I had been occupying was a large massive carved oak one, with a very high back. As I stood up, I became conscious, without seeing anything, that some one was leaning on this back, and, thinking that it must be my husband, I said quietly, “You have come at last, dear?” “At last,” a very soft voice whispered–breathed rather; and then I turned round startled, and saw nothing on the spot from whence the voice had proceeded. A nameless horror, a dreadful fear possessed me. I could not cry out; even in my agony of fear I revolted against doing that. When I could move–and for a few moments I was quite unable to do so–my impulse was to get nearer to the gas, which was low, and turn on a brighter light. I had two lamps in my room, one on either side of my cheval glass; and as I reached up to turn on a higher light, I caught sight of myself. I was in just such a dress as Milly had described me as wearing when she saw me, or fancied that she saw me, or dreamt that she saw me. Sick and horrified, and chilled with a more than mortal dread, I staggered back to my chair, and buried my face in my hands. Something swept softly up to me from a darker corner of the room, swept softly up and stood beside my chair. I felt the air grew heavier, as occupied air does grow. I heard low breathings; some one was bending over me nearer and nearer. Then the breathings formed themselves into words, into a word rather, and I heard my own name murmured distinctly,
“Annette, Annette,” and I knew that it was murmured in Milly Danvers’ voice. I shuddered, and tried to look up. I took my hands down from before my face, and strove to lift my eyes and strove in vain. I could not do it. I had a dread of being so awfully frightened that I might never recover it. That Milly Danvers was standing close to me I was well assured. But I was also well assured that it was not Milly Danvers in the flesh. Then I remembered the words she had spoken to me. “I will promise to come to you in the greatest trouble of my life,” she had said ; and I felt, as her words flashed back upon me, that my friend must be in fearful trouble now. Again the impalpable presence spoke, “Annette, remember the hour! note it!” Shiveringly, shudderingly I raised my eyes at last, and there, gilding away into the shade by the side of the bed, I saw a slight frail form. Instantaneously I turned to my clock. The hour hand stood at three, the minute hand at five minutes past twelve. I grasped the bell, “all my soul within me sinking,” and rang such a peal as quickly brought my husband to my side. I wrote to Milly the following day, and I got no answer. I wrote again, and my second letter shared the fate of my first one. Then I gave up the attempt to elucidate whatever of mystery there was in the affair, and tried to forget it–and could not. Just twelve months after this I was spending the Christmas week, together with my husband, at the house of one of his married sisters in the country. We arrived just in time to dress for dinner, and in the brief interval between my going up to my room for that purpose, and being joined by my husband, my sister-in-law came to speak to me for a minute. “We have a goodly party dining here to-day, Annette,” she said. “Captain Danvers expressed the greatest pleasure at meeting you again.” “Captain Danvers! is he here?” ” He is, with his wife,” she said, shutting the door, and running off; and I was left alone, repeating to myself, “His wife! Then Milly is not dead!” and then we dressed, and went down to dinner. I recognised Captain Danvers the instant I got into the drawing-room. He was considerably altered; still I knew him at a glance. I looked round the room. Milly was not there. Impulsively I went up to him and asked, as I took his offered hand, “Where is your wife?” “She will be here in a few moments,” he answered, smiling his old, brilliantly flashing smile and the wild throbbing at my heart ceased. She was alive, and she was here! That was sufficient for me. I curbed my impatience, and stood still, watching the door. Two or three ladies, strangers to me, entered the room, and, a moment after, my brother-in-law asked a gentleman to take me down to dinner. We all went down. Captain Danvers was on the opposite side of the table, at some little distance from me. I looked round the table, and Milly was not there. The dinner that day seemed to be an endless affair to me. I was most impatient to ask our hostess where Mrs. Danvers was. I went to her the moment we got into the drawing-room, ” Where is Mrs. Danvers?” I said; “she is my dearest old friend, and I’m longing to see her.” “You might have renewed your acquaintance at the table, then, surely,” she said, pointing out a fair, pretty young woman whom I had observed sitting very near to me at dinner. “That Mrs. Danvers! impossible!” “But the truth, notwithstanding,” she said, laughing; “she is a bride, and a beauty, and altogether rather an acquisition to my Christmas party, I consider.” I was almost stunned at the revelation of Milly’s death; and when Captain Danvers, later in the evening, came sauntering up to me suavely, saying, “Now, at last, I can renew my very pleasant acquaintance with you,” I cut him short at once by saying, “Captain Danvers, when did Milly die?” “Last Christmas Eve,” he said. ” At five minutes past three?” I asked eagerly, and he said—“Yes.” And as he said it the two ghostly episodes which connected the three (Milly, Captain Danvers, and myself) together, stood out like bodily presences before my eyes.
My story is finished. Call it a ghost story, a fable, a fancy—what you will. I can only declare that the spiritual visitations actually occurred. Milly’s fate was never cleared up. She died, we learnt afterwards, after a long, tedious illness which defied the medical skill that was called in, nearly at the last, by her philosophically calm husband, Captain Danvers.
The Bradford [West Yorkshire England] Observer 18 November 1869: p. 6
Mrs Daffodil’s Aide-memoire: How very solicitous of Captain Danvers to recall his ill and unhappy wife to that place where no questions are asked, either about gradual decay, or sudden death–and where physicians called to a death-bed, are commendably discreet about the belated summons. One wonders whether the Captain (who had surely attained the rank of Colonel) retained the services of the same medical gentleman when he tired of his beauty of a bride.
Touching though it is to see the two friends reunited by the late Milly’s apparition, it would be far more satisfying to see the first Mrs Danvers haunt the Captain so that he would be found dead in his bed with an expression of stark, staring horror on his ghastly, pallid face and a scrap of amber silk clutched between his fingers.
Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote
You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.
“Will you be my summer girl?” he asked, as she sat on the rail in front of him. her sailor hat aslant of her rippling locks and her pretty little feet swinging in front of her.
“Do you want me to be?” she asked.
“Do I want you to be? Yes, assuredly, I want you to be.”
“And what will you do for me if I am your summer girl?”
“Everything. I’ll dance attendance; I’ll be your slave. I will feed you with chocolates, and ice cream, and–”
“I will be your summer girl.” and she held out her little brown hand “Thank you; you’re very kind, and I am delighted.”
“But, tell me. what does being a summer girl consist of?”
“Why, the most delightful, unfettered companionship–nothing serious on either side no promises–no false hopes–just a sort of mutual attention, don’t you know.”
“That suits me perfectly–yes, I’ll be your summer girl.”
That was the way it began. And what a summer girl she was to be sure. How she tripped through green fields with him, picking wild flowers and singing her merry songs. How she pulled away at the oars of the little cedar boat, with her sleeves rolled up to the elbow, calling upon him to watch the rounded muscle as it swelled her pretty arms.
But if these things were attractive how infinitely more attractive was the way she fell into calling him “Harry, ‘ and the pleasant little familiarity with which she treated him. It was not a sisterly familiarity exactly, not friendly one, and not the familiarity of one jolly good fellow for another, yet it smacked of all three, with a little touch of sentiment thrown in and a certain off-handedness to tone it down.
“You are an ideal summer girl,” he said to her one evening in the moonlight–“absolutely ideal.”
“Thank you,” she returned demurely; “I am glad I suit your majesty.”
“You are not glad. You don’t care a bit.”
She laughed merrily.
“What does that make me out?” she asked.
“Oh, only a summer girl,” he responded.
Unfortunately, summer days cannot go on forever, and toward the end of August there comes a chilling breeze across the waves, which shrivels up summer things, and makes one begin to think of heavier flannels and felt hats.
He had passed through the chummy stage, the brotherly stage, even the cousinly stage, and he had now reached a point where all feeling of relationship ceases, and where the desire for relationship begins. The little sprite was going home. The rolling waves would resound no longer to the music of her voice.
“Kitty–don’t let it be good-bye. Don’t say it’s all over. I love you, Kitty. You’re not only a summer girl, are you?”
“But, Harry, you only asked me to be a summer girl.”
“I know, dear, but now I ask you to be something else.”
The sprite laughed and shook her head.
“Too, late, old fellow,” she murmured–“too late! Jack Hilton asked me to be his all-the-year-round girl, and I have consented. You’ve had what you asked for, Harry.”
New Castle [PA] Herald 27 July 1909: p. 7
Mrs Daffodil’s Aide-memoire: Well! The heartless minx! How dare she take Harry at his word and be merely the “ideal Summer Girl?” Mrs Daffodil wonders how long Harry nursed a grudge against Kitty. Obviously he assumed that she would, in the time-honoured tradition of newspaper short fiction, fall helplessly in love with him.
This next examination of the Summer Girl species is particularly distasteful about her “convenience” and her “cheapness”–attributes more suited to lauding washing-up powders than young ladies. It also likens her to a sweet, but transient fruit.
Mrs Daffodil will remain frigidly silent about the notion of “cling” kisses required of the Summer Girl.
THE SUMMER GIRL
Charming Creature Who Reigns Supreme During the Heated Term.
The summer girl is a peculiarly American product, says the Trenton Times. No other soil, so far as known, has ever produced her. She seems to have been discovered several years ago by some college students, and has since been cultivated to a large extent all over the country. She is a very popular creature in certain quarters, possesses undoubted charms and has her advantages. It might not be amiss just now to enumerate a few of her uses.
The summer girl is a good convenience. She does not expect to be fondled and fed on dainties that during the winter. The young man who cultivated her acquaintance knows just when and where to find her. He is not expected to become acquainted with her before strawberry time. She does not display her fairy charms, so to speak, until the cream season is thoroughly ripe. The hammock in which she swings and the perforated sleeves that she wears do not appear before June.
The Summer girl is sentimental. Having an active existence only during the warm months, it becomes necessary for her to lay in a stock of sentiment during the three months that will last throughout the year. Therefore she is very sweet, very tender, very caressable. The young mail who claims her for his own for June to September is believed to have a very “soft” time of it. He is supposed in sentimental slang, to have all the hugging and kissing he wants. The Summer girl always has a supply of kisses on hand. It is true some of her kisses are rather stale, having been lent all Winter, but when they are warmed up they pass very readily for fresh ones. The young man who cultivates Summer girls is not very particular what kind of kisses he gets so long as they are the cling kind.
The Summer girl is pretty. If she wasn’t pretty she wouldn’t be a Summer girl. She wears a pretty girl’s dress, has a pretty girl’s teeth, and puts on a pretty girl’s smiles. She also has a dimple or two to add to the picture. She is usually plump, but not stout; well formed, but not rotund. The young man who pays for her strawberries and cream, and takes her to picnics where they play Copenhagen [a game where the boys chase the girls and claim a kiss] is always proud of her. The Summer girl never gets soiled or looks dirty. She even manages to keep her back hair in good shape after a hugging match.
The Summer girl is not very expensive. Her wishes are few and cheap. A row on the river now and then, an occasional buggy ride, a plate of ice cream on a warm evening and an escort to a picnic about once in two weeks nearly sums up her wants. Being only a summer girl, she does not expect those presents and that devotion that belong to the regular every-day-in-the-week and twice-on-Sunday-all-the-year-round girl. The Summer girl is more like some luscious fruit that comes only for a time and is gone for the year, but it is peculiarly sweet while it lasts.
The Leavenworth [KS] Times 5 August 1883: p. 2
Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote
You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.
Mrs Daffodil’s Aide-memoire: Even without the citation, Mrs Daffodil would know that this is an American poem because, in England, the correct, and vastly more accurate term, is “bottling fruit.” It is jarring to hear the Americanism “canning,” when the container is glass.
To judge by the range of articles on “scientific canning,” and the perils of scalding fruit and exploding canning jars found in the vintage papers of the States, the subject was no joking matter.
Mrs Daffodil is indignant to report that she has found only one joke on the subject that meets her exacting standards of humour:
The Vermont housewife who read that English nobles have lots of hares in their preserves, says she tried it to the extent of putting a whole chignon into some blackberry jam, and the jam didn’t seem a bit better for it.
Kalamazoo [MI] Gazette 2 August 1881: p. 2
Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote
You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.
British Association for Victorian Studies Postgraduate Pages, hosted by Carys Hudson (Queen's University Belfast) and Hollie Geary-Jones (University of Chester)
Mrs Daffodil Digresses 
