Category Archives: Short Stories

The Romance of Certain Old Clothes: 1868

blue ivory robe a la francaise5

THE ROMANCE OF CERTAIN OLD CLOTHES.

I.

Towards the middle of the eighteenth century there lived in the Province of Massachusetts a widowed gentlewoman, the mother of three children, by name Mrs. Veronica Wingrave. She had lost her husband early in life, and had devoted herself to the care of her progeny. These young persons grew up in a manner to reward her tenderness and to gratify her highest hopes. The first-born was a son, whom she had called Bernard, in remembrance of his father. The others were daughters—born at an interval of three years apart. Good looks were traditional in the family, and this youthful trio were not likely to allow the tradition to perish. The boy was of that fair and ruddy complexion and that athletic structure which in those days (as in these) were the sign of good English descent—a frank, affectionate young fellow, a deferential son, a patronising brother, a steadfast friend. Clever, however, he was not; the wit of the family had been apportioned chiefly to his sisters. The late Mr. William Wingrave had been a great reader of Shakespeare, at a time when this pursuit implied more freedom of thought than at the present day, and in a community where it required much courage to patronise the drama even in the closet; and he had wished to call attention to his admiration of the great poet by calling his daughters out of his favourite plays. Upon the elder he had bestowed the romantic name of Rosalind, and the younger he had called Perdita, in memory of a little girl born between them, who had lived but a few weeks.

When Bernard Wingrave came to his sixteenth year his mother put a brave face upon it and prepared to execute her husband’s last injunction. This had been a formal command that, at the proper age, his son should be sent out to England, to complete his education at the university of Oxford, where he himself had acquired his taste for elegant literature. It was Mrs. Wingrave’s belief that the lad’s equal was not to be found in the two hemispheres, but she had the old traditions of literal obedience. She swallowed her sobs, and made up her boy’s trunk and his simple provincial outfit, and sent him on his way across the seas. Bernard presented himself at his father’s college, and spent five years in England, without great honour, indeed, but with a vast deal of pleasure and no discredit. On leaving the university he made the journey to France. In his twenty-fourth year he took ship for home, prepared to find poor little New England (New England was very small in those days) a very dull, unfashionable residence. But there had been changes at home, as well as in Mr. Bernard’s opinions. He found his mother’s house quite habitable, and his sisters grown into two very charming young ladies, with all the accomplishments and graces of the young women of Britain, and a certain native-grown originality and wildness, which, if it was not an accomplishment, was certainly a grace the more. Bernard privately assured his mother that his sisters were fully a match for the most genteel young women in the old country; whereupon poor Mrs. Wingrave, you may be sure, bade them hold up their heads. Such was Bernard’s opinion, and such, in a tenfold higher degree, was the opinion of Mr. Arthur Lloyd. This gentleman was a collegemate of Mr. Bernard, a young man of reputable family, of a good person and a handsome inheritance ; which latter appurtenance he proposed to invest in trade in the flourishing colony. He and Bernard were sworn friends ; they had crossed the ocean together, and the young American had lost no time in presenting him at his mother’s house, where he had made quite as good an impression as that which he had received and of which I have just given a hint.

The two sisters were at this time in all the freshness of their youthful bloom; each wearing, of course, this natural brilliancy in the manner that became her best. They were equally dissimilar in appearance and character. Rosalind, the elder—now in her twenty-second year—was tall and white, with calm gray eyes and auburn tresses; a very faint likeness to the Rosalind of Shakespeare’s comedy, whom I imagine a brunette (if you will), but a slender, airy creature, full of the softest, quickest impulses. Miss Wingrave, with her slightly lymphatic fairness, her fine arms, her majestic height, her slow utterance, was not cut out for adventures. She would never have put on a man’s jacket and hose; and, indeed, being a very plump beauty, she may have had reasons apart from her natural dignity. Perdita, too, might very well have exchanged the sweet melancholy of her name against something more in consonance with her aspect and disposition. She had the cheek of a gipsy and the eye of an eager child, as well as the smallest waist and lightest foot in all the country of the Puritans. When you spoke to her she never made you wait, as her handsome sister was wont to do (while she looked at you with a cold fine eye), but gave you your choice of a dozen answers before you had uttered half your thought.

The young girls were very glad to see their brother once more; but they found themselves quite able to spare part of their attention for their brother’s friend. Among the young men their friends and neighbours, the belle jeunesse of the Colony, there were many excellent fellows, several devoted swains, and some two or three who enjoyed the reputation of universal charmers and conquerors. But the homebred arts and somewhat boisterous gallantry of these honest colonists were completely eclipsed by the good looks, the fine clothes, the punctilious courtesy, the perfect elegance, the immense information, of Mr. Arthur Lloyd. He was in reality no paragon ; he was a capable, honourable, civil youth, rich in pounds sterling, in his health and complacency and his little capital of uninvested affections. But he was a gentleman ; he had a handsome person ; he had studied and travelled ; he spoke French, he played the flute, and he read verses aloud with very great taste. There were a dozen reasons why Miss Wingrave and her sister should have thought their other male acquaintance made but a poor figure before such a perfect man of the world. Mr. Lloyd’s anecdotes told our little New England maidens a great deal more of the ways and means of people of fashion in European capitals than he had any idea of doing. It was delightful to sit by and hear him and Bernard talk about the fine people and fine things they had seen. They would all gather round the fire after tea, in the little wainscoted parlour, and the two young men would remind each other, across the rug, of this, that and the other adventure. Rosalind and Perdita would often have given their ears to know exactly what adventure it was, and where it happened, and who was there, and what the ladies had on; but in those days a well-bred young woman was not expected to break into the conversation of her elders, or to ask too many questions ; and the poor girls used therefore to sit fluttering behind the more languid—or more discreet—curiosity of their mother.

II.

That they were both very fine girls Arthur Lloyd was not slow to discover; but it took him some time to make up his mind whether he liked the big sister or the little sister best. He had a strong presentiment—an emotion of a nature entirely too cheerful to be called a foreboding—that he was destined to stand up before the parson with one of them; yet he was unable to arrive at a preference, and for such a consummation a preference was certainly necessary, for Lloyd had too much young blood in his veins to make a choice by lot and be cheated of the satisfaction of falling in love. He resolved to take things as they came —to let his heart speak. Meanwhile he was on a very pleasant footing. Mrs. Wingrave showed a dignified indifference to his “intentions,” equally remote from a carelessness of her daughter’s honour and from that sharp alacrity to make him come to the point, which, in his quality of young man of property, he had too often encountered in the worldly matrons of his native islands. As for Bernard, all that he asked was that his friend should treat his sisters as his own; and as for the poor girls themselves, however each may have secretly longed that their visitor should do or say something “marked,” they kept a very modest and contented demeanour.

Towards each other, however, they were somewhat more on the offensive. They were good friends enough, and accommodating bedfellows (they shared the same four-poster), betwixt whom it would take more than a day for the seeds of jealousy to sprout and bear fruit; but they felt that the seeds had been sown on the day that Mr. Lloyd came into the house. Each made up her mind that, if she should be slighted, she would bear her grief in silence, and that no one should be any the wiser; for if they had a great deal of ambition, they had also a large share of pride. But each prayed in secret, nevertheless, that upon her the selection, the distinction, might fall. They had need of a vast deal of patience, of self-control, of dissimulation. In those days a young girl of decent breeding could make no advances whatever, and barely respond, indeed, to those that were made. She was expected to sit still in her chair, with her eyes on the carpet, watching the spot where the mystic handkerchief should fall. Poor Arthur Lloyd was obliged to carry on his wooing in the little wainscoted parlour, before the eyes of Mrs. Wingrave, her son, and his prospective sister-in-law. But youth and love are so cunning that a hundred signs and tokens might travel to and fro, and not one of these three pairs of eyes detect them in their passage. The two maidens were almost always together, and had plenty of chances to betray themselves. That each knew she was being watched, however, made not a grain of difference in the little offices they mutually rendered, or in the various household tasks they performed in common. Neither flinched nor fluttered beneath the silent battery of her sister’s eyes. The only apparent change in their habits was that they had less to say to each other. It was impossible to talk about Mr. Lloyd, and it was ridiculous to talk about anything else. By tacit agreement they began to wear all their choice finery, and to devise such little implements of conquest, in the way of ribbons and top-knots and kerchiefs, as were sanctioned by indubitable modesty. They executed in the same inarticulate fashion a contract of fair play in this exciting game. “Is it better so?” Rosalind would ask, tying a bunch of ribbons on her bosom, and turning about from her glass to her sister. Perdita would look up gravely from her work and examine the decoration. “I think you had better give it another loop,” she would say, with great solemnity, looking hard at her sister with eyes that added, “upon my honour!” So they were for ever stitching and trimming their petticoats, and pressing out their muslins, and contriving washes and ointments and cosmetics, like the ladies in the household of the vicar of Wakefield. Some three or four months went by; it grew to be midwinter, and as yet Rosalind knew that if Perdita had nothing more to boast of than she, there was not much to be feared from her rivalry. But Perdita by this time—the charming Perdita—felt that her secret had grown to be tenfold more precious than her sister’s.

One afternoon Miss Wingrave sat alone—that was a rare accident—before her toilet-glass, combing out her long hair. It was getting too dark to see; she lit the two candles in their sockets, on the frame of her mirror, and then went to the window to draw her curtains. It was a gray December evening; the landscape was bare and bleak, and the sky heavy with snow-clouds. At the end of the large garden into which her window looked was a wall with a little postern door, opening into a lane. The door stood ajar, as she could vaguely see in the gathering darkness, and moved slowly to and fro, as if some one were swaying it from the lane without. It was doubtless a servantmaid who had been having a tryst with her sweetheart. But as she was about to drop her curtain Rosalind saw her sister step into the garden and hurry along the path which led to the house. She dropped the curtain, all save a little crevice for her eyes. As Perdita came up the path she seemed to be examining something in her hand, holding it close to her eyes. When she reached the house she stopped a moment, looked intently at the object, and pressed it to her lips.

Poor Rosalind slowly came back to her chair and sat down before her glass, where, if she had looked at it less abstractedly, she would have seen her handsome features sadly disfigured by jealousy. A moment afterwards the door opened behind her and her sister came into the room, out of breath, her cheeks aglow with the chilly air.

Perdita started. “Ah,” said she, “I thought you were with our mother.” The ladies were to go to a tea-party, and on such occasions it was the habit of one of the girls to help their mother to dress. Instead of coming in, Perdita lingered at the door.

“Come in, come in,” said Rosalind. “ We have more than an hour yet. I should like you very much to give a few strokes to my hair.” She knew that her sister wished to retreat, and that she could see in the glass all her movements in the room. “Nay, just help me with my hair,” she said, “and I will go to mamma.”

Perdita came reluctantly, and took the brush. She saw her sister’s eyes, in the glass, fastened hard upon her hands. She had not made three passes when Rosalind clapped her own right hand upon her sister’s left, and started out of her chair. “Whose ring is that?” she cried, passionately, drawing her towards the light.

On the young girl’s third finger glistened a little gold ring, adorned with a very small sapphire. Perdita felt that she need no longer keep her secret, yet that she must put a bold face on her avowal. “It’s mine,” she said proudly.

“Who gave it to you?” cried the other.

Perdita hesitated a moment. “Mr. Lloyd.”

“Mr. Lloyd is generous, all of a sudden.”

“Ah no,” cried Perdita, with spirit, “not all of a sudden! He offered it to me a month ago.”

“And you needed a month’s begging to take it?” said Rosalind, looking at the little trinket, which indeed was not especially elegant, although it was the best that the jeweller of the Province could furnish. “I wouldn’t have taken it in less than two.”

“It isn’t the ring,” Perdita answered, “it’s what it means!”

“It means that you are not a modest girl!” cried Rosalind. “Pray, does your mother know of your intrigue? does Bernard?”

“My mother has approved my ‘intrigue,’ as you call it. Mr. Lloyd has asked for my hand, and mamma has given it. Would you have had him apply to you, dearest sister?”

Rosalind gave her companion a long look, full of passionate envy and sorrow. Then she dropped her lashes on her pale cheeks and turned away. Perdita felt that it had not been a pretty scene; but it was her sister’s fault. However, the elder girl rapidly called back her pride, and turned herself about again. “You have my very best wishes,” she said, with a low curtsey. “I wish you every happiness, and a very long life.”

Perdita gave a bitter laugh. “Don’t speak in that tone!” she cried. “I would rather you should curse me outright. Come, Rosy,” she added, “he couldn’t marry both of us.”

“I wish you very great joy,” Rosalind repeated, mechanically, sitting down to her glass again, “and a very long life, and plenty of children.”

There was something in the sound of these words not at all to Perdita’s taste. “Will you give me a year to live at least?” she said. “In a year I can have one little boy—or one little girl at least. If you will give me your brush again I will do your hair.”

“Thank you,” said Rosalind. “ You had better go to mamma. It isn’t becoming that a young lady with a promised husband should wait on a girl with none.”

“Nay,” said Perdita, good-humouredly, “I have Arthur to wait upon me. You need my service more than I need yours.”

But her sister motioned her away, and she left the room. When she had gone poor Rosalind fell on her knees before her dressing-table, buried her head in her arms, and poured out a flood of tears and sobs. She felt very much the better for this effusion of sorrow. When her sister came back she insisted on helping her to dress—on her wearing her prettiest things. She forced upon her acceptance a bit of lace of her own, and declared that now that she was to be married she should do her best to appear worthy of her lover’s choice. She discharged these offices in stem silence; but, such as they were, they had to do duty as an apology and an atonement; she never made any other.

Now that Lloyd was received by the family as an accepted suitor nothing remained but to fix the wedding-day. It was appointed for the following April, and in the interval preparations were diligently made for the marriage. Lloyd, on his side, was busy with his commercial arrangements, and with establishing a correspondence with the great mercantile house to which he had attached himself in England. He was therefore not so frequent a visitor at Mrs. Wingrave’s as during the months of his diffidence and irresolution, and poor Rosalind had less to suffer than she had feared from the sight of the mutual endearments of the young lovers. Touching his future sister-in-law Lloyd had a perfectly clear conscience. There had not been a particle of love-making between them, and he had not the slightest suspicion that he had dealt her a terrible blow. He was quite at his ease; life promised so well, both domestically and financially. The great revolt of the Colonies was not yet in the air, and that his connubial felicity should take a tragic turn it was absurd, it was blasphemous, to apprehend. Meanwhile, at Mrs. Wingrave’s, there was a greater rustling of silks, a more rapid clicking of scissors and flying of needles, than ever. The good lady had determined that her daughter should carry from home the genteelest outfit that her money could buy or that the country could furnish. All the sage women in the Province were convened, and their united taste was brought to bear on Perdita’s wardrobe. Rosalind’s situation, at this moment, was assuredly not to be envied. The poor girl had an inordinate love of dress, and the very best taste in the world, as her sister perfectly well knew. Rosalind was tall, she was stately and sweeping, she was made to carry stiff brocade and masses of heavy lace, such as belong to the toilet of a rich man’s wife. But Rosalind sat aloof, with her beautiful arms folded and her head averted, while her mother and sister and the venerable women aforesaid worried and wondered over their materials, oppressed by the multitude of their resources. One day there came in a beautiful piece of white silk, brocaded with heavenly blue and silver, sent by the bridegroom himself—it not being thought amiss in those days that the husband-elect should contribute to the bride’s trousseau. Perdita could think of no form or fashion which would do sufficient honour to the splendour of the material.

“Blue’s your colour, sister, more than mine,” she said, with appealing eyes. “It’s a pity it’s not for you. You would know what to do with it.”

Rosalind got up from her place and looked at the great shining fabric, as it lay spread over the back of a chair. Then she took it up in her hands and felt it—lovingly, as Perdita could see—and turned about toward the mirror with it. She let it roll down to her feet, and flung the other end over her shoulder, gathering it in about her waist with her white arm, which was bare to the elbow. She threw back her head, and looked at her image, and a hanging tress of her auburn hair fell upon the gorgeous surface of the silk. It made a dazzling picture. The women standing about uttered a little “Look, look!” of admiration. “Yes, indeed,” said Rosalind, quietly, “blue is my colour.” But Perdita could see that her fancy had been stirred, and that she would now fall to work and solve all their silken riddles. And indeed she behaved very well, as Perdita, knowing her insatiable love of millinery, was quite ready to declare. Innumerable yards of lustrous silk and satin, of muslin, velvet and lace, passed through her cunning hands, without a jealous word coming from her lips. Thanks to her industry, when the wedding-day came Perdita was prepared to espouse more of the vanities of life than any fluttering young bride who had yet received the sacramental blessing of a New England divine.

It had been arranged that the young couple should go out and spend the first days of their wedded life at the country-house of an English gentleman—a man of rank and a very kind friend to Arthur Lloyd. He was a bachelor; he declared he should be delighted to give up the place to the influence of Hymen. After the ceremony at church—it had been performed by an English

clergyman—young Mrs. Lloyd hastened back to her mother’s house to change her nuptial robes for a riding-dress. Rosalind helped her to effect the change, in the little homely room in which they had spent their undivided younger years. Perdita then hurried off to bid farewell to her mother, leaving Rosalind to follow. The parting was short ; the horses were at the door, and Arthur was impatient to start. But Rosalind had not followed, and Perdita hastened back to her room, opening the door abruptly. Rosalind, as usual, was before the glass, but in a position which caused the other to stand still, amazed. She had dressed herself in Perdita’s cast-off wedding veil and wreath, and on her neck she had hung the full string of pearls which the young girl had received from her husband as a wedding-gift. These things had been hastily laid aside, to await their possessor’s disposal on her return from the country. Bedizened in this unnatural garb Rosalind stood before the mirror, plunging a long look into its depths and reading heaven knows what audacious visions. Perdita was horrified. It was a hideous image of their old rivalry come to life again. She made a step toward her sister, as if to pull off the veil and the flowers. But catching her eyes in the glass, she stopped.

“Farewell, sweetheart,” she said. “You might at least have waited till I had got out of the house!” And she hurried away from the room.

Mr. Lloyd had purchased in Boston a house which to the taste of those days appeared as elegant as it was commodious; and here he very soon established himself with his young wife. He was thus separated by a distance of twenty miles from the residence of his mother-in-law. Twenty miles, in that primitive era of roads and conveyances, were as serious a matter as a hundred at the present day, and Mrs. Wingrave saw but little of her daughter during the first twelvemonth of her marriage. She suffered in no small degree from Perdita’s absence; and her affliction was not diminished by the fact that Rosalind had fallen into terribly low spirits and was not to be roused or cheered but by change of air and company. The real cause of the young lady’s dejection the reader will not be slow to suspect. Mrs. Wingrave and her gossips, however, deemed her complaint a mere bodily ill, and doubted not that she would obtain relief from the remedy just mentioned. Her mother accordingly proposed, on her behalf, a visit to certain relatives on the paternal side, established in New York, who had long complained that they were able to see so little of their New England cousins. Rosalind was despatched to these good people, under a suitable escort, and remained with them for several months. In the interval her brother Bernard, who had begun the practice of the law, made up his mind to take a wife. Rosalind came home to the wedding, apparently cured of her heartache, with bright roses and lilies in her face and a proud smile on her lips. Arthur Lloyd came over from Boston to see his brother-in-law married, but without his wife, who was expecting very soon to present him with an heir. It was nearly a year since Rosalind had seen him. She was glad—she hardly knew why—that Perdita had stayed at home. Arthur looked happy, but he was more grave and important than before his marriage. She thought he looked “interesting,”—for although the word, in its modern sense, was not then invented, we may be sure that the idea was. The truth is, he was simply anxious about his wife and her coming ordeal. Nevertheless, he by no means failed to observe Rosalind’s beauty and splendour, and to note how she effaced the poor little bride. The allowance that Perdita had enjoyed for her dress had now been transferred to her sister, who turned it to wonderful account. On the morning after the wedding he had a lady’s saddle put on the horse of the servant who had come with him from town, and went out with the young girl for a ride. It was a keen, clear morning in January; the ground was bare and hard, and the horses in good condition—to say nothing of Rosalind, who was charming in her hat and plume, and her dark blue riding coat, trimmed with fur. They rode all the morning, they lost their way, and were obliged to stop for dinner at a farm-house. The early winter dusk had fallen when they got home. Mrs. Wingrave met them with a long face. A messenger had arrived at noon from Mrs. Lloyd; she was beginning to be ill, she desired her husband’s immediate return. The young man, at the thought that he had lost several hours, and that by hard riding he might already have been with his wife, uttered a passionate oath. He barely consented to stop for a mouthful of supper, but mounted the messenger’s horse and started off at a gallop.

He reached home at midnight. His wife had been delivered of a little girl. “Ah, why weren’t you with me?” she said, as he came to her bedside.

“I was out of the house when the man came. I was with Rosalind,” said Lloyd, innocently.

Mrs. Lloyd made a little moan, and turned away. But she continued to do very well, and for a week her improvement was uninterrupted. Finally, however, through some indiscretion in the way of diet or exposure, it was checked, and the poor lady grew rapidly worse. Lloyd was in despair. It very soon became evident that she was breathing her last. Mrs. Lloyd came to a sense of her approaching end, and declared that she was reconciled with death. On the third evening after the change took place she told her husband that she felt she should not get through the night. She dismissed her servants, and also requested her mother to withdraw—Mrs. Wingrave having arrived on the preceding day. She had had her infant placed on the bed beside her, and she lay on her side, with the child against her breast, holding her husband’s hands. The nightlamp was hidden behind the heavy curtains of the bed, but the room was illumined with a red glow from the immense fire of logs on the hearth.

“It seems strange not to be warmed into life by such a fire as that,” the young woman said, feebly trying to smile. “If I had but a little of it in my veins! But I have given all my fire to this little spark of mortality.” And she dropped her eyes on her child. Then raising them she looked at her husband with a long, penetrating gaze. The last feeling which lingered in her heart was one of suspicion. She had not recovered from the shock which Arthur had given her by telling her that in the hour of her agony he had been with Rosalind. She trusted her husband very nearly as well as she loved him; but now that she was called away for ever she felt a cold horror of her sister. She felt in her soul that Rosalind had never ceased to be jealous of her good fortune; and a year of happy security had not effaced the young girl’s image, dressed in her wedding-garments, and smiling with simulated triumph. Now that Arthur was to be alone, what might not Rosalind attempt? She was beautiful, she was engaging; what arts might she not use, what impression might she not make upon the young man’s saddened heart? Mrs. Lloyd looked at her husband in silence. It seemed hard, after all, to doubt of his constancy. His fine eyes were filled with tears; his face was convulsed with weeping; the clasp of his hands was warm and passionate. How noble he looked, how tender, how faithful and. devoted! “Nay,” thought Perdita, “he’s not for such a one as Rosalind. He’ll never forget me. Nor does Rosalind truly care for him; she cares only for vanities and finery and jewels.” And she lowered her eyes on her white hands, which her husband’s liberality had covered with rings, and on the lace ruffles which trimmed the edge of her night-dress. “She covets my rings and my laces more than she covets my husband.”

At this moment the thought of her sister’s rapacity seemed to cast a dark shadow between her and the helpless figure of her little girl. “Arthur,” she said, “you must take off my rings. I shall not be buried in them. One of these days my daughter shall wear them—my rings and my laces and silks. I had them all brought out and shown me to-day. It’s a great wardrobe—there’s not such another in the Province; I can say it without vanity, now that I have done with it. It will be a great inheritance for my daughter when she grows into a young woman. There are things there that a man never buys twice, and if they are lost you will never again see the like. So you will watch them well. Some dozen things I have left to Rosalind; I have named them to my mother. I have given her that blue and silver; it was meant for her; I wore it only once, I looked ill in it. But the rest are to be sacredly kept for this little innocent. It’s such a providence that she should be my colour; she can wear my gowns; she has her mother’s eyes. You know the same fashions come back every twenty years. She can wear my gowns as they are. They will lie there quietly waiting till she grows into them— wrapped in camphor and rose-leaves, and keeping their colours in the sweet-scented darkness. She shall have black hair, she shall wear my carnation satin. Do you promise me, Arthur?”

“Promise you what, dearest?”

“Promise me to keep your poor little wife’s old gowns.”

“Are you afraid I shall sell them?”

“No, but that they may get scattered. My mother will have them properly wrapped up, and you shall lay them away under a double-lock. Do you know the great chest in the attic, with the iron bands? There is no end to what it will hold. You can put them all there. My mother and the housekeeper will do it, and give you the key. And you will keep the key in your secretary, and never give it to any one but your child. Do you promise me?”

“Ah, yes, I promise you,” said Lloyd, puzzled at the intensity with which his wife appeared to cling to this idea.

“Will you swear ?” repeated Perdita.

“Yes, I swear.”

“Well—I trust you—I trust you,” said the poor lady, looking into his eyes with eyes in which, if he had suspected her vague apprehensions, he might have read an appeal quite as much as an assurance.

Lloyd bore his bereavement rationally and manfully. A month after his wife’s death, in the course of business, circumstances arose which offered him an opportunity of going to England. He took advantage of it, to change the current of his thoughts. He was absent nearly a year, during which his little girl was tenderly nursed and guarded by her grandmother. On his return he had his house again thrown open, and announced his intention of keeping the same state as during his wife’s lifetime. It very soon came to be predicted that he would marry again, and there were at least a dozen young women of whom one may say that it was by no fault of theirs that, for six months after his return, the prediction did not come true. During this interval he still left his little daughter in Mrs. Wingrave’s hands, the latter assuring him that a change of residence at so tender an age would be full of danger for her health. Finally, however, he declared that his heart longed for his daughter’s presence and that she must be brought up to town. He sent his coach and his housekeeper to fetch her home. Mrs. Wingrave was in terror lest something should befall her on the road; and, in accordance with this feeling, Rosalind offered to accompany her. She could return the next day. So she went up to town with her little niece, and Mr. Lloyd met her on the threshold of his house, overcome with her kindness and with paternal joy. Instead of returning the next day Rosalind stayed out the week; and when at last she reappeared, she had only come for her clothes. Arthur would not hear of her coming home, nor would the baby. That little person cried and choked if Rosalind left her; and at the sight of her grief Arthur lost his wits, and swore that she was going to die. In fine, nothing would suit them but that the aunt should remain until the little niece had grown used to strange faces.

It took two months to bring this consummation about; for it was not until this period had elapsed that Rosalind took leave of her brother-in-law. Mrs. Wingrave had shaken her head over her daughter’s absence; she had declared that it was not becoming, that it was the talk of the whole country. She had reconciled herself to it only because, during the girl’s visit, the household enjoyed an unwonted term of peace. Bernard Wingrave had brought his wife home to live, between whom and her sister-in-law there was as little love as you please. Rosalind was perhaps no angel; but in the daily practice of life she was a sufficiently good-natured girl, and if she quarrelled with Mrs. Bernard, it was not without provocation. Quarrel, however, she did, to the great annoyance not only of her antagonist, but of the two spectators of these constant altercations. Her stay in the household of her brother-in-law, therefore, would have been delightful, if only because it removed her from contact with the object of her antipathy at home. It was doubly —it was ten times—delightful, in that it kept her near the object of her early passion. Mrs. Lloyd’s sharp suspicions had fallen very far short of the truth. Rosalind’s sentiment had been a passion at first, and a passion it remained—a passion of whose radiant heat, tempered to the delicate state of his feelings, Mr. Lloyd very soon felt the influence. Lloyd, as I have hinted, was not a modern Petrarch; it was not in his nature to practise an ideal constancy. He had not been many days in the house with his sister-in-law before he began to assure himself that she was, in the language of that day, a devilish fine woman. Whether Rosalind really practised those insidious arts that her sister had been tempted to impute to her it is needless to inquire. It is enough to say that she found means to appear to the very best advantage. She used to seat herself every morning before the big fireplace in the dining room, at work upon a piece of tapestry, with her little niece disporting herself on the carpet at her feet, or on the train of her dress, and playing with her woollen balls. Lloyd would have been a very stupid fellow if he had remained insensible to the rich suggestions of this charming picture. He was exceedingly fond of his little girl, and was never weary of taking her in his arms and tossing her up and down, and making her crow with delight. Very often, however, he would venture upon greater liberties than the young lady was yet prepared to allow, and then she would suddenly vociferate her displeasure. Rosalind, at this, would drop her tapestry, and put out her handsome hands with the serious smile of the young girl whose virgin fancy has revealed to her all a mother’s healing arts. Lloyd would give up the child, their eyes would meet, their hands would touch, and Rosalind would extinguish the little girl’s sobs upon the snowy folds of the kerchief that crossed her bosom. Her dignity was perfect, and nothing could be more discreet than the manner in which she accepted her brother-in-law’s hospitality. It may almost be said, perhaps, that there was something harsh in her reserve. Lloyd had a provoking feeling that she was in the house and yet was unapproachable. Half-an-hour after supper, at the very outset of the long winter evenings, she would light her candle, make the young man a most respectful curtsey, and march off to bed. If these were arts, Rosalind was a great artist. But their effect was so gentle, so gradual, they were calculated to work upon the young widower’s fancy with a crescendo so finely shaded, that, as the reader has seen, several weeks elapsed before Rosalind began to feel sure that her returns would cover her outlay. When this became morally certain she packed up her trunk and returned to her mother’s house. For three days she waited ; on the fourth Mr. Lloyd made his appearance—a respectful but pressing suitor. Rosalind heard him to the end, with great humility, and accepted him with infinite modesty. It is hard to imagine that Mrs. Lloyd would have forgiven her husband; but if anything might have disarmed her resentment it would have been the ceremonious continence of this interview. Rosalind imposed upon her lover but a short probation. They were married, as was becoming, with great privacy—almost with secrecy—in the hope perhaps, as was waggishly remarked at the time, that the late Mrs. Lloyd wouldn’t hear of it.

The marriage was to all appearance a happy one, and each party obtained what each had desired—Lloyd “a devilish fine woman,” and Rosalind—but Rosalind’s desires, as the reader will have observed, had remained a good deal of a mystery. There were, indeed, two blots upon their felicity, but time would perhaps efface them. During the first three years of her marriage Mrs. Lloyd failed to become a mother, and her husband on his side suffered heavy losses of money. This latter circumstance compelled a material retrenchment in his expenditure, and Rosalind was perforce less of a fine lady than her sister had been. She contrived, however, to carry it like a woman of considerable fashion. She had long since ascertained that her sister’s copious wardrobe had been sequestrated for the benefit of her daughter, and that it lay languishing in thankless gloom in the dusty attic. It was a revolting thought that these exquisite fabrics should await the good pleasure of a little girl who sat in a high chair and ate bread-and-milk with a wooden spoon. Rosalind had the good taste, however, to say nothing about the matter until several months had expired. Then, at last, she timidly broached it to her husband. Was it not a pity that so much finery should be lost?—for lost it would be, what with colours fading, and moths eating it up, and the change of fashions. But Lloyd gave her so abrupt and peremptory a refusal, that she saw, for the present, her attempt was vain. Six months went by, however, and brought with them new needs and new visions. Rosalind’s thoughts hovered lovingly about her sister’s relics. She went up and looked at the chest in which they lay imprisoned. There was a sullen defiance in its three great padlocks and its iron bands which only quickened her cupidity. There was something exasperating in its incorruptible immobility. It was like a grim and grizzled old household servant, who locks his jaws over a family secret. And then there was a look of capacity in its vast extent, and a sound as of dense fulness, when Rosalind knocked its side with the toe of her little shoe, which caused her to flush with baffled longing. “It’s absurd,” she cried; “it’s improper, it’s wicked”; and she forthwith resolved upon another attack upon her husband. On the following day, after dinner, when he had had his wine, she boldly began it. But he cut her short with great sternness.

“Once for all, Rosalind,” said he, “it’s out of the question. I shall be gravely displeased if you return to the matter.”

“Very good,” said Rosalind. “I am glad to learn the esteem in which I am held. Gracious heaven,” she cried, “I am a very happy woman! It’s an agreeable thing to feel one’s self sacrificed to a caprice!” And her eyes filled with tears of anger and disappointment.

Lloyd had ‘a good-natured man’s horror of a woman’s sobs, and he attempted—I may say he condescended—to explain. “It’s not a caprice, dear, it’s a promise,” he said—-“an oath.”

“An oath? It’s a pretty matter for oaths! and to whom, pray?”

“To Perdita,” said the young man, raising his eyes for an instant, but immediately dropping them.

“Perdita—ah, Perdita!” and Rosalind’s tears broke forth. Her bosom heaved with stormy sobs —sobs which were the long-deferred sequel of the violent fit of weeping in which she had indulged herself on the night when she discovered her sister’s betrothal. She had hoped, in her better moments, that she had done with her jealousy; but her temper, on that occasion, had taken an ineffaceable fold. “And pray, what right had Perdita to dispose of my future?” she cried. “What right had she to bind you to meanness and cruelty? Ah, I occupy a dignified place, and I make a very fine figure! I am welcome to what Perdita has left! And what has she left? I never knew till now how little! Nothing, nothing, nothing.”

This was very poor logic, but it was very good as a “scene.” Lloyd put his arm around his wife’s waist and tried to kiss her, but she shook him off with magnificent scorn. Poor fellow! he had coveted a “devilish fine woman,” and he had got one. Her scorn was intolerable. He walked away with his ears tingling—irresolute, distracted. Before him was his secretary, and in it the sacred key which with his own hand he had turned in the triple lock. He marched up and opened it, and took the key from a secret drawer, wrapped in a little packet which he had sealed with his own honest bit of blazonry. Je garde, said the motto—“I keep.” But he was ashamed to put it back. He flung it upon the table beside his wife.

“Put it back!” she cried. “I want it not. I hate it!”

“I wash my hands of it,” cried her husband. “God forgive me!”

Mrs. Lloyd gave an indignant shrug of her shoulders, and swept out of the room, while the young man retreated by another door. Ten minutes later Mrs. Lloyd returned, and found the room occupied by her little step-daughter and the nursery-maid. The key was not on the table. She glanced at the child. Her little niece was perched on a chair, with the packet in her hands. She had broken the seal with her own small fingers. Mrs. Lloyd hastily took possession of the key.

At the habitual supper-hour Arthur Lloyd came back from his counting-room. It was the month of June, and supper was served by daylight. The meal was placed on the table, but Mrs. Lloyd failed to make her appearance. The servant whom his master sent to call her came back with the assurance that her room was empty, and that the women informed him that she had not been seen since dinner. They had, in truth, observed her to have been in tears, and, supposing her to be shut up in her chamber, had not disturbed her. Her husband called her name in various parts of the house, but without response. At last it occurred to him that he might find her by taking the way to the attic. The thought gave him a strange feeling of discomfort, and he bade his servants remain behind, wishing no witness in his quest. He reached the foot of the staircase leading to the topmost flat, and stood with his hand on the banisters, pronouncing his wife’s name. His voice trembled. He called again louder and more firmly. The only sound which disturbed the absolute silence was a faint echo of his own tones, repeating his question under the great eaves. He nevertheless felt irresistibly moved to ascend the staircase. It opened upon a wide hall, lined with wooden closets, and terminating in a window which looked westward, and admitted the last rays of the sun. Before the window stood the great chest. Before the chest, on her knees, the young man saw with amazement and horror the figure of his wife. In an instant he crossed the interval between them, bereft of utterance. The lid of the chest stood open, exposing, amid their perfumed napkins, its treasure of stuffs and jewels. Rosalind had fallen backward from a kneeling posture, with one hand supporting her on the floor and the other pressed to her heart. On her limbs was the stiffness of death, and on her face, in the fading light of the sun, the terror of something more than death. Her lips were parted in entreaty, in dismay, in agony; and on her blanched brow and cheeks there glowed the marks of ten hideous wounds from two vengeful ghostly hands

1868.

Stories Revived, Henry James, 1885: pp. 311-340

Mrs Daffodil’s Aide-memoire:  A long ghost story, but a memorable one, and with the always agreeable additional frisson of fashion.

Mrs Daffodil has previously written about a ghost who ordered a hat, a haunted coat, the ghost with one shoe, and the haunted garden party dress.

You will also find fashionable horrors in the short story “Crape,” found in A Spot of Bother: Four Macabre Tales.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

The Intruder: 1908

the intruder illustration

THE INTRUDER

Roland Ashford Phillips

Although I quietly, hopefully, tried the door, I found it, unfortunately, locked. Yet on second reflection I did not wonder at it, but tiptoed across the porch to where a window, half raised made me an excellent substitute for an entrance. I noiselessly stepped into the darkened interior and felt my way over the thick, sound-muffling rugs.

I walked the length of the wide, silent hall, heading for the dining-room. I wanted a good stiff drink of brandy, and knew I should find some there. The gloom was oppressive and velvet-like, and I was compelled to seek my way slowly and carefully, hand to the wall. However, I reached the room in question, after groping blindly about, recognizing the broad, heavy-curtained doorway. It was strange that the curtains were drawn; generally they were fastened back with huge gilt cords, tied in awkward knots.

As I slipped between them and carefully drew them together behind me, the big clock on the staircase chimed rhythmically, and I marveled at the lateness of the hour. I really should have come earlier; but one soon forgets so many things when at the club.

The carpet in the dining-room was even softer, kinder than the others, and for this I was indeed grateful, for it is very annoying to disturb one’s friends in the wee hours; even the dearest of them.

I kept near to the wall and groped blindly along, for the light buttons were somewhere at hand — a complete row of them, controlling every room in the house. I suppose I must have completed a half-circuit of the room before something unreal and fear-compelling came upon me.

Even when I had reached the row of ebony buttons, and my forefinger was upon the third — the one that would light this room—I hesitated, fearful. I did not immediately understand it; I had never before had a similar feeling, and by no means am I a weak and sensitive man. Yet this moment my nerves failed me; the muscles in my finger refused to obey — refused to press the button and command the room to light.

For a long, pregnant interval I stood there motionless and undecided. Then the realization came abruptly; the sensation was identical with a light, harmless shock of an electric battery. I have often gripped the brass receivers of one and felt the sharp, not unpleasant waves twitch and creep the length of my arms and tingle in every nerve.

This, then, was the impression it gave me. But gradually, bit by bit, I felt these invisible waves swerve my eyes to one impressive spot. I might turn my head at will, but always, always magnetic-like, they swung back again in obedience to this sensitive, compelling power. Dimly at first, and then more definable, I began to understand. Mosaic-like, my brain pieced the many continuous thrills; pieced them until, abruptly, it flashed over me: Someone else beside myself was in this room.

I took a deep breath after that. How near this particular someone was and in what position, remained for me to find out. Almost mechanically my finger sought the third button again, and I ran my finger-tip thoughtfully over the smooth surface. The passing of a moment brought me to the realization that the better thing for me to do was to press the button and face whatever the light might disclose; be it man, thing or devil.

No sooner had I decided than my finger obeyed almost instinctively. A sharp, sudden click, and then a blinding flood of wondrous yellow light, dazzling and overpowering. A dozen wall-brackets leaped into life. At first I was unable to see, but waited, expectant; then slowly and definitely the objects took form, like a city through a rising mist.

The man was seated calmly in a huge, comfortable Morris chair, legs crossed and fingers lightly tapping upon the broad arm. Like myself, he was in full evening dress. His overcoat was flung carelessly across a chair; his silk hat, crushed flat, lay upon it; and at his feet, near the serving table stood a well-labeled kit-bag.

I do not know how long we watched each other. His wide, black eyes betrayed no surprise at what the light had so abruptly disclosed; and they were not of a bad sort — his eyes—rather large for a man, and well-lashed; only his mouth, thin-lipped and drooping, weakened his otherwise boldly molded features.

I instinctively waited for him to speak; and I did not have long to wait.

“Well,” he began, in a remarkably soft, well-mannered tone, “this is rather a sudden and unexpected visit.”

My finger slipped from the button where it had rested unconsciously.

“Very!” I admitted bluntly. The tapping of his fingers ceased — long, white, well-manicured they were.

“My guests generally ring before entering,” he continued. “What is it you wish?”

I could not immediately frame an answer. He must have noted my embarrassment for he continued:

“I think I have the prior right to that question.”

“And why the prior?” I queried.

His eyes narrowed; they were most unpleasant to look upon at such a time! It was plain he did not care to argue further.

“Because,” he answered cynically, “this is my house and you are an intruder.”

I tried hard, very hard, not to show my amazement; yet he must have noticed it with those piercing eyes of his, in spite of my attempted control, for he waved a hand toward a chair that stood near.

“Sit down!” he commanded, and I did not hesitate. After I had slipped into the chair and crossed my legs, we were scarcely six feet distant from each other.

“I repeat my question,” he went on coldly.

“You — you are Mr. Charles Fisher?” I asked, dry-lipped.

“Yes,” curtly, “I am the owner here.” I put my hands to the chair-arms, perhaps unconsciously following his position.

“I have heard of you — often; you are very well known — I did not expect — so sudden a meeting.” I was surprised at my own boldness.

“Evidently you had no idea of an immediate introduction, eh?” and he laughed dryly.

“To tell the truth,” I admitted undaunted, “I was unprepared.”

“I have seen you frequently at the clubs,” he went on, “yet I have never learned your name, nor the nature of your business.” This latter remark appeared to amuse him, and he chuckled to himself. After this outburst he studied my face narrowly.

“I suppose,” he began, and waved a hand vaguely about the room —“I suppose this glass and silverware interests you a great deal more than — than an introduction.”

“Possibly,” I admitted.

“But it is clumsy stuff to handle. Surely you could not have made away with much of it, eh?” He appeared interested.

“If a man knew his business,” I reflected, after a pause.

“Ah!” brightening, “then you admit that the object of your visit is robbery.”

“You are free to choose your own opinion,” I returned quickly. Again he narrowed his eyes upon me, admiring, so I imagined, my self-repose. He cleared his throat quietly.

“You seem to be very familiar with my house and its contents,” he ventured.

I smiled grimly. “And why should I not? I have been here a great, great many times. I have been to every reception save the one given to-night. Let’s see — there were house-warmings, suppers, club-breakfasts, bridge, and even, even if I remember correctly, a wedding.”

The other’s face remained perfectly immovable. I fancied he was mentally studying his lists, took the occasion to laugh outright.

“Why — why I know Mrs. Fisher well very well indeed. I have dined with her — gone to the opera and–”

“Sh-h-h-h!” he arrested, lifting a warning forefinger. “She is asleep upstairs.”

“I’ll wager she is in the blue room, eh?” I ventured boldly; yet the next moment I regretted that I had spoken so. The man’s hands tightened upon the chair-arms; his face hardened.

“See here,” he snapped, “you know too much about my family affairs. Altogether too much for — for —

“For an intruder, eh?” I finished.

“Yes, for an intruder, a thief, a common, contemptible sneak-thief. A man who will worm his way into the best society and then gloat, openly, sneeringly. Come, now, what is it you were after — cut glass, silver?”

“But,” I remonstrated, “you admitted a moment ago they were too bulky; besides, I brought nothing to carry it in. . . . And don’t you know,” I added slowly, so that my words might sting, “that Mrs. Fisher’s jewels in the small bronze box on her dressing-table would prove the more valuable to me?”

The man’s face went colorless. He slipped a hand to his inner pocket and brought out a neat, shining revolver, which he calmly put upon the chair-arm. I watched him fascinated. There was something grim and ugly about that death-dealing thing between us; and more so now, for the muzzle pointed straight for my breast. The man very deliberately placed his hand over it.

“I have resolved to turn you over to the police,” he began sternly. “I have had enough of your remarks – quite enough. I might have been lenient with you heretofore, but you have grown insulting. Meanwhile I am going to ask that you refrain from any disturbances. This beneath my hand is a late model — an automatic; and it will shoot seven times in less than seven seconds. I hope you will not be venturesome.”

His words rang sharp and chilling to my ears. There was that indefinite something about them that lent me fear; a certain tone that bespoke an utter dependence. I was conscious that he meant exactly what he said.

I rapidly conjured my brain for a possible, plausible method of escape. Could I not somehow, someway, appeal to his weakness? If so, what was it? Here was a man who, by his own admission, was a club member— a man about town. A brilliant idea flashed to me. I had caught a glimpse of a backgammon board and a dice cup on a side table. Would he agree to the proposition ? Would it appeal to him? I lost no time in finding out.

“I believe,” I began, earnestly, hopefully, “that you are a square man; and that you are willing to give me a fair, square chance to help myself.”

“Go on,” he urged.

“We shall throw the dice between us — three times. If you win, I will calmly submit to arrest; I shall say nothing about this affair. But — if I win, you are to release me. You will allow me to leave the house as a guest, by the front door, under the lights. Is it a bargain?” Twice he wet his lips; and twice he started to speak.

“I agree,” he said at last.

Upon the broad arm of the chair I threw first. The rattle of the ivory dice was the only sound. The man opposite me underwent a complete change. Life came to his eyes and cheeks; his breath quickened. I realized that the love of chance was his weakness. The revolver lay neglected upon the chair-arm. As the dice fell clicking on the wood we both bent forward, expectant.

“Eight!” he broke out impetuously, and reached for the cubes. Calmly he shook the dice cup and toppled the squares to the chair-arm.”

“Twelve!” he laughed, and brushed the dice back with a tremulous hand. “I win.” Again I shook while he watched with flushed cheeks. “Ten!” I announced quietly. He nodded quickly and gathered up the dice.

“Not so hard to beat,” he returned, as the bits of ivory rattled to the wood. A pause.

“You win!” he faltered hoarsely, as eight spots alone showed. “Your last throw— careful.”

Once more and for the last time my hand flirted the dice to the polished chair-arm. A bit of silence followed the rattle.

“Twelve!” I broke out. “You still have a chance.”

He took the dice from my hand, shook them quickly and set them hard to the wood, yet kept the cup over the result, as if fearful of the disclosure.

“The hoodoo is still with me,” he announced graciously, after he had uncovered them. “I have but eleven.”

I swept the dice away and rose slowly from the chair. Now that the night was mine I intended to make good use of it. My brain raged with half-formed ideas. One of them alone seemed feasible.

“You may go!” the man spoke up abruptly from his chair.

“And —and the lights?” I reminded.

He looked at me in surprise.

“The hall and porch are rather dark,” I explained.

“I was of an opinion that men of your profession generally preferred the dark,” he offered coolly. I was minded as he sat there, sneeringly, his thin-lipped mouth drooping, to attempt to strike him to the floor before he could shoot, but happily my better judgment prevailed, and with an effort I controlled my temper.

“Suppose — Suppose someone should see me leaving — through the window?” I argued. “It wouldn’t look just right.”

He eyed me a moment in silence, evidently weighing my words, then shrugged his shoulders. “Well,” he deliberated, “now that you are so familiar with my house and the occupants and have bested me at dice, you may switch on your own lights.”

I swayed for a second, only half believing my ears; that he should so easily, readily play into my plan at the opportune moment seemed hardly possible.

“Thank you,” I said, with assumed calmness; and with this I strode over to the row of ebony buttons and without hesitation pressed the fourth and sixth ones. The former led to the upstairs chamber and the latter to the hall.

When I turned the man was laughing. “Not so very wise as you thought, eh? The lower hall isn’t lighted.”

Although aware of this I betrayed surprise. “You’re right,” I confessed, “I have pressed the wrong button. If you will allow me–”

“Never mind!” he snapped decisively. “You’ve tampered enough for one night. I should turn you over to the police; but I have given my word — I want you to go out ahead. I’m going to follow close behind — and no foolishness; remember, I’ve the revolver and I shall not hesitate to use it.”

Still I waited. I prayed for time as a dying man might for life. “Do you know,” I hedged, “that when I came into this room I had my mind made up for something to drink — some brandy. It’s damp outside; it was a rather tiresome journey here and will be a lengthy one back.”

“Well,” he wavered, nodding finally toward the sideboard, “help yourself, but be quick about it.” I took my time moving across the room; picked up and carefully examined a number of bottles, chose one and from it filled a thin glass half to the brim.

“To the intruder!” I exclaimed, and raised the glass to the level of my eyes.

As I was about to set back the glass, something so startling happened that the man whirled about toward the drawn curtains; and I, surprised likewise, stood mute and silent watching him,

“What was that?” he faltered.

“I could not say for certain,” I returned. “Though it sounded like a footfall on the stairs. Perhaps it is Mrs. Fisher.”

His eyes narrowed. “This will never do,” he burst out.

“Never mind,” I interrupted hastily; “just inform her that — that I am a friend of yours — a club-friend. She won’t suspect.”

The sound was repeated; there could be no mistaking; it was a footfall. The man acted like a lunatic.

“You fool!” he snarled, “turn out the lights — quick!” And then without further words he sprang across the room toward the row of buttons. It was a bold move and an abrupt one; but not altogether a thoughtful one, for within six feet of where I stood the revolver lay unguarded upon the chair-arm. Before he had reached the buttons I had possessed myself of the weapon.

He pressed the button, but not the right one. Not alone was the dining-room brilliantly lighted, but the lower hall suddenly shot into a glow.

Immediately the hall curtains parted and a woman, kimono-clad, stepped softly between them.

“Charlie,” she began, “did you just arrive home? Did you want me to come down? The lights were turned on, so I thought— ”

The man against the wall turned a blank, questioning face toward me; and, in spite of the intense situation, I smiled.

“This — this is a friend of mine, Milly,” I began abruptly. “A member of the club. By a strange coincidence his name is identical with ours. We have had a quiet chat— the two of us — and a little game; he was just leaving when you came in.”

I stepped over, gathered up his coat and hat and handed them to him. He smiled as he took them.

“Thanks!” he said; and I knew it had two meanings.

I snapped on the porch lights. “Mr. Fisher will leave his kit-bag,” I interrupted, as he moved toward it. “He has something in it that will interest us.”

Only a second did his brow cloud; then he was smiling and bowing pleasantly. I preceded him down the hall.

“Good night!” I said at the door.

“Good night!” he returned, and walked away into the gloom,

Metropolitan Magazine, Vol. 29, Issue 2 November 1908: pp. 206-210

Mrs Daffodil’s Aide-memoire:  Despite the failure of  the faux-Mr Fisher’s scheme, one has to admire his ingenuity and his pluck.  But to be successful housebreaker one needs more than nerves of steel and bravura bravado; one needs a reasonable amount of good fortune. His unluckiness in encountering the genuine householder instead of a fellow sneak-thief must have dismayed and disheartened him.  Mrs Daffodil would not be surprised to learn that, after resigning his clubs, he either joined the Salvation Army or went to the devil in Monte Carlo.

One does wonder how the actual Mr Fisher explained the contents of the kit-bag to his wife.

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

The Lost Song: c. 1800

THE LOST SONG.

It was my grandmother’s story, and this how she came to tell it to me:

I, Annie Rae, had come down to spend Christmas at “Raeburn,” the old family homestead. My grandmother and grand-father had been abroad for years, and this being the first Christmas for so long that the old house was opened, they wanted to fill it with bright young faces and merry laughter, to crowd out the voiceless memories which lurked in every corner, and so a whole party of us had come–cousins, first, second and third, in fact of all degrees. Speaking of cousins, isn’t it strange that very often the further removed the nearer they seem? At least George Stewart was only my third cousin by blood, and yet he always assumed more on the strength of our relationship than any of my first cousins, and somehow, in my own heart I did not mind it at all, though I did tease him so.

But I must go on with my story. It was Christmas Eve, and the old house was quiet at last. We girls had all gone to our rooms after a merry evening together. Fannie and Rose had the room near grandma’s, while Kate and Lillie were just opposite. Some one had to sleep alone at the other of the hall, and after long consultation, it was decided that I should go, for I had rashly boasted of never being afraid. I will confess to feeling a little lonely when all was quiet, and the deep shadows in the corners of the room seemed very dark, for the light of my candle did not reach far. There were three doors in my room, and fastening securely the one leading into the entry, I merely turned the handles of the others, and finding them locked inside, did not care to explore any further just then.  I must have been a long time undressing, for the clock struck the hour of midnight as I put my light out. Even then I could not sleep, but found myself wondering what was behind those doors that I had not opened, and I determined to have a regular exploring expedition the next day. There were so many romantic stories to this old house. I had even heard hints of staircases, shut up rooms, &c., and had always delighted in mysteries.

I think I must have been asleep for a short time, when I suddenly found myself awake with a start, and a curious impression that I was listening for something. There certainly was a sound overhead, but what was it? It came more clearly, and I distinguished a faint, broken melody, and yet imperfect, like some one playing a long forgotten air on a piano where some of the strings were broken. Three times it came like the verses of a song, and though there were no words, it seemed to speak to my very heart, and I thought of George, and how sorrowfully he had looked at me that evening as I had passed him without saying “good night.” It was only to tease him, I had pretended not to see his proffered hand, but had taken Willie Thorne’s instead, and we had walked up the broad staircase together.

Again all was still, only a long drawn sigh seemed to echo my own through the room, and came from the direction of the furthest door. Without a sensation of fear, only an ill-defined feeling of pain and regret, I sank to sleep, and when I woke the morning sun was shining brightly enough to dispel illusions. I resolved to say nothing to the girls, but quietly to explore and see what was to be found, for I knew perfectly well that what I had heard was no dream. So I got up long before breakfast, and after completing my toilet, threw wide the shutters and opened the first door nearest the entry. Only an empty closet! Disappointed but slightly relieved, I closed it and went over to the other. The key turned hard in the lock as if it had not been opened for a long time. Then the door stood wide open, and I saw a flight of stairs but only prosaic wooden steps, like those leading to any garret. I started bravely up and soon found myself in a large loft attic, with odds and ends. First, an old spinning wheel caught my eye, relic of our most industrious great grandmothers. Then a stack of old fire- arms, with which our ancestors, the bold Races, may have shed the blood of daring foes, or, perhaps, and I am afraid more likely, have only done damage among the crows that came to steal from their spacious cornfields. Lastly, beyond these, and behind a pile of mattings and boxes, I came upon an old piano. It quite startled me at first but then the broad daylight was very reassuring, and I am not nervous. It was very old and of a most curious shape, and evidently had been very elegant in its day. I tried to lift the lid, and found it locked, but as I touched it a shiver ran through me, for I was convinced now that this was what my ghostly music had come from last night, and I am determined to find out before another day had passed who it had belonged to, and what restless spirits still haunted its worn strings.

So after breakfast, when all the others gone to church, I went into my grandmother’s room to sit with her, for she was not very strong, dear old lady, and rarely went out of the house in winter.

After we were nicely settled and had got through our morning’s reading, I told her of my last night’s adventure, and my subsequent researches, and begged her to tell me all about the old piano I had found in the attic. She smiled at my eagerness, but did not seem at all surprised or incredulous, for though she herself had never heard the music I spoke of, there had been others long ago, she said, who, sleeping in that room on Christmas Eve, had been known to hear faint sounds, coming as if from the old piano above, though it was locked, and the key had been lost. The coincidence, at least, was very strange, taken in connection with the history attached to it, and which my grandmother then proceeded to relate to me.

“Many years ago,” said my grandmother, “when your great-great-great-grandfather was alive, this house was full of life and merriment; for your Aunt Annie–your great-great-aunt for whom you are named, child—lived here with her father and brothers. She was as bright and funny as the day was long, but so full of mischief and coquetry that she gave the heartache to all the young men, far and near and yet had suffered never a pang herself. I am afraid that a spice of her coquetry has descended to this generation too, my dear,” said the lady gazing fondly, but reproachfully at me. “I felt sorry to see the look in poor George’s eyes, last night, as you turned from him on the stairs–”

“Oh I please go on, grandmother dear,” said I, ”I am so much interested in the story.” But in my own wicked little heart I was sorry too, and inwardly resolved to make up for it to him on the first opportunity. “Well your Aunt Annie always had the house full, and some of her cousins and young friends were always staying there. Among the gentlemen who were their frequent visitors was a young naval officer, Robert Carrol, whom they inspected Annie of preferring. Of course, as girls will, they teased her most unmercifully about him and consequently she would hardly speak to him sometimes, and just because in her own heart she knew that to talk with him just one hour was better to her than a whole day with the others.

“The poor fellow evidently had no eyes for any one else, but he was very reserved and sensitive, and did not go in boldly and make love to her, as any other man would done, but stood and worshiped afar off. They say he was very fine musician, and sang beautifully, and not only that but he composed a song for Annie to sing; for she had a lovely voice, and would sing lovely old ballads for us in the long summer evenings with wonderful pathos and feeling.

“As the days went by the time drew near for Robert to join his ship. Early in December his orders came, and he was to leave the day after Christmas.

“He loved Annie so dearly that he felt he could not go away from her so long without asking for some assurance that his love was returned, and yet he could not bear to think of hearing her say she could never love him. Sometimes she treated him so coldly, almost rudely, and yet again, when they were alone, he could have sworn her eyes spoke a different language.

“The day before Christmas came and still no word had been spoken. On the morning of that day Robert wrote a note to her and inclosed in it a little song he had written and in the note he said,–“But stay,” said my grandmother, “I think I can show you the very note itself,” and going to her desk she took from it an old yellow piece of manuscript music, so faded as to be illegible and a little sheet of paper. “These,” she said, “were found up in the attic among other old letters and private family papers when we came back, and though I destroyed the rest I kept these,” and taking up the note she read it aloud. It was very short, and ran thus:

Annie, darling will you be my wife? And may I go away with hope warm at my heart that when I come back I may claim you as my own? Little one if it is to be, and can love me, will you sing my song for me to-night when I come. If there is no hope for me you will sing something else, and I will know my fate at once, and it will be better to learn it so than to give you pain of telling me. But somehow I feel hopeful, and shall come with a brave heart in spite of the fate which your sweet voice is to sing me into life or death.

Forever yours, in this world and the next.

Robert.

“He sealed the note inclosing the song and sent it over by his servant.  As the man was going into the gate he met Annie’s youngest brother, Harry, a little fellow of ten years old, who snatched the note from him, and said, ‘Oh! I’ll take it to Annie, Tom,’ and ran off. So Thomas walked away with an easy conscience, thinking he had delivered the note safely at least to a ‘member of the family.’

“Harry trotted off toward the house with the best intentions in the world, but was diverted on the way by some important business with a small boy of his own age, who suddenly turned up, so by the time he did go home all memory of the note had vanished from his youthful mind.

“Evening came and the younger children were all in bed, and Harry lay sound asleep, while on a chair hung his little jacket, and in the pocket still, poor Robert’s note undelivered. Annie, with ‘cheeks like twin roses,’ and’ eyes bright with love and hope was waiting for the company.

All the young people were coming from neighborhood to have a frolic, but she only thought of Robert. ‘He must speak to me to-night,’ she said to herself. ‘I am sure he loves me, and in spite of my bad behaviour to him sometimes he must know my heart.’

“Early in the evening Annie’s father according to his custom, asked her for a song and as she rose and went to the piano she caught sight of Robert’s pale handsome face. He was near the door, where he had just entered standing with his arms folded and his eyes fixed upon her with a look that to her dying day she never forgot. As she sat down to the instrument an unaccountable feeling of depression came over her, some unseen influence seemed to hold her hands so that she could scarcely strike the notes, but with an impulse she threw it off and dashed into some gay and nonsensical song that was popular at the time, and sang it through to the very end.

“When she looked up Robert was gone, and she never saw him again in this world. He left home that night and never returned, for his ship, with all on board was lost on the way out; and he went to his grave thinking her cold and heartless. And she–all the next day she waited for him, wondering that he did not come. That night as she was wearily going to her room a little voice from the nursery called her, and going in she found Harry wide awake.

“Oh! sister Annie,’ said he ‘don’t scold me, but I forgot your note yesterday, and there it is still in my pocket.’ And he pointed to the jacket which hung on a chair. Mechanically, she reached and took it, but when she saw the address in his hand, she grew as pale as death. She only stopped and kissed the little fellow, who was sobbing bitterly, and no word of reproach passed her lips.

“From that day she was a different being. Her whole life seemed to be a period of waiting; waiting for news of him.

“You must remember, my dear,” added grandmother, “that in those times there were no such conveniences for communications as we have now-a-days, when lovers can change their minds two or three times a day by mail, and can telegraph ‘yes’ and ‘no’ sixty times a minute (more or less) if they please.

“And when at last the news of Robert’s death came, it was as if some blight had fallen on her, for she seemed to fade away, and grew weaker and weaker, until it got to be so that she never left her room. Then her piano was moved up there, the room you were in last night–for her music seemed the only thing left in which she took any interest, and often at night when all was still they would hear her playing, for she had never been known to sing since that time when, with her own sweet voice, she had smilingly sounded the death knell of two hearts.”

“On Christmas morning, just one year after, when they came to her room they found her seated at her piano, with his song before her, and her white hands cold and stiff resting on the keys. She had gone to meet him, and her weary waiting was over at last.”

“This was my grandmother’s story of the piano–and that evening as George and I were sitting together on the board staircase, while the others were dancing in the parlor, I told it all over to him, and would you believe it? when I came to the part about poor Robert’s last letter, George actually said it served him right for not being man enough to ask for what he wanted when he had the chance, “as I intended to ask you right here, little Annie,” said he, and then–well, somehow I did not finish the story that evening.

Since then, however, we have often talked it over since, but George always smiles when I tell him of the ghostly music I heard on Christmas eve in the old house, and suggests though the piano was locked, yet the back had fallen out from old age, and there was room enough for a whole regiment of mice to creep in and run over the rusty strings, and he further says that I was sleepy and troubled in my mind for treating him so badly, and thought it was my aunt’s ghost come to warn me. But that is nonsense, of course, and I shall always believe that it was poor Robert’s last song that I heard.

The Indiana [PA] Democrat 14 November 1872: p. 1

Mrs Daffodil’s Aide-memoire: It seems to Mrs Daffodil that there is blame enough to go around, with some to spare. Coquettes! Thoughtless younger brothers!  Timid suitors!  One wonders how, without the spur of “on-line” dating and “swiping,” the species ever propagated itself.

Still, it was curious that the mice, if mice there were, only came out to run over the piano’s strings on Christmas eve.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

The Deferred Appointment: 1911

The Deferred Appointment

Algernon Blackwood

The little “Photographic Studio” in the side-street beyond Shepherd’s Bush had done no business all day, for the light had been uninviting to even the vainest sitter, and the murky sky that foreboded snow had hung over London without a break since dawn. Pedestrians went hurrying and shivering along the pavements, disappearing into the gloom of countless ugly little houses the moment they passed beyond the glare of the big electric standards that lit the thundering motor-buses in the main street. The first flakes of snow, indeed, were already falling slowly, as though they shrank from settling in the grime. The wind moaned and sang dismally, catching the ears and lifting the shabby coat-tails of Mr. Mortimer Jenkyn, “Photographic Artist,” as he stood outside and put the shutters up with his own cold hands in despair of further trade.

It was five minutes to six. With a lingering glance at the enlarged portrait of a fat man in masonic regalia who was the pride and glory of his window-front, he fixed the last hook of the shutter, and turned to go indoors. There was developing and framing to be done upstairs, not very remunerative work, but better, at any rate, than waiting in an empty studio for customers who did not come—wasting the heat of two oil-stoves into the bargain. And it was then, in the act of closing the street-door behind him, that he saw a man standing in the shadows of the narrow passage, staring fixedly into his face.

Mr. Jenkyn admits that he jumped. The man was so very close, yet he had not seen him come in; and in the eyes was such a curiously sad and appealing expression. He had already sent his assistant home, and there was no other occupant of the little two-storey house. The man must have slipped past him from the dark street while his back was turned. Who in the world could he be, and what could he want? Was he beggar, customer, or rogue?

“Good evening,” Mr. Jenkyn said, washing his hands, but using only half the oily politeness of tone with which he favoured sitters. He was just going to add “sir,” feeling it wiser to be on the safe side, when the stranger shifted his position so that the light fell directly upon his face, and Mr. Jenkyn was aware that he—recognised him. Unless he was greatly mistaken, it was the second-hand bookseller in the main street.

“Ah, it’s you, Mr. Wilson!” he stammered, making half a question of it, as though not quite convinced. “Pardon me; I did not quite catch your face—er—I was just shutting up.” The other bowed his head in reply. “Won’t you come in? Do, please.” Mr. Jenkyn led the way. He wondered what was the matter. The visitor was not among his customers; indeed, he could hardly claim to know him, having only seen him occasionally when calling at the shop for slight purchases of paper and what not. The man, he now realised, looked fearfully ill and wasted, his face pale and haggard. It upset him rather, this sudden, abrupt call. He felt sorry, pained. He felt uneasy.

Into the studio they passed, the visitor going first as though he knew the way, Mr. Jenkyn noticing through his flurry that he was in his “Sunday best.” Evidently he had come with a definite purpose. It was odd. Still without speaking, he moved straight across the room and posed himself in front of the dingy background of painted trees, facing the camera. The studio was brightly lit. He seated himself in the faded arm-chair, crossed his legs, drew up the little round table with the artificial roses upon it in a tall, thin vase, and struck an attitude. He meant to be photographed.

His eyes, staring straight into the lens, draped as it was with the black velvet curtain, seemed, however, to take no account of the Photographic Artist. But Mr. Jenkyn, standing still beside the door, felt a cold air playing over his face that was not merely the winter cold from the street. He felt his hair rise. A slight shiver ran down his back. In that pale, drawn face, and in those staring eyes across the room that gazed so fixedly into the draped camera, he read the signature of illness that no longer knows hope. It was Death that he saw.

In a flash the impression came and went—less than a second. The whole business, indeed, had not occupied two minutes. Mr. Jenkyn pulled himself together with a strong effort, dismissed his foolish obsession, and came sharply to practical considerations. “Forgive me,” he said, a trifle thickly, confusedly, “but I—er—did not quite realise. You desire to sit for your portrait, of course. I’ve had such a busy day, and—’ardly looked for a customer so late.” The clock, as he spoke, struck six. But he did not notice the sound. Through his mind ran another reflection: “A man shouldn’t ‘ave his picture taken when he’s ill and next door to dying. Lord! He’ll want a lot of touching-up and finishin’, too!”

He began discussing the size, price, and length—the usual rigmarole of his “profession,” and the other, sitting there, still vouchsafed no comment or reply. He simply made the impression of a man in a great hurry, who wished to finish a disagreeable business without unnecessary talk. Many men, reflected the photographer, were the same; being photographed was worse to them than going to the dentist. Mr. Jenkyn filled the pauses with his professional running talk and patter, while the sitter, fixed and motionless, kept his first position and stared at the camera. The photographer rather prided himself upon his ability to make sitters look bright and pleasant; but this man was hopeless. It was only afterwards Mr. Jenkyn recalled the singular fact that he never once touched him—that, in fact, something connected possibly with his frail appearance of deadly illness had prevented his going close to arrange the details of the hastily assumed pose.

“It must be a flashlight, of course, Mr. Wilson,” he said, fidgeting at length with the camera-stand, shifting it slightly nearer; while the other moved his head gently yet impatiently in agreement. Mr. Jenkyn longed to suggest his coming another time when he looked better, to speak with sympathy of his illness; to say something, in fact, that might establish a personal relation. But his tongue in this respect seemed utterly tied. It was just this personal relation which seemed impossible of approach—absolutely and peremptorily impossible. There seemed a barrier between the two. He could only chatter the usual professional commonplaces. To tell the truth, Mr. Jenkyn thinks he felt a little dazed the whole time—not quite his usual self. And, meanwhile, his uneasiness oddly increased. He hurried. He, too, wanted the matter done with and his visitor gone.

At length everything was ready, only the flashlight waiting to be turned on, when, stooping, he covered his head with the velvet cloth and peered through the lens— at no one! When he says “at no one,” however, he qualifies it thus: “There was a quick flash of brilliant white light and a face in the middle of it—my gracious Heaven! But such a face—’im, yet not ’im—like a sudden rushing glory of a face! It shot off like lightning out of the camera’s field of vision. It left me blinded, I assure you, ’alf blinded, and that’s a fac’. It was sheer dazzling!”

It seems Mr. Jenkyn remained entangled a moment in the cloth, eyes closed, breath coming in gasps, for when he got clear and straightened up again, staring once more at his customer over the top of the camera, he stared for the second time at—no one. And the cap that he held in his left hand he clapped feverishly over the uncovered lens. Mr. Jenkyn staggered… looked hurriedly round the empty studio, then ran, knocking a chair over as he went, into the passage. The hall was deserted, the front door closed. His visitor had disappeared “almost as though he hadn’t never been there at all”—thus he described it to himself in a terrified whisper. And again he felt the hair rise on his scalp; his skin crawled a little, and something put back the ice against his spine.

After a moment he returned to the studio and somewhat feverishly examined it. There stood the chair against the dingy background of trees; and there, close beside it, was the round table with the flower vase. Less than a minute ago Mr. Thomas Wilson, looking like death, had been sitting in that very chair. “It wasn’t all a sort of dreamin’, then,” ran through his disordered and frightened mind. “I did see something…!” He remembered vaguely stories he had read in the newspapers, stories of queer warnings that saved people from disasters, apparitions, faces seen in dream, and so forth. “Maybe,” he thought with confusion, “something’s going to ’appen to me!” Further than that he could not get for some little time, as he stood there staring about him, almost expecting that Mr. Wilson might reappear as strangely as he had disappeared. He went over the whole scene again and again, reconstructing it in minutest detail. And only then, for the first time, did he plainly realise two things which somehow or other he had not thought strange before, but now thought very strange. For his visitor, he remembered, had not uttered a single word, nor had he, Mr. Jenkyn, once touched his person… And, thereupon, without more ado, he put on his hat and coat and went round to the little shop in the main street to buy some ink and stationery which he did not in the least require.

The shop seemed all as usual, though Mr. Wilson himself was not visible behind the littered desk. A tall gentleman was talking in low tones to the partner. Mr. Jenkyn bowed as he went in, then stood examining a case of cheap stylographic pens, waiting for the others to finish. It was impossible to avoid overhearing. Besides, the little shop had distinguished customers sometimes, he had heard, and this evidently was one of them. He only understood part of the conversation, but he remembers all of it. “Singular, yes, these last words of dying men,” the tall man was saying, “very singular. You remember Newman’s: ‘More light,’ wasn’t it?” The bookseller nodded.

“Fine,” he said, “fine, that!” There was a pause. Mr. Jenkyn stooped lower over the pens. “This, too, was fine in its way,” the gentleman added, straightening up to go; “the old promise, you see, unfulfilled but not forgotten. Cropped up suddenly out of the delirium. Curious, very curious! A good, conscientious man to the last. In all the twenty years I’ve known him he never broke his word…”

A motor-bus drowned a sentence, and then was heard in the bookseller’s voice, as he moved towards the door. “…You see, he was half-way down the stairs before they found him, always repeating the same thing, ‘I promised the wife, I promised the wife.’ And it was a job, I’m told, getting him back again… he struggled so. That’s what finished him so quick, I suppose. Fifteen minutes later he was gone, and his last words were always the same, ‘I promised the wife’…”

The tall man was gone, and Mr. Jenkyn forgot about his purchases. “When did it ’appen?” he heard himself asking in a voice he hardly recognised as his own. And the reply roared and thundered in his ears as he went down the street a minute later to his house: “Close on six o’clock—a few minutes before the hour. Been ill for weeks, yes. Caught him out of bed with high fever on his way to your place, Mr. Jenkyn, calling at the top of his voice that he’d forgotten to see you about his picture being taken. Yes, very sad, very sad indeed.”

But Mr. Jenkyn did not return to his studio. He left the light burning there all night. He went to the little room where he slept out, and next day gave the plate to be developed by his assistant. “Defective plate, sir,” was the report in due course; “shows nothing but a flash of light—uncommonly brilliant.” “Make a print of it all the same,” was the reply. Six months later, when he examined the plate and print, Mr. Jenkyn found that the singular streaks of light had disappeared from both. The uncommon brilliance had faded out completely as though it had never been there.

The Times-Democrat [New Orleans LA] 12 March 1911: p. 39

Mrs Daffodil’s Aide-memoire: Algernon Blackwood is perhaps best known for his “weird” supernatural and horror fiction. This is a workmanlike example of one of his ghost stories.

Mrs Daffodil regrets that the death-like countenance of Mr Wilson did not appear in the plate or the print so that the image could have been presented to his wife as a memento (mori) of the occasion. Normally a post-mortem photograph would be taken at the home of the deceased, with the decedent passively submitting to the professional ministrations of the photographic artist. The notion of a post-mortem photograph taken of a subject who not only walked into the photographic studio but posed himself at a table containing a vase of artificial roses is uncommonly chilling.

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

The Haunted Bed: 1859

doll's tester bed

The Haunted Bed

Mark Lemon

‘Why, Betty, if there isn’t Mr. Ponsonby at the door with his baggage, I’ll be whipped!’ cried the head waiter at the ___ hotel, on the evening  preceding the regatta.

‘Mr. Ponsonby, you don’t say so! and I’d given him up, and just put that weak-minded gent as come at ten o’clock in Forty-two–Mr. Ponsonby’s room as I call it; and there’s not a bed to be had in Cowes for love or money.’

‘What’s that, you say, Betty?’ said the newcomer; ‘not another bed but mine,’

‘That it, sir,’ replied Betty; ‘I kept it for you till the last train; now as that has been in a hour, I gave you up, sir. What will you do?’

‘Awkward,’ exclaimed Ponsonby; ‘the old clock in the room will break its heart; but I must sleep on a sofa.’

‘Not one disengaged, sir,’ said the waiter.

‘No sir,’ added Betty, ‘not one sir. There are four small children put to bed in a chest of drawers now in Twenty-four. We let everything before we would let Forty-two.’

‘That’s the gent that’s got your room,’ whispered John, as he ushered Mr. Ponsonby into the coffee-room.

The person alluded to was a very mild, milky-looking young gentleman of twenty-one. His present position was evidently a new one, for he was constantly employed in pulling up his shirt collar and using his toothpick.

‘John,’ said Ponsonby, ‘I must have a bed. Bring me a broiled bone and a glass of brandy and water, and put them on the table next to the young gentleman, whilst I speak to Betty.’

What the nature of Mr Ponsonby’s communication to Betty was I don’t mean to reveal; but she laughed consumedly and was shortly afterwards seen entering No. Forty-two with a warming-pan, and then returning without it. The bone and brandy and water were duly served, and Mr. Ponsonby took his place at the table. The mild gentleman pulled his collar more frequently and plied the toothpick with increased, energy.   ‘Waiter,’ cried Ponsonby, ‘here–take this thing away.’

‘Capital bone sir,’ said John; somewhat astonished.

‘Don’t tell me a capital bone!’ exclaimed Ponsonby. ‘The ‘bus driver was complaining of the mortality among his horses. Take it away.’

The mild gentleman looking alarmed, and paused in the act of pulling up his left collar.

‘Wretched house, this, sir,’ said Ponsonby, confidentially; ‘never come here if I can avoid it; but at regatta time glad to get in anywhere!’

‘Yes, sir,’ said the mild one.

‘They served me a rascally trick once, and I shall never forget it. I wonder who sleeps in that room to-night–poor devil!’

‘May I inquire what the trick was, sir?’

‘Oh! Certainly,’ said Ponsonby, ‘though I hardly like to tell the story, in case you should doubt my veracity.’

‘Oh! Sir—‘

‘Well, it seems absurd to talk of haunted chambers in the nineteenth century;’ and Ponsonby paused.

‘Not at all, sir,’ said the mild one, encouragingly.

‘But that there is one in this house I am ready to swear,’ exclaimed Ponsonby; ‘a room with a large, old-fashioned clock in it.’

‘No. Forty-two!’ gasped the mild one; ‘that’s my room!’

‘Hush, for heaven’s sake!’ said Ponsonby; ‘had I know that, I wouldn’t have said a word for the world.’

‘My dear sir, don’t say that; pray go on sir. I’m not superstitious, neither am I foolishly incredulous,’ and the mild one wiped his forehead, and emptied his tumbler at a gulp.

‘Well, as you desire it, I will narrate my story,’ said Ponsonby. ‘It was exactly three years ago, this very day, that I and my luggage found ourselves in No. Forty-two, the last room, (so the chambermaid told me,) unlet in the house.’

‘Exactly what she told me—a cockatrice!’ interrupted the mild one.

‘I was tired by my day’s journey, and went to bed exactly as the clock struck twelve. Though fatigued, I felt no disposition to sleep, so I placed my candle on the bed-steps, and began to read. I had read about five minutes, when suddenly I received a most violent blow in the stomach, and the clock struck a quarter. I started up; there was no one—nothing to account for the phenomenon. At last I concluded it must have been fancy. I read on for another quarter of an hour, when I received two blows of greater violence than the former one! The clock chimed the half-hour.’

‘Another glass of brandy and water!’ cried the mild one.

It was brought, and Ponsonby proceeded:

‘I seized the bell-rope, but a sense of shame would not let me proceed. I therefore resolved to keep watch for a short time. As I set up in bed, my eyes fell upon the face of the old clock in the corner. I could not help thinking that was connected with the annoyance I had suffered. As I looked, the minute-hand gradually approached the IX on the dial, and the moment it arrived there I received three distinct and particularly sharp raps on the crown of my head. The clock struck the three-quarters. I was now convinced that there was something wrong. What was I to do? If I disturbed the house and told this story, I should be laughed at, and set down either as drunk or dreaming. I resolved to brave the worse. I got out of bed, and, gently opening the clock-case, stopped the vibration of the pendulum.

‘Come, that must prevent the striking,’ thought I and laid myself down with something like a chuckle at my own brilliancy.’

‘A chuckle!’ murmured the mild one.

‘I had not been in bed above five minutes,’ resumed Ponsonby, ‘when I heard the door of the block-case open slowly. I felt, I confess, a tremor—‘

‘I should think so!’

‘And I saw the pendulum throw a somersault on the floor, and deliberately hop—hop—hop towards the bed. It paused for a moment, and bending it round brazen face full upon me, said—‘

‘Spoke?’ gasped the mild one.

‘Said,’ continued Ponsonby: (not heeding the interruption,) “Sir, I am very much obliged to you for stopping my labors. People think I never want any rest, but that I can stand being perpetually wound up and kept on the go. With your permission, I’ll get into bed;’ and without waiting for an answer, into bed it got.

‘I suppose,’ continued the pendulum, you are not aware that this is our room.’

‘Our room!’ said I.

‘Yes; mine and the rest of the works. The man who made us, died in this bed, and left it to us as a legacy. You found something rather unpleasant, didn’t you?’

‘Yes,’ I answered, ‘very unpleasant.’

‘Ah! That was the striking weight; he always serves intruders that way when we are going. When we are not, and I come to bed, he is quiet enough. But as I am likely to be set going again in the morning, and it’s now nearly half past nine, I’ll wish you a good night.

‘Good night, sir,’ I replied, quaking from heat to foot. ‘So,’ thought I, ‘who ever sleeps in this bed must either submit to be thumped black and blue by the striking weight, or accept of this horrible monster for a bed-fellow. At this moment the pendulum, I suppose, fell asleep, for it commenced an innocent ‘tick-tick,’ ‘tick-tick,’ that rendered all attempts at forgetfulness of my part impossible.’

‘Another glass of brandy and water!’ cried the mild one.

‘No, no,’ said Ponsonby, ‘I would advise you not. Have your chamber candle and go to bed.’

‘Go to bed in No. 42!’ exclaimed the mild one. ‘Never!’

‘My dear fellow, matters may have changed since the period I have been talking of. Go to your room, and if anything occurs it is easy to ring the bell. Come, I’ll see you to the door.’

And, taking their candles, the pair proceeded to No. 42.

‘Here we are,’ said Ponsonby, ‘good night.’

The mild gentleman could only wave his head in valediction as he entered the haunted chamber. In a minute he uttered a shrill cry, and rushed into the lobby, his hair literally on end with terror.

‘What’s the matter, now?’ said Ponsonby.

‘It’s there!—in bed—fast asleep—I’ve seen it—the pendulum! I’d not sleep there for a thousand pounds!’

‘Good gracious! What will you do?’

‘Sleep on the stairs—if I but had my carpet-bag out of the room!’

‘I’ll fetch it for you. I don’t mind the pendulum; he’s an old friend of mine.’

And in another minute, the mild one was travelling down to the coffee-room, bumping his carpet bag from stair to stair, to the probable disturbance of the whole house.

‘Betty! Betty!’ said Ponsonby, in an undertone, ‘tell the porter to bring my baggage to No. 42. Ha! Ha! Capital, Betty!’ roared Ponsonby as he saw the cause of the mild one’s terror.

It was the brazen warming pan comfortably put to bed in No. 42, and which the M.G. in his terror had taken for a pendulum.

In the morning the mild gentleman did not show himself. He had drank three bottles of soda water, paid his bill, and gone off by the first train.

The Democratic Pioneer [Elizabeth City NC] 17 May 1859: p. 1

Mrs Daffodil’s Aide-memoire: Mark Lemon was the genial co-founder and long-time editor and writer for the comic magazine Punch.  He has a freshness and a modern strain to his writing that makes it amusing, even to-day, while a good deal of Victorian humour is lost on modern readers.

warming pan

Brass warming pan

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

The Cast Iron Stove: 1890

“Nancy!” said Mr. Moppet.

“Sir?” responded Nancy.

Mr. Moppet was coming in from the garden path. Nancy, with plump white arms bared to the elbow, was washing the breakfast dishes in a deep pan of hot soapsuds.

Mr. Moppet was a hard featured elderly man, with whitish blue eyes, a straggly fringe of white beard beneath his square chin, and a bald cranium. Nancy was fresh colored and bright eyed, with silky tendrils of auburn hair drooping over her freckled forehead, and a certain dimple perpetually playing at hide-and-seek on her left cheek. The two completely realized Shakespeare’s ideal of “Crabbed Age and Youth.”

“I’m a-goin’ to town,” said Mr Moppet. “You won’t need to bile no pot victuals for dinner. Waste makes want. A cup o’ tea and a biled egg and what’s left o’ yesterday’s pork and greens — that’ll be all you need.”

“Yes, father,” acquiesced Nancy. She was thinking of something else all the while.

“And, talkin’ ’bout eggs,” added Mr. Moppet, “you may take four dozen up to Peach Farm. Mrs. Wixon wants plenty on ’em to make cake for her niece’s party. Better go early this morning’.”

Nancy colored scarlet under the auburn rings of hair “Can’t I send ’em up by little Bill Becker, father?” said she “Webster Wixon will be there, and — and I don t like Webster Wixon, with his red nose and his compliments.” Mr. Moppet frowned.

“Nancy,” said he, “don’t be a fool. I can see through ye, like ye was a pane o’ glass. Webster Wixon’s a well-to-do man, with money out at interest, and you’d oughter be tickled to death that he’s took a notion to you.”

“But, father—”

“Not another word,” grumbled Mr Moppet. “I know jest exactly what’s comin’. It’s that foolish nonsense about Absalom Parker, that I hoped you’d got over long ago. Absalom hain’t no properly, and ain’t like to have none, and no daughter o’ mine ain’t goin’ to marry your Grandfather Atkins’s hired man, not if I know it.”

He paused with this multiplicity of double negatives. Nancy set her small, pearl-white teeth together, her eyes flashed with hazel fire. It was a clear ease of true love versus money.

“Take them eggs straight up to Peach Farm, ” reiterated Mr. Moppet, shaking his forefinger at Nancy, “an’ don’t argufy the p’nt no further. I’m your father, and I know what’s best for you!”

“But you’re going right past the Wixons’ door.”

“No, I ain’t, neither I’m goin’ the Horn Hill Road. I’ve been app’inted by the Supply Committee to buy an air-tight wood stove for the church,” he added with some complacency. “The old one’s rusted clear out, so there’s danger o’ fire every time its used, and the brethren have subscribed twenty dollars for a new one—leastways, a second-hand one, if its jest as good.”

* * *

Webster Wixon, a fat, middle-aged bachelor, was out helping to gather the October apples on the north side of the house when Nancy came up. He made haste to welcome her.

“Good mornin’, Miss Nancy,” said he. “As bloomin’ as ever, I see.”

“Here’s your eggs,” spoke Nancy, curtly.

“Set down a spell, won’t ye?” simpered Mr. Wixon.

“I’m in a hurry,” said Nancy.

“But, Nancy—”

“My name’s Miss Moppet, sir!”

“I’ve got something very particular to say to you, Nancy,” urged the middle aged suitor.

“It’ll have to keep,” said Nancy. “I’ve got to get right home.”

“Can’t I walk with you a piece?”

“I’d rather go alone,” she persisted.

“Nancy—Miss Moppet—I must speak!” blurted out the old bachelor. “I love you better’n all the world! I want to make you Mrs. Webster Wixon! There that s what I had on my mind! And your good father, he says it would suit him exactly, and__”

Nancy wheleed around and faced her eager swain.

“Is it me or father, you’re a-courting?” said she.

“Why you, of course!”

“Then take my answer—No!”

And without waiting for the return of her basket, she hurried away, her cheeks blazing, her breath coming quick and fast.

“Father’ll be awful mad,” she thought, “but I’d sooner die than marry that man!”

Webster Wixon stood a minute gazing after her in crestfallen silence; then he went back to apple harvesting with an ominous compression of his lips.

“The madder she gets the prettier she looks,” thought he. “Well, well, time will show. Brother Moppet says she shall be my wife, and that ought to count for consid’able.

***

Mr. Moppet drove leisurely on to Horn Hill, drove an excellent bargain for a highly ornamental wood-stove, after having successively interviewed every hardware dealer in town, and set forth to return with it in his wagon just at dusk.

“It’s a warm day for the time o’ year,” said he, “and it’s easier traveling for the horse arter dark. It ain’t a bad day’s work, come to think on’t. I beat Brother Piper down pretty well on the price, and it’s worth a dollar’n half to cart the thing home over these bumpy roads. They ‘lowed twenty dollars for it, and I got it for fifteen. Takin’ my time and wheel wear and horseflesh into consideration, I guess I won’t say nothin’ about the odd five dollars. Business is business. It’s a proper pretty pattern too — thistle leaves and acorns. I’d like one the same fashion in my best room, and” — with a long whistle — “why shouldn’t I have it? There’s that second handed stove Gran’ther Atkins took for a debt from Solon Grubb. It’s jest standin’ rustin’ away in his back wood shed.  I’ll fetch it home to morrow and black it up, and let Elder Meachan suppose I got a bargain from somebody, and I’ll have the nice new stove for myself, and nobody’ll be none the wiser, now that Gran’ther Atkins is confined to his bed with creepin’ paralysis and Absalom Parker’s up in the wood lots, choppin’ down trees for winter firewood. It’s a good idee. I’m glad I happened to think of it!”

He drew rein opposite the Atkins house. All was dark and quiet there save the one red light that burned in old Mr Atkins’s bed room.

At that identical moment, had he but known it, Absalom Parker — the old man’s general factotum— was hanging over the garden gate of his own place, talking to pretty Nancy among the purple dahlias and quilled asters.

And it was no difficult task for a man of John Moppet’s physical strength skillfully to lift the old stove out of its place in the outer shed into his wagon.

“Git up, Prince,” he muttered to his horse, shaking the reins, and away they went.

Elder Meachan was not quite satisfied with the bargain. The chruch brethren, too, would have preferred a new stove, considering the money they had spent; but Brother Moppet was a man in authority, and they were compelled to acquiesce in his choice.

Nancy was delighted with the new acquisition for the best room.

“Oh, isn’t it pretty!” said she.

“Yes,” nodded Mr. Moppet, rubbing his hands, “It’ll sort o’ dress up the room for your weddin’.”

“My wedding!”

“Jest so. I’ve arranged matters with Webster Wixon, and__”

Nancy burst into tears, and ran out of the room.

Mr. Moppet glared balefully after her.

“She shall marry him,” muttered he, “or she shall be no darter o’ mine! I won’t be set at defiance by__ Why, hello, Absalom Parker, what brings you here?”

“Mr. Atkins is took wuss this afternoon,” said Absalom, standing at the doorway, like a rustic Apollo. “Wants to see ye—right off!”

It was a Saturday afternoon. As Mr. Moppet drove by the church door, he saw the load of wood being delivered for the first fire of the season.

“Jest in time!” said he to himself. “There’s a frosty feel in the air.”

Grandfather Atkin lay among his pillows, like a wrinkled ghost.

“John,” said he, “all I’ve got in the world is yours; but I think I’d ought to tell you where I’ve hid it, sence the bank robbery give me such a scare.”

“Certainly, certainly!” said his son-in-law, with eager eyes, like those of a bird of prey.

“I’ve hid it away—“

John Moppet placed his ear close to the pallid lips.

“Six five-hundred-dollars bills—“

“Yes, yes—go on!”

“Folded up in an old number of the Horn Hill Gazette—”

“An old number of the Horn Hill Gazette—I understand!” repeated Moppet.

“In the old stove out in the shed!” gasped the old man. “I knowed nobody wouldn’t be likely to look there! It’s your’s John Moppet—every cent of it. And mind you, don’t spend it in no extravagance!”

So speaking the old miser closed his dim eyes and went where there is neither money nor counting of money.

John Moppet uttered an exceeding bitter cry as he remembered the lighted match he had put to the crumpled papers in the stove, to make sure of a draught when it was put up in the northwest corner of the church — the roar of the blaze through the lengths of Russian pipe. In his excellent management he had contrived to overreach himself.

He went home and sat all the evening in a sort of stupor, with his head in his hands.

Nancy, busied about her household tasks, watched him with hazel eyes of surprise.

“I didn’t know he thought so much of Gran’ther Atkins,” pondered she.

“Six times five is thirty—six time five is thirty,” mused Mr. Moppet, rocking to and fro. “Six five-hundred-dollar bills!  Three—thousand—dollars—and all gone up chimbly in one breath o’ wind, and me as done it! I shall go crazy. I shall lose my mind. Three—thou—sand—dollars!  It’s a judgment on me. I’ve been a mis’able sinner, and cheated the church. I’ve tampered with my own conscience. Six times five is thirty! Six five-hundred-dollar bills! Oh, Lord, there ain’t no calculatin’ what a mis’able sinner I’ve been!”

As the old kitchen clock struck nine, Absalom Parker came in, bringing with him a gust of fresh, frosty air.

“Evenin’, Squire,” said he. “I’m sort o’ looking up the watchers. ‘Spose you’d like to be one of ‘em? But I’d like to speak a word to you first.”

“If it’s about Nancy, it ain’t no use,” said Mr. Moppet, rousing himself to the affairs of the world with some petulance.

“It ain’t about Nancy,” Absalom answered, with a smile. “It’s about Mr. Atkins’s money.”

Mr. Moppet gave a start.

“Oh, you needn’t jump so,” reassured Absalom. “It’s all safe.”

He took a flat parcel out of his pocket.

“Count ‘em,” said he. “Six, ain’t there?”

Mr. Moppet started at Absalom Parker as Aladdin might have started at the Genii.

“How –where —“ he stammered.

Absalom gave a low chuckle.

“Hush!” said he. “Don’t speak loud. I seen the old man hide ‘em there, like a human magpie as he was. I knowed it wasn’t safe, so I quietly took ‘em out, arter he’d had that last stroke, and locked ‘em in his black leather trunk up in the garret. And you may thank me that they wasn’t all burned up in the first fire you lighted in that identical stove!”

Mr. Moppet turned a purplish red.

“You know about that stove?” said he, with a gasp.

“It wasn’t likely no such conjuring could go on about Mr. Atkins’s place, and me not know it,” said Parker, drily. “The stove wasn’t of no great consequence, though, except for old iron. I guess the church folks’ll get sick of it before a great while.”

Mr. Moppet drew a long breath.

“When they do,” said he, “I’ll make ‘em a present of a brand new one. And, Absalom–”

“Yes, Mr Moppet?”

“You won’t say nothin’ to nobody'”

“No,” said Absalom, “I ain’t one o’ the talkin’ sort.”

“And, Absalom — ”

“Yes, Mr Moppet?”

“Since you and Nancy really are attached to each other–”

“We are just that, Mr Moppet.”

“I don’t see no objection to your gettin’ married this fall,” said Moppet, with an effort. “You may tell Nancy that she has my consent!”

Nancy cried a shower of happy tears when Absalom told her the good news.

But he never imparted to her the story of the stove. As he himself had remarked, “he was not one of the talkin’ sort.”

The Newton [AL] Messenger 10 May 1890: p. 1

Mrs Daffodil’s Aide-memoire: Mrs Daffodil does so like a happy ending. This is a much nicer outcome than the all-too-common stories of forgetful gentlemen who stored their dynamite in the stove with depressingly predictable results.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

The French Doctor’s Bride: 1830s

lighter shrouded corpse Rowlandson 1775

Grave-robbers interrupted by Death, Thomas Rowlandson, 1775 https://wellcomecollection.org/works/j7twdvrd

THE FRENCH DOCTOR’S BRIDE.

BY VICTOR LECOMTE.

Twenty-five years ago I entered the medical college at F__ as a student. I was then quite young, inexperienced, and inclined to be timid and sentimental; and well do I remember the horror I experienced, when one of the senior students, under pretence of showing me the beauties of the institution, suddenly thrust me into the dissecting room, among several dead bodies, and closed the door upon me; nor do I forget how my screeches of terror, and prayers for release from that awful place, made me the laughing-stock of my older companions.

Ridicule is a hard thing to bear: the coward becomes brave to escape it, and the brave man fears it more than he would a belching cannon. I suffered from it till I could stand no more; and wrought up to a pitch of desperation, I demanded to know what I might do to redeem my character, and gain an honourable footing among my fellowstudents.

“I will tell you,” said one, his eyes sparkling with mischief; “if you will go, at the midnight hour, and dig up a subject, and take it to your room, and remain alone with it till morning, we will let you off, and never say another word about your womanly fright.”

I shuddered. It was a fearful alternative; but it seemed less terrible to suffer all the horrors that might be concentrated into a single night, than to bear, day after day, the jeers of my companions.

“Where shall I go and when?” was my timid inquiry; and the very thought of such an adventure made my blood run cold.

“To the Eastern Cemetery, to night, at twelve o’clock,” replied my tormentor, fixing his keen, black eyes upon me, and allowing his thin lips to curl with a smile of contempt. “But what is the use of asking such a coward as you to perform such a manly feat?” he added, deridingly

His words stung me to the quick; and without further reflection, and scarcely aware of what I was saying, I rejoined, boldly, “I am no coward, sir, as I will prove to you, by performing what you call a manly feat.”

“You will go?'” he asked quickly.

“I will,” was my response.

“Bravely said, my lad!” he rejoined, in a tone of approval, and exchanging his expression of contempt for one of surprise and admiration. “Do this, Morel, and the first man that insults you afterwards makes an enemy of me.”

Again I felt a cold shudder pass through my frame, at the thought of what was before me; but I had accepted his challenge in the presence of many witnesses—for this conversation occurred as we were leaving the hall, after listening to an evening lecture—and I was resolved to make my word good, should it even cost me my life: in fact, I knew I could not do otherwise now, without the risk of being driven in disgrace from the college.

I should here observe, that in those days there were few professional resurrectionists; and as it was absolutely necessary to have subjects for dissection, the unpleasant business of procuring them devolved upon the students, who, in consequence, watched every funeral eagerly, and calculated the chances of cheating the sexton of his charge, and the grave of its victim.

There had been a funeral, that day, of a poor orphan girl, who had been followed to the grave by very few friends; and this was considered a favorable chance for the party whose turn it was to procure the next subject, as the graves of the poor and friendless were never watched with the same keen vigilance as those of the rich and influential. Still, it was no trifling risk to attempt to exhume the bodies of the poorest and humblest—for not unfrequently persons were found on the watch even over these; and only the year before, one student, while at his midnight work, had been mortally wounded by a rifle-ball; and another, a month or two subsequently, had been rendered a cripple for life by the same means.

All this was explained to me by a party of six or eight, who accompanied me to my room—which was in a building belonging to the college, and let out in apartments to some of the students; and they took care to add several terrifying stories of ghosts and hobgoblins, by way of calming my excited nerves, just as I have before now observed old women stand around a weak, feverish patient, and croak out their experience in seeing awful sufferings and fatal terminations of just such maladies as the one with which their helpless victim was then afflicted.

“Is it expected that I shall go alone?” I inquired, in a tone that trembled in spite of me, while my knees almost knocked together, and I felt as if my very lips were white.

“Well, no,” replied Belmont, my most dreaded tormentor; “it would be hardly fair to send you alone, for one individual could not succeed in getting the body from the grave quick enough; and you, a mere youth, without experience, would be sure to fail altogether. No, we will go with you, some three or four of us, and help to dig up the corpse; but then you must take it on your back, bring it up to your room here, and spend the night alone with it!”

It was some relief to me to find I was to have company during the first part of my awful undertaking; but still I felt far from agreeable, I assure you; and chancing to look into a mirror, as the time drew near for setting out, I fairly started at beholding the ghastly object I saw reflected therein.

“Come, boys,” said Belmont, who was always, by general consent, the leader of whatever frolic, expedition, or undertaking, he was to have a hand in; “Come, boys! it is time to be on the move. A glorious night for us!” he added, throwing up the window, and letting in a fierce gust of wind and rain: “the very d__l himself would hardly venture out in such a storm!’” He lit a dark-lantern, threw on his long, heavy cloak, took up a spade, and led the way down stairs; and the rest of us, three besides my timid self, threw on our cloaks also, took each a spade, and followed him.

We took a roundabout course, to avoid being seen by any citizen that might by chance to be stirring; and in something less than half-an-hour we reached the cemetery, scaled the wall without difficulty, and stealthily searched for the grave, till we found it, in the pitchy darkness—the wind and rain sweeping past us with dismal howls and moans, that to me, trembling with terror, seemed to be the unearthly wailings of the spirits of the damned.

“Here we are,” whispered Belmont to me, as we at length stopped at a mound of fresh earth, over which one of our party had stumbled. “Come, feel round, Morel, and strike in your spade; and let us see if you will make as good a hand at exhuming a dead body as you will some day at killing a living one with physic.”

I did as directed, trembling in every limb; but the first spade-full I threw up, I started back with a yell of horror, that, on any other but a howling, stormy night, would have betrayed us. It appeared to me as if I had thrust my spade into a buried lake of fire—for the soft dirt was all aglow like living coals; and as I had fancied the moanings of the storm the wailings of tormented spirits, I now fancied I had uncovered a small portion of the Bottomless Pit itself.

“Fool!” hissed Belmont, grasping my arm with the gripe of a vice, as I stood leaning on my spade for support, my very teeth chattering with terror; “another yell like that, and I’ll make a subject of you! Are you not ashamed of yourself to be scared out of your wits, if you ever had any, by a little phosphorescent earth? Don’t you know it is often found in graveyards?”

His explanation re-assured me; though I was now too weak, from my late fright, to be of any assistance to the party; who all fell too with a will, secretly laughing at me, and soon reached the coffin. Splitting the lid with a hatchet, which had been brought for the purpose, they quickly lifted out the corpse; and then Belmont and another of the party taking hold of it, one at the head and the other at the feet, they hurried it away, bidding me follow, and leaving the others to fill up the grave, that it might not be suspected the body had been exhumed.

Having got the corpse safely over the wall of the cemetery, Belmont now called upon me to perform my part of the horrible business. “Here, you quaking simpleton,” he said, “I want you to take this on your back, and make the best of your way to your room, and remain alone with it all night. If you do this bravely, we will claim you as one of us to-morrow, and the first man that dares to say a word against your courage after that, shall.find a foe in me. But hark you! if you make any blunder on the way, and lose our prize, it will be better for you to quit this town before I set eyes on you again! Do you understand me?”

“Y—ye-ye—yes!” I stammered, with chattering teeth.

“Are you ready?” Y-ye-ye—yes,” I gasped.

“Well, come here! where are you?” All this time it was so dark that I could see nothing but a faint line of white, which I knew to be the shroud of the corpse; but I felt carefully round till I got hold of Belmont, who told me to take off my cloak; and then rearing the cold dead body up against my back, he began fixing its cold arms about my neck-bidding me take hold of them, and draw them well over, and keep them concealed, and be sure and not let go of them, on any consideration whatsoever, as I valued my life. Oh! the torturing horror I experienced, as I mechanically followed his directions! Tongue could not describe it!

At length, having adjusted the corpse so that I might bear it off with comparative ease, he threw my long black cloak over it, and over my arms, and fastened it with a cord about my neck, and then inquired, “Now, Morel, do you think you can find the way to your room?”

“I—I—do-do—don’t know,” I gasped, feeling as if I should sink to the earth at the first step.

“Well, you cannot lose your way if you go straight ahead,” he replied. “Keep in the middle of this street or road, and it will take you to College Green, and then you are all right. Come, push on, before your burden grows too heavy; the distance is only a good half-mile!”

I set forward with trembling nerves, expecting to sink to the ground at every step; but gradually my terror, instead of weakening, gave me strength; and I was soon on the run—splashing through mud and water—with the storm howling about me in fury, and the cold corpse, as I fancied, clinging to me like a hideous vampire.

How I reached my room, I do not know—but probably by a sort of instinct; for I only remember of my brain being in a wild, feverish whirl, with ghostly phantoms all about me, as one sometimes sees them in a dyspeptic dream. But reach my room I did, with my dead burden on my back; and I was afterwards told that I made wonderful time; for Belmont and his fellow student, fearing the loss of their subject—which, on account of the difficulty of getting bodies, was very valuable— followed close behind me, and were obliged to run at the top of their speed to keep me within hailing distance.

The first I remember distinctly, after getting to my room, was the finding myself awake in bed, with a dim consciousness of something horrible having happened—although what, for some minutes, I could not for the life of me recollect. Gradually, however, the truth dawned upon me; and then I felt a cold perspiration start from every pore, at the thought that perhaps I was occupying a room alone with a corpse. The room was not dark; there were a few embers in the grate, which threw out a ruddy light; and fearfully raising my head, I glanced quickly and timidly around.

And there—there, on the floor, against the right hand wall, but a few feet from me—there, sure enough, lay the cold, still corpse, robed in its white shroud, with a gleam of firelight resting upon its ghastly face, which to my excited fancy seemed to move. Did it move? I was gazing upon it, thrilled and fascinated with an indescribable terror, when, as sure as I see you now, I saw the lids of its eyes unclose, and saw its breast heave, and heard a low, stifled moan.

“Great God!” I shrieked, and fell back in a swoon.

How long I lay unconscious I do not know; but when I came to myself again, it is a marvel to me, that, in my excited state, I did not lose my senses altogether, and become the tenant of a madhouse ; for there—right before me-standing up in its white shroud—with its eyes wide open and staring upon me, and its features thin, hollow and death-hued—was the corpse I had brought from the cemetery.

“In God’s name, avaunt! ” I gasped. “Go back to your grave, and rest in peace! I will never disturb you again!”

The large hollow eyes looked more wildly upon me—the head moved, the lips parted, and a voice, in a somewhat sepulchral tone, said, “Where am I? where am I? Who are you? Which world am I in? Am I living or dead?”

“You are dead,” I gasped, sitting up in bed, and feeling as if my brain would burst with a pressure of unspeakable horror; “you were dead and buried, and I was one of the guilty wretches who this night disturbed your peaceful rest. But go back, poor ghost, in heaven’s name! and no mortal power shall ever induce me to come nigh you again!”

“Oh! I feel faint!” said the corpse, gradually sinking down upon the floor, with a groan. “Where am I? Oh! where am I?”

“Great God!” I shouted, as the startling truth suddenly flashed upon me; “perhaps this poor girl was buried alive, and is now living!”

I bounded from the bed, and grasped a hand of the prostrate body. It was not warm—but it was not cold. I put my trembling fingers upon the pulse. Did it beat? or, was it the pulse in my fingers? I thrust my hand upon the heart. It was warm—there was life there. The breast heaved—she breathed—but the eyes were now closed, and the features had the look of death. Still it was a living body—or else I myself was insane. I sprung to the door, tore it open, and shouted for help. “Quick! quick!” cried I. “the dead is alive! The dead is alive!

Several of the students sleeping in adjoining rooms came hurrying to mine, thinking I had gone mad with terror, as some of them had heard my voice before, and all knew to what a fearful ordeal I had been subjected.

“Poor fellow!” exclaimed one, in a tone of sympathy; “I predicted this!”

“It is too bad,” said another; “it was too much for his nervous system!”

“I am not mad,” returned I—comprehending their suspicions; “but the corpse is alive!—hasten and see!”

Hey hurried into the room, one after another; and the foremost, stopping down to what he suppposed. was a corpse, put his hand upon it, and instantly exclaimed, “Quick a light and some brandy! She lives! she lives!”
All now was bustle, confusion, and excitement, one proposing one thing, and another something else, and all speaking together. They placed her on the bed, and gave her some brandy, when she again revived. I ran for a physician (one of the faculty), who came and tended upon her through the night; and by sunrise the next morning she was reported to be in a fair way of recovery.

And recover she did; and turned out to be a most beautiful creature, and only sweet seventeen. But that is not all: for she turned out an heiress, and married me!

Yes: that night of horror only preceded the dawn of my happiness; for that girl—sweet,
lovely Helene Leroy—in time became my wife, and the mother of my two boys.
She sleeps now in death, beneath the cold, cold sod, and no human resurrectionist shall ever raise her to life again!
 Frank Leslie’s New York Journal, 1857: p. 85-6

Mrs Daffodil’s Aide-memoire: A most grim and grewsome tale, in the florid French vein of the Gallic tabloids, but Mrs Daffodil does so like a happy ending, even one that sums up an entire lifetime of important events in a paragraph or two.

Mrs Daffodil will not quibble over how a friendless orphan girl was transmuted into a beautiful heiress, but perhaps on the dark and stormy night, the medical students mistook the grave.

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

The Dreamer, by Saki: 1914

saki as young man

The Author, H.H. Munro as a supercilious young (k)nut. https://americanliterature.com/author/hh-munro-saki/

The Dreamer

It was the season of sales. The august establishment of Walpurgis and Nettlepink had lowered its prices for an entire week as a concession to trade observances, much as an Arch-duchess might protestingly contract an attack of influenza for the unsatisfactory reason that influenza was locally prevalent. Adela Chemping, who considered herself in some measure superior to the allurements of an ordinary bargain sale, made a point of attending the reduction week at Walpurgis and Nettlepink’s.

“I’m not a bargain hunter,” she said, “but I like to go where bargains are.”

Which showed that beneath her surface strength of character there flowed a gracious undercurrent of human weakness.

With a view to providing herself with a male escort Mrs. Chemping had invited her youngest nephew to accompany her on the first day of the shopping expedition, throwing in the additional allurement of a cinematograph theatre and the prospect of light refreshment. As Cyprian was not yet eighteen she hoped he might not have reached that stage in masculine development when parcel-carrying is looked on as a thing abhorrent.

“Meet me just outside the floral department,” she wrote to him, “and don’t be a moment later than eleven.”

Cyprian was a boy who carried with him through early life the wondering look of a dreamer, the eyes of one who sees things that are not visible to ordinary mortals, and invests the commonplace things of this world with qualities unsuspected by plainer folk – the eyes of a poet or a house agent. He was quietly dressed – that sartorial quietude which frequently accompanies early adolescence, and is usually attributed by novel-writers to the influence of a widowed mother. His hair was brushed back in a smoothness as of ribbon seaweed and seamed with a narrow furrow that scarcely aimed at being a parting. His aunt particularly noted this item of his toilet when they met at the appointed rendezvous, because he was standing waiting for her bare-headed.

“Where is your hat?” she asked.

“I didn’t bring one with me,” he replied.

Adela Chemping was slightly scandalised.

“You are not going to be what they call a Nut, are you?” she inquired with some anxiety, partly with the idea that a Nut would be an extravagance which her sister’s small household would scarcely be justified in incurring, partly, perhaps, with the instinctive apprehension that a Nut, even in its embryo stage, would refuse to carry parcels.

Cyprian looked at her with his wondering, dreamy eyes.

“I didn’t bring a hat,” he said, “because it is such a nuisance when one is shopping; I mean it is so awkward if one meets anyone one knows and has to take one’s hat off when one’s hands are full of parcels. If one hasn’t got a hat on one can’t take it off.”

Mrs. Chemping sighed with great relief; her worst fear had been laid at rest.

“It is more orthodox to wear a hat,” she observed, and then turned her attention briskly to the business in hand.

“We will go first to the table-linen counter,” she said, leading the way in that direction; “I should like to look at some napkins.”

The wondering look deepened in Cyprian’s eyes as he followed his aunt; he belonged to a generation that is supposed to be over-fond of the role of mere spectator, but looking at napkins that one did not mean to buy was a pleasure beyond his comprehension. Mrs. Chemping held one or two napkins up to the light and stared fixedly at them, as though she half expected to find some revolutionary cypher written on them in scarcely visible ink; then she suddenly broke away in the direction of the glassware department.

“Millicent asked me to get her a couple of decanters if there were any going really cheap,” she explained on the way, “and I really do want a salad bowl. I can come back to the napkins later on.”

She handled and scrutinised a large number of decanters and a long series of salad bowls, and finally bought seven chrysanthemum vases.

“No one uses that kind of vase nowadays,” she informed Cyprian, “but they will do for presents next Christmas.”

Two sunshades that were marked down to a price that Mrs. Chemping considered absurdly cheap were added to her purchases.

“One of them will do for Ruth Colson; she is going out to the Malay States, and a sunshade will always be useful there. And I must get her some thin writing paper. It takes up no room in one’s baggage.”

Mrs. Chemping bought stacks of writing paper; it was so cheap, and it went so flat in a trunk or portmanteau. She also bought a few envelopes – envelopes somehow seemed rather an extravagance compared with notepaper.

“Do you think Ruth will like blue or grey paper?” she asked Cyprian.

“Grey,” said Cyprian, who had never met the lady in question.

“Have you any mauve notepaper of this quality?” Adela asked the assistant.

“We haven’t any mauve,” said the assistant, “but we’ve two shades of green and a darker shade of grey.”

Mrs. Chemping inspected the greens and the darker grey, and chose the blue.

“Now we can have some lunch,” she said.

Cyprian behaved in an exemplary fashion in the refreshment department, and cheerfully accepted a fish cake and a mince pie and a small cup of coffee as adequate restoratives after two hours of concentrated shopping. He was adamant, however, in resisting his aunt’s suggestion that a hat should be bought for him at the counter where men’s headwear was being disposed of at temptingly reduced prices.

“I’ve got as many hats as I want at home,” he said, “and besides, it rumples one’s hair so, trying them on.”

Perhaps he was going to develop into a Nut after all. It was a disquieting symptom that he left all the parcels in charge of the cloak-room attendant.

“We shall be getting more parcels presently,” he said, “so we need not collect these till we have finished our shopping.”

His aunt was doubtfully appeased; some of the pleasure and excitement of a shopping expedition seemed to evaporate when one was deprived of immediate personal contact with one’s purchases.

“I’m going to look at those napkins again,” she said, as they descended the stairs to the ground floor. “You need not come,” she added, as the dreaming look in the boy’s eyes changed for a moment into one of mute protest, “you can meet me afterwards in the cutlery department; I’ve just remembered that I haven’t a corkscrew in the house that can be depended on.”

Cyprian was not to be found in the cutlery department when his aunt in due course arrived there, but in the crush and bustle of anxious shoppers and busy attendants it was an easy matter to miss anyone. It was in the leather goods department some quarter of an hour later that Adela Chemping caught sight of her nephew, separated from her by a rampart of suit-cases and portmanteaux and hemmed in by the jostling crush of human beings that now invaded every corner of the great shopping emporium. She was just in time to witness a pardonable but rather embarrassing mistake on the part of a lady who had wriggled her way with unstayable determination towards the bareheaded Cyprian, and was now breathlessly demanding the sale price of a handbag which had taken her fancy.

“There now,” exclaimed Adela to herself, “she takes him for one of the shop assistants because he hasn’t got a hat on. I wonder it hasn’t happened before.”

Perhaps it had. Cyprian, at any rate, seemed neither startled nor embarrassed by the error into which the good lady had fallen. Examining the ticket on the bag, he announced in a clear, dispassionate voice:

“Black seal, thirty-four shillings, marked down to twenty-eight. As a matter of fact, we are clearing them out at a special reduction price of twenty-six shillings. They are going off rather fast.”

“I’ll take it,” said the lady, eagerly digging some coins out of her purse.

“Will you take it as it is?” asked Cyprian; “it will be a matter of a few minutes to get it wrapped up, there is such a crush.”

“Never mind, I’ll take it as it is,” said the purchaser, clutching her treasure and counting the money into Cyprian’s palm.

Several kind strangers helped Adela into the open air.

“It’s the crush and the heat,” said one sympathiser to another; “it’s enough to turn anyone giddy.”

When she next came across Cyprian he was standing in the crowd that pushed and jostled around the counters of the book department. The dream look was deeper than ever in his eyes. He had just sold two books of devotion to an elderly Canon.

http://haytom.us/the-dreamer/

Mrs Daffodil’s Aide-memoire:  Mrs Daffodil hopes that her readers were not unduly burdened with dreamy nephews or parcels during their week-end holiday shopping.

Adela Chemping’s fear that Cyprian was going to be “what they call a Nut” refers to a slang term for an idle chap-about-town, also spelt “knut,” as in this 1914 comic song.

GILBERT THE FILBERT

(Arthur Wimperis / Herman Finck 1914)

I am known round town as a fearful blood,

For I come straight down from the dear old flood,

And I know who’s who and I know what’s what,

And between the two I’m a trifle hot.

For I set the tone as you may suppose,

For I stand alone when it comes to clo’es,

And as for gals,

Just ask my pals,

Why everybody knows

I’m Gilbert, the Filbert, the knut with a “K”,

The pride of Piccadilly, the blase roue.

Oh, Hades! The ladies who leave their wooden huts

For Gilbert, the Filbert, the Colonel of the Knuts.

 

You may look on me as a waster, what?

But you ought to see how I fag and swot,

For I’m called by two, and by five I’m out,

Which I couldn’t do if I slacked about.

Then I count my ties and I change my kit,

And the exercise keeps me awf’ly fit,

Once I begin,

I work like sin,

I’m full of go and grit.

I’m Gilbert, the Filbert, the knut with a “K”,

The pride of Picadilly, the blase roue.

Oh, Hades! The ladies who leave their wooden huts

For Gilbert, the Filbert, the Colonel of the Knuts.

Mrs Daffodil knows that all of her readers will wish to hear this music-hall persiflage; here is a gramophone recording from 1915.

 

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

The Lipperley Necklace: 1870s

So many of Peter Lely’s languid-eyed ladies wear strings of luminous pearls. https://commons.wikimedia.org/wiki/Peter_Lely#/media/File:Frances_Teresa_Stuart_by_Lely.jpg

THE LOST NECKLACE.

We all have our ambitions. That of Andrew Andrews, the great dealer in jewellery and bric-a-brac, was to be acknowledged the finest judge of precious stones and antique work to be found in the trade. He worked early and late to obtain this reputation, and by dint of perseverance and a few clever hits, much expenditure of money and not a trifle of burnt fingers during his apprenticeship, he succeeded in his desire. His knowledge was allowed on all hands to be supreme, his taste impeccable, his flair undeviating. No stone of value, no piece of goldsmith’s work, no specimen of cinquecento art, was quite sure of its repute until it had been passed through the alembic of his judgment; and what he had once stamped with his approval, and consented to sell with his name attached, was sent out into the world with a certificate of merit that was worth a small fortune to its possessor.

With this ambition of being known for accurate connoisseurship, was naturally that other of getting hold of all the most famous stones and pieces of bric-a-brac that he could induce the present owners to throw into his hands. If he knew of any precious bits belonging to a decayed family of former notables, needing money more than heirlooms, or to a young scapegrace who cared more for a month’s spree than for all the rare gems, and cabinets, and pictures, and pottery mouldering down at the dull old home, Andrew Andrews went round and round that quarry like a dog scenting a cache, and never rested until he had got the thing he wanted, for he gave good prices when it suited his purpose. He knew how to bribe so as to create the desire to sell; and he even sometimes bought at a loss that he might keep up his character as the indefatigable collector of unique valuables, in whose private parlour at the back of the shop you would find things not to be had anywhere else in the world. All the same, he ground down the poor devils who sold for need, till he took pretty well al the gilt off their gingerbread, and made the transaction for them rather a loss than a gain. As, however, nothing succeeds so much as success, he got his own way nine times out of ten; and Andrew Andrews was known far and wide as the man to whom to go if you wanted to buy a good thing irrespective of cost, or to get rid of one on favourable terms, if your needs were not pressing, and you were dexterous in the art of angling.

Now there was one thing which Andrew Andrews wished above all in the world to get hold of. This was the famous pearl necklace which had belonged to the beautiful Lady Lipperley, of doubtful fame—that Lady Lipperley who had been one of the beauties of Charles the Second’s court; whose portrait Sir Peter Lely had painted as “Venus rising from the sea,” and whose main article of attire in that portrait was this famous pearl necklace which Andrew Andrews coveted as if it had been the elixir of life itself. As pearls and as a necklace this jewel was unique_ The centre drop alone was worth a King’s ransom; the pearls were well-nigh priceless; and the fame of possessing this splendid and unapproachable treasure was of more value in the eyes of Andrew Andrews than half his fortune. This pearl necklace haunted him. Night and day he thought of it, and devised schemes as to, first, its discovery and then its possession. He was willing to pay royally for this royal treasure if only he could secure it; and, as it was, he spent no small sums in trying to find out where it was. For there was something of a tradition as to the strange way in which it had disappeared from view ; and, though known to exist—for the pearls had never come into the market—it was not known where. Hence Andrew Andrews was in his right, as well as following the custom of the trade, when he employed agents and spies, to whom he offered a generous com‘mission, should they bring him within measurable distance of Lady Lipperley’s world-famed necklace.

One day a stranger came into the office where Andrew Andrews transacted his business, examined his books, and offered his wares. He was looking now over his correspondence with young Vaurien, who had a few good things left in his ancestral home, for which the connoisseur was in treaty, when a tall, well-conditioned, handsome-looking man, with a military air and a good address, walked straight through the front shop, disregarding the shopman’s inquiries as to what he wanted, and came full upon Andrew Andrews in his sanctum sanctorum.

“Good morning, Mr. Andrews,” he said, speaking with an easy, off-hand air, like a man accustomed to the world and not afraid of his company. He spoke, too, with a slight foreign accent, like an Englishman who had been many years abroad, and who has thus, by long contact, acquired a certain genre, as things which have lain near coffee, or musk, or tobacco, become impregnated with the foreign odour of their neighbour.

“Good morning, sir,” said Mr. Andrews, with a sharp glance that took in the whole personality of the visitor, from the well-brushed hair, just beginning to thin on the temples, to the well-cut coat fitting like a second skin on the handsome back, and the perfect boots in which a couple of small and nicely-shaped feet were encased.

“You deal in gems, cinque-cento work, jewellery, majolica—bric-a-brac, in a word! ” said the stranger, whose dark eyes were roving round the place like an owl out a-mousing, or a hawk hovering above a dovecote.

Mr. Andrew Andrews bowed in assent.

“Your name is well known all over the world,” continued the stranger, in his careless, off-hand way. “At all the art sales in Paris, Vienna, Berlin, you are a greater authority than the greatest man of the place, and what Mr. Andrew Andrews, of London, approves of has a cachet of its own, and one that goes beyond its own merits.”

As he spoke, he took off his glove and carelessly stroked his moustache. On his hand glittered and played in the changing light an incomparable cat’s-eye. Never since he entered the business had Andrew Andrews seen such a magnificent specimen of this strange stone. He looked at it with the connoisseur’s admiration, the collector’s fascination; but the stranger did not notice that rapt regard. He was thinking only of his moustache, which he had evidently the trick of stroking as some men play with their watch-chains, and others twirl their sticks, with two fingers as a pivot.

“You have a fine cat’s-eye there,” said Andrews abruptly.

The stranger laughed in a half-pleased, half-deprecatory way.

“Yes, it’s well enough,” he said; “but I have finer things than this. Here is a gem, for instance, that has not its fellow in the world,” he added, taking off his other glove, and showing the most exquisite engraved emerald; “one of the finest and purest of the finest and purest periods of antique gem engraving.”

“You are rich,” said Andrews, with a covetous glance.

“Think so? What do you say, then, to this?” laughed the stranger, taking from his breast pocket a small box, wrapped in many envelopes. When he came finally to the contents, he showed the connoisseur a pear-shaped pearl of the most perfect shape and colour.

Andrews held out his hand for the jewel, but the stranger kept it back with the instinctive action of a man who has gone about the world, and rubbed shoulders with his kind so long as to have dropped by the way all false modesty as well as trust, sensitiveness, and inconvenient belief in human honesty. He only showed it, lying in the box which he held tightly in his own hand; and he did not allow Andrew Andrews to touch it or examine it closely.

“That is worth something, if you like,” he said, as he re-enfolded the box in its multifarious wrappings, then put it back in his breast pocket, rather ostentatiously buttoning up his coat as he did so.

“It is fairly fine,” said Andrews, cautiously.

It was not his way to be enthusiastic over the property of others which he might have to buy. He turned the mirror round only when he had to sell.

“Fairly fine!” echoed the stranger with marked contempt. “I believe it is ‘fairly fine’ with a vengeance! I should have thought a man of your judgment and experience would have pronounced a more fitting verdict than this, Mr. Andrews. I like that! Fairly fine! Well, I suppose it is, and something more the back of that.”

“You did not give me time to examine it, sir,” said Andrews, a little sulkily.

“Time enough for an expert like yourself to have seen its merits,” answered the stranger, hastily, and somewhat haughtily. “The drop of the necklace which belonged to Lady Lipperley—which Sir Peter Lely painted in his famous picture of “Venus rising from the sea”—which all the world knows of—which has been engraved and described scores of times—surely it does not need a very close examination to decide on the merits of such an incomparable jewel as that! However, I did not come here to discuss my pearl; I came to ask if you have still in your possession that famous Limoges snuff-box which belonged to Richelieu, and from him passed down by various stages to Madame Récamier, and then to young Vaurien, who sold it two years ago at the Hotel Drouot, where you bought it? Is it still in your possession?”

“The drop of the Lipperley necklace!” murmured Andrew Andrews. He was too much astounded, absorbed, overcome, to listen to the rest. The pearl necklace which he had set his heart on having ; and here was the drop—the famous drop—within reach of his hand!

“Well, Mr. Andrews,” said the stranger, sharply; “have you that snuff-box?”

“The snuff-box! What snuff-box?” asked Andrews, recalled to himself, like a sleeper suddenly awakened.

The stranger looked at him with frank surprise.

“Why, Mr. Andrews, what has come over you?” he said, with a light laugh. “One would think you had been struck by some demon. We should say so in my country. What has happened to you! What is it?”

“Nothing,” said Andrews, trying to laugh as lightly as his visitor, but making a sorry kind of business of it. “I was only a little surprised when you told me that that pearl was the drop belonging to the famous necklace of Lady Lipperley. It is a thing I have wanted all my life to see, but I have never been able to trace it. I did not know who had it.”

“No? then you could not have gone very far,” laughed the stranger.” “It has been in the possession of our family for generations.”

“Of what family?” asked Andrew Andrews, anxiously.

“The Von Rascalliz of Pesth,” said the stranger.

“But how the deuce did it travel there?” said Andrews.

“Oh, the itinerary is easy to trace,” said the stranger. “A Rascalliz was Ambassador at the Court of Anne-— don’t you remember?—when most of the Beauties of the Merry Monarch had gone to the shades below, and their fortunes were in some instances of no more value than their good looks. Lady Lipperley’s exchequer was one of those which had run dry. She sold the famous pearl necklace to my ancestor, Maximilian von Rascalliz, and we have preserved the precious heirloom from that day to this. I have the original deed of transfer written in the Latin of that period. Queer stuff that Latin!” he said, laughing again. “I question if Cicero would have fathered it.”

“Have you the necklace here in London?” asked Andrews.

“Surely!” answered Von Rascalliz; “I never travel without it. Besides, to tell you the truth, I thought of offering it to your Queen. It seems a pity that such a splendid jewel should belong to an old bachelor like myself. It ought to adorn a Court!”

“Could I see it before you offer it?” said Andrews, trembling like an aspen leaf.

“Well — yes — under restrictions,” answered Von Rascalliz, looking at the collector as a policeman looks at a probable burglar. “You can see it, certainly, Mr. Andrews; but you understand, don’t you, that the thing is rather too valuable to be handed about to Tom, Dick, and Harry indiscriminately? If you see it, it must be at my hotel and under my conditions.”

“Certainly, certainly, sir,” said Andrews, wiping the perspiration from his upper lip; “at all events, let me see it before you offer it to her Majesty.”

He was impolitic in his eagerness. He felt that he was; but this was one of those occasions which come only once in the life of a man, and he might be excused if he showed too plainly how much the matter interested him.

“But the snuff-box?” said Von Rascalliz, who took the whole affair with consummate coolness.

“No, I have not got it; I sold it last week.”

On which the polite Hungarian gave vent to something in an unknown tongue which, if it were not swearing, was a very good imitation.

The next day Andrews went to the hotel indicated, where he found Von Rascalliz, the pearls, the deed of transfer, and a gentlemanlike-looking man, who was called by the host mon cher, and who said, incidentally, that he, too, having heard of the famous necklace, had come to open negotiations for it on behalf of the fabulously-wealthy Mrs.___, who made it her boast to carry the revenue of a nation on her shoulders. Indeed, things had gone very far when Andrews came in, and it was only by dint of a handsome personal commission to mon cher that he was able to stop the sale of the pearls there and then. He did stop it, however, and took a day and a night to reflect on the possibility of his own purchase. Von Rascalliz promised to wait his decision before either offering the necklace to the Queen, or concluding with Mrs. ___ ’s agent. But he must make that decision quickly. Time pressed, and that estate in Hungary wanted the owner’s supervision.

The ball rolled according to the collector’s will. He had longed for this moment with a passion known only to those who have dreamed for years of a quasi-impossibility. When their dream is suddenly fulfilled, they lose their heads. And Andrews lost his. He bought the pearl necklace at a tremendous sacrifice; but he had attained his desire, and the world envied while it applauded him. He spent a few thousands in advertising his treasure, which he set at a figure that would handsomely recoup his outlay; and all London flocked to see the historic necklace that Andrew Andrews, the great bric-a-brac and art collector, had bought at a price which made cautious men wink.

Among the rest came a little snuffy, shuffling old fellow, who had more knowledge of art and stones and gems in his little finger than Andrews had in his whole head. He was a queer, Bohemian, gin-drinking old chap; but if he were sober he knew a good thing when he saw it, and spotted a forgery as unerringly as a retriever brings in a bird. He looked through the gilt bars of the glass case where the famous necklace was lying; and as he looked he might be seen laughing greatly to himself.

“Splendidly done!” he said, half aloud. “A real work of genius! Ought to succeed; and don’t wonder it fetched that ass, Andrews! Best thing of the kind I have ever seen; and if Andrews were not such a bumptious fool, I would leave him to find it out by himself. But he wants a lesson, and by the Lord Harry, he shall have it! ”

The next day the little snuffy old man called on Andrews with a bundle of discoloured old plates and torn sheets of letterpress under his arm.

“Andrews,” he said, bluntly, “you have been taken in this time. That necklace is no more the Lipperley necklace than it is the Koh-i-noor, It is a forgery, sir; wonderfully well done—but only a forgery after all.”

“You are drunk, Snooks!” said Andrews, contemptuously.

He was a coarse kind of man to his social inferiors, though an oily-tongued fellow enough to his superiors.

“Sober as a judge, Mr. Andrews, and a better judge both of pearls and their forgeries than you are,” retorted the old fellow. “Here, see what these old descriptions say; look at these cuts. “Where the deuce were your eyes when you bought this for a genuine pearl?” he added, pointing disdainfully to one of the beads, which had a small, microscopic, manufactured flaw. “Test that bead, and my life on it you will find it false. And so they all are. You have been done, sir, done; and your famous Lipperley necklace is worth only the price of a good bit of Palais Royal jewellery.”

It was in vain that Andrews swore and raved, abused Snooks like a pickpocket, and vowed he would have the life of that infamous Von Rascalliz. Facts are facts, and historic pearls can be proved as well as titles, and deeds of transfer in dog Latin can be forged as well as banknotes and old poems. And the fact here was, as Snooks had said, that Andrews had been taken in and done for with masterly success by one of the cleverest workmen of the great Palais Royal house of ___. There was no help for it. The thing was undeniable, and the ruin of his far-famed reputation stared him in the face. And this was a thing he could never survive.

He took his decision heroically. Better lose his money than his character for accuracy of judgment—better lie to the world like a man than be smothered in ridicule. What Snooks had discovered others might discover, and when the thing got wind, where then would be his pride of place as the great art collector, his purity of repute as the unfailing judge and critic?

That night the necklace was missing from its case, and the case itself was found broken to pieces in the shop. In the morning, when they came to open the place, the assistants saw the floor strewed with broken glass, the gilt bars bent and broken, and that the pearls had disappeared. Nothing else had been abstracted—only the famous Lipperley necklace, for which Andrews had paid so royally, and which he expected to sell so handsomely. There was a hue and cry, of course; the police were called in, and all the servants were subjected to the most rigorous cross-examination, which resulted in nothing; and then Andrew Andrews advertised his loss extensively, and offered a gigantic reward to whosoever should bring the necklace to his place. But neither advertisement nor offered reward produced any good effect. The missing pearls never turned up, and to this hour the mystery of their disappearance is unsolved. Only Snooks suspects, and Andrews knows, what became of that famous Lipperley necklace, each pearl of which would have made an era in the life of any jeweller to whom it might have been offered. But if hammers could speak, that hammer in Andrews’ private sanctum could tell its own tale; and that well fed, handsome, polyglot Greek swindler, feasting his accomplices at Bignon’s, would have continued the disclosures made by that general smash.

Truth, Vol. 11, 22 June 1882

Mrs Daffodil’s Aide-memoire:  How many literary allusions this story of bejewelled hubris suggests!  “Pearls goeth before a fall.” “Pearls before swine.” The Biblical “pearl of great price” and the man who sold all he had to possess it. And, of course, the most apropos, “pearls mean tears.”

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Mrs Daffodil on Flowers

A miniature flower painting by Jan Frans van Dael, mounted as a brooch. http://webapps.fitzmuseum.cam.ac.uk/explorer/index.php?qu=jewellery&oid=156467

Since the Family is away on holiday over the week-end, Mrs Daffodil is taking this opportunity to take a brief holiday of her own, possibly paying a visit to the Chelsea Flower Show and returning, refreshed, Wednesday next.

She has posted on floral themes many times, so, to while away the hours for those of Mrs Daffodil’s readers who will be counting the moments until a new post appears, here are some posts pertinent to the topic of flowers.

Strange Flower Superstitions of Many Lands

Queen Adelaide’s Flower-Acrostic Dress

The Wild-Flower Wedding

A Miniature Matterhorn and Gnome Miners

Funeral Flowers for Young Helen

Napoleon and the Gardener

A very recent post: The Black Rose

And Mrs Daffodil’s favourite gardening story, “The Occasional Garden,” by Mr H. H. Munro [Saki]

Mrs Daffodil wishes all of her readers a delightful and restful week-end with well-filled picnic hampers and unclouded blue skies.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.