Category Archives: Gardening and flowers

The Women Folk are Canning Fruit: 1908

canning jars in pantry 1907

THE OUTCAST

You ask me why I weep and moan

Like some lost spirit in despair,

And why I wander off alone,

And paw the ground and tear my hair?

You ask me why I pack this gun,

All loaded up, prepared to shoot?

Alas, my troubles have begun—

The women folk are canning fruit!

There Is no place for me to eat,

Unless I eat upon the floor;

And peelings get beneath my feet

And make me fall a block or more;

The odors from the boiling jam

All day assail my weary snoot;

You find me, then, the wreck I am—

The women folks are canning fruit!

Oh, they have peaches on the chairs,

And moldy apples on the floor,

And wormy plums upon the stairs,

And piles of pears outside the door;

And they are boiling pulp and juice;

And you may hear them yell and hoot;

A man’s existence is the deuce—

The women folk are canning fruit!

The Emporia [KS] Gazette 20 August 1908: p. 1

Mrs Daffodil’s Aide-memoire:  Even without the citation, Mrs Daffodil would know that this is an American poem because, in England, the correct, and vastly more accurate term, is “bottling fruit.”  It is jarring to hear the Americanism “canning,” when the container is glass.

To judge by the range of articles on “scientific canning,” and the perils of scalding fruit and exploding canning jars found in the vintage papers of the States, the subject was no joking matter.

Mrs Daffodil is indignant to report that she has found only one joke on the subject that meets her exacting standards of humour:

The Vermont housewife who read that English nobles have lots of hares in their preserves, says she tried it to the extent of putting a whole chignon into some blackberry jam, and the jam didn’t seem a bit better for it.

Kalamazoo [MI] Gazette 2 August 1881: p. 2

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

Beads of Cherished Flowers: 1914

flower beads

Beads made of red roses. You will find complete instructions on how to make these beads at this link: https://feltmagnet.com/crafts/rose-beads

Beads Made of Fondly Cherished Memories the Latest Fad

New York, May 9.

That precious first bunch of violets and the wedding bouquet that followed it need no longer be thrown away. Not that it ever was of course. But it need no longer moulder between the leaves of the biggest wedding present book.

A little New York art student has discovered a process by which she can turn the flowers into beads. They retain their color and most of their fragrance. And they will never wear out, for they are as hard as china.

“I began experimenting during my Christmas vacation,” says Miss Louise Wood, the inventor who lives in Cranford, N. J., and attends the Cooper Union classes in design. “I had read about the orange blossoms in California but they came out black. So I began to experiment to find a substance that would harden the flowers and give them body without spoiling their color. My mother helped me and at last we found a sparkling substance that could be boiled up with the flowers, and turned them into a mass of dough. I worked this upon a bread board, kneading it like the most careful housekeeper. Then I moulded the beads in the palm of my hand, some round and some pear-shaped. They were baked on pins to make them hard and give the opening to string them.

“I combined them with real beads, crystal of the same shade as the flower beads, to heighten the artistic effect. Sometimes I used contrasting colors. It was hard to get the flowers during the winter, but I found that faded ones would do just as well, so I made arrangements with the greenhouse at home to take theirs at wholesale.

“A month ago came my first commission A little neighbor won a prize in an oratorical contest and her mother sent over the bunch of salmon pink carnations she had carried to have them turned into beads. They came out the loveliest rose pink and the child was delighted with them. She can show them to her grandchildren They were like this.”

Sighs for White Beads.

She picked up a lovely string combined with pink and cut glass beadlets, with all the fragrance of the flowers. It is amusing to identify the strings lying on their white cotton beds in their little square boxes. The purple ones were violets of course. But what were these dark red pear-shaped ones strung with silver that look as if they were made to match the new mahogany gowns? Carnations–the kind Galsworthy talks about in the “Dark Flower.” And the grays that look as if they were meant for some dear old lady? French lilacs. Lilies of the valley are corn colored.

“We haven’t been able to make a white bead,” sighs the experimenter. “I’m sorry because wedding bouquets are almost always lilies of the valley–and a wedding necklace should be white! But the chemicals give them this cream tint. I think they are pretty, though, with the little gold beads. And I am making some hand-painted boxes that will be dainty enough for any bride. I have asked Miss Wilson for a spray of her bouquet so that I can make her some beads. I won’t need it all, so the lucky bridesmaid who catches it can keep most of it. But I should love to do it for Miss Wilson, for she was an art student, too.

“What are those green beads? Ferns. Some of them came with the flowers one day and I tried them. The maidenhair makes those soft green ones and the real ferns the bright ones. I use only the tip ends of the fronds. The dark purple beads are made of heliotrope and the mottled ones are pink and white sweet peas. Of course I have to work them up together in my hands like marble cake–but it gives the effect, don’t you think so? The saffron beads are jonquils.

“I’m sorry the suffrage flowers don’t come out a bright yellow.

“I can hardly wait for summer to bring the roses. I am so anxious to work with them. They are so expensive and in such demand that I haven’t been able to get hold of many. I had a few American beauties once and they made the loveliest beads–almost the same color. I strung them with black beads and they were bought at once.

“Could I make beads of mistletoe? If there were enough of it, though I am afraid they would come out gray. But holly ought to be lovely, the red and green beads together. Oh, I try everything. Mother does, too. She makes the beads when I am not at home.”

Mrs Wood who looks hardly older than her daughter, smiled brightly. “I used to try to write,” she said, but my typewriter is getting a long rest. I believe in doing the thing that comes to your hand. And every time I make a bead I think it is another coin toward Louise’s going abroad. She must if she is to be a successful designer.

The “Weezy-Wizy” Beads.

“We call them the ‘Weezy-Wizy’ beads from a childhood nickname of hers–her name is Louise Eliza. We had to have a name to patent, so we took that.

“It’s rather hard work, for every single bead has to be separately and carefully molded, and baked in a very hot oven. At first I had a queer feeling that it was Saturday all the week. But now I think more about the romance of it. I try to picture the bride who wore the lilies I am working over. I wonder what her dress was made of, and how her veil was arranged. And I am, oh, so careful not to mix in a single petal of some other bouquet.

“One little bride sent me not only her wedding bouquet, but a sample of her gray traveling suit for me to match. It was a blueish-gray, and I mixed French and purple lilacs, and got it exactly. I strung it with tiny black beads, so that it came down below her waist. We make them any length, of course.

“It’s fun to wonder what the postman will bring me every day, and to turn the faded flowers into bright new beads that will never fade. It’s like quickening a cooling love. But the flowers must be only faded, not dried. I can’t make over dead sentiment. That would take Cupid himself!

The Washington [DC] Post 10 May 1914: p. 6

Mrs Daffodil’s Aide-memoire:  One can still find instructions on how to make flower beads, such as at this site.

There was loudly-voiced scepticism over commercially produced floral beads, with many persons suggesting that actual flowers would discolour and that, to be attractive, beads must be made with added colour, corn-starch filler, and fragrance. This description of flower-bead necklaces given as party favours is candid about the materials used:

At his annual lawn party given by Mr John Lewis Childs to the little girls of Floral Park, three hundred guests. received a favour of “a necklace of beads, made of flowers grown on Mr. Childs’ grounds in California, including orange blossoms, roses and violets. Some of the beads are natural color, others colored with ground mineral, such as turquoise and malachite. In most cases the beads retain the fragrance of the flowers.”

Times Union [Brooklyn NY] 16 July 1915: p. 7

 

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Mrs Daffodil’s Mothers Day Greeting

 

For her readers in the United States, Mrs Daffodil wishes all fond Mamas the very happiest of days!

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

A Rose from the May-Queen’s Crown: 1892

 

A Rose from the May-Queen’ s Crown.

“Oh dear! oh dear! What can it be he wants? If I could only tell! For he does want it so!” Margery wrung her hands in her impotence. To think she could not help him—not help him, who had been so good, so good to her!

She fell down on her knees at the bedside.

The old face upturned on the pillows could not turn to look at her thus. The restlessness grew in the haggard eyes, that seemed the only thing alive in the poor stricken body bound fast by paralysis.

“Dear Mr. Gregory, if you could only speak one word—could only tell me what to do for you!”

“One thing you must not do, Miss Margery,” said Dick Strafford’s voice, from the other side of the bed; “you must not take your face out of his sight. I can see my uncle grows more troubled when he loses sight of you.”

As she rose to her feet at his bidding, the young man looked full at her with that in his eyes, which showed a quite sufficient appreciation of the old man’s whim.

But Margery was not heeding Dick. All her thoughts were bent on poor Mr. Gregory, lying there these three days, with that hunger in his look—motionless.

“No, not quite!” cried out Margery suddenly, replying to her own thoughts. “See, his poor fingers are moving, moving. Not his hand—only his finger-tips. Oh, do you think life is coming back into them? Oh Dick, shan’t we send and have the doctor here again at once?”

In her earnestness, she did not notice how she had called his name; but Dick glowed with what appeared to her an eager hope; and no doubt was so, though not what she thought.

“Look at him, Miss Margery. If eyes could speak, his seem to me to say he does not want the doctor; he does want you.”

“The poor hand—the dear hand, that has always been doing deeds of kindness. Always,  always!”

With a little inarticulate murmur of tenderness, such as one uses to a child, she put her hand on the now useless one.

More and more his fingers strove to stir under hers. What his lips could not, his eyes tried hard to tell her. So often did they glance from Margery to the small table at the bedside, that Margery touched one by one the things that stood upon it, hoping to come at his meaning.

Not the cooling drink; not the medicine phials—the bit of paper and pencil for jotting down the directions the doctor had given her?

The paper, the pencil?

His look of relief was so instantaneous, that Margery caught at it eagerly.

“Oh, do you think he could write what he wishes, if I could guide his hand?” she asked Dick, who brought her a book to put under the bit of paper on the bed.

Dick brought the book, indeed; but he looked more than doubtful, as once more she knelt down at the bedside, and put her soft hand over the restless withered one.

Yes, she was not mistaken. Slowly, and with difficulty, under her guidance a few straggling, hardly legible words were traced upon the paper:

“Watch-chain key desk will—”

There the pencil fell from the relaxing fingers. For an instant those disconnected words seemed to stare blankly out of the paper with no meaning for the two young heads bent wistfully above them.

Dick tapped his forehead significantly, standing where the old eyes could not see him.

“He’s wandering,” the gesture said plainly enough to Margery.

But the girl shook her head.

“Do you know where his watch and chain were put?” she asked quickly.

They were found presently, in the dressing case where they were laid three days ago, when at the close of her May ball, Margery came up as May Queen in her white dress and rose crown, to say good-night to the invalid giver of the May ball, her father’s old friend, and so-called guardian of the penniless orphan girl. She came up, to find him fallen in the doorway between his two rooms, half hidden by the portière; rigid and motionless in that death-in-life paralysis.

A small gold key on the watch-chain proved the key to the mysterious writing. It unlocked the desk on the writing table in view in the outer room; and as the lid flew up, there was disclosed a half unfolded paper: “Last Will and Testament—”

“That is what he wants,” began Margery, eagerly; then stopped and drew her breath short and hard, as her eyes fell upon a line of figures in the body of the will. $100,000—

“$100,000 to my nephew Richard Stafford; the rest of my property, real and personal, to be divided equally between my nephew Oliver Dean, and Margery—”

Margery read no more. With a hot blush for her inadvertence in reading anything at all, and a dim sense of wonder at the terms of the will—(for was not Oliver Dean considered old Mr. Gregory’s favorite; and was not old Mr. Gregory’s modest fortune generally estimated at somewhere about a hundred thousand?)— the girl lifted the paper from its place.

“It must be this, that your Uncle Gregory wants—” she was beginning.

The words stopped suddenly upon her lips. The color flew into her face that the next instant was strangely pale; for as she lifted the paper, her eyes fell upon something lying under it. A dead rose from the May Queen’ s crown! The May-Queen herself, and Dick Stafford looking over her shoulder into the open desk, knew it at a glance. A whitish-brown, withered Cherokee rose with its glossy green leaves.

Dick Stafford had reason good to recognize it; since he had been at some pains to send for these same hedge row blossoms, from the girl’s old home, for that occasion of the May party.

There it lay now, under the old man’s will, in the locked desk, the key of which had never been out of the old man’s possession until this moment, when he had signified his wish to have the will brought to his bedside.

The keen eyes of the old man were watching both the young people from his pillow. They were not conscious of the scrutiny; they were only conscious each of the tense look in the other’s face.

Then slowly, still not lowering his eyes from Margery, Dick Stafford stretched out his hand for the dead rose and thrust it into his breast pocket. Margery turned cold, shivering, as he did it. How furtively he did it; how guilty he looked, she said to herself with a sinking heart.

No one but Dick and she had had Cherokee roses; and what had Dick been doing at that desk?

That desk; of which he had appeared to be so profoundly ignorant, when together they looked over poor Mr. Gregory’s scrawl.

Meanwhile, Dick was regarding her with a sort of wrathful pity in his troubled eyes. Was the child mad, that she had done this thing? Had women no sense of right and justice in their unselfishness? Those two last ciphers of the 100,000 were squeezed together, as if they had been inserted afterwards. Was the child mad—in her desire to help him, Dick Stafford, to more than a paltry $1,000 left him in the will; had she not scrupled not only to defraud herself, but also Oliver Dean, who had always been considered the old man’s favorite nephew? Had she tampered with the will, leaving her rose there unawares, a silent witness against her?

He thrust it out of sight; breathlessly, not knowing what was possible to do,— only not to betray this child, who could not have known what she was doing!

As for Margery, her brain was reeling with the wild thoughts pressing on her.

Was Dick Stafford mad, that he had done this thing? Was it because he had done this thing, that he would not understand the poor old man’s writing just now? Surely, surely, he could not have added those two cramped, wedged in ciphers, and so enriched himself! It seemed clearly impossible; and yet—and yet—

That, word took Margery’s breath away; with the swift memory of Dick’s tirades against poor young men wooing rich girls, and her secret consciousness that if he had not been poor, and she with expectations from the old man who had been as a father to her, Dick would long ago have spoken. And the dainty, glossy-leaved Cherokee rose she had fastened in his buttonhole, the night of the ball—

Margery turned sharply away, as he thrust it in his breast. With fire in her eyes, but a deathly pallor in her face, she moved back to the bed, the will in her hand. She could not deny the command, the entreaty, in the old man’s eyes. She had laid it, folded close, under his hand. But he would have it unfolded; how could she deny him that, either? She opened it, and held it out to him, slowly, reluctantly; yet she would not meet his eyes as he read it; nor herself read in them the story of Dick Stafford’s sin. She turned aside, and busied herself with arranging the phials on the stand beside the bed.

The click of the door presently startled her into glancing over her shoulder at it. It was Dick leaving the room. As she turned back, the restless fingers were still moving, moving, as though they vainly strove to reach the pencil. The restless eyes met hers again; not to be gainsaid.

Dick had gone; no harm need be done she told her quailing heart. She flung herself down on her knees at the bedside; she put the pencil once more into the helpless fingers, guiding them. Ah, how she watched for the irregular, hardly legible words they formed with so much difficulty! Her breath came fast; there was a mist before her eyes.

“Pair young fools. Will all right. Oliver’s rose.”

Margery laid her hot cheek against the weary hand, from which she drew away the paper, and hurried to the bell, pulling it vehemently again and again.

As the door was opening:

“Send Mr. Dick here—at once, at once, do you hear?” she cried to the servant she supposed answering her summons.

But this was Dick himself; who came hastily forward and took her in his arms, seeing her changing color.

She broke into a tearful laugh.

“‘Pair of young fools—'” she cried: “Pair of young fools!'”—and thrust the penciled paper on him.

“Pair of young fools!” This May day a year later, the words were spoken again; this time by old Mr. Gregory himself.

For after all, he recovered sufficiently to explain how he had had knowledge of Oliver Dean which caused him to alter his will by the addition of the two ciphers to convey the bulk of his fortune to Dick Stafford; who, he knew, would then be sure to marry Margery. It was the shock of that discovery of Oliver’s unworthiness, which was the cause of the paralytic seizure a moment after altering the will; and the old man fallen in the doorway between his two rooms—speechless—had seen Oliver enter, go to the open desk; the rose stolen from Margery, to provoke Dick’s jealous anger, dropping into the desk from his lapel as he lifted the will from its place. Then something had drawn the young man’s eyes to the prostrate figure staring at him; he had flung back the will, letting the spring lock slam to, and fled.

“The will might bide its time,” said Mr. Gregory; meanwhile, he would give his blessing to this pair of fools, upon this their wedding day.

Godey’s Lady’s Book, May 1892

Mrs Daffodil’s Aide-memoire:  The plot might have been cribbed, Mrs Daffodil suggests, raising her eyebrows censoriously, from Mr William Shakespeare’s Othello, save for the murders and suicide in one and the happy ending in the other, of course. “Pair of young fools,” scarcely covers the idiocy of two young persons in love that they can, on such slender “evidence,” assume the worse of the Beloved.

The maddest merriest day of all the glad new year, indeed…

Mrs Daffodil is also thinking hard thoughts about the kindly Mr Gregory who easily could have left the bulk of his fortune to Margery, rather than to a jealous young man who the old gentleman assumes will marry the dear girl, worn out from watching at his bed-side. Why does no author ever write a story in which Dick inherits, then jilts the comparatively-portionless Margery for high life in London?

A similar strain of brutal realism may be found in these previous posts on Tennyson’s “The May Queen” Adapted for Inclement Weather and The Ideal May-Day; The Actual May-Day.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Gowns That Copy Flowers: 1901

 

les fleurs animees daisy 1847

The Daisies, from Les Fleurs Animées, J.J. Grandville, 1847

GOWNS LIKE FLOWERS

Summer Girl’s Latest Fad Is to Copy Nature’s Blossoms

Flower gowns are the fad of this year’s summer girl. She is now busy collecting the gowns for the various resorts where she will be an enchanting figure, and as she may copy every flower that blows, provided the color combination is becoming, there is scarcely a limit to her ingenuity and gowns except the size of her purse. The idea is poetical enough to satisfy even the most romantic of maidens, and the, result may be achieved at small cost, particularly if the maiden be deft of finger. One of the simplest and prettiest of these frocks is the daisy gown. It is made, of sheer white goods, with a touch of yellow either, as a girdle, a knot at the throat, or, what is even more consistent, a single large chou on the front of the corsage. A violet gown copies the hue of this favorite flower and has a touch of green, while the orchid frock shows an artistic blending of purple and lilac, with a little dash of yellow.

les fleurs animee capuchine nasturtium

Nasturtium / Capuchine from Les Fleurs Animées, J.J. Grandville, 1847

The girl who is fond of red and has a weakness for daring combinations will not omit a nasturtium gown from her wardrobe. This is exceedingly Frenchy when well done, but takes the eye of an artist to gain the proper effect, for reds are treacherous colors and are apt to swear very loudly at each other if the greatest care is not used in their selection.

In this particular instance as many as four shades of red are introduced, ranging from a pink to a deep raspberry, and while almost all of the other flower frocks are most effective when made of thin goods that belong to the “wash” family, the nasturtium gown, to be really stunning, should be of some soft wool goods, or of silk, panne velvet or satin.

les fleurs animees bluet and poppy 1847

Cornflower and Poppy, from Les Fleurs Animées, J.J. Grandville, 1847

Another charming thing in red follows the fashion set by the poppy, and is a vivid crimson, relieved with a bit of black. For a dainty little blonde there is nothing more charming than a forget-me-not gown of pale blue with a belt of soft yellow, while if a deeper blue is desired the cornflower may be copied.

The girl who likes pink catches her note from the carnation and appears in a pretty little pink affair relieved with a bit of green, while the dashing brunette who dares to don yellow has the daffodil as a model.

les fleurs animees pansy 1847

Pansy, from Les Fleurs Animées, J.J. Grandville, 1847

One great charm of these novel frocks is their fluffiness and daintiness. They must be as fresh and pleasing in color as their flower prototypes, and while they may have all the ruffles, tucks, lace and hand work that distinguish this season’s gowns, they must not be too elaborate or gaudy. As a finishing touch, after each gown is completed it is laid away in a sachet of the flower it represents, so that if the observer is too dull to catch its meaning it tells the secret in its perfume as well as by its coloring. Orris root is used as the fragrance for the daisy gown.

The Minneapolis [MN] Journal 29 June 1901: p. 20

Mrs Daffodil’s Aide-memoire:  Mrs Daffodil often wonders if the novelties described in the fashion papers were meticulously copied by assiduous readers, or if they were merely aspirational. It is one thing to create a fanciful flower frock, but laying away each gown with a matching flower-scented sachet is a nicety usually only found in the sort of “Frenchy” novels written by Elinor Glyn, rather than at resorts frequented by poetical-minded Summer Girls.

One might carry the floral theme a bit further by hosting A Violet Luncheon and urging guests to dress as that flower. If one was more earthly in temperament, one might hold a Vegetable Fancy Dress party. For the floral fanatic, there were various Floral Fetes, combining fashion and flower-bedecked motor-cars. Mrs Daffodil also wonders if a cactus costume was ever created, to keep the summer-resort fortune-hunters at bay?

les fleurs animee cactus

Cactus, from Les Fleurs Animées, J.J. Grandville, 1847

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Violets the Fad This Winter: 1893

hand painted violet fan

VIOLETS THE FAD THIS WINTER.

They Will Appear in Every Sort of Shape That Fashion Can Suggest.

The violet is the flower of the coming winter.

All the new things of every sort are covered with violets. The new embroidery patterns are in violets. The new candleshades have paper violets stuck upon them. Even the candles are of a novel tint–purple.

The newest ribbons in the shops are violet, the color running through a surprising number of shades. The latest fancy soaps are wrapped in violet-colored paper. Note paper in pale violet is to be a fashionable fad, and my lady will scent her dainty mouchoir with violet perfume.

Some of the swellest Washington women are going to give violet teas during the coming season. On these occasions of modish festivity many gowns will be worn of white silk with violets brocaded upon them, the corsage bouquets being great bunches of the same flowers. One dress already designed will have a low cut bodice entirely surrounded by a deep wreath of violets. At tea tables violet ribbons will be stretched from the candles to the chandeliers above, forming a sort of May pole effect.

A Violet Room.

One Washington house already has a whole room done in pale violet–the wall paper, hangings, furniture coverings, everything. A pretty effect is produced by making violet the color-motive for a lady’s bedchamber. The counterpane and pillow shams may be of white muslin over violet, and the dressing table in the same materials, tied with great violet bows in several shades. If nothing else is done in recognition of this new fad, one should have at least one sofa pillow of violet.

Violet has even become the proper color for babies, replacing the old-fashioned blue and pink. The violet tea gown will be very much the thing. It Is noticed that all the newest and most dainty porcelains are ornamented with violets, either scattered about or in solid bunches. The latest designs in jewelry are in these flowers, and fancy pins and such trifles in violets will be popular as gifts for the approaching Christmas.

Of course, this rage for violets will add greatly to the price of those blossoms during the coming winter. Many women win mix imitation ones with the real for economy’s sake, and their bouquets will not be less beautiful for that reason. Violets are perhaps more successfully imitated than any other flowers.

A Clerk in the Business.

A young Washington lady employed in the Treasury Department is likely to find this a profitable season for a pleasant business which she devotes her leisure moments to conducting. She raises violets on a small farm of her own near Anacostia. The work is very easy. She has more than 30 glass sashes, under which the flowers bloom all winter long. In May each year she has some fresh ground plowed, and in it she plants all of her violets, taken from beneath the sashes for that purpose. Then she simply takes up the sashes, covers the newly planted violets with them, and the work Is done.

In October they begin to bloom, and continue all through the winter, so that the young lady can pick them every day and send them to market. All of her violet plants came from one little pot which she bought at the Center market five years ago. They are made to multiply by dividing the roots, so that a single plant taken up in the spring will supply a score or more. She sells her violets to florists in Washington or New York. Prices are higher in the metropolis, so that it pays to express them on. They never bring less than a cent apiece, and sometimes two cents.

There is always a market for violets, and there is never any difficulty in disposing of them. Any florist is glad to buy them, if they are good ones and in prime condition. They must be picked always in the afternoon, because otherwise they lose their perfume. To ship them, they must be placed in bunches in pasteboard boxes, with waxed paper folded loosely around them. They must not be touched with water, because to do so will take away their sweetness.

Evening Star [Washington DC] 11 November 1893: p. 7

Mrs Daffodil’s Aide-memoire: Mrs Daffodil has previously written about how to give a “violet luncheon.” Should her readers require the details of a “violet tea,” albeit of a more lavish variety than usually seen in suburban households, this article gives some helpful suggestions.

Extravagant Hospitality

The afternoon teas of the coming season will be more elaborate than ever before. One leader in society will give one in a few weeks which will eclipse anything of the kind ever seen. It is to be a violet tea. The table will be laid for twelve. The cloth used upon this occasion will be one of six which the hostess had made abroad by special order. They all are of a heavy white satin, each embroidered in different designs. The one to be used upon this occasion is embroidered in violets. They lie in clusters, all over the shining white surface and the work is so admirably done that one would think they had been plucked and dropped there. The tea service is of Royal Worcester, also made by special order, with a design of violets upon a rich cream ground. There are 188 pieces in this tea service, and the average cost is $30 for each, piece. The napkins are of satin, with a design of violets embroidered in one corner. The favors will be painted upon porcelain, and although all different each will be a design of violets.

Under the table will be a large Wilton rug of cream with violets scattered over it The valance dependent from the mantel will be of creamy plush, with a border of embroidered violets and a lining of violet satin. The portieres will be of heavy white felt with a border of violets. The lamps will all have violet shades, so that the light will be like an Indian summer haze.

Arkansas City [KS] Daily Traveler 9 January 1890: p. 2

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

The Pine Tree Perfume Cure: 1906

pine needle pillow

PINE TREE PERFUME CURE.

SWEET SCENTS A RESTORER OF TIRED NERVES.

The Odor of the Pines the Perfume That Women Rely on Most Just Now to Drive Away the Blues

Perfumed Sea Salt for Bath

Scented Moth Barriers.

Pine needle and sweet perfumes are used to soothe the nerves of the New York woman. It has been discovered that you need not be out of sorts unless you want to be, and in addition that you can cure your troublesome nerves with nice sweet odors instead of resorting to unpleasant drugs.

The first and most particular rule is that the sweet odors must be natural ones. There must be no made-up perfumes. The scents must be those that grow in the parks and spring up in the woods, that come to life with the budding of the flowers and die down when the flowers fade.

Those who are trying the perfume cure are giving their attention just now to pine scents mostly. If you want to get the genuine pine odor, take a pine pillow no matter how old and lay it near the fire.

In a little while it will begin to warm up and to give out sweet scents. You will be treated to the original odor of the pine.

There is a very nervous and very sensitive woman in New York who treats herself every day to the pine needle cure. When she was away last summer she gathered material for many pillows of pine needles.

When she is tired she takes a pillow and warms it and presently it begins to give out a sweet smell of pines. Then she puts the pillow behind her head and in a little while she feels refreshed.

On days when she is very tired In deed and needs a quick freshing she takes a dozen pillows and heats them very quickly. With these she furnishes her couch. She heaps it high with pillows and then she lies down and breathes the sweet scent. In 15 minutes she feels all right again.

There is an extra nervous woman in town who has a comfortable stuffed with pine needles. She gathered the needles this fall, and then she put them in the comfortable and quilted it just as though she were quilting feathers.

Pretty soon she had a thick, sweet, beautiful covering. It was heavy, but so delicious that she did not mind the weight.

Some nights when she is very weary she sleeps with this heavy pine comfortable over her. Again she heats it and puts it underneath her. It is refreshing, no matter how she uses it.

If you like sweet scents and want to try the perfume cure you can get them by utilizing odds and ends about the house. You will be surprised to find how many you can turn into perfume.

Take apple peelings and dry them and some day when the house seems muggy take a handful and throw them on the stove. Take off the peelings before they begin to burn, but leave them on just long enough to get the delicious fumes they will give out, the fumes that are so delightful when they come out of the oven as baked apples are cooking. Some women keep a chafing dish always handy for the making of sweet scents. Into the chafing dish they can put a little cologne, which when heated will send its fragrance through the room, or they can add a pinch of cinnamon or half a drop of oil of cloves, or even a tiny bit of apple peeling. It takes very little to make a pleasant smell in the room.

The influence of odors upon the spirits can hardly be overestimated. If you will go in a pine forest you are greeted with a smell which is invigorating, in its curious buoyancy.

If you go into a clover field you get an odor which is just as pleasant but altogether different, and this odor can be brought into the house in winter by taking clover heads, drying them and stuffing pillows with them. On some muggy, gloomy day the pillow can be warmed up and you have a perfume which is delightful.

If you want something particularly pleasant take some sea salt and put it in a wide mouthed bottle and pour in a few drops of violet perfume. Close the bottle tight, let it stand a while, then open, and you get the curious smell of salt sea, with a slight tinge of violet, which is always found in salt air.

If you want to take a bath in some thing that is very sweet smelling prepare some sea salt after this fashion: Buy the salt at the drug store; take a big handful of it, lay it in a bottle and add some violet perfume. Let it stand three days and it is ready for the bath.

Another plan is to add to the sea salt a grain of musk, a little essence of violet and finally about a teaspoonful of alcohol. Set the bottle away for three days, turning it twice a day.

When you are ready to take your bath, throw a handful of the sea salt into the water. It will perfume the water without making it too salty. Take a jug of salt, and into a gallon jug pour half an ounce of rose geranium oil and a cup of alcohol. Turn your jug upside down. Let it stand a day or so, and so on until you have worked with it three weeks. The result will be a very nice jug of sweet smells.

There come squares of a preparation of ammonia which can be made into very nice bath vinegar. Take a dozen or more of these solid pieces and add just enough violet perfume to cover them.

Then add spirits of cologne until you have a pint bottle nicely filled. This makes a delicious bath vinegar, which can be used every day for two weeks, for it takes very little to perfume the water.

If you like your hands to smell sweet, and to some people there is something positively intoxicating about a pair of sweet hands, you can make a hand wash by taking a quart of spirits of cologne, put it in a half gallon jug, add an ounce of oil of rose geranium and two grains of musk. Let it stand a week; then fill up with spirits of cologne. At the end of another week you will have as fine a gallon of perfume as you will want. When you are ready to wash your hands, with this sweet mixture take a bowl of warm water and add to it a pinch of powdered borax. Into this put half a wine glass of perfume.

Use no soap, but keep this water for rinsing. It will impart a lasting fragrance which will remain upon your hands from morning until night.

Have you ever tried putting up your winter furs in perfumery? Make some sachets and scatter them through the storage chest, thus using sachet powders instead of camphor. You will find that the moths stay away just as well and the furs come out in the fall smelling sweet. And the same thing with clothes those which you are putting away until spring. Many of them are of cashmere and light wool and you don’t want the moths to get into them. Put them away between layers of sachets and you will find that you will have never a moth.

There is a story told of a woman who spent the summer upon the Jersey coast where mosquitoes are thick. Not wanting to be eaten alive she sprinkled her bedroom with sachet powder until the whole room was filled with the perfume. All night long she slept in peace.

Animals do not as a rule like strong odors, and disease germs are particularly averse to them. A strong odor of rose will drive away many of the contagious diseases, so some scientists affirm, and you can actually keep yourself well by having nice smells around you.

Attar of rose is very effective, but unfortunately it is expensive. Oil of rose geranium is very effective and there are other extracts which can be bought and used to good advantage.

In old fashioned German households the custom prevails of buying a certain amount of good perfume every year. This perfume is bought not to be bottled and preserved, but to be used, and when it disappears more is purchased.

The fad for a distinctive odor is dying away, and women are inclined to scent themselves like an English garden. An English garden is one in which all the common flowers grow, and when you take a sniff of it you do not know whether you are smelling violets or mignonette, geraniums or roses, delicate pansies or strong heliotrope. Thus it is fashionable to mingle your perfumes.

The pine tree scent is the odor of the moment, and wise women are making little bags of pine and heaping them up, so that they and their apartments may smell like a pine tree. New York Sun.

Pointe Coupee Banner [New Roads, LA] 24 March 1906: p. 7

Mrs Daffodil’s Aide-memoire: The modern “aroma-therapy” industry is nothing new.  So many of the suggestions in this article are still current: persons selling homes are urged to bake an apple pie or boil apple peels and cinnamon to create a “welcome-home” atmosphere. Scented bath-salts and candles are a popular hostess gift. And in this scientific age, when we are supposed to have moved beyond the whimsical theory that germs are animals that will flee at the scent of roses, we find aggressively scented “anti-bacterial” sprays. One can also buy “pine scent” to give the artificial Christmas tree a whiff of holidays past without the necessity of cleaning up pine needles for months afterwards.

One physician claimed that pine-needles were a handy specific for influenza, although Mrs Daffodil is pursing her lips dubiously at the method of delivery:

Pine-Needle Cigar and Cigarettes in Influenza.—As an item of interest, the quickest relief from Influenza which my patients obtain, is through the use of pine-needle cigars and cigarettes. I find that they will act as a preventative, and once the disease has instituted proceedings they act like magic. Any one can make the cigarettes. I have no hesitancy in recommending their use, as nothing is used in their manufacture but the fresh pine needle and the best of tobacco a non-smoker can inhale with no unpleasant effects.—Harry Neafle, M. D., in the Medical News.

The Medical Age Vol. 8, 1890: p. 20

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Vegetable Fancy Dress: 1889

cabbage leaf costume fancy dress

A VEGETARIAN FROLIC

A little while ago it was my good fortune to attend a most peculiar fancy dress party. It was held at a big country house, and the distinguishing feature of the affair was that every person was compelled to either dress as a vegetable or in a costume decorated with one. Although at first thought this seems to give but little scope to either taste or imagination, some really pretty toilets were arranged, the foundations of which embraced almost everything, including partly worn silks, natty street dresses, and dainty lace and mull gowns.

One stately dame in a trained black silk and  powdered hair, wore an Elizabethan ruff, plumes for the hair, and carried an immense fan, all composed of the crisply curled leaves of the kale plant.

A little auburn-haired beauty transformed her directoire gown into a very good representation of carrots by removing all the buttons and substituting slices of the vegetable, while the entire front was decorated with pressed carrot leaves.

onion fancy dress croce

Soup vegetables made a very attractive costume. A white mull dress with sprigs of parsley used effectively over it, and a tiny basket of the smallest of the other vegetables to be obtained.

A black lace gown, a profusion of bangles cut from a large yellow turnip, hair ornament of the same, and a corsage bouquet cut from white and yellow turnips and embellished with their foliage, was the costume evolved in honor of that plebeian vegetable by a young lady, with the help of a younger brother with a talent for fancy carving.

white asparagus fancy drss croce

Red peppers were used with pretty effect upon another black lace gown, but great care had to be exercised in placing them so that neither the wearer nor those who came in contact with her should suffer from their fiery nature.

Most of the members of the sterner sex contented themselves with a vegetable boutonniere, but one ambitious youth covered himself with glory and his business suit with corn husks arranged layer upon layer. His appearance can be better imagined than described.

Many other pretty, dainty, or funny toilets were contributed using popped corn, slices of pumpkin, pale green lettuce leaves, etc., for decoration.

Pieces of chamois, strips of flannel and stout linen were used underneath some of the cut vegetables to protect the dress fabric form stains.

ONE WHO WAS THERE.

American Gardening: November, 1889: p. 409

vegetable ball

Mrs Daffodil’s Aide-memoire:  A fête which gave new meaning to the phrase “salad dressing.”

One imagines that the fall evening was chill; hence, no one adopted the original vegetable costume:

Leader of Fashion: “Oh, yes, this is the new vegetable costume suggested, you know, by that vegetarian dinner. What do you think of it?”

Cynic “Hum—pretty idea, but old—very old.”

Leader of Fashion (horrified) “Old! Why the dressmaker told us these were the very first. Who can have worn a vegetarian dress before us?”

Cynic: “Eve!”

Aberdeen [Scotland] Weekly Journal and General Advertiser for the North of Scotland 25 October 1884: p. 2

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

A Front-Yard Party: 1904

A Front-Yard Party

By Lily Manker Allen

My sister was with us from the East—we always spell that word with a capital in California—and I wanted to have her meet some of our young lady acquaintances. I must give a party, but how?

I took mental account of the available space in our cottage; parlor so small that half a dozen people made it seem crowded; dining room still smaller; ten by twelve bedroom, and no folding doors. I went out on the piazza and again took account of stock: A fifty-foot city lot on a quiet street. with near neighbors on either side; small lawn, perhaps thirty-five by twenty feet; narrow piazza running across the front of the house, covered with vines at one end. Not very promising, surely. But I set my wits to work and enlisted the wits and the muscles of the Capable Man, and the remembrance of the beautiful tea-garden we evolved has been a joy ever since.

First, a rope was fastened to the corner of the house about eight feet from the ground: this was made to encircle the entire lawn, being fastened at the outer corners to stout poles which were kept in place by means of guy ropes tied to stakes outside. A second rope three feet from the ground was similarly fastened, running around as far as the walk at the side, leaving a gateway.

Graceful, feathery date palm fronds from ten to twelve feet high were then made fast to the ropes to form a screen all around, the heavy ends resting on the ground. Had we lived in Massachusetts, we might have used willow or some other feathery branches.

The pine tree in the next yard shaded part of our lawn, and with my neighbor’s kind permission a hammock was stretched from it to the corner of the piazza, and another from the other corner to our own pine tree.

The blossoms of the rich pinkish purple bourgainvillias vine on the porch gave the touch of flower color needed with the green, and a huge Japanese umbrella was placed in the center of the lawn.

The vine-covered end of the piazza was fitted up for a dressing room, with bureau, hat rack and table, while the open end was furnished with a small couch, cushions and a small table of ferns. A large rug was laid over the steps, which were also furnished with cushions along the sides. An old wagon seat covered with a carriage robe was placed against the trunk of the pine tree, and rugs, easy chairs and cushions were scattered over the lawn.

California skies never fail us in summer; I could be sure of plenty of sunshine. The guests had been invited to an outdoor party, and no doubt came with much wonderment as to how I could entertain an outdoor party.

Each was given a little booklet with dark green covers, shaped like an ivy leaf and with pencil attached. Inside was a guessing contest containing questions about trees, such as “What tree would bark?” “What tree would mew?” etc.

The last page was reserved for a contest of a different sort; the guests were asked to guess the number of tiny shells in a small jar, the one guessing nearest receiving as many little gilt stars as there were persons present, the next one next, and so on, the one guessing widest of the mark receiving but one. These were pasted on the booklets by way of decoration.

I suppose the refreshments should have been tea and wafers, but the day being warm, ice cream and cake were served instead. When the afternoon was over, we were so pleased with our success that we resolved to give another party the next day, this time for the neighbors who had so kindly helped us out in our plans of the day before. Our only regret on looking back to our charming tea-garden is that we neglected to have it photographed as we intended.

Good Housekeeping Vol. 39, 1904: p. 204

Mrs Daffodil’s Aide-memoire:  The garden party under a marquee, is, of course, a recognised fixture of English life. However, in the States, this form of entertainment has a more dubious record, being plagued by weather and insects. Some form of comprehensive coverage was needed. This 1902 author recommended a “veranda tea,” which sounds very like a screened version of the tea-garden above.

The garden party has never flourished in this country. It has a vogue, perhaps, for a season in some district where mosquitoes and gnats are not troublesome and where the trees are guaranteed not to drop squirming caterpillars on the heads or into the beverages or ices of the ladies. Besides, the weather man is an unreliable individual, and his firmest assurance that the neighborhood may anticipate nothing but cerulean skies and balmy breezes for at least a week may be sadly belied by the tornado that springs up as if from nowhere. A garden party that opens to the singing of birds and the smile of the sun may end to the accompaniment of thunder and the cold, steady beat of the drenching rain. Then too, garden parties are hard on the delicate complexions of American women. English women are indifferent to tan, but the American hates to think that above her fairylike frock she displays the face of a broiled lobster.

Now, the veranda tea has none of these disadvantages. In the shade of that roofed retreat there is no menace to the complexion, and one may wear her prettiest white gown or most fascinating organdie. Disturbing insects cannot penetrate behind the screens, and the war of the elements without can introduce no disturbing effect.

The Topeka [KS] State Journal 5 July 1902: p. 14

The “back-yard” party, was also in vogue, for the budget-conscious young:

SUMMER BACK YARD PARTIES

Young Women Who Cannot Afford Trip to Seashore Inaugurate Novel Means of Amusement.

Any kind of outdoor entertainment is preferable in summer to staying in the house, so, for that reason, several young women who cannot go to the seashore or mountains for the “heated term” have inaugurated what they call “back-yard parties” in the spaces in the rear of their homes. These have been made attractive enough to warrant asking their friends to spend the evening there.

At one house in town in particular, the yard has been turned into a really lovely garden. Ivy and other climbing plants have been planted along the fences and now completely cover them. The center is a grass plot, and around is a border of gay blooming geraniums and other hardy flowers. Benches, garden chairs and tables are placed here and there. A low cot bed, with rug and cushions, forms a divan. At night, with Japanese lanterns strung across and little lamps hung among the ivy, the effect is surprisingly pretty.

The daughter of the house finds her friends more than ready to accept her invitations, and the open air entertainment is thoroughly enjoyed. Sometimes they play games, or they have music of banjo or mandolin, and sing college songs. [One wonders if the neighbours were pleased with the repertoire.] The men, of course, have permission to smoke, and the cold lemonade, ices and cakes are especially delicious served under these unusual and Informal conditions. Try it; it is well worth the trouble.

Natrona County Tribune [Casper WY] 20 October 1909: p. 6

Of course, there were always guests who did not quite grasp the concept:

“Do you know Mr. Fresco—Mr. Albert Fresco?” inquired Mrs. Nuritch.

“No,” said her husband, “Why?”

“I’ve got an invite to Mrs. Blugore’s garden party, and she says they’re going to dine Al Fresco.”

The Evening World [New York NY] 30 January 1903: p. 12

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Floral Sunshades: 1884

 

flower bedecked parasols 1895

Floral Sunshades.

Floral sunshades are, as we learn the latest innovation in flower fashion just now in Nice, where the ladies are using parasols composed entirely of natural flowers, so that their sunshades resemble nothing so much as gigantic bouquets stuck on sticks. The stalks of the flowers are woven together, so as to form a network of bloom, the inside being lined with silk. One parasol is made entirely of violets, with a bordering of jessamine; another of geraniums, white and red in rows, fringed with maiden-hair fern; another of pansies, and so on. When the flowers fade the parasol has to be made up again, generally at intervals of two days. We always thought our New York friends a little extravagant in their flower torture, nor could any one persuade us to admire the great massive crosses, anchors, wreaths and wedding- bells affected by some portions of American society: but even there they do not, I believe, expose their beautiful flowers on sunshades to wither and die. I hope that it is only some ladies, and those only a few, that degrade nature’s flower gifts in this way. A friend to whom I showed the above paragraph said she should as soon think of skewering a living dove or a lark in her bonnet as of abusing lovely flowers wholesale in the manner that I have just indicated.

The Clay Center [KS] Dispatch 31 July 1884: p. 2

Mrs Daffodil’s Aide-memoire: The Hall Head-Gardener, Mr McKew, would have a word or two to say about the fashionable abuse of flowers. It pains his soul to supply even cut flowers for the table and he would, no doubt, call the floral parasol a shocking waste and a sin against floriculture .

Still, the showiness and ephemeral quality of the floral parasol made it a popular fad:

FLOWER BEDECKED PARASOLS.

The coming season’s sunshades are bewildering in floral effects. One is of violet-colored chiffon, with wreath and nosegays of artificial violets. Big bows of violet ribbon ornament its stick at top and handle, and the graceful ruffle around its edge is gay with silver spangles. A nosegay of violets nestles in the knot of the ribbon on the handle and the whole is delicately scented with violet sachet.

Another new floral parasol, although more severe in style, is even more chic. It is trimmed with orchids, one huge cluster hanging from the bow at the top and a smaller one at the handle. The sunshade itself is of heavy cream-tinted silk, with mother-of-pearl handle. All the parasols this year are noticeable for their elegance and showiness. Every detail is most costly, and, in many instances, most

Perishable, as the fluffy and flowery effects so greatly in vogue are not meant for wear and tear. The good old-fashioned plain parasol, lasting a whole season through, is completely obliterated by this crowd of fragile and efflorescent novelties.

The Abbeville [SC] Press and Banner 3 April 1895: p. 3

Mrs Daffodil does not see the appeal in the floral novelty, although there will always be those who will follow a fad merely for the extravagance of the thing. The floral parasol lacks the tidiness one likes to see in fashion accessories. This fashion writer made a very apt comparison:

Some of the floral parasols have a peculiar effect when carried closed. These look as if the owner had been cutting for herself a large posy and fixed it on a stick, in the style of a May day posy of long ago. The impression is still further carried out when a florally trimmed hat to match is worn—as is often the case. The Ottawa [IL] Free Trader 4 August 1888: p. 7

The floral parasol did, however, finally find its niche as a wedding decoration.

floral parasol wedding decoration

A Rose Parasol Instead of the Usual Bridal Bell.

June with its roses affords many tempting opportunities to the floral decorator. For weddings—and June is the favorite month for weddings—no prettier idea could be devised than that of substituting for the hackneyed wedding bell a floral parasol under which the bride and bridegroom may stand during the ceremony or at the reception. The roses and smilax are mounted on a skeleton parasol frame. Pink or white roses are suitable, the garden rose or the hothouse variety being adapted to the purpose.

The Richmond [IN] Palladium and Sun-Telegram 27 July 1911: p. 8

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.