Category Archives: Frolics

The Valentine Charm Party: 1911

cupid and two putti.JPG

VALENTINE CHARMS

A recently engaged girl gave a charming valentine charm party to her young girl friends. The invitations were made of water-color paper, and were in the form of tiny padlocks, with a dainty key attached. A painted Cupid was on one side and the following words filled the other: “If thou wouldst know the secrets and charms of love which St. Valentine keeps under lock and key, meet at the mystic board at 29 Chestnut St., at eight o’clock, on February fourteenth.” After a session of girlish chatter, and a social game or two of “Hearts,” the guests were taken to the dining-room, which was hung with many-colored dangling hearts. Heart-shaped ices, “kisses,” “lover’s delight,” etc., were served. Garlands of vines, rosebuds and hearts trailed from the chandelier over the white cloth. The centerpiece was a mammoth crimson rose made of crape paper surrounded by ferns, and its heart contained as many petals as there were guests. Each petal was fastened to a white satin ribbon which led to each place. After the plates had been removed, the guests remained at table and the charms began, when each guest gently drew her streamer and its petal. The petal contained her fortune. The heart of the rose being drawn away disclosed a tiny Cupid in a white satin bride’s slipper. The slipper was filled with crape-paper rose leaves of various colors. Each guest received three leaves on which she wrote a lover’s name (a different lover for each leaf). and dropped them into her individual bowl of water. The first to come up was to be her future husband. On each place-card was found five bay leaves, a tiny crimson candle, two matches and a pencil. Then tiny cups of tea were brought in. The maidens wrote their wishes on the bay-leaves, lighted the candles and burned the leaves, so that the ashes fell into the tea. At a given signal the tea, ashes and all, was consumed, and thus St. Valentine’s help was insured for the gratification of the wishes. Each guest then received an egg, on the shell of which was written the name of her best love, with indelible ink. The eggs were boiled and each lassie claimed her egg. Then the yolks were removed and salt put in its place. The girls bravely ate the eggs, salt and all, while their wishes were made. If they retired without taking a drink of water, the person of whom they dreamed was to be lord of the future, and the wish would come true. The favors for the occasion were satin sachets with a garland of rosebuds and lovers’ knots painted on the surface. A long-stemmed crimson rose was pinned to it. In the heart of each rose was a tiny gilt heart with a quaint valentine verse on it.

-Florence Bernard.

The Delineator, Volume 77, February 1911: p. 157

Mrs Daffodil’s Aide-memoire:  What dainty accessories as a backdrop to the performance of ancient (and to be perfectly frank, rank) superstitions!  Mrs Daffodil has written before about the Valentines’ rites and customs of yore in Holly Boys, Ivy Girls, Eggs, and Billets. The bay leaves were more usually pinned to the young lady’s pillows, but one supposes there are fads in love charms as well as Valentines.

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

Advertisements

The Ice Carnival at Leadville: 1896

leadville's ice palace 1896

The great social-amusement event of the season in the far West is the opening of the Ice Castle at Leadville. Colorado, under the auspices of the Crystal Carnival Association, and life in the Carbonate Camp is, for the months of January, February, and March, to be one continuous round of pleasure, fun and entertainment for all who have leisure.

The present season marks a new era in the camp, in its recovery from the effects of the silver slump, and in its attaining new fame as a great gold producer. It also marks a temporary departure from the intense attention to mining and money getting that has possessed the people of the camp for nearly two decades. It tends toward an appreciation of the artistic, toward indulgence in amusement for amusement’s sake, and to a too unfrequent recognition of the social side of life.

The Leadville Carnival, according to its managers, bids fair to be the most successful concern of its kind ever undertaken in America. The idea was born of the restless energy that characterizes the people of the high, altitudinous portion of the West. It was seized, in lieu of a mining boom, with rare avidity and enthusiasm, and. backed by the plethoric purses of bonanza kings, it has crystallized into a magnificent structure of cold splendors—an artist’s chef d’ouevre  in ice. It is a veritable palace, patterned in a measure after those of St. Petersburg and Moscow. Its site is nearly two miles above sea level, on a ridge in the Leadville basin, and overlooking the city of Leadville and the valley of the Arkansas, picturesque in winter snow and belts of sombre conifers. The grim snow-clad peaks of the Musquito and Saguache ranges rise to majestic heights on either side of the valley, and the cycloramic view from the ice castle is one of alpestrine, wintry grandeur.

For two months about two hundred men have been employed in erecting the building, which is of the Old Norman school of architecture, and in which three hundred thousand feet of lumber and five thousand tons of ice are used. The greatest length is four hundred and fifty feet and the width is three hundred and fifty feet. It is a permanent frame structure, encased with solid walls of ice. Two massive octagonal towers ninety feet high flank the main entrance. Flag-staffs rise from the towers to the height of one hundred and twenty feet.

The effect is of massive architectural beauty. Within the portals stands a huge female figure in ice, representing the glorification of Leadville. With one arm she points to the eastern hills, and in the other she holds a scroll bearing the legend “$207,000,000.” These being the figures which represent the total metallic wealth produced by the camp—since its conversion front a placer-mining into a lode-mining camp.

ice statues in the leadville palace

Ice statues in the Leadville ice palace

The main chamber is a skating rink with fifteen thousand square feet of ice surface. Its ceiling is decorated with a heavy frost-work of artificially produced rime. Corinthian columns of solid ice, inclosing incandescent lights before tin reflectors, support the roof.

The grand ballroom has a floor of grooved Texas pine. The annexes include an auxiliary ballroom and dining hall, and a complement of modern conveniences; icicle effects are given in the decorations. The eastern annex is finished in terra-cotta and blue, and the western annex in orange and blue. Throughout the edifice an effort has been made to combine beauty of scene with comfort, a fitting abode for the devotees of the Frost King.

ice statues in the leadville palace 2

A museum annex has a lot of snow statuary carved out of snow slushed solidly and then sprayed, and exhibits of fruit. flowers, and mechanical appliances in solid cakes of ice. A programme of divertisements throughout the winter on an elaborate scale has been planned, and a season of festivities, glittering pageantry, and winter sports has been inaugurated. Chief among them will be the storming of the ice castle by the Snow-Shoe and other clubs, the castle being held and defended by the Leadville Press Club. Various gala and occasional days have been set, and brilliant balls and receptions will be given from time to time. Among the outdoor attractions is a toboggan slide two thousand feet long with a double rush.

Leadville is gay with bunting, the colors being old gold, silver, copper, and lead, representing the royal and chief base metals produced by the camp. The official souvenir badge is of silver and gold, a bucket of ore hung on a bar composed of a shovel, pick. and hammer, emblematic of the miners’ calling. On the streets gay carnival costumes mingle with the picturesque garb of the miners.

The director-general of the Crystal Carnival. Mr. Tingley S. Wood, is a representative and successful miner, operating on a large scale, and owning productive properties in the gold belt and silver contact zone. He is a native of southeastern Ohio, and resides with his family part of the time in Springfield, Illinois, where he is a member of the famous Sangamon Club. Mr. Wood is a gentleman of dignified demeanor, handsome, courteous, and urbane. Always well dressed, he is thoroughly versed in geology, mineralogy, and the mysteries of smelting, and is the ideal successful miner.

That the fair sex will be brilliantly represented at the Carnival will be understood by any one who will glance at our page of pictures of the prominent women of Leadville.

Julius Von Linden

The Illustrated American 11 January 1896: p. 345

Mrs Daffodil’s Aide-memoire:  Undoubtedly a glittering occasion, to judge by the lavish prose of Mr Von Linden. Mrs Daffodil is reminded of the fancy-dress skating carnivals of Canada and the luxury ice hotels of the frozen north.  While acknowledging the novelty (and the appeal of seeing the Northern Lights in their native habitat), Mrs Daffodil is at a loss for why one would travel so far to spend the night in an unheated chamber, when one might experience the same sensations at any week-end spent at an English country-house.

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Mr Blomgren’s New Year’s Call: 1880s

Christmas and New Year's Greeting fan 1880

Before the custom of making calls on New Year’s day had quite come to an end in New York, we were directing envelopes for our cards, during Christmas week, when some one noticed that we had forgotten our friend, Mr. Blomgren. We hastened to correct our omission, and fell to speaking of Mr. Blomgren as one we liked particularly. He was amiable and unassuming, and had the most winning manners. In fact, he was a very fine specimen of the Swedish gentleman, and each of us had something pleasant to say of him, and we rejoiced that we had discovered our mistake in time for him to get his card, which we directed to his boarding place.

New Year’s day came, and, during the afternoon, Mr. Blomgren did not present himself. However, we had rather thought that he would come in the evening and were not surprised.

It was about eight o’clock, I think, when one of us went up-stairs to put two little nieces, who were visiting us, to bed.

The children were sound asleep, and their aunt was growing drowsy, when she became aware of a tall figure standing in the door-way, and, starting up, saw that it was Mr. Blomgren, and fancied that, as the room was sometimes used as a dressing-room at our receptions, he had supposed that this would be the case to-night.

She arose and advanced toward him, saying words to the effect that every one was down stairs. He answered, without a smile—”I came because you sent me a card.”

“We are delighted to see you, Mr. Blomgren,” she replied ; “shall we go down?” But he was already gone, and she followed.

As he was not to be found in any of the lower rooms, and none of us had seen him, we decided that the mistake he had made had mortified him and that he had gone away at once, and we were all very sorry. Yet, it was not like him to be so sensitive, he was too much a man of the world, and not by any means a boy— thirty years of age, probably.

A few days after, a lady friend called, and one of us spoke of Mr. Blomgren. She had got so far as to say —”of course, we sent him cards “—when the visitor cried out:

“Sent him cards?—why, he had been dead a week or more on New Year’s day.”

He died of pneumonia, after a brief illness, and, having no relatives here, he was taken to a hospital.

I know that many people who knew him had no knowledge of his death until weeks after it occurred.

It is only fair to say that the lady who saw him afterwards decided that she must have been asleep and dreamed it all—though, she declared, it resembled no other dream that she had ever had, and she was not conscious of any waking. 

The Freed Spirit: Or Glimpses Beyond the Border, Mary Kyle Dallas, 1897

Mrs Daffodil’s Aide-memoire:  We think of the notion of a round of New Year’s Day calls as a stream of decorous visitors wishing the householders the joys of the season and leaving their cards in the tray.  In reality, the addresses of prominent persons holding “open houses” on New Year’s were printed in the newspapers and droves of young males went about from house to house, just long enough to greet the party and swill the alcoholic refreshments that etiquette demanded be offered. Their social depredations were planned with military precision to see how many houses they could “hit.” By the end of the day, most of the revelers were so intoxicated they could not stand up. They could not be left to litter the streets so most of them were swept up by the officers of the law and hauled off to court. These distasteful celebrations spelt an end to formal New Year’s Day calls.

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

The Lost Song: c. 1800

THE LOST SONG.

It was my grandmother’s story, and this how she came to tell it to me:

I, Annie Rae, had come down to spend Christmas at “Raeburn,” the old family homestead. My grandmother and grand-father had been abroad for years, and this being the first Christmas for so long that the old house was opened, they wanted to fill it with bright young faces and merry laughter, to crowd out the voiceless memories which lurked in every corner, and so a whole party of us had come–cousins, first, second and third, in fact of all degrees. Speaking of cousins, isn’t it strange that very often the further removed the nearer they seem? At least George Stewart was only my third cousin by blood, and yet he always assumed more on the strength of our relationship than any of my first cousins, and somehow, in my own heart I did not mind it at all, though I did tease him so.

But I must go on with my story. It was Christmas Eve, and the old house was quiet at last. We girls had all gone to our rooms after a merry evening together. Fannie and Rose had the room near grandma’s, while Kate and Lillie were just opposite. Some one had to sleep alone at the other of the hall, and after long consultation, it was decided that I should go, for I had rashly boasted of never being afraid. I will confess to feeling a little lonely when all was quiet, and the deep shadows in the corners of the room seemed very dark, for the light of my candle did not reach far. There were three doors in my room, and fastening securely the one leading into the entry, I merely turned the handles of the others, and finding them locked inside, did not care to explore any further just then.  I must have been a long time undressing, for the clock struck the hour of midnight as I put my light out. Even then I could not sleep, but found myself wondering what was behind those doors that I had not opened, and I determined to have a regular exploring expedition the next day. There were so many romantic stories to this old house. I had even heard hints of staircases, shut up rooms, &c., and had always delighted in mysteries.

I think I must have been asleep for a short time, when I suddenly found myself awake with a start, and a curious impression that I was listening for something. There certainly was a sound overhead, but what was it? It came more clearly, and I distinguished a faint, broken melody, and yet imperfect, like some one playing a long forgotten air on a piano where some of the strings were broken. Three times it came like the verses of a song, and though there were no words, it seemed to speak to my very heart, and I thought of George, and how sorrowfully he had looked at me that evening as I had passed him without saying “good night.” It was only to tease him, I had pretended not to see his proffered hand, but had taken Willie Thorne’s instead, and we had walked up the broad staircase together.

Again all was still, only a long drawn sigh seemed to echo my own through the room, and came from the direction of the furthest door. Without a sensation of fear, only an ill-defined feeling of pain and regret, I sank to sleep, and when I woke the morning sun was shining brightly enough to dispel illusions. I resolved to say nothing to the girls, but quietly to explore and see what was to be found, for I knew perfectly well that what I had heard was no dream. So I got up long before breakfast, and after completing my toilet, threw wide the shutters and opened the first door nearest the entry. Only an empty closet! Disappointed but slightly relieved, I closed it and went over to the other. The key turned hard in the lock as if it had not been opened for a long time. Then the door stood wide open, and I saw a flight of stairs but only prosaic wooden steps, like those leading to any garret. I started bravely up and soon found myself in a large loft attic, with odds and ends. First, an old spinning wheel caught my eye, relic of our most industrious great grandmothers. Then a stack of old fire- arms, with which our ancestors, the bold Races, may have shed the blood of daring foes, or, perhaps, and I am afraid more likely, have only done damage among the crows that came to steal from their spacious cornfields. Lastly, beyond these, and behind a pile of mattings and boxes, I came upon an old piano. It quite startled me at first but then the broad daylight was very reassuring, and I am not nervous. It was very old and of a most curious shape, and evidently had been very elegant in its day. I tried to lift the lid, and found it locked, but as I touched it a shiver ran through me, for I was convinced now that this was what my ghostly music had come from last night, and I am determined to find out before another day had passed who it had belonged to, and what restless spirits still haunted its worn strings.

So after breakfast, when all the others gone to church, I went into my grandmother’s room to sit with her, for she was not very strong, dear old lady, and rarely went out of the house in winter.

After we were nicely settled and had got through our morning’s reading, I told her of my last night’s adventure, and my subsequent researches, and begged her to tell me all about the old piano I had found in the attic. She smiled at my eagerness, but did not seem at all surprised or incredulous, for though she herself had never heard the music I spoke of, there had been others long ago, she said, who, sleeping in that room on Christmas Eve, had been known to hear faint sounds, coming as if from the old piano above, though it was locked, and the key had been lost. The coincidence, at least, was very strange, taken in connection with the history attached to it, and which my grandmother then proceeded to relate to me.

“Many years ago,” said my grandmother, “when your great-great-great-grandfather was alive, this house was full of life and merriment; for your Aunt Annie–your great-great-aunt for whom you are named, child—lived here with her father and brothers. She was as bright and funny as the day was long, but so full of mischief and coquetry that she gave the heartache to all the young men, far and near and yet had suffered never a pang herself. I am afraid that a spice of her coquetry has descended to this generation too, my dear,” said the lady gazing fondly, but reproachfully at me. “I felt sorry to see the look in poor George’s eyes, last night, as you turned from him on the stairs–”

“Oh I please go on, grandmother dear,” said I, ”I am so much interested in the story.” But in my own wicked little heart I was sorry too, and inwardly resolved to make up for it to him on the first opportunity. “Well your Aunt Annie always had the house full, and some of her cousins and young friends were always staying there. Among the gentlemen who were their frequent visitors was a young naval officer, Robert Carrol, whom they inspected Annie of preferring. Of course, as girls will, they teased her most unmercifully about him and consequently she would hardly speak to him sometimes, and just because in her own heart she knew that to talk with him just one hour was better to her than a whole day with the others.

“The poor fellow evidently had no eyes for any one else, but he was very reserved and sensitive, and did not go in boldly and make love to her, as any other man would done, but stood and worshiped afar off. They say he was very fine musician, and sang beautifully, and not only that but he composed a song for Annie to sing; for she had a lovely voice, and would sing lovely old ballads for us in the long summer evenings with wonderful pathos and feeling.

“As the days went by the time drew near for Robert to join his ship. Early in December his orders came, and he was to leave the day after Christmas.

“He loved Annie so dearly that he felt he could not go away from her so long without asking for some assurance that his love was returned, and yet he could not bear to think of hearing her say she could never love him. Sometimes she treated him so coldly, almost rudely, and yet again, when they were alone, he could have sworn her eyes spoke a different language.

“The day before Christmas came and still no word had been spoken. On the morning of that day Robert wrote a note to her and inclosed in it a little song he had written and in the note he said,–“But stay,” said my grandmother, “I think I can show you the very note itself,” and going to her desk she took from it an old yellow piece of manuscript music, so faded as to be illegible and a little sheet of paper. “These,” she said, “were found up in the attic among other old letters and private family papers when we came back, and though I destroyed the rest I kept these,” and taking up the note she read it aloud. It was very short, and ran thus:

Annie, darling will you be my wife? And may I go away with hope warm at my heart that when I come back I may claim you as my own? Little one if it is to be, and can love me, will you sing my song for me to-night when I come. If there is no hope for me you will sing something else, and I will know my fate at once, and it will be better to learn it so than to give you pain of telling me. But somehow I feel hopeful, and shall come with a brave heart in spite of the fate which your sweet voice is to sing me into life or death.

Forever yours, in this world and the next.

Robert.

“He sealed the note inclosing the song and sent it over by his servant.  As the man was going into the gate he met Annie’s youngest brother, Harry, a little fellow of ten years old, who snatched the note from him, and said, ‘Oh! I’ll take it to Annie, Tom,’ and ran off. So Thomas walked away with an easy conscience, thinking he had delivered the note safely at least to a ‘member of the family.’

“Harry trotted off toward the house with the best intentions in the world, but was diverted on the way by some important business with a small boy of his own age, who suddenly turned up, so by the time he did go home all memory of the note had vanished from his youthful mind.

“Evening came and the younger children were all in bed, and Harry lay sound asleep, while on a chair hung his little jacket, and in the pocket still, poor Robert’s note undelivered. Annie, with ‘cheeks like twin roses,’ and’ eyes bright with love and hope was waiting for the company.

All the young people were coming from neighborhood to have a frolic, but she only thought of Robert. ‘He must speak to me to-night,’ she said to herself. ‘I am sure he loves me, and in spite of my bad behaviour to him sometimes he must know my heart.’

“Early in the evening Annie’s father according to his custom, asked her for a song and as she rose and went to the piano she caught sight of Robert’s pale handsome face. He was near the door, where he had just entered standing with his arms folded and his eyes fixed upon her with a look that to her dying day she never forgot. As she sat down to the instrument an unaccountable feeling of depression came over her, some unseen influence seemed to hold her hands so that she could scarcely strike the notes, but with an impulse she threw it off and dashed into some gay and nonsensical song that was popular at the time, and sang it through to the very end.

“When she looked up Robert was gone, and she never saw him again in this world. He left home that night and never returned, for his ship, with all on board was lost on the way out; and he went to his grave thinking her cold and heartless. And she–all the next day she waited for him, wondering that he did not come. That night as she was wearily going to her room a little voice from the nursery called her, and going in she found Harry wide awake.

“Oh! sister Annie,’ said he ‘don’t scold me, but I forgot your note yesterday, and there it is still in my pocket.’ And he pointed to the jacket which hung on a chair. Mechanically, she reached and took it, but when she saw the address in his hand, she grew as pale as death. She only stopped and kissed the little fellow, who was sobbing bitterly, and no word of reproach passed her lips.

“From that day she was a different being. Her whole life seemed to be a period of waiting; waiting for news of him.

“You must remember, my dear,” added grandmother, “that in those times there were no such conveniences for communications as we have now-a-days, when lovers can change their minds two or three times a day by mail, and can telegraph ‘yes’ and ‘no’ sixty times a minute (more or less) if they please.

“And when at last the news of Robert’s death came, it was as if some blight had fallen on her, for she seemed to fade away, and grew weaker and weaker, until it got to be so that she never left her room. Then her piano was moved up there, the room you were in last night–for her music seemed the only thing left in which she took any interest, and often at night when all was still they would hear her playing, for she had never been known to sing since that time when, with her own sweet voice, she had smilingly sounded the death knell of two hearts.”

“On Christmas morning, just one year after, when they came to her room they found her seated at her piano, with his song before her, and her white hands cold and stiff resting on the keys. She had gone to meet him, and her weary waiting was over at last.”

“This was my grandmother’s story of the piano–and that evening as George and I were sitting together on the board staircase, while the others were dancing in the parlor, I told it all over to him, and would you believe it? when I came to the part about poor Robert’s last letter, George actually said it served him right for not being man enough to ask for what he wanted when he had the chance, “as I intended to ask you right here, little Annie,” said he, and then–well, somehow I did not finish the story that evening.

Since then, however, we have often talked it over since, but George always smiles when I tell him of the ghostly music I heard on Christmas eve in the old house, and suggests though the piano was locked, yet the back had fallen out from old age, and there was room enough for a whole regiment of mice to creep in and run over the rusty strings, and he further says that I was sleepy and troubled in my mind for treating him so badly, and thought it was my aunt’s ghost come to warn me. But that is nonsense, of course, and I shall always believe that it was poor Robert’s last song that I heard.

The Indiana [PA] Democrat 14 November 1872: p. 1

Mrs Daffodil’s Aide-memoire: It seems to Mrs Daffodil that there is blame enough to go around, with some to spare. Coquettes! Thoughtless younger brothers!  Timid suitors!  One wonders how, without the spur of “on-line” dating and “swiping,” the species ever propagated itself.

Still, it was curious that the mice, if mice there were, only came out to run over the piano’s strings on Christmas eve.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

The Swan for Christmas Dinner: 1910

A Devonshire man sent his club, just before Christmas, a fine large swan in a hamper. The hamper was addressed to the secretary, who notified the club members of the treat that was in store, and a special swan dinner was arranged. The swan came on, at this dinner, looking magnificent — erect and stately on a great silver-gilt salver. But tough! It was so tough you couldn’t carve the gravy.

A few days later the sender of the swan dropped in at the club. “Got my swan all right. I hope?” he said to the secretary.

“Yes, and a nice trick you played us.”

“Trick? What do you mean?”

“Why, we boiled that swan for sixteen hours, and when it came on the table it was tougher than a block of granite.”

“Good gracious! Did you have my swan cooked?”

“Yes, of course.”

The other was in despair.

“Why, that bird was historic,” he groaned. “I sent him up to be stuffed and preserved. He had been in my family for 200 years. He had eaten out of the hand of King Charles I.”

The Argonaut [San Francisco, CA] 8 January 1910

Mrs Daffodil’s Aide-memoire:  Mrs Daffodil does not like to call a gentleman a liar, but swans only live for perhaps two or three decades at best. If the swan truly had eaten out of the hand of King Charles I, he must have been frozen solid for at least two centuries.

The club secretary and members would have felt like royalty: roast swan was a feature of royal Christmas feasts from time immemorial. The Crown may lay claim to all swans in public waters; currently the Queen shares her swans with two livery companies: the vintners and the dyers; the yearly ceremony of “swan upping” divides the Thames swans between the Queen and the livery companies. Queen Victoria and King Edward VII enjoyed a nice Christmas swan. This article gives the receipt for its preparation, should you happen to have a 200-year-old swan lying about the larder.

KING’S CHRISTMAS SWAN.

Every Year One is Served at Sandringham—The Recipe.

The royal swan has ever been a conspicuous item in the Christmas menu at Sandringham. Every year the largest and plumpest young cygnet that can be obtained from the swannery on the Thames is killed.

When it leaves the hands of the special messenger at Sandringham it is taken charge of by the head cook, who personally looks after it until it is laid before the king.

Trussed like a goose, it is stuffed with a rich mixture of which the principal ingredient is ¾ of a pound of rump steak. It is finally covered with a piece of oily paper, sprinkled with flour, wrapped in a second piece of paper; and then roasted on a spit for four or five hours in front of a blazing fire.

A gravy of beef is provided to which is added a pint of good port wine. Folk who have tasted this dish describe the flavor as being half way between goose and hare. New York World.

The Boston [MA] Globe 24 January 1909: p. 48

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Ladies Who Collect Diamonds: 1888

 

DIAMOND COLLECTIONS

A Fashionable Fad That Is Uniquely Profitable as Well.

Jewelers’ Weekly

A jeweller says: “I saw a very handsome collection of diamonds a few days ago; not that there’s anything particularly surprising in that statement, but it was where I saw them that surprised me. They lay in soft little nests of cotton wool in the depths of a pretty Indian box, and to me, used to seeing them upon the tables in my own and other dealers’ offices, they looked rather strange when displayed in a prettily furnished drawing room. The diamonds in question rested upon an antique, spider-legged table, covered with quaint and delicate carvings.

“My hostess showed me the stones in a way which let me see she fully appreciated their value, and I ventured to ask her what on earth she was doing with such a quantity of unset gems, and whether she had any intention of opening an office in opposition to myself.

“’Why,’ said she, ‘is it possible that you don’t know it’s fashionable to make a collection of diamonds or precious stones?”

“I blushingly confessed my ignorance of fashion’s decree, and handing me a cup of tea, she bade me sit down and proceeded to enlighten me.

“’Every woman who can afford the hobby,’ said she, ‘now has a collection of diamonds. They are often bought under a guarantee that the jeweller who sells them will take them back at a certain percentage of the cost, and in my estimation they are better than stocks and bonds anyway as an investment, because their value doesn’t fluctuate to any extent and—because they are. That’s why!’

“I ventured to suggest that the latter reason was rather a feminine one and asked for further particulars.

“’Well,’ she continued, ‘there isn’t much more. A great many ladies of my acquaintance have snug little sums laid away in gems, but you may be sure they don’t let everybody know it, and it’s only their most intimate friends who have seen them. We who haven’t quite so valuable a collection, however, frequently meet at friendly tea parties, where we show our treasures and sometimes do a little trading; just enough to make us feel like business women, you know.

“I mentally blessed these ‘friendly tea parties,’ and ever since my visit have indulged in the wish that the number of their fair participants may multiply and prosper.”

The Saint Paul [MN] Globe 26 February 1888: p. 14

Mrs Daffodil’s Aide-memoire:  It is a pity that some enterprising lady did not start the “Gem of the Month Club” in support of the jewel collectors. Mrs Daffodil considers that those persons who host parties for their friends where they attempt to sell plastic storage pieces and cosmetics are missing a lucrative opportunity.

The narrator’s condescending attitude towards ladies and their jewels was, alas, universal. A lady was happy to accept gems and jewellery from her husband or any other interested gentleman party, but would trust him to secure them at the vault and provide adequate cover in case of loss or theft. She was expected to adorn herself in the fruits of her husband’s industry (or the forbidden fruits of her personal affairs) and was told not to worry her pretty little head over her jewels’ safety or value. This perceived ignorance came in useful when ladies needed to have paste replicas made so that the genuine necklace or tiara might be put into the hands of some discreet pawnbroker for a little ready cash.

A YEAR TOO LATE.

A nobleman went to a pawnbroker to borrow a thousand pounds upon his wife’s jewels, and said, “I want you to take the stones out of the settings and put false ones in their stead, as I do not wish her to know that I have pawned them.”

“You are too late,” said the pawnbroker,” “for I purchased the real stones of my lady last year.”

2,000 Jokes and Jests: Wit, Humor and Anecdote, Native and Foreign, Classic and Otherwise, 1893  P. 32

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Suffering from Bazaars: 1867

Collinson, James, 1825-1881; At the Bazaar

CONCERNING BAZAARS.

I wonder who “got up” the first bazaar? “The world knows nothing of its greatest men” we are told, but if the inventor of bazaars can lay claim to greatness on account of having invented bazaars, I think it is just as well for him, or her, that the world knows nothing of them. The temptation of those who have suffered either as buyers or as sellers to curse their memories would be terrible in the extreme; in fact, awful as might be the consequences of indulging in a fierce string of invective, I do not think that the temptation so to indulge could be resisted; and then consider, not only the quality, but the quantity of vituperation, for who has not at least once during their life-time suffered from bazaars?

There is a society [in aid of the deserving poor] and all the ways of collecting money from said society have been “played out” as the Yankees say, and if something is not done the society will be “played out” too…

The “Meetings in Aid” talk to empty benches, and the plates at the door have only a few coppers upon them, the collecting cards show a nil return, the clergymen will not lend their pulpits, and at last some one as desperately energetic upon the subject of the [charity]… proposes the getting up of a bazaar!

How easy it is to write those words, with what volubility they slide from our tongues; but oh the difficulty, practically and actually, to “get up” a bazaar! Have any of you experienced it? Have you been surfeited with dolls, smothered with mats, plagued with pen-wipers, hung over with anti-macassars, and found your life a burden to you with pincushions? Have you ever known the torment of not only having to collect these things among your friends, but of having to make them up yourself? Every table in your drawing-room is strewn over with bits of cloth, shreds of silk, ends of ribbon, strings of beads, pieces of braid, and squares of cardboard! These are a small portion of the raw material waiting to be made use of; but besides these there are on other tables, and on chairs, on the top of the piano, on the chimney piece, everywhere and anywhere, undressed dolls of all sizes and shapes—from the large wax with the flaxen curls and the terribly vacant blue eyes, to the doll of wood with the stiff joints, and the hair and-the boots put on with a paint-brush!

-

Then in the drawers, or upon the shelves of your wardrobe, there will surely be stored articles contributed by friends, and of course ready for the bazaar. A twin-sister of the blue-eyed flaxen-haired doll, which you have to dress, is here, brilliant in white muslin over pink calico, with a gipsy hat and a scarlet opera cloak—congruity is seldom remembered in doll’s attire. Then there is the nun-doll, and the Normandy peasant doll, and the Newhaven fishwife, and the buy-a-broom girl, and Red riding-hood, and a bride and a bridesmaid, and an old grand-dame. The gentlemen dolls are comparatively scarce, but we have the negro minstrel…and we have a sailor, a collegian, a soldier and a policeman, and that is, I think, the sum-total of our “Mr. Dolls,” to quote Eugene Wrayburn, in “Our Mutual Friend.”

puppies pen wiper.JPG

And then the pen-wipers! There is the cocked-hat shape and the flat-bottom boat, and the set of melon-shaped leaves worked with beads, and the other set of leaves, with a thing stretched upon them intended to represent a dog—it is like no dog that I ever saw—and dozens of others all equally ingenious and useless.

cms 744974

The pincushion family is even more numerous: they begin with the ambitious “Box”—that which once held fragrant ” Havannahs” is now trimmed with lace and ribbon—and the round affair, with the little glass in the centre for flowers, and go down to the smallest thing which can be made and stuffed. We have the Wellington boot and the Blucher boot, and the high-heeled slipper! we have the church-steeple, the belfry bell, and the kitchen-bellows! we have balls, hoops, and croquet mallets—these last are quite a new invention; we have pincushions for the workbox, for the pocket, and the belt; we have pincushions into which it is impossible to put pins, and pincushions from which it is impossible to take pins out! We have hard pincushions and soft pincushions, and pincushions which are neither hard nor soft—in short, pincushions enough to set you mad, and to make you wish that there were no such things as pins in the world!

And then the mats. Of all the rubbish which a bazaar collects together defend me from the mats! Mats of worsted-work and mats of beads, mats of crochet and of knitting, mats of shaded wool crimped to represent moss, and mats of shaded paper crimped to represent leaves! Mats of every size, shape, and colour; mats for the tea-kettle and the tea-urn, the lamps, and the jugs! Mats made of steel rings and—yes I have seen them—mats made of shirt buttons!

-

When I add to these the handsome pieces of worsted and patchwork (which rarely sell), cushions, slippers, tea-pot “cosys,” fender-stools, foot-stools, chairs, borders for table-covers, borders for chimney pieces, banner screens and hand-screens, sachets, what-nots, carriage-bags, travelling-bags, bags for nothing at all—when I enumerate the “anti-macassars” —why not call them “anti-trotter-oil pomades?” —in knitting, netting, tatting, and crochet, in braiding and applique, in everything that is possible and impossible—when I try to give even a faint idea of the assortment of children’s clothes, and of the hundred and one knickknacks for which I could not find either a name or a use, you will have some idea, if you have no personal experience, of the “matter” which accumulates when a “bazaar” is about to be got up!

But far be it for me to say that a bazaar is all work and no play; on the contrary, it is generally considered “delightful” and “great fun,” except perhaps by “papa,” who never can find a chair to sit upon while the bazaar mania lasts; and also by “mamma,” who, after the first few days, begins to think that the “girls” are wasting their time, and that the bazaar gives Mr. Verdant Green, the curate, too many opportunities for “dropping in.”

bazaar apron with leaves

But “girls,” as a rule, like fancy work, they have a positive genius for slippers, and are in their element among mats; besides, won’t it be nice to appear in pretty new muslins and becoming hats on the day of the bazaar; and “won’t it be fun to act shop-maids!” Such a good excuse for a little “innocent flirtation.” Oh, yes; the young ladies are all sympathy for the [deserving poor]!

But the really hard work begins when it is announced that enough of dolls have been dressed, pincushions stuffed, and rubbish generally collected; then the day for the sale has to be fixed, placards have to be drawn out, printed, pasted, and posted! the room has to be swept and garnished, the tables have to be set and ornamented, and the wares have to be spread out! How joyfully the young ladies assemble the day before the bazaar to do the work of decoration, and how fagged they are before evening, how weary of the sight of pink and blue glazed calico of laurel branches and paper flowers, of hammers and of nails! But there are not—more is the pity—any fairy wands now-a-days, and if we don’t like looking at bare walls while we are dining or dancing in public, or while we are selling dolls for charity, we must just buy the hammers and the nails, the glazed calico and the paper flowers, and set to work to make the bare walls look smart. Indeed, a great deal of what I may collectively call “hammering and nailing” goes on in the world before we can dine or dance, or get married, or even see our friends in a quiet way: yes, and even when the child is born, and the man dies, we have the frosted christening cake, and the plumes upon the hearse.

But the decorations are finished at last, and the tables are arranged, and how difficult it was to arrange them in the most effective manner, and so to dispose the dolls, the pincushions, the pen-wipers, and all kinds of rubbish so as to prevent Mrs. Smith from fancying that her contribution was not thought so much of as the contribution of Mrs. James. The sale begins at one o’clock, and by half-past twelve the fair shopwomen, in the new muslins and the becoming hats, are in their places, with little cash boxes beside them, and little piles of small silver for change, and a little pencil to jot down accounts.

female members of charity bazaar 1885

Lady workers at a charity bazaar, including a fortune teller in the front row, 1885

There is a great deal of variety about these amateur shopwomen: there is the timid seller, who either sits down behind her counter, or else shields herself behind a screen of antimacassars, or pinafores, which she has ingeniously suspended for the purposes of fence; she is always changing the position of her wares, and hoping that they look well from the outside; after everything she sells she counts her money, and she is the only one from whom, on the first day of the sale, any article can be got a bargain. She never asks any one to buy anything, but when people come up to her stall she gently puts some little thing that she fancies they may be looking for, more prominently in view. It is to her that children who have small sums, varying from one penny to six, to invest in behalf of the [charity], invariably resort; she is almost certain to cheat herself rather than disappoint the eager little buyers, and to give a shilling doll for sixpence; indeed I think it may be said that the timid seller does not make much.

Then there is the worrying seller: she is generally a “fast” young lady, and she keeps shop as though she had served her time to a “fancy business.” Her wares are arranged to the best advantage, she knows where everything is, and if she have not exactly what you ask for, she will give you something far nicer and prettier, she says, in every way; she is never at a loss for anything, from a sharp answer to a penny top; it is very hard to escape from her without buying: you feel that you are being taken in, but you have no power to resist; she tells you that the article you are looking at is really “ridiculously, shamefully cheap! that you never saw so pretty a “cosy,” so “lovely a fender-stool,” or such a “love” of a smoking cap; and then, if you are a gentleman, you probably buy the three articles, although perhaps, strictly speaking, you have no tea-pot for the “cosy,” no fender for the stool, and no head for the cap, for you don’t smoke! and having paid for them you are about to “move on,” trying to feel that you have not thrown away your money, when the worrying seller again attacks you to take a ticket for a raffle— “A splendid cushion, worked in beads, for sixpence! fancy that cushion for sixpence!”

lily cushion

Well, you think it would be cheap at the money, and although you never won anything at a raffle in your life, you give your sixpence, and you are allowed to escape for the present.

Then there is the quiet, lady-like seller, about whose table I think the steadiest trade is carried on; she does not force you to buy whether you like it or not, neither will she allow people who really want to buy to pass on to other tables, as the timid seller would do. She is generally a pretty girl too, and of course the gentlemen crowd about her, and the gentlemen attract the ladies, and so the world goes round!

Then there, is the seller great at expedients by which to get off the large unsaleable articles, and the small rubbishy articles, and from whom, especially on the second day, you can get the most wonderful and unexpected bargains. For the large articles, such as worked chair-covers, cushions, banner-screens, &c, &c, she gets up raffles, she charters unwary young gentlemen, and giving them the articles to be raffled for, and a piece of paper and a pencil, she sends them about through the room to collect names and shillings. Then, with the smaller things, actual rubbish, which no one in their senses would buy, she makes up a raffle in which there are no blanks! The name of the particular chiffon is written on a slip of paper, the slips are put into a “wheel of fortune,” you give your sixpence and draw your slip, and get your doll, your pincushion, your pen-wiper, or your mat!

There is always a great deal of excitement round this seller’s table; she is so full of fun, and tells you so pleasantly, if you lose in one of the large raffles, “to try again, and you will have better luck!” that you do try again, and if, as is very probable, you have not better luck, she will perhaps console you by telling you that “everyone can’t win.”

charity bazaar peddler doll.JPG

And among the buyers there is quite as much variety as among the sellers. I have often thought that if, of the people who go to an exhibition—say of pictures—those who go to see and to be seen, those who go to meet their friends, those who go because everyone goes, those who go because they may as well kill time by staring at pictures as kill it by not staring at them, were all turned out, the people who go to see the pictures from the pure and simple love of art, would be few indeed. And so with bazaars—of those who go for amusement, from curiosity, and from idleness were all turned out; those who go to buy, and especially those who buy for the sake of charity, would be a decided minority.

But among the actual buyers at a bazaar there is, as I have said, a great variety. There is the gentleman who declares that he intends to lay out exactly half-a-crown, and who lays out five pounds before an hour; there is the hard-to-be-pleased buyer, who is also determined to lay out a certain sum, who is equally determined not to be imposed upon, and not to be inveigled into putting in for a raffle, this buyer (generally a rich old maid) turns a deaf ear to the worrying seller, while she coolly examines almost every article upon the table, and probably ends by walking off to another stall without having opened her purse; she finally expends her money upon useful frocks and pinafores for her little nephews and nieces at home.

Then there is the reckless buyer—by far the more numerous class—who buys the most absurd and utterly useless things, and who, moreover, carries them about for the rest of the day, and finds them dreadfully in the way. And there is the buyer who is watching and waiting for bargains, and always asking “What is the lowest you will take for this?These buyers disarrange the table sadly and take up the different articles and pinch them and pull them and squeeze them in a most tormenting way; they open everything in the shape of a box, and generally smell them too; they examine into the mysteries of the doll’s attire in a very impertinent, I might almost say indelicate, manner; they turn the “cosies” inside out, and count the needles in the needle-books; but the way in which they maltreat the mats is really shocking. Indeed mats generally at a bazaar have a bad time of it, there is no respect for them, dolls sit upon them, and they are flattened out of all shape by cushions.

1871 charity bazaar for consumption hospital

Charity Bazaar in Aid of the National Hospital for Consumptives, 1871

I think the grand mistake of all in connexion with bazaars is in making them to last two days; when the second day comes the sellers are tired, the wares are tossed, and the whole affair is as flat as stale champagne. Of course there are exceptions, and I have myself been at bazaars which were better the second day than the first.

Finally, it has always been a perplexing question to me to know what becomes of the things which are not sold at bazaars! Do the dolls emigrate? do the pincushions and the pen-wipers and the mats melt? or is there a “Hades” for fancy work—a “Happy hunting ground” for Chiffons, into which they vanish and are heard of no more? Or are they returned to their original owners, or makers rather, to be pulled out of workboxes, or writing-desks after many years, and contemptuously thrown aside with the remark—”Look at that dreadful old thing which I made for the [Charity] Bazaar!” S. G.

The Ladies’ Cabinet of Fashion, Music & Romance, 1867

Mrs Daffodil’s Aide-memoire: Mrs Daffodil has been reluctantly involved with several charitable jumble sales. Not only was it painful to see the waste of time and materials expended in inadequate fancy-work, one had existential questions about why someone would have deliberately dressed a pair of taxidermied rooks in 18th century costumes and posed them under a glass bell as if dancing a minuet. The misguided horrors that had once been the ornament of  some suburban villa were truly shocking to contemplate. It is often said that one man’s meat is another man’s poison. Mrs Daffodil fears that a great many people required a stomach-pump.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.