Tag Archives: Christmas Eve

The Lost Song: c. 1800

THE LOST SONG.

It was my grandmother’s story, and this how she came to tell it to me:

I, Annie Rae, had come down to spend Christmas at “Raeburn,” the old family homestead. My grandmother and grand-father had been abroad for years, and this being the first Christmas for so long that the old house was opened, they wanted to fill it with bright young faces and merry laughter, to crowd out the voiceless memories which lurked in every corner, and so a whole party of us had come–cousins, first, second and third, in fact of all degrees. Speaking of cousins, isn’t it strange that very often the further removed the nearer they seem? At least George Stewart was only my third cousin by blood, and yet he always assumed more on the strength of our relationship than any of my first cousins, and somehow, in my own heart I did not mind it at all, though I did tease him so.

But I must go on with my story. It was Christmas Eve, and the old house was quiet at last. We girls had all gone to our rooms after a merry evening together. Fannie and Rose had the room near grandma’s, while Kate and Lillie were just opposite. Some one had to sleep alone at the other of the hall, and after long consultation, it was decided that I should go, for I had rashly boasted of never being afraid. I will confess to feeling a little lonely when all was quiet, and the deep shadows in the corners of the room seemed very dark, for the light of my candle did not reach far. There were three doors in my room, and fastening securely the one leading into the entry, I merely turned the handles of the others, and finding them locked inside, did not care to explore any further just then.  I must have been a long time undressing, for the clock struck the hour of midnight as I put my light out. Even then I could not sleep, but found myself wondering what was behind those doors that I had not opened, and I determined to have a regular exploring expedition the next day. There were so many romantic stories to this old house. I had even heard hints of staircases, shut up rooms, &c., and had always delighted in mysteries.

I think I must have been asleep for a short time, when I suddenly found myself awake with a start, and a curious impression that I was listening for something. There certainly was a sound overhead, but what was it? It came more clearly, and I distinguished a faint, broken melody, and yet imperfect, like some one playing a long forgotten air on a piano where some of the strings were broken. Three times it came like the verses of a song, and though there were no words, it seemed to speak to my very heart, and I thought of George, and how sorrowfully he had looked at me that evening as I had passed him without saying “good night.” It was only to tease him, I had pretended not to see his proffered hand, but had taken Willie Thorne’s instead, and we had walked up the broad staircase together.

Again all was still, only a long drawn sigh seemed to echo my own through the room, and came from the direction of the furthest door. Without a sensation of fear, only an ill-defined feeling of pain and regret, I sank to sleep, and when I woke the morning sun was shining brightly enough to dispel illusions. I resolved to say nothing to the girls, but quietly to explore and see what was to be found, for I knew perfectly well that what I had heard was no dream. So I got up long before breakfast, and after completing my toilet, threw wide the shutters and opened the first door nearest the entry. Only an empty closet! Disappointed but slightly relieved, I closed it and went over to the other. The key turned hard in the lock as if it had not been opened for a long time. Then the door stood wide open, and I saw a flight of stairs but only prosaic wooden steps, like those leading to any garret. I started bravely up and soon found myself in a large loft attic, with odds and ends. First, an old spinning wheel caught my eye, relic of our most industrious great grandmothers. Then a stack of old fire- arms, with which our ancestors, the bold Races, may have shed the blood of daring foes, or, perhaps, and I am afraid more likely, have only done damage among the crows that came to steal from their spacious cornfields. Lastly, beyond these, and behind a pile of mattings and boxes, I came upon an old piano. It quite startled me at first but then the broad daylight was very reassuring, and I am not nervous. It was very old and of a most curious shape, and evidently had been very elegant in its day. I tried to lift the lid, and found it locked, but as I touched it a shiver ran through me, for I was convinced now that this was what my ghostly music had come from last night, and I am determined to find out before another day had passed who it had belonged to, and what restless spirits still haunted its worn strings.

So after breakfast, when all the others gone to church, I went into my grandmother’s room to sit with her, for she was not very strong, dear old lady, and rarely went out of the house in winter.

After we were nicely settled and had got through our morning’s reading, I told her of my last night’s adventure, and my subsequent researches, and begged her to tell me all about the old piano I had found in the attic. She smiled at my eagerness, but did not seem at all surprised or incredulous, for though she herself had never heard the music I spoke of, there had been others long ago, she said, who, sleeping in that room on Christmas Eve, had been known to hear faint sounds, coming as if from the old piano above, though it was locked, and the key had been lost. The coincidence, at least, was very strange, taken in connection with the history attached to it, and which my grandmother then proceeded to relate to me.

“Many years ago,” said my grandmother, “when your great-great-great-grandfather was alive, this house was full of life and merriment; for your Aunt Annie–your great-great-aunt for whom you are named, child—lived here with her father and brothers. She was as bright and funny as the day was long, but so full of mischief and coquetry that she gave the heartache to all the young men, far and near and yet had suffered never a pang herself. I am afraid that a spice of her coquetry has descended to this generation too, my dear,” said the lady gazing fondly, but reproachfully at me. “I felt sorry to see the look in poor George’s eyes, last night, as you turned from him on the stairs–”

“Oh I please go on, grandmother dear,” said I, ”I am so much interested in the story.” But in my own wicked little heart I was sorry too, and inwardly resolved to make up for it to him on the first opportunity. “Well your Aunt Annie always had the house full, and some of her cousins and young friends were always staying there. Among the gentlemen who were their frequent visitors was a young naval officer, Robert Carrol, whom they inspected Annie of preferring. Of course, as girls will, they teased her most unmercifully about him and consequently she would hardly speak to him sometimes, and just because in her own heart she knew that to talk with him just one hour was better to her than a whole day with the others.

“The poor fellow evidently had no eyes for any one else, but he was very reserved and sensitive, and did not go in boldly and make love to her, as any other man would done, but stood and worshiped afar off. They say he was very fine musician, and sang beautifully, and not only that but he composed a song for Annie to sing; for she had a lovely voice, and would sing lovely old ballads for us in the long summer evenings with wonderful pathos and feeling.

“As the days went by the time drew near for Robert to join his ship. Early in December his orders came, and he was to leave the day after Christmas.

“He loved Annie so dearly that he felt he could not go away from her so long without asking for some assurance that his love was returned, and yet he could not bear to think of hearing her say she could never love him. Sometimes she treated him so coldly, almost rudely, and yet again, when they were alone, he could have sworn her eyes spoke a different language.

“The day before Christmas came and still no word had been spoken. On the morning of that day Robert wrote a note to her and inclosed in it a little song he had written and in the note he said,–“But stay,” said my grandmother, “I think I can show you the very note itself,” and going to her desk she took from it an old yellow piece of manuscript music, so faded as to be illegible and a little sheet of paper. “These,” she said, “were found up in the attic among other old letters and private family papers when we came back, and though I destroyed the rest I kept these,” and taking up the note she read it aloud. It was very short, and ran thus:

Annie, darling will you be my wife? And may I go away with hope warm at my heart that when I come back I may claim you as my own? Little one if it is to be, and can love me, will you sing my song for me to-night when I come. If there is no hope for me you will sing something else, and I will know my fate at once, and it will be better to learn it so than to give you pain of telling me. But somehow I feel hopeful, and shall come with a brave heart in spite of the fate which your sweet voice is to sing me into life or death.

Forever yours, in this world and the next.

Robert.

“He sealed the note inclosing the song and sent it over by his servant.  As the man was going into the gate he met Annie’s youngest brother, Harry, a little fellow of ten years old, who snatched the note from him, and said, ‘Oh! I’ll take it to Annie, Tom,’ and ran off. So Thomas walked away with an easy conscience, thinking he had delivered the note safely at least to a ‘member of the family.’

“Harry trotted off toward the house with the best intentions in the world, but was diverted on the way by some important business with a small boy of his own age, who suddenly turned up, so by the time he did go home all memory of the note had vanished from his youthful mind.

“Evening came and the younger children were all in bed, and Harry lay sound asleep, while on a chair hung his little jacket, and in the pocket still, poor Robert’s note undelivered. Annie, with ‘cheeks like twin roses,’ and’ eyes bright with love and hope was waiting for the company.

All the young people were coming from neighborhood to have a frolic, but she only thought of Robert. ‘He must speak to me to-night,’ she said to herself. ‘I am sure he loves me, and in spite of my bad behaviour to him sometimes he must know my heart.’

“Early in the evening Annie’s father according to his custom, asked her for a song and as she rose and went to the piano she caught sight of Robert’s pale handsome face. He was near the door, where he had just entered standing with his arms folded and his eyes fixed upon her with a look that to her dying day she never forgot. As she sat down to the instrument an unaccountable feeling of depression came over her, some unseen influence seemed to hold her hands so that she could scarcely strike the notes, but with an impulse she threw it off and dashed into some gay and nonsensical song that was popular at the time, and sang it through to the very end.

“When she looked up Robert was gone, and she never saw him again in this world. He left home that night and never returned, for his ship, with all on board was lost on the way out; and he went to his grave thinking her cold and heartless. And she–all the next day she waited for him, wondering that he did not come. That night as she was wearily going to her room a little voice from the nursery called her, and going in she found Harry wide awake.

“Oh! sister Annie,’ said he ‘don’t scold me, but I forgot your note yesterday, and there it is still in my pocket.’ And he pointed to the jacket which hung on a chair. Mechanically, she reached and took it, but when she saw the address in his hand, she grew as pale as death. She only stopped and kissed the little fellow, who was sobbing bitterly, and no word of reproach passed her lips.

“From that day she was a different being. Her whole life seemed to be a period of waiting; waiting for news of him.

“You must remember, my dear,” added grandmother, “that in those times there were no such conveniences for communications as we have now-a-days, when lovers can change their minds two or three times a day by mail, and can telegraph ‘yes’ and ‘no’ sixty times a minute (more or less) if they please.

“And when at last the news of Robert’s death came, it was as if some blight had fallen on her, for she seemed to fade away, and grew weaker and weaker, until it got to be so that she never left her room. Then her piano was moved up there, the room you were in last night–for her music seemed the only thing left in which she took any interest, and often at night when all was still they would hear her playing, for she had never been known to sing since that time when, with her own sweet voice, she had smilingly sounded the death knell of two hearts.”

“On Christmas morning, just one year after, when they came to her room they found her seated at her piano, with his song before her, and her white hands cold and stiff resting on the keys. She had gone to meet him, and her weary waiting was over at last.”

“This was my grandmother’s story of the piano–and that evening as George and I were sitting together on the board staircase, while the others were dancing in the parlor, I told it all over to him, and would you believe it? when I came to the part about poor Robert’s last letter, George actually said it served him right for not being man enough to ask for what he wanted when he had the chance, “as I intended to ask you right here, little Annie,” said he, and then–well, somehow I did not finish the story that evening.

Since then, however, we have often talked it over since, but George always smiles when I tell him of the ghostly music I heard on Christmas eve in the old house, and suggests though the piano was locked, yet the back had fallen out from old age, and there was room enough for a whole regiment of mice to creep in and run over the rusty strings, and he further says that I was sleepy and troubled in my mind for treating him so badly, and thought it was my aunt’s ghost come to warn me. But that is nonsense, of course, and I shall always believe that it was poor Robert’s last song that I heard.

The Indiana [PA] Democrat 14 November 1872: p. 1

Mrs Daffodil’s Aide-memoire: It seems to Mrs Daffodil that there is blame enough to go around, with some to spare. Coquettes! Thoughtless younger brothers!  Timid suitors!  One wonders how, without the spur of “on-line” dating and “swiping,” the species ever propagated itself.

Still, it was curious that the mice, if mice there were, only came out to run over the piano’s strings on Christmas eve.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

It always is Christmas Eve, in a ghost story: 1891

The Ghost of Marley

The Ghost of Marley visits Scrooge.

It was Christmas Eve.

I begin this way, because it is the proper, orthodox, respectable way to begin, and I have been brought up in a proper, orthodox, respectable way, and taught to always do the proper, orthodox, respectable thing; and the habit clings to me.

Of course, as a mere matter of information it is quite unnecessary to mention the date at all. The experienced reader knows it was Christmas Eve, without my telling him. It always is Christmas Eve, in a ghost story.

Christmas Eve is the ghosts’ great gala night. On Christmas Eve they hold their annual fete. On Christmas Eve everybody in Ghostland who is anybody—or rather, speaking of ghosts, one should say, I suppose, every nobody who is any nobody—comes out to show himself or herself, to see and to be seen, to promenade about and display their winding-sheets and grave-clothes to each other, to criticise one another’s style, and sneer at one another’s complexion.

‘Christmas Eve parade,’ as I expect they themselves term it, is a function, doubtless, eagerly prepared for and looked forward to throughout Ghostland, especially by the swagger set, such as the murdered Barons, the crime-stained Countesses, and the Earls who came over with the Conqueror, and assassinated their relatives, and died raving mad.

Hollow moans and fiendish grins are, one may be sure, energetically practised up. Blood-curdling shrieks and marrow-freezing gestures are probably rehearsed for weeks beforehand.

Rusty chains and gory daggers are overhauled, and put into good working order; and sheets and shrouds, laid carefully by from the previous year’s show, are taken down and shaken out, and mended, and aired.

Oh, it is a stirring night in Ghostland, the night of December the twenty-fourth!

Ghosts never come out on Christmas night itself, you may have noticed. Christmas Eve, we suspect, has been too much for them; they are not used to excitement. For about a week after Christmas Eve, the gentlemen ghosts, no doubt, feel as if they were all head, and go about making solemn resolutions to themselves that they will stop in next Christmas Eve; while the lady spectres are contradictory and snappish, and liable to burst into tears and leave the room hurriedly on being spoken to, for no perceptible cause whatever.

Ghosts with no position to maintain—mere middle – class ghosts — occasionally, I believe, do a little haunting on off-nights: on All-hallows Eve, and at Midsummer; and some will even run up for a mere local event—to celebrate, for instance, the anniversary of the hanging of somebody’s grandfather, or to prophesy a misfortune.

He does love prophesying a misfortune, does the average British ghost. Send him out to prognosticate trouble to somebody, and he is happy. Let him force his way into a peaceful home, and turn the whole house upside down by foretelling a funeral, or predicting a bankruptcy, or hinting at a coming disgrace, or some other terrible disaster, about which nobody in their senses would want to know sooner than they could possibly help, and the prior knowledge of which can serve no useful purpose whatsoever, and he feels that he is combining duty with pleasure. He would never forgive himself if anybody in his family had a trouble and he had not been there for a couple of months beforehand, doing silly tricks on the lawn,or balancing himself on somebody’s bedrail.

Then there are, besides, the very young, or very conscientious ghosts with a lost will or an undiscovered number weighing heavy on their minds, who will haunt steadily all the year round; and also the fussy ghost, who is indignant at having been buried in the dust-bin or in the village pond, and who never gives the parish a single night’s quiet until somebody has paid for a first-class funeral for him.

But these are the exceptions. As I have said, the average orthodox ghost does his one turn a year, on Christmas Eve, and is satisfied.

Why on Christmas Eve, of all nights in the year, I never could myself understand. It is invariably one of the most dismal of nights to be out in —cold, muddy, and wet. And besides, at Christmas time, everybody has quite enough to put up with in the way of a houseful of living relations, without wanting the ghosts of any dead ones mooning about the place, I am sure.

There must be something ghostly in the air of Christmas—something about the close, muggy atmosphere that draws up the ghosts, like the dampness of the summer rains brings out the frogs and snails.

And not only do the ghosts themselves always walk on Christmas Eve, but live people always sit and talk about them on Christmas Eve. Whenever five or six English-speaking people meet round a fire on Christmas Eve, they start telling each other ghost stories. Nothing satisfies us on Christmas Eve but to hear each other tell authentic anecdotes about spectres. It is a genial, festive season, and we love to muse upon graves, and dead bodies, and murders, and blood. 

There is a good deal of similarity about our ghostly experiences; but this of course is not our fault but the fault of the ghosts, who never will try any new performances, but always will keep steadily to the old, safe business. The consequence is that, when you have been at one Christmas Eve party, and heard six people relate their adventures with spirits, you do not require to hear any more ghost stories. To listen to any further ghost stories after that would be like sitting out two farcical comedies, or taking in two comic journals; the repetition would become wearisome.

There is always the young man who was, one year, spending the Christmas at a country house, and, on Christmas Eve, they put him to sleep in the west wing. Then in the middle of the night, the room door quietly opens and somebody — generally a lady in her night-dress—walks slowly in, and comes and sits on the bed. The young man thinks it must be one of the visitors, or some relative of the family, though he does not remember having previously seen her, who, unable to go to sleep, and feeling lonesome, all by herself, has come into his room for a chat. He has no idea it is a ghost: he is so unsuspicious. She does not speak, however; and, when he looks again, she is gone!

The young man relates the circumstance at the breakfast – table next morning, and asks each of the ladies present if it were she who was his visitor. But they all assure him that it was not, and the host, who has grown deadly pale, begs him to say no more about the matter, which strikes the young man as a singularly strange request.

After breakfast the host takes the young man into a corner, and explains to him that what he saw was the ghost of a lady who had been murdered in that very bed, or who had murdered somebody else there—it does not really matter which: you can be a ghost by murdering somebody else or by being murdered yourself, whichever you prefer. The murdered ghost is, perhaps, the more popular; but, on the other hand, you can frighten people better if you are the murdered one, because then you can show your wounds and do groans. Then there is the sceptical guest—it is always ‘the guest’ who gets let in for this sort of thing, by-the-bye. A ghost never thinks much of his own family: it is ‘the guest* he likes to haunt who after listening to the host’s ghost story, on Christmas Eve, laughs at it, and says that he does not believe there are such things as ghosts at all; and that he will sleep in the haunted chamber that very night, if they will let him.

Everybody urges him not to be reckless, but he persists in his foolhardiness, and goes up to the Yellow Chamber (or whatever colour the haunted room may be) with a light heart and a candle, and wishes them all goodnight, and shuts the door.

Next morning he has got snow white hair.

He does not tell anybody what he has seen: it is too awful.

There is also the plucky guest, who sees a ghost, and knows it is a ghost, and watches it, as it comes into the room and disappears through the wainscot, after which, as the ghost does not seem to be coming back, and there is nothing, consequently, to be gained by stopping awake, he goes to sleep.

He does not mention having seen the ghost to anybody, for fear of frightening them—some people are so nervous about ghosts,—but determines to wait for the next night, and see if the apparition appears again.

It does appear again, and, this time, he gets out of bed, dresses himself and does his hair, and follows it; and then discovers a secret passage leading from the bedroom down into the beer-cellar, —a passage which, no doubt, was not unfrequently made use of in the bad old days of yore.

After him comes the young man who woke up with a strange sensation in the middle of the night, and found his rich bachelor uncle standing by his bedside. The rich uncle smiled a weird sort of smile and vanished. The young man immediately got up and looked at his watch. It had stopped at half-past four, he having forgotten to wind it.

He made inquiries the next day, and found that, strangely enough, his rich uncle, whose only nephew he was, had married a widow with eleven children at exactly a quarter to twelve, only two days ago.

The young man does not attempt to explain the extraordinary circumstance. All he does is to vouch for the truth of his narrative.

And, to mention another case, there is the gentleman who is returning home late at night, from a Freemasons’ dinner, and who, noticing a light issuing from a ruined abbey, creeps up, and looks through the keyhole. He sees the ghost of a ‘grey sister’ kissing the ghost of a brown monk, and is so inexpressibly shocked and frightened, that he faints on the spot, and is discovered there the next morning, lying in a heap against the or, still speechless, and with his faithful latch-key clasped tightly in his hand.

All these things happen on Christmas Eve, they are all told of on Christmas Eve. For ghost stories to be told on any other evening than the evening of the twenty-fourth of December would be impossible in English society as at present regulated. Therefore, in introducing the sad but authentic ghost stories that follow hereafter, I feel that it is unnecessary to inform the student of Anglo-Saxon literature that the date on which they were told and on which the incidents took place was—Christmas Eve.

Nevertheless, I do so.

“Introduction,” Told After Supper, Jerome K. Jerome, 1891

Mrs Daffodil’s Aide-memoire: Sadly, the English Christmas ghost story tradition has fallen into disuse. Worse, depictions of holiday horror have degenerated into lurid motion pictures with titles like “Santa’s Slay,” “Silent Night, Bloody Night,” and “Bikini Bloodbath Christmas,” full of inelegant and untidy homicides.

In refreshing contrast to these horrors, a gentleman named Robert Lloyd Parry has been making an effort to revive the delicious dread of the holiday season with his one-man shows, wherein he portrays the master of the Christmas Eve ghost tale, M.R. James, who, one may confidently assert, never wrote about young ladies in bathing costumes.

The author of this piece which so delightfully skewers the cliches of the Christmas ghost story, was Jerome K. Jerome [1859-1927], an actor, journalist, and author of the humourous classic Three Men in a Boat.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, historical anecdotes, and holiday amusements.

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

A Christmas Ghost Party for Christmas Eve: 1904

An Illustration for Dickens' Christmas Carol. The Ghost of Christmas Future.

An Illustration for Dickens’ Christmas Carol. The Ghost of Christmas Future.

A CHRISTMAS GHOST PARTY

FOR CHRISTMAS EVE

The veil that separates the realm of spirits from that of mortals has always been held by reverent tradition —not to say superstition—to be thinner on Christmas Eve than at any other time of the year. Ghosts are said to revisit their old haunts and homes; hence the Christmas custom of relating stories of spectral visitants.

A phantom reunion is therefore appropriate to the day.

The invitations may read:

The Shade of Miss Blank is requested to be present at a

Meeting of the Ghosts at

Apparition Assembly Cave

No Street

on the eve of the “Holy Night” at nine o’clock

It is requested that each fair phantom wear a winding-sheet

The walls of the room in which the spectres assemble should be hung with white cheese-cloth, and all lights screened with white paper shades lined with blue, etc give a more ghastly effect, to which burning alcohol containing a pinch of salt will contribute.

The ghosts arrive, draped in sheets, with pillow-cases about their heads, wearing white masks and gloves. At the appearance of each female phantom the hostess says “Sh-h-h!” which all the guests repeat, but upon the arrival of a man spirit a dolorous groan is his welcome, and is taken up by the rest of the company. They move noiselessly about the room, never speaking above a sepulchral whisper. If a “graveyard” cough can be managed at intervals, the effect will be appreciated.

Each apparition must wear a distinctive mark on his or her forehead—a splash of blood-red paint, a bone attached to the top of the mask, the picture of a spade, a skull—anything gruesome. With these they are solemnly invested as they pass from the dressing-room, and a card, with pencil attached, is given to each.

They are expected to guess one another’s identity, in spite of all efforts to foil detection, and the names are to be noted on the card, accompanied by his or her special mark by way of signature.

At the sound of a bell slowly and solemnly tolled the guests add their signatures to their cards, which they then drop into a box draped with black.

If, in placing the cards within it, a slight electric shock could be delivered from a small hidden battery, the uncanny effect would be emphasised.

The one whose card bears the greatest number of correct guesses may have a prize, and another be presented to the one who has best concealed his identity.

An occasional waltz is danced to the slowest possible accompaniment of muffled music, but square dances are most appropriate if walked through with the solemn stateliness befitting the ideal ghost.

A bell is slowly tolled to announce supper, served at eleven o’clock or before, on plain white dishes, the table decorated with white flowers. The menu may keep to ghostly white consisting of clam bouillon or creamed oysters, chicken salad, sandwiches, angel cake, kisses, vanilla ice-cream, peppermints, and other white bonbons.

The guests unmask at supper, return to human, fleshly habitations, and are as merry as they please.

To be so absorbed in frolic as to ignore entirely the great event commemorated on the “holy night” would be to carry fun too far.

Upon returning to the drawing-room (from which all suggestions of gruesomeness are removed) after supper, the lights may be turned down, and after the solemn tolling of midnight a voice from an unseen singer may thrill the auditors with the stirring notes of Adam’s “Cantique de Noel,” which seem to be the very utterance of the herald-angel. Or Gounod’s “Messe Solennelle” on piano or organ would be most impressive, and with its triumphant proclamation would make an effective climax. In and Out Door Games: With Suggestions for Entertainments, Florence Kingsland (Mrs. Burton Kingsland.) 1904

Mrs Daffodil’s Aide-memoire: While Mrs Kingland was a widely-published etiquette author, Mrs Daffodil wonders at her recommending such a lugubrious entertainment, which seems designed for some penitential purpose rather than for holiday pleasure.  She certainly seems anxious not to “carry fun too far.” Perhaps this was a party got up for a young ladies’ Sunday School class or a Temperance Society. Chapel-goers would certainly indignantly repudiate any dashed French “Messe,” no matter how “Solenelle.”

Then there is the matter of the burning alcohol and the electric shocks, which are more often associated with Halloween and the19th-century American fondness for painful practical jokes.

Mrs Daffodil suggests that the effective climax of a well-regulated British Christmas Eve is a Service of Lessons and Carols, followed by a selection of ghost stories told in the Provost’s rooms, accompanied by sherry and biscuits.

Since today is St. Nicholas’ Day, you might enjoy this post on the cribs of the Infant Jesus written last year for the Haunted Ohio blog.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a holiday feast of fashion hints, fads and fancies, and historical anecdotes.