Tag Archives: burial robes

A Ghastly Traffic in Grave-Clothes: 1862, 1878

The Ghastly Traffic

A great many horrible things have come out concerning the crime of body snatching since the recent sensations in that line. The miserable ghouls who do the stealing by no means confine their traffic to the dead bodies. While engaged in the nefarious calling, everything is fish that comes to their nets. The clothing of the corpse, and all articles of value in the coffin, are bartered away. Sometimes the Janitor of a medical college will come into possession of quite a stock of “second hand clothing,” obtained from the Resurrectionists; and not infrequently impecunious students are found attired from head to foot in garments that have done duty underground as the raiment of corpses. Undertakers provide a coat-front to cover the breast of a corpse, extending sufficiently below the opening of the coffin to give the effect of an entire garment. When this comes into the hands of the thrifty Janitor, he simply inserts another piece in the back, to match, and is ready for a customer. The false teeth of corpses, especially when set in gold, have been known to be sold to unsuspecting parties, who have used them in the mastication of their food! It was once customary to deck the bodies of the dead in expensive stuffs—silk, broadcloth, satin and velvet; and the knowing ones of the fraternity can, if they will, tell startling stories of the extent to which these stuffs find their way into the market again, after having lain a season in the grave. We believe the custom does not prevail to the length it formerly did; the popular cognizance of the extent of grave robbery as a regular business has quickened common sense in the management of funerals.

It is hard to conceive of anything more horrible than these facts. We might hope that the grave and its accessories were free from any lodgment for humor; yet there is something grotesque beyond expression in the sight of a poor medical student dissection a body while arrayed in the very clothes the “subject” wore when it descended into its “last resting place!”

There is one imperative duty resting upon the legislators of Ohio, and every other state whose statute book is not properly equipped in this respect; and that is the framing of a law for the adequate punishment of this crime. The most that can be done to a grave robber in Ohio is to fine him a thousand dollars and send him to prison for six months! This is ridiculously short of the mark. If the infernal fiends who desecrated the tomb of A.T. Stewart are caught, it is a question whether they can be punished in a manner approaching their deserts. We cannot doubt that the subject will receive the attention it deserves. The dearest ties known to humanity connect us with the last resting places of our dead; and the demand of society that those places be made inviolate must be respected.

Plain Dealer [Cleveland, OH] 20 November 1878: p. 2

The theft of burial clothing seems to have been a crime of opportunity. The Sexton, sometimes in the pay of the Resurrection Men, was in a particularly advantageous position to profit:

A Thievish Sexton.

For two days past our usually quiet city has been thrown into the wildest state of excitement, consequent upon the discovery of the most sickening and revolting facts that were ever brought to light in a civilised country. Last week Moroni Clawson and his confreres, in attempting to “slip by justice,” were fired upon and killed by the officers in charge. Their bodies were buried in the city cemetery at the city expense. Two or three days afterwards, a brother of Clawson obtained permission from the city sexton to disinter the body and remove it to Drapersville, the residence of the Clawson family. At the request of some friends, the coffin was opened, and the body was found to be in a perfect state of nudity. The. brother was in a great rage, supposing that the city authorities, had purposely treated the body of the dead highwayman with this shameful neglect; but on inquiry it was ascertained that he was decently interred, and dressed, in the ordinary habiliments of the grave, Suspicion at once fell upon the grave-digger, a, native of Venice, named John Baptiste. His residence was searched by the police, and a large quantity of burial clothes were found and taken possession of by the officers. After many threats, the inhuman wretch confessed that he had carried on this nefarious practice for nine years, three of which he has been engaged as gravedigger in this city. He is now lodged in the city jail, and the clothing which he has stripped from the dead during the last three years is spread out in the main hall, of the Courthouse, where hundreds of persons are now thronging, seeking for articles of grave dresses rifled from the bodies of friends, fathers, mothers, wives, husbands, and children. A more heartrending spectacle can hardly be imagined. Hundreds of shrouds, winding sheets for old and young, male and female, some whole and some torn, in removing them from stiffened corpses, were strewn about the room. It was a sad sight to see anxious mothers seeking for, yet dreading to find, some little garment, torn with rude, inhuman hands from their infant darlings, whom they had laid away in the tomb, never dreaming they would be disturbed until their sleeping dust should be quickened by resurrecting angels. Now and then a deep sigh, an audible sob, or a violent scream of anguish, indicated that some article of grave apparel had been recognised. Here, a widow pale and sad examining the shrouds of the full-grown, and there was the bereaved mother pressing to her heart, now made to bleed afresh, some tiny stocking, little shirt, cap, or dress. ‘Twas a sad, sad scene; from which we were glad to turn away. The whole people are moved; a heavy gloom like a dark pall hangs over the city; sorrow has entered anew into nearly every household. The cemetery is being visited by crowds, although the weather is cold and stormy. The rich man in his carriage, the poor man on foot, the young widow, the staid matron, the old and infirm, all who have lost friends by death, seem to have an ardent desire to visit the graves that have been so ruthlessly desecrated. The prisoner does not seem to realise the enormity of the crime committed. He seems rather to be possessed of dull and blunted sensibilities, than a corrupt and depraved heart. The populace are much excited, and many are urging the Lynch code, but the more sober-thinking portion of the people counsel moderation and law and order. —Salt Lake City correspondent of the Detroit Tribune.

Otago Daily Times 16 June 1862: p. 5

Mrs Daffodil’s Aide-memoire: Mrs Daffodil is generally inured to Horrors, but the detail about the false teeth was just that little bit above the odds…  In a curious legal loophole, the bodies of the dead were no one’s property, while the theft of shrouds, coffin-furniture, or trinkets from the body could send a man to prison. Still, given the tight time constraints  under which they operated, it seems doubtful that Resurrectionists would be so scrupulous as to conscientiously strip a body and lay the clothing back in the coffin to be reinterred. Unprincipled undertakers were often happy to resell used burial robes, while shrouds in less presentable condition could be sold to paper-makers, no doubt to end up as black-bordered envelopes.

While Mrs Daffodil is shuddering at the laundry problems posed by garments stolen from the dead, one ingenious Kansas lady, delighted by the attractive shrouds on display at her local undertaker, decided to pre-empt the grave, and steal from the living:

STOLE A SHROUD TO WEAR

An Atchison Woman Trimmed a Burial Robe and Used It.

Burial robes for street dresses is the latest fad, as introduced by an Atchison woman. J.A. Harouff, a local undertaker, missed a woman’s burial robe the other day. Yesterday afternoon he saw a woman on Commercial street wearing the robe. She had adorned with a few fancy frills and trimmings, but there was no doubt as to the identity of the robe, and Mr. Harouff says the dress was a “mighty stylish looking gown.” The undertaker was so astonished that he has decided not to ask for the return of his property. “A woman with that much nerve and ingenuity deserves a reward, not punishment,” he said today.

The Washington Post 17 August 1914: p. 6

For more on Victorian mourning practices and burial clothes, see The Victorian Book of the Dead. For the girl shroud makers of New York and other makers of burial clothing, see Sewing Shrouds and Dead Men’s Shoes.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

Mortuary Professions for Ladies: 1889-1910

Josephine Smith, age 84, digging a grave at Drouin Cemetery, Victoria, c. 1944 https://www.flickr.com/photos/national_library_of_australia_commons/6174073756

Josephine Smith, age 84, digging a grave at Drouin Cemetery, Victoria, c. 1944 https://www.flickr.com/photos/national_library_of_australia_commons/6174073756

To-day Mrs Daffodil has invited that crepuscular person from the Haunted Ohio blog to discuss mortuary career choices for women. She frequently writes on the popular and material culture of Victorian mourning and is the author of The Victorian Book of the Dead. One presumes she is au courant on these dismal trades of the past.

+ + + +

While Mrs Daffodil has previously remarked on a lady undertaker, and, we know, of course, that women were often the washers and layers-out of the dead, today I present some less usual mortuary professions for the ladies. We begin with the funeral stenographer. From the late nineteenth century onward, it was considered bad form to read a funeral sermon from notes; hence the need for someone to take down the more-or-less extemporized eulogy.

A QUEER JOB

There is a quiet young woman in a quiet, unobtrusive gown who has become quite a familiar figure at funerals. She is well known to the undertakers, at least. She always sits in the background with notebook and pencil, and her nimble fingers jot down verbatim the addresses and prayers that are uttered at the coffin’s side.

This young woman, it is said, up to a year ago, was a stenographer in a big mercantile house down town. She lost her place on account of the hard times and the consequent curtailing of the office force. She haunted the employment agencies at the various typewriter concerns for a time, but there were thousands of others doing the same thing—looking for a job. Her money was running low and she grew discouraged. Like many women she had a penchant for going to funerals, but she had not been able to indulge in this morbid fancy while regularly employed. She went to a big church affair one day, and took along her notebook and pencil, thinking she would take down the addresses just for the sake of practice. As the people were filing out a man asked her what she had been doing, and she falteringly admitted that she had been taking down what was said, so as to keep from forgetting her stenography. The man in question proved to be a friend of the family of the deceased, and said that if she would write out the prayers and addresses, putting in the hymns in their proper place, that he would pay her well for the transcript. She got $15 for this. It then occurred to her that here was a way of earning a living better and more profitable than anything else in her line.

She began to watch closely the obituary columns of the daily papers and to make calls on the undertakers in the neighborhood where she lived. It was not long beer she got another job, through going after the business in this way. Now she has about all she and her assistant can do. She charges from $15 to $50 for her services.

So far as is known she has little if any competition, and sometimes her earnings run as high as $125 a week. Strangely enough, however, she has been cured of her morbid fondness for funerals, and feels like giving up her curious way of earning a living for something less profitable, but more prosaic. She fears chronic melancholia. Daily People [New York, NY] 16 January 1910: p. 7

The young lady could have assuaged her fondness for funerals by becoming a professional mourner, as these funeral fans were jocularly called:

PROFESSIONAL MOURNERS

Get No More Free Rides, Says an Akron Undertaker.

“The professional mourner will get no more free rides at funerals conducted by us,” said an Akron undertaker, the other day, to a Democrat representative, with satisfaction beaming from every line of his countenance.

“Professional mourners! Free rides!” exclaimed the reporter in astonishment. “What do you mean? Tell us about it.” “Well, it’s this way,” said the undertaker. “At every funeral of which we have charge, we find three or four women, or maybe more, (professional mourners, we call them) who are in no way related to the family of the deceased, who had never perhaps even seen the person whose obsequies they are attending, and yet they are found occupying seats in the very front row, usually shedding tears copiously, and always dressed in black. When the time comes to go to the cemetery they are again found in the front rank and in spite of us, secure seats in the carriages provided by the relatives of the deceased for intimate friends, enjoy a free ride to the cemetery and back, and get all the choice morsels of news, which later is related to friends, all decked out with furbelows and embellishings with all the details of human grief and heartbreak which they have witnessed, worked in. To these people nothing is sacred, nothing too holy for them to gossip about.

“All this has been remedied, however, and the next time a professional mourner attempts to get a ride in one of our coaches a disagreeable surprise awaits her, for we have adopted a card system by which the names of the persons whom the bereaved relatives desire to have seats in the carriage is given to us. These persons are furnished with cards, and only those presenting cards to the driver will be allowed to ride.” Akron [OH] Daily Democrat 15 March 1902: p. 1

There were, in some cities in Europe and America, true professional mourners, both male and female, who were paid to look lugubrious. They had unions, went on strike, and there are records of some being arrested for pushing their services too aggressively at the graveside.

Female pallbearers were not unknown, particularly in the case of young persons, whose friends were often asked to be pallbearers. To give just two examples: “The pallbearers will be six girls dressed in white.” [1902] “The coffin was being carried into the church by four young ladies, who according to the wish of the deceased, had been selected as bearers.” [1885] We can see one pallbearer dressed entirely in white and several others with white garments in Death of Her Firstborn, by Frank Holl.

A few women found work as grave diggers, something so rare that it called for comment in the newspapers. (Mrs Daffodil has written about Elizabeth Thorn, who dug graves under dire conditions after the Battle of Gettysburg.)

WOMAN GRAVE DIGGER

London, Oct. 2 Miss Janie Beeching, grave digger of Lewes, prefers to work at night instead of by daylight. She goes to the cemetery after dinner and digs graves by candlelight. Wilkes-Barre [PA] Times-Leader 2 October 1919: p. 12

WOMAN GRAVE DIGGER

A woman as a grave digger! The idea seems almost impossible, but in the town of Lewes, England, there is a lady who fills of the office of sexton. Everybody knows her, and until recently she dug all the graves in Lewes cemetery. Now, at the age of 60, she contents herself with filling them up and attending to the mounds and flowers. Mrs. Steele, the name of the sextoness, if one can use such a term—is a very healthy old lady, and she has been heard to say that she will never leave her post until it is her turn to have a grave dug for her. May the time be far distant. It is a wonderful sight to witness the old lady use the spade. Omaha [NE] World Herald 4 September 1898: p. 21

If one didn’t have the stamina for grave digging and had an artistic bent, there were work-at-home design schemes:

A NEW INDUSTRY

“Lady wanted to draw, at home, original designs for coffin furniture.” The above rather ghastly advertisement appears in one of the London dailies, so that those who happen to have artistic wives or daughters pining for an opening for their talents will probably now find their homes littered with suggestive sketches of “caskets,” specially and severally designed for railway directors, Primrose League dames, members of Parliament, and others. Whether the said sketches will be calculated to promote the cheerfulness of the domestic home is quite another matter. Press, 2 August 1889: p. 3

Many milliners specialized in widow’s hats and veils. Women were also employed to design and manufacture burial robes, which were often lovingly described in the same seductive terms as fashionable clothing for the living. The one difficulty was finding shoes for the dead, but an innovative Joliet dressmaker built a thriving business on funerary footwear:

SHOES FOR THE DEAD

A Novel Industry in Which Chicago Supplies the Whole World.

That there is nothing small about Chicago has been so frequently demonstrated as to need no reiteration…But that Chicago supplies an article in the production of which it has no rival in the world may be news to many readers. It is an article for which there will be a ceaseless demand so long as people die and are buried in the prevailing style. To the present funeral, if it is carried out in the height of fashion, belongs a burial shoe. It is as necessary as any other part of the garments worn on the last journey by young or old of either sex.

The fact that the rigor mortis made the feet of dead persons so unwieldy as to necessitate a foot-gear several sizes too large for a long time painfully impressed a Joliet dressmaker, a Miss Loomis. She went to work and constructed a shoe which not only did away with clumsy leather encasements, but, in true feminine style, she brought her ingenuity to such a point that the corpse of a person may be buried in number 2s while the wearer in life required number 4s. Of course the invention was promptly patented, and in the course of time a company was incorporated which supplies two-thirds of all the manufacturers of and jobbers in funeral supplies throughout the United States, and sends the product of the Joliet dressmaker’s inventive genius even across the ocean.

The shoe consists of knitted pieces of wool or silk, which are inserted at the heels and at the insteps, making it possible ot cover the rigid “understanding” of dead persons not only with a snug fit but in becoming style. In a block on Dearborn street a dozen or fifteen girls are at work from morning till night of each working day to manufacture nothing but burial shoes of all sizes–from those for tiny babies to the ones for the oldest inhabitants…The firm turns out from fifty to a hundred pairs a day, and they are all taken rapidly, because burial shoes have, since the last year or two, become a necessary part of the outfit of the dead. Patriot [Harrisburg, PA] 11 September 1888: p. 2

And finally, an ingenious lady in New York who found a gap in a very specialized market and set out to fill it:

Woman With a Business Head Rents Smelling Salts to Visitors at the New York Morgue.

[New York Sun:] The man in the doorway crooked his finger at the wiry little woman in black, who sat on the curbing just outside the morgue.

“See her?” he asked.

“The curiosity-seeker thus addressed said, “Yes. What about her?”

“She’s a genius, that’s what about her,” said the man. “She has hit upon a most peculiar calling, and I’ll bet she will make money out of it, too. She has laid in a supply of smelling salts and rents out the bottles at the rate of 10 cents an hour to people visiting this institution. There are five different parties in here now, and each person is provided with smelling salts rented from this enterprising old lady.

‘I am glad she hit upon the plan. I had been thinking for a good many months in a vague sort of way that some such preventive of fainting ought to be supplied to tenderfeet that come spying around down here, but I never even perfected the project in my own mind, much less put it into execution. But it was different with the old lady.

“What first suggested the scheme was her own experience, when she came down here to look for a friend who had disappeared. She got so weak and nervous that she declared she would surely die if she didn’t get a whiff of lavender salts. She didn’t get the salts, because we had none about the place, neither did she die, but when she recovered she started in business.

“The lady’s profits vary, of course, with the attendance at the morgue. Some days she earns quite a decent salary. Take Tuesdays, for instance. For some reason, which I have never been able to discover, Tuesday is the public’s favorite day for doing the morgue.” The curiosity-seeker looked doubtfully at the woman on the curbing. “I wonder, “ she said, “if I’d better rent a bottle, too?”

“Going in?” asked the man.

“Yes,” said she, “I think so.”

“Then get a bottle, by all means,” was the reply. “It will cost but a dime and will save you no end of nervous chills.” Los Angeles [CA] Times 13 July 1901: p. 15

While the article blames the necessity for smelling salts on the “weak and nervous,” the little woman in black knew what she was up against. A chapter in The Victorian Book of the Dead gives the gruesome particulars of the sights and horrific stenches of the New York Public Morgue, particularly in summer. Lavender would scarcely make a dent….

Chris Woodyard is the author of The Victorian Book of the Dead, The Ghost Wore Black, The Headless Horror, The Face in the Window, and the 7-volume Haunted Ohio series. She is also the chronicler of the adventures of that amiable murderess Mrs Daffodil in A Spot of Bother: Four Macabre Tales. The books are available in paperback and for Kindle. Indexes and fact sheets for all of these books may be found by searching hauntedohiobooks.com. Join her on FB at Haunted Ohio by Chris Woodyard or The Victorian Book of the Dead.

Mrs Daffodil’s Aide-memoire: Mrs Daffodil applauds those ladies who make a living in the mortuary professions. She herself has had frequent occasion for contact with the dead, albeit normally without remuneration or public notice, working quietly behind the scenes, as it were. Despite taking pride in her work, Mrs Daffodil shuns undue notice as she feels that assisting the police with their inquiries would take entirely too much time away from her duties at the Hall.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

 

 

 

The Trousseau Night-dress: 1902

A pretty burial robe for a lady. From Karen Augusta Auctions.

A pretty burial robe for a lady. From Karen Augusta Auctions.

Shroud for a Robe de Nuit

Out in Anaconda, Mont., a rosy, healthy, buxom girl, fresh from her father’s ranch, was making some purposes for her approaching wedding. In company with her mother, she entered one of the principal stores of the city. Neither she nor her mother made any secret of the coming wedding or the object of their shopping tour. It was a great event in their lives, and they took the salesman in the general store quite into their confidence.

“Now,” said mamma, when they had bought a bill that was going to cost papa many a fat steer, “now we want to look at some nightgowns. We want the very nicest thing you’ve got.” The faithful salesman began to pull down the stock. He exhibited all the prettiest things he could find, but nothing suited—the garments were all too plain and unornamental to suit the demands of the mother and bride-to-be. There are limitations to a cow town general store stock, but there are resources as well. The clerk was a man of resources, and when almost at his wits’ end one of his bright ideas came to him. Excusing himself for a moment, he went to another part of the store, rummaged among the boxes and came back with a gorgeous thing of lace and insertion and filmy fabric.

“The very thing,” declared mamma. “Why didn’t you show us that in the first place?”

“Well, you see, ma’am,” said he, “I forgot we had them in stock. We’ve only got two of them, though. Do you think they will do?”

“Do!” exclaimed the girl. “of course they will do. They are just what we wanted.”

So the clerk calmly added 200 per cent to the cost price he found on them, packed the garments in a box and sent the mother and daughter on their way rejoicing.

“Say,” said the salesman to the proprietor, when that gentleman came in half an hour later, “I sold them funeral shrouds that you got stuck with. Sold ‘em to a bride for her trousseau.”

But the bride never knew.

Times-Picayune [New Orleans, LA] 23 January 1902: p. 10

Mrs Daffodil’s Aide-memoire:  Mrs Daffodil is not at all surprised by the story above. There is a strange element of sensuality in writings about burial fashions. Women’s burial robes, with their embellishments of lace and embroidery, are lovingly described in the same language used in the fashion magazines for wedding gowns or for tea gowns, so essential to afternoon seductions. It was as if defunct ladies were dressed to seduce Death Himself.

For example:

Scores of boxes, just such as those which New York modistes send home ball dresses announced next day in “Society” columns as a creation by Worth—were uncovered to show examples of the present prevailing styles in shrouds. This is a ghastly name by no means suited to the tasteful burial robes displayed. There was not a hint of winding sheet or cerement in their style. They seemed, indeed, like a la mode demi-toilettes…One of these, which the reporter saw, folded in its box, was of fine cream tinted cashmere, made like a matinee or tea gown, the front traversed by diagonal folds of satin the same shade and ruchings, quillings of the same extended from shoulders to knees, below which were plaited flounces. The sleeves were fully trimmed, and the robe was entirely ready for wear with fine full crepe lisse ruchings at throat and wrists. A carelessly knotted sash of ribbon confined the robe. This cost only $25. Another, of handsome black cashmere, had a front with black satin revers quillings and pipings as heading for falls of black Spanish lace, the skirts ending in flat kilted flounces. A sash of broad brocaded ribbon fell in long lops on one side. White crepe lisse was added inside the lace at neck and hands. The price of this was $50…A woman’s white cashmere robe here was trimmed with satin in Grecian folds, and down the front accurately laid puffs were bordered by machine embroidery, a tiny flower resting in each scallop. The edge of the skirt was composed of broad alternate side kilting of satin and cashmere headed by the embroidery. The New York Herald 11 May 1884: p. 8

Then there was this ingenious lady, who saw the street-wear potential of a garment for the grave:

STOLE A SHROUD TO WEAR

An Atchison Woman Trimmed a Burial Robe and Used It.

Atchison [Kansas] Dispatch to Chicago Tribune.

Burial robes for street dresses is the latest fad, as introduced by an Atchison woman. J.A. Harouff, a local undertaker, missed a woman’s burial robe the other day. Yesterday afternoon he saw a woman on Commercial street wearing the robe. She had adorned with a few fancy frills and trimmings, but there was no doubt as to the identity of the robe, and Mr. Harouff says the dress was a “mighty stylish looking gown.” The undertaker was so astonished that he has decided not to ask for the return of his property. “A woman with that much nerve and ingenuity deserves a reward, no punishment,” he said today. The Washington [DC] Post 17 August 1914: p. 6

Mrs Daffodil has written about the “death drawers,” containing a complete trousseau of death-wear and many other stories on the material culture of mourning. See the “mourning” category for more of this funereal subject. Mrs Daffodil can also recommend the “mourning” posts over at Haunted Ohio (including one on the girl shroud-makers of New York) and in the associated book: The Victorian Book of the Dead, which also has its own “Face-book” page, updated daily.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.