Category Archives: Professions

Rings that are Fatal: Various Dates

RINGS THAT ARE FATAL.

Amazing Stories New and Old.

“A learned German physician,” says a well-known writer upon jewels, “has given an instance in which the devil of his own accord enclosed himself in a ring as a familiar, thereby proving how dangerous it is to trifle with him.”

The Germans are all learned, as we know, and I should not like to dispute a statement so admirable. Finger-rings henceforth should have a new interest for as. The idea that the devil is bottled up in one may not be pleasant to entertain but then we have the German’s word for it, and Germans know everything.

If I do not feel inclined, however, to enter upon such a controversy, as is here suggested, none the less do I, as a jeweller, realise the potency of the superstitions connected with precious stones. Until the last two years, the opal— most beautiful, most lustrous, most wonderful of gems was almost a drug in the popular market. As well might you have sent a woman a letter edged with black to congratulate her upon her marriage as an opal for her wedding present. The prejudice arose, of course, from the old superstition that the opal is fatal to love, and that it sows discord between the giver and the receiver unless the wearer, happily, was born in October. In the latter case the stone becomes an emblem of hope and will bring luck to the wearer.

But, I hear you ask, is all this serious? Are you not rather joking, or speaking of the few and not of the many? I answer that I am as serious as ever I was in my life. Not only did we find it almost an impossibility five years ago to sell an opal at all, but the few women courageous enough to wear them in society contributed in the end to their unpopularity. I remember well a leader of fashion who for 12 months was conspicuous everywhere for the magnificence of the opals she wore, both upon her arms and her fingers. One day she came into my shop and bought an opal ring of immense size and singular magnificence.

“I am determined to kill this superstition,” she said, “and I am buying this ring because I am sure it will bring me luck.”

“I hope it will,” said I, “and if it should do so I trust that you will speak of it. The opal is sadly in need of a good word. I feel sure that nobody can speak that word to greater advantage than yourself.”

She promised that she would; and during the next three months she was loud in her conviction that the opal had been the best friend she had ever bought. Her husband doubled his fortune in that time. Her son obtained conspicuous honours at Cambridge. She backed the favourite for the Derby and he won. It really looked, even to the man of no superstitions, as though a freshet of fortune had flowed for her since the day she bought the ring.

Alas! how soon her hopes were to be shattered. Two months after her horse won the Derby her husband was in the bankruptcy court, a victim in a high degree of the Liberator [a famous race horse.]

It would be absurd and ridiculous, of course, for any sane man to regard the case as a post hoc ergo propter hoc. The event was a pure coincidence; yet nothing in this world would induce the lady in question to regard that ring otherwise than as a fatal one. We may say what we like, but once a woman has dubbed this or that lucky or unlucky, the homilies of a thousand bishops would not change her opinion. Witness that remarkable story told in the “Lives of the Lindsays,” in which we are shown how the Earl of Balcarres, forgetting on the morning of his wedding his appointment to marry the grand daughter of the Prince of Oxaxute, went hurriedly to church at the last moment without the all-necessary ring. This, of course, was a sad position for anybody to be in, and the young man appealed pathetically to the company to know if the deficiency could not be made good. Happily, or rather most unhappily, the best man standing at his side suddenly remembered that he had a ring in his pocket, and he slipped it into the earl’s hand just as the service began. Was it not a strange thing that this should have been a mourning ring, and that, when the happy bride ventured to look down upon her finger, she saw a skull and crossbones grinning at her? So great was her distress that she fainted in the church and when she came to she declared that it was an omen of death, and that she would not live through the year. And did she? the matter-of-fact man asks expectantly. Alas! twelve months were not numbered before Lady Balcarres was in her grave!

byron's mother's wedding ring Newstead Abbey

Byron’s mother’s wedding ring, Newstead Abbey

It is necessary at this point to tell you a story with a happier ending, lest the superstitious man should have it all his own way. It is said of Lord Byron that he was about to sit down to dinner one day when a gardener presented him with his mother’s wedding ring, which the man had just dug up in the garden before a wing of the house. Byron was at that time expectantly awaiting a letter from Miss Millbanke a letter which was to contain an answer to his proposal of marriage. When he saw the ring which the gardener brought him, he fell into a fit of deep gloom, regarding it as a sign of woeful omen but scarce had this depression come upon him when a servant entered with a letter from the lady. She accepted the poet.

There is another story told by the late Professor de Morgan I think it appeared in “Notes and Queries” which relates an instance of a page who fled to America simply because he lost a ring which he was carrying to the jeweller. The stone was an opal, if I remember rightly. The lights of it had so impressed the lad when he saw it upon his mistress’s finger that he stopped upon the plank bridge crossing the stream in his town, and took the jewel out of the box to admire it. But his fingers were clumsy, and in his attempt to try the ring on he let it slip into the river. Two years after in America he told the story, and related how that the ring had driven him to the condition of a miserable serf in the plantations. He did not know then that his condition was soon to be changed, and that diligence and hard work were to carry him to such a position of affluence that at the end of 20 years he returned to this country and to his native town. On the night of his arrival be went with a friend. to the old bridge, and recalled his misfortune there.

“It was in that very spot,” said he, thrusting his stick into the soft mud of the river, “that I dropped the ring.”

“But look!” cried the friend, “you have a ring upon the end of your stick!”

Sure enough, incredible though it may sound, the very ring he had dropped into the river 20 years before was now upon the end of the muddy stick.

Some people may be inclined to take this story with a grain of salt. Personally I am willing to think that Professor de Morgan and “Notes and Queries” would not have fathered upon us a mere bundle of lies. For the matter of that, there are cases as marvellous of the recovery of rings in nearly every town in England. At Brechin they will tell you of a Mrs Mountjoy who, when feeding a calf, let it suck her fingers, and with them a ring she wore. When this animal was slaughtered three years after, the ring was found in its intestine.

In the year 1871 a German farmer, who had been making flour balls for his cattle, missed his dead wife’s ring which he had been wearing upon his little finger. He made a great search for the treasure, holding the ring in some way necessary to his prosperity; but although he turned the house upside down, he never found it.

Seven or eight months after, this farmer shipped a number of bullocks upon the Adler cattle ship. The Adler came to port all right, but one of the bullocks had died during the voyage and been thrown overboard. Strangely enough, the carcase floated upon the sea, and was picked up by an English smack— the Mary Ann, of Colchester— the crew of which cut open the body to obtain some grease for the rigging. Did we not know that every line of this story had been authenticated, we should laugh when it is added that the farmer’s ring was found in the stomach of the derelict bullock and duly restored to its owner through the German Consul.

Here are stories of luck if you like. I will give you one also of luck which has never been told except to me and to the members of the household in which the strange occurrence took place. A lady, whose husband was a bank manager, purchased at my house some six years ago a singularly fine turquoise ring. She came to me at the end of two years and declared that the jewel in question had completely lost its colour. I saw that this was so, and told her there was no secret about the matter, but that she had washed her hands with the ring upon her finger, The turquoise, as all the world knows, should never be dipped in water. Some of the finest stones will stand the treatment, but in the majority of cases it is fatal. You would think that this was not a case for any superstitious fears, but my client was sadly troubled from the start at the omen of the ring; nor could my assurances comfort her. And oddly enough, within three months of the date of her visit to me her husband was in difficulties and had fled to America.

But this is not the end of the story of the turquoise. I had, previous to this calamity, set a new stone in the place of the old, and this jewel, being properly treated, kept its colour very well. Yet, as though that ring must prove fatal to all who wore it, it was the instrument of the capture of the lady’s husband, and of the term of imprisonment which followed on his arrest. The thing worked out in this way. For two years the fugitive remained abroad, but with that love of country which sometimes will prevail above reason, the unfortunate man returned here at last, and lay in hiding at the house which his wife had taken near Reading.

This was a rambling old place, with a decaying wing, very convenient for hiding a man. One morning the servants, who were not in the secret, found a turquoise upon the floor of a bedroom in this side of the house. As they had reason to believe that no one except themselves had been in the place for some years, they carried the ring to their mistress as a wonderful and amazing discovery. She, in her feverish desire to protect her husband, made up some cock-and-bull story which did not satisfy them. Although they had promised absolute secrecy, they made haste to tell the story in the village, where by a colossal misfortune the detective who was watching the case was even then staying. Needless to say how he pricked up his ears at the information; arguing rightly that where a ring was there a man or woman must have been. Three days later he arrested the defaulter, who had been hidden in the house all the time and had dropped the ring upon the floor of the bedroom. He had worn it on his little finger as a memento of his wife when he fled from the country, but it proved a fatal ring to him and to her.

It is scarcely within the scope of this article to write upon that vast branch of this subject which would properly come under the heading of poisoned rings. There was a story told in the French newspapers at no distant date of a man who bought an old ring in a shop in the Rue St. Honore, He was much interested in this, and was examining it closely, when he chanced to give himself a slight scratch in the hand with the edge of the ring. So slight was it that he scarce noticed it, and continued in conversation with the dealer, until of a sudden he was taken with violent pains in his body and fell in a fit upon the floor of the shop. The doctor who was summoned discovered every trace of mineral poison, and administered an antidote–happily with success, though the man suffered severely for several hours, and was at one time upon the very point of death. There is no doubt whatever that he had purchased what is called a “death ring,” a common weapon of assassination in the sixteenth century, and still to be found in the byways of Italy. The ring in question was made in the shape of two tiny lions’ claws, the nails being minute tubes from which the poison was ejected into the body. A man bearing a grudge against another would contrive to send him such a ring as a present and he would so manage it that he would meet the unlucky wearer very shortly after the present was received. It was the easiest thing in the world to give the victim a hearty shake of the hand, so squeezing the sharp claws into the flesh and administering a dose of the poison. And so skilled were the men in the manufacture of these rings that the day was rare when the victim of one lived even 10 minutes after he had received this death grip.

Otago [NZ] Witness 15 October 1896: p. 50

Mrs Daffodil’s Aide-memoire:  Mrs Daffodil has written before on those useful poisoned diamond rings with little spikes and a cursed ring formerly the property of the Spanish royal family. Various royal personages have also possessed “lucky” and “unlucky” rings as magical talismans.

Mrs Daffodil cannot accede to the author’s suggestion that Byron’s proposal to Anne Isabella Milbanke was a story with a “happier ending.”  The ill-matched couple separated shortly after their one-year anniversary and may have never seen each other again before Byron’s death in Greece in 1824.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

The Ghost and the Spinster: 18th century

18th century strongbox

It had been for some time reported in the neighbourhood that a poor unmarried woman, who was a member of the Methodist society, and had become serious under their ministry, had seen and conversed with the apparition of a gentleman, who had made a strange discovery to her. Mr Hampson, being desirous to ascertain if there was any truth in the story, sent for the woman, and desired her to give an exact relation of the whole affair from her own mouth, and as near the truth as she possibly could.

She said she was a poor woman who got her living by spinning hemp and linen; that it was customary for the farmers and gentlemen of that neighbourhood to grow a little hemp or linen in the corner of their fields, for their own home consumption, and as she had a good hand at spinning the materials she used to go from house to house to inquire for work; that her method was, where they employed her, during her stay to have meat and lodging (if she had occasion to sleep with them) for her work, and what they pleased to give her besides. That, among other places, she happened to call in one day at the Welsh Earl Powis’s country seat, called Redcastle, to inquire for work, as she usually had done before. The quality were at this time in London, and had left the steward and his wife, with other servants, as usual, to take care of their country residence in their absence.

The steward’s wife set her to work, and in the evening told her that she must stay all night with them, as they had more work for her to do next day. When bed-time arrived, two or three of the servants in company, with each a lighted candle in her hand, conducted her to her lodging. They led her to a grand room, with a boarded floor and two sash windows. The room was grandly furnished, and had a genteel bed in one corner of it. They had made her a good fire, and had placed her a chair and a table before it, and a large lighted candle upon the table. They told her that was her bedroom, and she might go to sleep when she pleased, they then wished a good night and withdrew all together, pulling the door quickly after them, so as to hasp the springsneck in the brass lock that was upon it.

When they were gone she gazed a while at the fine furniture, under no small astonishment that they should put such a poor person as her in so grand a room and bed, with all the apparatus of fire, chair, table, and candle. She was also surprised at the circumstance of the servants coming so many together, with each of them a candle; however, after gazing about her some little time, she sat down and took out of her pocket a small Welsh Bible which she always carried about with her, and in which she usually read a chapter—chiefly in the New Testament—before she said her prayers and went to bed.

While she was reading she heard the room door open, and, turning her head, saw a gentleman enter in a gold-laced hat and waistcoat, and the rest of his dress corresponding there-with. (I think she was very particular in describing the rest of his dress to Mr Hampson, and he to me at the time, but I have now forgot the other particulars.) He walked down by the sash window to the corner of the room, and then returned. When he came at the first window in his return (the bottom of which was nearly breast-high) he rested his elbow on the bottom of the window, and the side of his face upon the palm of his hand, and stood in that leaning posture for some time, with his side partly towards her.

She looked at him earnestly to see if she knew him, but though, from her frequent intercourse with them, she had a personal knowledge of all the present family, he appeared a stranger to her. She supposed afterwards that he stood in this manner to encourage her to speak; but as she did not, after some little time he walked off, pulling the door after him as the servants had done before. She began now to be much alarmed, concluding it to be an apparition and that they had put her there on purpose. This was really the case. The room, it seems, had been disturbed for a long time, so that nobody could sleep peaceably in it; and as she passed for a very serious woman, the servants took it in their heads to put the Methodist and spirit together, to see what they would make out of it.

Startled at this thought, she rose from her chair, and kneeled down by the bedside to say her prayers. While she was praying he came in again, walked round the room and came close behind her. She had it on her mind to speak, but when she attempted it she was so very much agitated that she could not utter a word. He walked out of the room again, pulling the door shut as before. She begged that God would strengthen her, and not suffer her to be tried beyond what she was able to bear; she recovered her surprise and thought she felt more confidence and resolution, and determined if he came in again she would speak to him if possible.

He presently came in again, walked round, and came behind her as before; she turned her head and said, “Pray, sir, who are you, and what do you want?” He put up his finger and said, “Take up the candle and follow me, and I will tell you.” She got up, took up the candle and followed him out of the room. He led her through a long boarded passage, till they came to the door of another room which he opened and went in; it was a small room, or what might be called a large closet.

“As the room was small, and I believed him to be a spirit,” said she, “I stopped at the door; he turned and said, ‘Walk in, I will not hurt you’; so I walked in. He said, ‘Observe what I do’; I said, ‘I will.’ He stooped and tore up one of the boards of the floor, and there appeared under it a box with an iron handle in the lid. He said, ‘Do you see that box?’ I said, ‘Yes, I do.’ He then stepped to one side of the room and showed me a crevice in the wall, where he said a key was hid that would open it. He said, ‘This box and key must be taken out, and sent to the Earl in London’ (naming the Earl and his residence in the city). He said, ‘Will you see it done?’ I said, ‘I will do my best to get it done’; and he said, ‘Do, and I will trouble the house no longer!’ He then walked out of the room and left me. (He seems to have been a very civil spirit, and to have been very careful to affright her as little as possible.)

I stepped to the room door, and set up a shout. The steward and his wife, with the other servants, came to me immediately; all clinging together, with a number of lights in their hands. It seems they had all been waiting to see the issue of the interview betwixt me and the apparition. They asked me what was the matter. I told them the foregoing circumstances, and showed them the box. The steward durst not meddle with it, but his wife had more courage, and, with the help of the other servants, tugged it out, and found the key. She said by their lifting it appeared to be pretty heavy, but that she did not see it opened, and therefore did not know what it contained—perhaps money, or writings of consequence to the family, or both. They took it away with them, and she then went to bed and slept peaceably till morning.

  It appeared that they sent the box to the Earl in London, with an account of the manner of its discovery, and by whom; as the Earl sent down orders immediately to his steward to inform the poor woman who had been the occasion of its discovery that if she would come and reside in his family she would be comfortably provided for during her remaining days; or, if she did not choose to reside constantly with them, if she would let them know when she wanted assistance, she would be liberally supplied at his lordship’s expense as long as she lived. And Mr Hampson said it was a known fact in the neighbourhood that she had been supplied from his lordship’s family, from the time the affair was said to have happened, and continued to be so at the time she gave Mr Hampson this account.

She told him that she was so often solicited by curious people to relate the story that she was weary of repeating it; but, to oblige him, she once more related the particulars, wishing now to have done with it. Mr Hampson said she appeared to be a sensible, intelligent person, and that he saw no reason to doubt her veracity. I know many persons in the present day laugh at such stories, and affect very much to doubt their reality, while others totally deny the possibility of their existence. However, Scripture and many well-attested relations seem to favour the idea, and the present story appeared so singular and so well attested, and I had it so near the fountain-head, that I thought it might perhaps be worth preserving, and I have therefore taken pains to record it.

Admitting it to be true, it should seem that the consequence to the family of what the hidden box contained was the formal cause of the spirit’s disquiet, and of its disturbing the house so much and so long, in order to bring about the discovery; but why the departed spirit should concern itself in the affairs of this world after it has left it—or why they should disquiet it so as to cause it to reappear and make disturbances, in order to discover and have things righted, as in the preceding case—or why this should be done in some cases of apparently less moment, while in other cases much greater family injuries seem to be suffered, and no spirit appears to interest itself in the case—are circumstances for which we can by no means account. A cloud sits deep on futurity; and we are so little acquainted with the laws of the spiritual world that we are perhaps incapable, in our present state, of comprehending its nature or of giving any satisfactory account of these matters.

The Haunters and the Haunted, Ernest Rhys, ed., 1921

Mrs Daffodil’s Aide-memoire: As M.R. James, that consummate chronicler of English ghosts said, “Depend upon it! Some of these things are so, but we do not know the rules!” Mrs Daffodil also wonders why the ghostly gentleman—so tenacious in worrying the devout spinster—did not visit the Earl or his family when they were in residence and show them the box?

Mrs Daffodil put this hypothetical question to that ghost researcher over at Haunted Ohio, who responded with an anecdote of a young woman whose late father-in-law kept giving her messages for his son, her husband. “When I rather testily asked him why he didn’t go directly to his son, he said sadly, ‘He can’t hear me.'”

So perhaps it was only a “serious” Methodist lady who had ears to hear or the courage to speak to the ghost, for there is much folklore that says ghosts can only speak when spoken to.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Fashion’s Goldsmith-A Visit to Lalique: 1900

FASHION’S GOLDSMITH.

He Creates Birds and Flowers of Precious Stones.

The most prized and splendid jewels that have found their way into the caskets of princesses and millionaires of late are from the studio of Rini [sic] Lalique, artist, inventor, and worker in gems, ivory, and the precious metals. Women of the “smart set” who had the good fortune to see the wonderful specimens of this man’s work given Miss Julia Grant by the Prince Cantaruzene at the time of their wedding enjoyed a new emotion as well as a revelation in the art of personal adornment. This Benvenuto Cellini of today is in no sense of the word a shopkeeper and the fashionable woman who takes her annual trip to Paris this year to find show cases filled with trinkets made to imitate his style, will at once observe what an immense influence his originality of method has had upon the trade. If she is determined to see the interior of Lalique’s studio and talk with a very interesting man, she must seek out someone who knows where he bides in the quiet side street, and go armed with an introduction to the grey house, which bears beside the entrance door a small brass plate inscribed Lalique-Joallier.

A French artisan in a long blouse seeks the master, while you look around the room. In the centre are two upright cases, like those seen in museums, and by the windows a few tables with glass tops, similar to those ladies affect for their drawing-room curios. There is no suspicion of the shopkeeper in anything here. This is an artist’s studio, and as Lalique’s work appeals only to the elect, his guests admire and choose their purchases after the manner of pictures. Here they can see his methods and understand why It Is that his work has been admitted to the Salon among the chef d’oeuvres of great painters and sculptors.

Soon a young man who looks very like Paul Bourget comes in with a pleasant greeting, and listens modestly to your enthusiastic admiration of the spray of fuchsias which nod like real flowers as your footsteps jar the floor and which look quite as fragile as the real flower.

Lalique began life as a painter, but his genius was for another branch of art, one much more rare than painting; therefore he soon deserted the brush for his present implements. He first did some designing for a great American firm but longing to execute his own bold and original ideas, and now with a host of followers (all Paris, in fact) crowding on his footsteps, he leads the goldsmiths of the world. Never before has a jeweler looked upon the metals and gems as nothing but colors for his palate, but to Lalique’s eyes gold, silver, precious stones, and enamels are but materials which bring to life the golden pictures of his fancy. He colors the metals, chips the stones, mixes the cheap gems with the expensive and makes therewith works of art. Enamels take on new hues under his skilled fingers, while ivory and bone lend their dull colors to heighten the effect of his creations.

horn and ivory orchid comb lalique 1903-4

He colors gold and carves the opal so marvelously, that a comb for a princess, made of dull grey horn, becomes a stunning frame for a graceful woman’s figure, which leans against the side holding a great bunch of drooping pampas In her hand. Woman, grass, and delicate foliage, in the background are all a miniature painting done in gold of many colors, opal, enamel, and ivory.

lalique opal ring2

The imagination of the poet shows In every piece of this man’s work, drawing the line thus between the genius and the many talented designers who can imitate and follow him successfully. Rough opal is the material greatly used by Lalique. The golden sunset, the soft shine of the moonlight, the fleecy clouds beside innumerable flowers and living objects are wonderfully pictured by the way in which this artist uses this material. Diamonds, pearls, emeralds, rubies, and turquoises are but parts of his design, and the way in which he employs amethyst as other jewelers use enamel is productive of amazing results.

lalique dragon brooch 1905

One sort of ornament which Lalique particularly likes, because its shape and position on the dress allows his fancy great play, is intended for the front of a belt, a low corsage, or a neckband. A wonderful dragon shining with color and belching forth clouds of opal, is a design for one of these. A second is a landscape showing through the tree trunks of many colored gold the opal of the sunset shining in a pool of diamonds, and still another is a spray of beautifully colored roses with their leaves growing inside a thread-like frame of gold as though they were growing outside the window. A few rings, queer brooches, a rope of seed pearls finished by a tassel of rubies, a pendant or two, all fanciful, poetic, unique, and enchanting, are all Lalique has to show his visitor. The court of Russia is constantly snatching up his finest pieces as they come from his hands, and in England the great families who are so proud of their jewels are constant visitors to his quiet apartments. He works very slowly, and except for his yearly exhibit at the Salon, can make no display, his works are nearly always sold before they are finished.

Washington [DC] Times 8 April 1900: p. 19

Mrs Daffodil’s Aide-memoire: While to-day the work of M. Lalique is highly prized and sells for fabulous sums whenever it comes to auction, the critics of the past were not so kind. For example, this author finds Lalique cloyingly pretty:

We confess to some hesitation in expressing frankly the impression produced on us by M. Lalique’s work, because in looking back on the history of modern art we find that whenever work has been condemned for its tendencies with the admission of its technical excellence, the verdict of a succeeding generation has always been in favour of the artist. It is, in short, dangerous to condemn on some high moral or abstract aesthetic grounds work of which the technical excellence is indisputable. And yet, if we are to be sincere, that is what we are inclined to do to M. Lalique’s jewellery. To us its prettiness is exasperating—its extraordinary effectiveness, its too obvious and assertive charm, cloying….Nor is his rendering of natural forms really impressive ; it lacks intimacy and intensity of feeling…And if the line is nowhere arrested, nowhere determined by architectural necessity, the colour schemes are equally vague and indeterminate…Where therefore, as here, a discord is out of the question, no very intense or moving harmony can occur, the colour never rises to beauty, it remains obdurately and annoyingly pretty.

The Athenaeum 27 May 1905: p. 664

Another found him lacking in style:

The chief thing lacking in M. Lalique’s’ jewellery, as in that of his imitators, is style. And it is for this reason that so many people, even those most devoted to that which is novel, refuse to regard his productions as other than vain and transitory things. Certain it is that the composition of some of M. Lalique’s work suggests haste—facile haste; this or that detail deserved closer study, demanded firmer drawing, stronger characterisation. Thus, while acknowledging fully our indebtedness to M. Lalique for having renovated and revived the art of jewel-working, one cannot but regret that he should too often have been content to make a direct copy of floral forms when a careful stylisation would have been far more effective. A natural flower is decorative of itself, and no jewel however precious can compare with it on a woman’s breast or in her hair.

The Studio, Vol. 23: p. 1901: pp. 27-30

Finally, this critic has a rather amusing, yet valid, reason for disliking Lalique:

At times even—most unjustly, I admit—one almost comes to hate the art of M. Lalique himself, so persistently is it badly imitated.

Modern Design in Jewellery and Fans, Charles Holme, 1902: p. 2

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

The Lace-Smuggler’s Narrative: 1858

A SMUGGLER’S NARRATIVE.

“We shall be, my dear madam,” said I to a fellow passenger in the Dieppe boat, taking out my watch, but keeping my eye steadily upon her, “we shall be in less than ten minutes at the custom house.” A spasm—a flicker from the guilt within—glanced over her countenance.

“You look very good-natured, sir,” stammered she.

I bowed, and looked considerably more so, in order to invite her confidence.

“If I was to tell you a secret, which I find is too much to keep to myself, oh, would you keep it inviolable?”

“I know it, my dear madam—I know it already,” said I, smiling; it is lace, is it not?”

She uttered a little shriek, and, yes, she had got it there among the crinoline. She thought it had been sticking out, you see, unknown to her.

“Oh, sir,” cried she, “it is only ten pounds’ worth; please to forgive me, and I’ll never do it again. As it is I think I shall expire.”

“My dear madam,” replied I, sternly but kindly, “here is the pier, and the officer has fixed his eye upon us. I must do my duty.” I rushed up the ladder like a lamplighter; I pointed that woman out to a legitimate authority; I accompanied her upon her way, in custody, to the searching house. I did not see her searched, but I saw what was found upon her, and I saw her fined and dismissed with ignominy. Then, having generously given up my emoluments as informer to the subordinate officials, I hurried off in search of the betrayed woman to her hotel.

I gave her lace twice the value of that she had lost. I paid her fine, and then I explained. “You, madam, had ten pounds’ worth of smuggled goods about your person; I had nearly 50 times that amount. I turned informer, madam, let me convince you, for the sake of us both. You have too expressive a countenance, believe me, and the officer would have found you out at all events, even as I did myself. Are you satisfied, my dear madam? If you still feel aggrieved or injured by me in any manner, pray take more lace; here is lots of it.”

We parted the best of friends.

Liverpool [Merseyside, England] Mercury 28 September 1858: p. 3

Mrs Daffodil’s Aide-memoire:  What a very thoughtful gentleman-smuggler!  Too many in this world think only of themselves. The narrator restores our faith in humanity!

The smuggling of lace and other luxury goods was not only a highly-lucrative profession, it was something of a sport for young ladies, as we have seen in a previous post where the unrepentant culprits told their father, “But every woman on the ship is smuggling, and it is such fun.’.

Some smugglers felt that ladies had a better chance of evading detection, such as the youth who impersonated a widow, complete with a sham infant built on a bottle of dutiable brandy and stuffed with laces.

And fashionable garments provided many useful hiding places. Crinoline, for example:

The Dutch custom-house officers at Rosendael, a few days, seized a quantity of lace to the value of 1200 florins, which a lady coming by the railway from Antwerp had concealed under her crinoline. The anxiety depicted on her countenance is said to have betrayed her.

Liverpool [Merseyside England] Mercury 30 March 1858: p. 7

or the bustle:

A novel method of smuggling has been devised. A woman was discovered in Florida, coming into the United States with a large tin bustle filled with fine Cuban rum.

Lawrence [KS] Daily Journal 21 December 1886: p. 3

This lady’s maid must have been quite a strapping young woman to carry this contraband:

The Customers-officers at Haumont (Nord) last week arrested a lady’s maid who was attempting to cross the frontier with no less than twenty-nine kilogs. [63.9 lbs!] of Belgian tobacco concealed in her crinoline.

The Exeter [Devon England] Flying Post 23 September 1863: p. 6

This lady, who cleverly took advantage of the normal cycles of life to bypass the customs officers, did not know when to stop:

A very common Method of Smuggling practised by the Fair Sex, is by assuming the Appearance of far advanced Pregnancy; although the Bantling proves generally to be Silks and Laces. A Lady well known in the Circles of Fashion, practised this Trick with great Success for many Years, until being big with Child five Times in one Year, the Custom-House Officers began to be staggered by such prolific Powers, and kindly lent a Hand to deliver her of her Burthen.

The Derby [England] Mercury 15 July 1784: p. 1

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

Violets the Fad This Winter: 1893

hand painted violet fan

VIOLETS THE FAD THIS WINTER.

They Will Appear in Every Sort of Shape That Fashion Can Suggest.

The violet is the flower of the coming winter.

All the new things of every sort are covered with violets. The new embroidery patterns are in violets. The new candleshades have paper violets stuck upon them. Even the candles are of a novel tint–purple.

The newest ribbons in the shops are violet, the color running through a surprising number of shades. The latest fancy soaps are wrapped in violet-colored paper. Note paper in pale violet is to be a fashionable fad, and my lady will scent her dainty mouchoir with violet perfume.

Some of the swellest Washington women are going to give violet teas during the coming season. On these occasions of modish festivity many gowns will be worn of white silk with violets brocaded upon them, the corsage bouquets being great bunches of the same flowers. One dress already designed will have a low cut bodice entirely surrounded by a deep wreath of violets. At tea tables violet ribbons will be stretched from the candles to the chandeliers above, forming a sort of May pole effect.

A Violet Room.

One Washington house already has a whole room done in pale violet–the wall paper, hangings, furniture coverings, everything. A pretty effect is produced by making violet the color-motive for a lady’s bedchamber. The counterpane and pillow shams may be of white muslin over violet, and the dressing table in the same materials, tied with great violet bows in several shades. If nothing else is done in recognition of this new fad, one should have at least one sofa pillow of violet.

Violet has even become the proper color for babies, replacing the old-fashioned blue and pink. The violet tea gown will be very much the thing. It Is noticed that all the newest and most dainty porcelains are ornamented with violets, either scattered about or in solid bunches. The latest designs in jewelry are in these flowers, and fancy pins and such trifles in violets will be popular as gifts for the approaching Christmas.

Of course, this rage for violets will add greatly to the price of those blossoms during the coming winter. Many women win mix imitation ones with the real for economy’s sake, and their bouquets will not be less beautiful for that reason. Violets are perhaps more successfully imitated than any other flowers.

A Clerk in the Business.

A young Washington lady employed in the Treasury Department is likely to find this a profitable season for a pleasant business which she devotes her leisure moments to conducting. She raises violets on a small farm of her own near Anacostia. The work is very easy. She has more than 30 glass sashes, under which the flowers bloom all winter long. In May each year she has some fresh ground plowed, and in it she plants all of her violets, taken from beneath the sashes for that purpose. Then she simply takes up the sashes, covers the newly planted violets with them, and the work Is done.

In October they begin to bloom, and continue all through the winter, so that the young lady can pick them every day and send them to market. All of her violet plants came from one little pot which she bought at the Center market five years ago. They are made to multiply by dividing the roots, so that a single plant taken up in the spring will supply a score or more. She sells her violets to florists in Washington or New York. Prices are higher in the metropolis, so that it pays to express them on. They never bring less than a cent apiece, and sometimes two cents.

There is always a market for violets, and there is never any difficulty in disposing of them. Any florist is glad to buy them, if they are good ones and in prime condition. They must be picked always in the afternoon, because otherwise they lose their perfume. To ship them, they must be placed in bunches in pasteboard boxes, with waxed paper folded loosely around them. They must not be touched with water, because to do so will take away their sweetness.

Evening Star [Washington DC] 11 November 1893: p. 7

Mrs Daffodil’s Aide-memoire: Mrs Daffodil has previously written about how to give a “violet luncheon.” Should her readers require the details of a “violet tea,” albeit of a more lavish variety than usually seen in suburban households, this article gives some helpful suggestions.

Extravagant Hospitality

The afternoon teas of the coming season will be more elaborate than ever before. One leader in society will give one in a few weeks which will eclipse anything of the kind ever seen. It is to be a violet tea. The table will be laid for twelve. The cloth used upon this occasion will be one of six which the hostess had made abroad by special order. They all are of a heavy white satin, each embroidered in different designs. The one to be used upon this occasion is embroidered in violets. They lie in clusters, all over the shining white surface and the work is so admirably done that one would think they had been plucked and dropped there. The tea service is of Royal Worcester, also made by special order, with a design of violets upon a rich cream ground. There are 188 pieces in this tea service, and the average cost is $30 for each, piece. The napkins are of satin, with a design of violets embroidered in one corner. The favors will be painted upon porcelain, and although all different each will be a design of violets.

Under the table will be a large Wilton rug of cream with violets scattered over it The valance dependent from the mantel will be of creamy plush, with a border of embroidered violets and a lining of violet satin. The portieres will be of heavy white felt with a border of violets. The lamps will all have violet shades, so that the light will be like an Indian summer haze.

Arkansas City [KS] Daily Traveler 9 January 1890: p. 2

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

“I have never known a Red Room yet that was not haunted.”: 1903

a visit to the haunted chamber William Frederick Yeames 1869

A Visit to the Haunted Chamber, William Frederick Yeames, 1869

Mr. Punch’s Spectral Analyses.

AN OFFICIAL MUDDLE.

It is always my custom when I go to stop at a country house to ask my host to put me in the haunted room. I like ghosts. In my earlier literary days I was often a ghost myself, and even now I occasionally do “Cheery Chatter for the Chicks” in Baby’s Own lckle Magazine for my friend Bamstead Barker when he wants a holiday. I use a spirit lamp, too, and in a great many other ways exhibit a marked partiality for the spectre world.

When, therefore, I went to stay at Strathpuffer Castle last autumn, I put my usual request, and my host sent for the butler.

“Keggs,” he said, “Mr. Wuddus wishes to sleep in a haunted room. What ghosts have we?”

“Well, your lordship,” said Keggs thoughtfully, “there’s Bad Lord ‘erbert and Dark Lord Despard and the man in armour wot moans and ‘er late ladyship as ain’t got no ‘ead and exhibits of warious gaping wounds, but all the bedrooms wot they ‘aunts is took at present. They do say, though, your lordship, as ‘ow remarkable sounds ‘ave bin ‘eard recent from the Red Room.”

“Then let the Red Room be my bedroom,” I said, dropping into poetry with all the aplomb of a Silas Wegg” I have never known a Red Room yet that was not haunted.” And to the Red Room accordingly I went.

It was past twelve when I went to bed. Scarcely had I got inside the room when a sepulchral voice on my right said “Boo!” and almost at the same instant a chain rattled on my left. I sat down on the bed, and spoke with firmness and decision.

“This won’t do at all,” I said. “No haunted room is ever allowed two ghosts. One of you must go, or I lodge a formal complaint. Which is it to be?”

“I got here first,” said a sulky voice.

“Well, you’d no business here,” said the second ghost snappishly. “I was definitely and officially appointed, and I give up my rights to no one.”

“I’ve told you a thousand times that I was appointed.”

“Nonsense. I was.”

“Meaning that I lie, Sir?”

“Come, come, come,” I interrupted impatiently. “I won’t have this unseemly wrangling. Settle it peaceably, my friends, peaceably.”

“Tell you what,” said the ghost with the chain, eagerly; “we’ll have a haunting competition, if this gentleman will be good enough to act as referee; and the loser quits.”

“But, my good Sir,” I said, “you forget that I want to go to sleep some time to-night. And besides, if you’ll forgive the criticism, a haunting competition between you two would be poor sport. You are neither of you what I should describe as fliers at the game. You lack finesse. You, Sir, remarked ‘Boo!” when I came in, and your colleague rattled a chain. Now, I ask you, what is the good of that kind of thing?”

“Ah,” said the groaning ghost, “but I can do a deal more than that. I can imitate all sorts of things. Thunderstorms and bagpipes, for instance. And I can turn myself into a hearse-and-four and drive up to the front door. And I can–”

“Well,” broke in the other, “and can’t I turn myself into a luminous boy and a hideous old woman, and a variety of jumpy and ingenious shapes? And can’t I produce raps from the furniture and fill a room with a weird, unearthly glow? And can’t I–”

“Stop,” I said, “stop. I see it all. A bright idea has struck me. You are respectively outdoor and indoor ghosts. What has happened, I take it, is this. Your muddling officials down below have made out your papers for Strathpuffer Castle and forgotten to give details. I have no doubt that, if you make enquiries, you will find that one of you has been appointed to haunt this room, the other the Castle grounds. You follow me?”

“My preserver!” gasped both spectres simultaneously, and vanished together to make enquiries at headquarters.

That my surmise proved correct was shown on the occasion of my next visit to the Castle. As the carriage passed through the grounds I heard the sound of bagpipes mingled with thunderclaps from behind an adjacent tree, and the first sight that met my eyes as I entered the Red Room was a hideous old woman who, even as I gazed, changed into a luminous boy.

Punch 2 September 1903: p. 153

Mrs Daffodil’s Aide-memoire:  Once again, Punch unerringly hits the satirical mark in listing some of the most popular spectres of Britain:

  • The Luminous (or Radiant) Boy, found at Corby Castle and other stately homes
  • The hideous old woman, practically de rigueur in any ghost story written by Mr Elliott O’Donnell. An example not by that lurid gentleman is this chilling anecdote, either from Streatlam Castle or Glamis Castle:

My daughter-in-law has a ghost story of an old woman who appears in a haunted room at Lord Strathmore’s. His lordship’s house was so full of visitors on one occasion that the only spare bedroom was the haunted chamber, into which two of his lordship’s guests, the Misses Davidson, were ushered without being told of its ghostly reputation. After midnight one of the young ladies was wakened by some noise, and shrieked at seeing a hideous old woman in an antiquated dress leaning over her, grinning fiendishly, and bringing her loathly visage into close conformity to that of Miss D. Recovering her courage, and suspecting that the ghost was flesh and blood, the girl sprang out of bed to repulse the intruder. The phantom retreated and disappeared at a door, to the astonishment of both ladies, who still thought it might be a living human being. Next morning they related their nocturnal adventure to the company at breakfast, on which the Earl’s family exchanged significant glances, but gave no explanation.

  • The hearse-and-four, often lit by skull-lamps with flaming eyes and pulled by headless horses, is a favourite omen of death among noble families. That  peripatetic person over at Haunted Ohio has written several times about phantom coaches and hearses.
  • The phantom piper, who was sent to explore a tunnel (for example, at Keilor at Edinburgh Castle) and who never emerged, leaving behind only the sound of his pipes beneath the ground.

Hideous old women are all very well, but Mrs Daffodil wonders that the Punch satirist neglected to include those pillars of the British paranormal scene, The Grey Lady, The White Lady, The Green Lady, The Woman in Black, and The Pink Lady  It is a curious and perhaps telling omission. Mrs Daffodil would advise the legal representatives of those colourful entities to file grievances with the proper office. There is no excuse for not remembering the lady ghosts who must haunt twice as hard as the gentlemen, backwards, and in high heels.

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

The Society Reporter’s Christmas: 1893

society 1920

LITTLE EVA SWALLOWTAIL,

Or, The Society Reporter’s Christmas.

Early morn in the little parlor of a humble white cottage, where Susan Swallowtail sat waiting for her husband to return from the ball. It lacked but a few days of Christmas, and she had arisen with her little ones at five o’clock in order that William, her husband, might have a warm breakfast and a loving greeting on his return after his long night’s work.

Seated before the fire, with her sewing on her lap, Susan Swallowtail’s thoughts went back to the days when William, then on the threshold of his career as a society reporter, had first won her young heart by his description of her costume at the ball of the “Ladies’ Daughters’ Association of the Ninth Ward.” She remembered how gallantly and tenderly he had wooed her through the columns of the four weekly and Sunday papers in which he conducted the “Fashion Chit-Chat” columns, and then the tears filled her eyes as memory brought once more before her the terrible night when William came to the house and asked her father, the stern old house and sign-painter, for his daughter’s hand.

“And yet,” said Susan to herself, “my life has not been altogether an unhappy one in spite of our poverty. William has a kind heart, and I am sure that if he had anything to wear besides his dress-suit and flannel dressing-gown he would often brighten my lot by taking me out somewhere in the daytime. Ah, if papa would only relent! But I fear he will never forgive me for my marriage.”

Her thoughts were interrupted by the sound of familiar footsteps in the hall, and the next moment her husband had clasped her in his arms, while the children clung to his ulster, and clamored for their early morning kiss.

But there was a cloud on the young husband’s brow and a tremor on his lips as he said: “Run away now, little ones; papa and mamma have something to say to one another that little ears must not hear.”

“My darling,” he said, as soon as they were alone, ” I fear that our Christmas will not be a very merry one. You know how we always depend on the ball of the Gilt-Edged Coterie for our Christmas dinner?”

“Indeed, I do,” replied the young wife, with a bright smile; “what beautiful slices of roast beef and magnificent mince-pies you always bring home from that ball! Surely, they will give their entertainment on Christmas-eve this year as they always have?”

“Yes, but — can you bear to hear it, my own love?”

“Let me know the worst,” said the young wife, bravely.

“Then,” said William, hoarsely, ” I will tell you. I am not going to that ball. The city editor is going to take the assignment himself, and I must go to a literary and artistic gathering, where there will be nothing but tea and recitations.”

” Yes.” said Susan, bitterly ; “and sandwiches so thin that they can be used to watch the eclipse of the sun. But what have you brought back with you now ? I hope it is something nourishing.”

“My darling.” replied William Swallowtail, in faltering tones, ” I fear you are doomed to another disappointment. I have done my best to-night, but this is all I could get my hands on;” and with these words he drew from the pockets of his heavy woolen ulster a paper-bag filled with wine jelly, a box of matrons glacis, and two pint bottles of champagne.

“Is that all?” said Susan, reproachfully. “The children have had nothing to eat since yesterday morning except patis de foie gras, macaroons, and hot-house grapes. All day long they have been crying for corned-beef sandwiches, and I have had none to give them. You told me, William, when we parted in the early evening, that you were going to a house where there would be at least ham, and perhaps bottled beer, and now you return to me with this paltry package of jelly and that very sweet wine. I hope, William ” — and a cold, hard look of suspicion crept into her face — “that you have not forgotten your vows, and given to another…”

“Susan!” cried William Swallowtail, “how can you speak or even think of such a thing, when you know full well that…”

But Susan withdrew from his embrace, and asked, in bitter, cold accents: “Was there ham at that reception or was there not?”

“There was ham, and corned-beef, too. I will not deny it; but…”

“Then, William, with what woman have you shared it?” demanded the young wife, drawing herself up lo her full height, and fixing her dark, flashing eyes full upon him.

“Susan, I implore you, listen to me, and do not judge me too harshly. There was ham, but there were several German noblemen there, too — Baron Sneeze, of the Austrian legation. Count Pretzel, and a dozen more. The smell of meat inflamed them, and 1 fought my way through them in time to save only this from the wreck.”

He drew from his ulster-pocket something done up in a piece of paper, and handed it to his wife. She opened the package, and saw that it contained what looked like a long piece of very highly polished ivory. Then her face softened, her lips trembled, and her eyes brimmed over with tears. “Forgive my unjust suspicions,” she exclaimed, as she threw herself once more into his arms. “The mute ham-bone tells me, far more strongly than any words of yours could, the story of the society reporter’s awful struggle for life.”

William kissed his young wife affectionately, and then sat down to the breakfast which she had prepared for him.

“I hope,” she said, cheerfully, as she took a dish of lobster-salad from the oven, where it had been warmed over, “that you will keep a sharp lookout for quail this week. It would be nice to have one or two for our Christmas dinner. Of course we can not afford corned-beef and cabbage like those rich people, whom you call by their first names, when you write about them in the Sunday papers; but I do hope we will not be obliged to put up with cakes and pastry and such wretched stuff.”

“Quail!” exclaimed her husband. “They are so scarce and shy this winter that we are obliged to take setter-dogs with us to the entertainments at which they are served. But I will do my best, darling.”

As soon as William had gone to bed, Susan took from its hiding place the present which she had prepared for her husband, and proceeded to sew it to the inside of his ulster as a Christmas surprise for him. She sighed to think that it was the best she could afford this year. It was a useful rather than an ornamental gift — a simple rubber pocket, made from a piece of an old mackintosh, and intended for William to carry soup in.

But Susan had a bright, hopeful spirit, and a smile soon smoothed the furrows from her face, as she murmured: “How nice it will be when William comes home with his new pocket filled with nice, warm, nourishing bouillon!” and then she glanced up from her work and saw that her daughter, little golden-haired Eva, had entered the room, and was looking at her out of her great truthful deep-blue eyes.

It was Christmas-eve, and, as Jacob Scaffold trudged through the frosty streets, the keen air brought a ruddy glow to his cheeks and tipped his nose with a brighter carmine than any that he used in the practice of his art. Entering the hall in which the ball of the Gilt-Edged Coterie was taking place, the proud old house and sign-painter quickly divested himself of his outer wraps and made his way to the committee-room.

Then, adorned with a huge badge and streamer, he strolled out to greet his friends, who were making merry on the polished floor of the ball-room. But, although the band played its most stirring measures and the lights gleamed on arms and necks of dazzling whiteness, old Jacob Scaffold sighed deeply as he seated himself in a rather obscure corner and allowed his eyes to roam about the room as if in search of some familiar face.

The fact was that the haughty, purse-proud old man was thinking of another Christmas-eve ten years before when his daughter Susan had danced at this same ball, the brightest, the prettiest, and the most sought-after girl on the floor.

“And to think,” said the old man to himself, “that with all the opportunities she had to make a good match, she should have taken up with that reporter in the shiny dress-suit! It’s five years since I’ve heard anything of her, but of late I’ve been thinking that maybe I was too harsh with her, and, perhaps…”

His thoughts were interrupted by the arrival of a servant who told him that some one desired to see him in the committee-room. On reaching that apartment he found a little girl of, perhaps, eight years of age, plainly clad and carrying a basket in her hand.

Fixing her eyes on Jacob Scaffold, she said:

“Please, sir, are you the chairman of the press committee?”

“I am,” replied the puzzled artist; “but who are you?”

“I am the reporter of the Sunday Guff. My papa has charge of the ‘What the Four Hundred are Doing’ column, but to-night he is obliged to attend a chromo-literary reception, where there will be nothing to eat but tea and cake. Papa has reported your balls and chowder excursions for the past five years, and we have always had ham for dessert for a week afterward. We had all been looking forward to your Christmas-eve ball, and when papa told us that he would have to go to the tea and cake place to-night, mamma felt so badly that I took papa’s ticket out of his pocket when he was asleep and came here myself. Papa has a thick ulster, full of nice big pockets, that he puts on when he goes out to report, but I have brought a basket.”

The child finished her simple and affecting narrative, and the members of the press committee looked at one another dumbfounded. Jacob Scaffold was the first to break the silence.

“And what is your name, little child?” he inquired.

” Eva Swallowtail,” she answered, as she turned a pair of trusting innocent blue eyes full upon him.

The old man grew pale and his lips trembled as he gathered his grandchild in his arms. The other members of the committee softly left the room, for they all knew the story of Susan Scaffold’s misalliance and her father’s bitter feelings toward her and her husband.

“What!” cried Jacob Scaffold, “my grandchild wanting bread! Come to me, little one, and we’ll see what can be done for you.”

And, putting on his heavy ulster, he took little Eva by the hand and led the way to the great thoroughfare, on which the stores were still open.

*******

It was a happy family party that sat down to dinner in William Swallowtail’s humble home that bright Christmas day, and well did the little ones enjoy the treat which their generous new-found grandparent provided for them. They began with a soup made of wine jelly, and ended with a delicious dessert of corned-beef sandwiches and large German pickles; and then, when they could eat no more, and not even a pork pie could tempt their appetites, Grandpa Scaffold told his daughter that he was willing to lift his son-in-law from the hard and degrading labor of writing society chronicles, and give him a chance to better himself with a whitewash brush. “And,” continued the old man, “if I see that he possesses true artistic talent, I will some day give him a chance at the side of a house.” — James L. Ford in Truth.

The Argonaut [San Francisco, CA] 2 January  1893

Mrs Daffodil’s Aide-memoire:  Mrs Daffodil does so like a happy ending. Society reportage, with its emphasis on “Upper Ten-dom” tittle-tattle, bore an ambiguous reputation. On one hand, etiquette proclaimed that a lady’s name should never be mentioned in the press except at her birth, marriage, and death. On the other, social columns were highly popular, both with the participants in cotillions, balls, kettledrums, and receptions, and with the “little people,” who thrilled vicariously to descriptions of fancy-dress costumes, champagne suppers, and cotillion figures and favours.

At the time of the writing of this piece, society journalism was becoming the purview of female journalists. Mr William Swallowtail, was fortunate to be rescued by his father-in-law from the hard and degrading labour of writing society chronicles before he was rendered redundant by a lady reporter who would be paid half his wages.

Still, it is a bit disappointing not to have seen the rubber pocket deployed.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.