Tag Archives: fairies

Why is the Cat Uncanny?: 1912

fairies riding cat 1894 McDonald Phantasies

Fairies riding a cat, 1894

In various parts of Europe (some districts of England included) white cats were thought to attract benevolently disposed fairies, and a peasant would as soon have thought of cutting off his fingers, or otherwise maltreating himself, as being unkind to an animal of this species. In the fairy lore of half Europe we have instances of luck-bringing cats—each country producing its own version of Puss in Boots, Dame Mitchell and her cat. Dick Whittington and his cat. It is the same in Asia, too; for nowhere are such stories more prolific than in China and Persia.

To sum up then,—in all climes and in all periods of past history, the cat was credited with many properties that brought it into affinity and sympathy with the supernatural— or, if you will, superphysical—world. Let us review the cat to-day, and sec to what extent this past regard of it is justified.

Firstly, with respect to it as the harbinger of fortune. Has a cat insight into the future? Can it presage wealth or death?

I am inclined to believe that certain cats can, at all events, foresee the advent of the latter; and that they do this in the same manner as the shark, crow, owl, jackal, hyaena, etc., viz. by their abnormally developed sense of smell. My own and other people’s experience has led me to believe that when a person is about to die, some kind of phantom, maybe, the spirit of some one closely associated with the sick person, or, maybe, a spirit whose special function it is to be present on such occasions, is in close proximity to the sick or injured one, waiting to escort his or her soul into the world of shadows—and that certain cats scent its approach.

Therein then—in this wonderful property of smell—lies one of the secrets to the cat’s mysterious powers—it has the psychic faculty of scent—of scenting ghosts. Some people, too, have this faculty. In a recent murder case, in the North of England, a rustic witness gave it in her evidence that she was sure a tragedy was about to happen because she “smelt death in the house,’’ and it made her very uneasy. Cats possessing this peculiarity are affected in a similar manner—they are uneasy. Before a death in a house, I have watched a cat show gradually increasing signs of uneasiness. It has moved from place to place, unable to settle in any one spot for any length of time, had frequent fits of shivering, gone to the door, sniffed the atmosphere, thrown back its head and mewed in a low, plaintive key, and shown the greatest reluctance to being alone in the dark.

This faculty possessed by certain cats may in some measure explain certain of the superstitions respecting them. Take, for instance, that of cats crossing one’s path predicting death.

The cat is drawn to the spot because it scents the phantom of death, and cannot resist its magnetic attraction.

From this, it does not follow that the person who sees the cat is going to die, but that death is overtaking some one associated with that person; and it is in connexion with the latter that the spirit of the grave is present, employing, as a medium of prognostication, the cat, which has been given the psychic faculty of smell that it might be so used.

But although I regard this theory as feasible, I do not attribute to cats, with the same degree of certainty, the power to presage good fortune, simply because 1 have had no experience of it myself. Yet, adopting the same lines of argument, I see no reason why cats should not prognosticate good as well as evil.

There may be phantoms representative of prosperity, in just the same manner as there are those representative of death; they, too, may also have some distinguishing scent (flowers have various odours, so why not spirits ?); and certain cats, i.e. white cats in particular, may be attracted by it.

This becomes all the more probable when one considers how very impressionable the cat is—how very sensitive to kindness. There are some strangers with whom the cat will at once make friends, and others whom it will studiously avoid. Why? The explanation, I fancy, lies once more in the Occult—in the cat’s psychic faculty of smell. Kind people attract benevolently disposed phantoms, which bring with them an agreeably scented atmosphere, that, in turn, attracts cats.

The cat comes to one person because it knows by the smell of the atmosphere surrounding him, or her, that they have nothing to fear—that the person is essentially gentle and benignant. On the contrary, cruel people attract malevolent phantoms, distinguishable also to the cat by their smell, a smell typical of cruelty—often of homicidal lunacy (I have particularly noticed how cats have shrunk from people who have afterwards become dangerously insane). Is this sense of smell, then, the keynote to the halo of mystery that has for all times surrounded the cat—that has led to its bitter persecution—that has made it the hero of fairy lore, the pet of old maids? I believe it is— I believe, in this psychic faculty of smell, lies wholly, or in greater part, the solution to the riddle—Why is the cat uncanny!

“Cats and the Unknown,” Elliott O’Donnell The Occult Review December 1912

Mrs Daffodil’s Aide-memoire: Mrs Daffodil really must take issue with the Great Ghost-hunter O’Donnell. It is axiomatic that if there is one person in the room who is highly allergic or antipathetic to cats, it is into the lap of that person which a cat will leap. Mrs Daffodil has never seen it fail.

That said, the idea of a spirit having a particular odour, like a flower, is a diverting one. One elderly American gentleman was queried by a “psychic researcher” after he divulged that he had smelt a ghost. He retorted “You ask me how ghosts smell. They smell like ghosts—that’s all I can tell you. How you speck they smell?”

Mrs Daffodil is fond of cats and does not consider them uncanny in the least. However, Mrs Daffodil is reminded by Mr O’Donnell’s assertion that cats can scent the approach of death of the handsome and remarkably prescient Oscar, who has foretold fifty to one hundred deaths at a Rhode Island nursing home and even has his own “Facebook” page.

Some other stories of uncanny cats are What the Cat Saw, The Cats Came Back, The Black Cat Elemental, Murder by Cat, and The White Cat

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

Our Dear Little Ghost: 1898

(c) Diana Robinson; Supplied by The Public Catalogue Foundation

The Christmas Tree, Harry Bush, Grundy Art Gallery

Our Dear Little Ghost

The first time one looked at Elsbeth, one was not prepossessed. She was thin and brown, her nose turned slightly upward, her toes went in just a perceptible degree, and her hair was perfectly straight. But when one looked longer, one perceived that she was a charming little creature. The straight hair was as fine as silk, and hung in funny little braids down her back; there was not a flaw in her soft brown skin; and her mouth was tender and shapely. But her particular charm lay in a look which she habitually had, of seeming to know curious things — such as it is not allotted to ordinary persons to know. One felt tempted to say to her:

“What are these beautiful things which you know, and of which others are ignorant? What is it you see with those wise and pellucid eyes? Why is it that everybody loves you?”

Elsbeth was my little godchild, and I knew her better than I knew any other child in the world. But still I could not truthfully say that I was familiar with her, for to me her spirit was like a fair and fragrant road in the midst of which I might walk in peace and joy, but where I was continually to discover something new. The last time I saw her quite well and strong was over in the woods where she had gone with her two little brothers and her nurse to pass the hottest weeks of summer. I followed her, foolish old creature that I was, just to be near her, for I needed to dwell where the sweet aroma of her life could reach me.

One morning when I came from my room, limping a little, because I am not so young as I used to be, and the lake wind works havoc with me, my little godchild came dancing to me singing:

“Come with me and I’ll show you my places, my places, my places!”

Miriam, when she chanted by the Red Sea, might have been more exultant, but she could not have been more bewitching. Of course I knew what “places” were, because I had once been a little girl myself, but unless you are acquainted with the real meaning of “places,” it would be useless to try to explain. Either you know “places” or you do not — just as you understand the meaning of poetry or you do not. There are things in the world which cannot be taught.

Elsbeth’s two tiny brothers were present, and I took one by each hand and followed her. No sooner had we got out of doors in the woods than a sort of mystery fell upon the world and upon us. We were cautioned to move silently; and we did so, avoiding the crunching of dry twigs.

“The fairies hate noise,” whispered my little godchild, her eyes narrowing like a cat’s.

“I must get my wand first thing I do,” she said in an awed undertone. “It is useless to try to do anything without a wand.”

The tiny boys were profoundly impressed, and, indeed, so was I.  I felt that at last, I should, if I behaved properly, see the fairies, which had hitherto avoided my materialistic gaze. It was an enchanting moment, for there appeared, just then, to be nothing commonplace about life.

There was a swale near by, and into this the little girl plunged.  I could see her red straw hat bobbing about among the tall rushes, and I wondered if there were snakes.

“Do you think there are snakes?” I asked one of the tiny boys.

“If there are,” he said with conviction, “they won’t dare hurt her.”

He convinced me. I feared no more. Presently Elsbeth came out of the swale. In her hand was a brown “cattail,” perfectly full and round. She carried it as queens carry their sceptres — the beautiful queens we dream of in our youth.

“Come,” she commanded, and waved the sceptre in a fine manner. So we followed, each tiny boy gripping my hand tight. We were all three a trifle awed. Elsbeth led us into a dark underbrush. The branches, as they flew back in our faces, left them wet with dew. A wee path, made by the girl’s dear feet, guided our footsteps. Perfumes of elderberry and wild cucumber scented the air. A bird, frightened from its nest, made frantic cries above our heads. The underbrush thickened. Presently the gloom of the hemlocks was over us, and in the midst of the shadowy green a tulip tree flaunted its leaves. Waves boomed and broke upon the shore below. There was a growing dampness as we went on, treading very lightly. A little green snake ran coquettishly from us. A fat and glossy squirrel chattered at us from a safe height, stroking his whiskers with a complaisant air.

At length we reached the “place.” It was a circle of velvet grass, bright as the first blades of spring, delicate as fine sea-ferns. The sunlight, falling down the shaft between the hemlocks, flooded it with a softened light and made the forest round about look like deep purple velvet. My little godchild stood in the midst and raised her wand impressively.

“This is my place,” she said, with a sort of wonderful gladness in her tone. “This is where I come to the fairy balls. Do you see them?”

“See what?” whispered one tiny boy.

“The fairies.”

There was a silence. The older boy pulled at my skirt.

“Do you see them?” he asked, his voice trembling with expectancy.

“Indeed,” I said, “I fear I am too old and wicked to see fairies, and yet — are their hats red?”

“They are,” laughed my little girl. “Their hats are red, and as small — as small!” She held up the pearly nail of her wee finger to give us the correct idea.

“And their shoes are very pointed at the toes?”

“Oh, very pointed!”

“And their garments are green?”

“As green as grass.”

“And they blow little horns?”

“The sweetest little horns!”

“I think I see them,” I cried.

“We think we see them too,” said the tiny boys, laughing in perfect glee.

“And you hear their horns, don’t you?” my little godchild asked somewhat anxiously.

“Don’t we hear their horns?” I asked the tiny boys.

“We think we hear their horns,” they cried. “Don’t you think we do?”

“It must be we do,” I said. “Aren’t we very, very happy?”

We all laughed softly. Then we kissed each other and Elsbeth led us out, her wand high in the air.

And so my feet found the lost path to Arcady.

The next day I was called to the Pacific coast, and duty kept me there till well into December. A few days before the date set for my return to my home, a letter came from Elsbeth’s mother.

“Our little girl is gone into the Unknown,” she wrote —” that Unknown in which she seemed to be forever trying to pry. We knew she was going, and we told her. She was quite brave, but she begged us to try some way to keep her till after Christmas. ‘My presents are not finished yet,’ she made moan. ‘And I did so want to see what I was going to have. You can’t have a very happy Christmas without me, I should think. Can you arrange to keep me somehow till after then?’ We could not ‘arrange’ either with God in heaven or science upon earth, and she is gone.”

She was only my little godchild, and I am an old maid, with no business fretting over children, but it seemed as if the medium of light and beauty had been taken from me. Through this crystal soul I had perceived whatever was loveliest. However, what was, was! I returned to my home and took up a course of Egyptian history, and determined to concern myself with nothing this side the Ptolemies.

Her mother has told me how, on Christmas eve, as usual, she and Elsbeth’s father filled the stockings of the little ones, and hung them, where they had always hung, by the fireplace. They had little heart for the task, but they had been prodigal that year in their expenditures, and had heaped upon the two tiny boys all the treasures they thought would appeal to them. They asked themselves how they could have been so insane previously as to exercise economy at Christmas time, and what they meant by not getting Elsbeth the autoharp she had asked for the year before.

“And now —” began her father, thinking of harps. But he could not complete this sentence, of course, and the two went on passionately and almost angrily with their task. There were two stockings and two piles of toys. Two stockings only, and only two piles of toys! Two is very little!

They went away and left the darkened room, and after a time they slept — after a long time. Perhaps that was about the time the tiny boys awoke, and, putting on their little dressing gowns and bed slippers, made a dash for the room where the Christmas things were always placed. The older one carried a candle which gave out a feeble light. The other followed behind through the silent house. They were very impatient and eager, but when they reached the door of the sitting-room they stopped, for they saw that another child was before them.

It was a delicate little creature, sitting in her white night gown, with two rumpled funny braids falling down her back, and she seemed to be weeping. As they watched, she arose, and putting out one slender finger as a child does when she counts, she made sure over and over again — three sad times — that there were only two stockings and two piles of toys! Only those and no more.

The little figure looked so familiar that the boys started toward it, but just then, putting up her arm and bowing her face in it, as Elsbeth had been used to do when she wept or was offended, the little thing glided away and went out. That’s what the boys said. It went out as a candle goes out.

They ran and woke their parents with the tale, and all the house was searched in a wonderment, and disbelief, and hope, and tumult! But nothing was found. For nights they watched. But there was only the silent house. Only the empty rooms. They told the boys they must have been mistaken. But the boys shook their heads.

“We know our Elsbeth,” said they. “It was our Elsbeth, cryin’ ’cause she hadn’t no stockin’ an’ no toys, and we would have given her all ours, only she went out — jus’ went out!”

Alack!

The next Christmas I helped with the little festival. It was none of my affair, but I asked to help, and they let me, and when we were all through there were three stockings and three piles of toys, and in the largest one were all the things that I could think of that my dear child would love. I locked the boys’ chamber that night, and I slept on the divan in the parlor off the sitting-room. I slept but little, and the night was very still — so windless and white and still that I think I must have heard the slightest noise. Yet I heard none. Had I been in my grave I think my ears would not have remained more unsaluted.

Yet when daylight came and I went to unlock the boys’ bedchamber door, I saw that the stocking and all the treasures which I had bought for my little godchild were gone. There was not a vestige of them remaining!

Of course we told the boys nothing. As for me, after dinner I went home and buried myself once more in my history, and so interested was I that midnight came without my knowing it. I should not have looked up at all, I suppose, to become aware of the time, had it not been for a faint, sweet sound as of a child striking a stringed instrument. It was so delicate and remote that I hardly heard it, but so joyous and tender that I could not but listen, and when I heard it a second time it seemed as if I caught the echo of a child’s laugh. At first I was puzzled. Then I remembered the little autoharp I had placed among the other things in that pile of vanished toys. I said aloud:

“Farewell, dear little ghost. Go rest. Rest in joy, dear little ghost. Farewell, farewell.”

That was years ago, but there has been silence since. Elsbeth was always an obedient little thing.

“Their Dear Little Ghost,” The Shape of Fear, and Other Ghostly Tales, Elia W. Peattie, 1898: pp. 29-41

Mrs Daffodil’s Aide-memoire:  There has recently been a suggestion to revive the Victorian custom of telling ghost stories at Christmas. If Mrs Daffodil did not have something in her eye, she would read this story at the servants’ hall Christmas tea, over the spiced cider and roasted chestnuts.

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Hallowe’en Superstitions: Ancient Times, reported in 1916

HALLOWE’EN SUPERSTITIONS

By R. B. SPAN

The thirty-first of October, the day preceding All Saints’ Day, is notable for the strange superstitions connected with it, and which are as old as the history of this country. In ancient Ireland All Hallows Eve was a great feast day, as it was amongst the Celts everywhere. On this day a new fire used to be kindled every year, and from this sacred flame all the fires of Ireland were re-kindled.

The ancient Celts took Samhain, or All Souls’ Day, as the first day of their year, and celebrated it much as we now celebrate New Year’s Day.

The other great feast day of the Celts was Beltane, or May Day, which ushered in summer. As a season of omens and auguries Hallowe’en seems to have far surpassed Beltane in the imagination of the Celts, and it was the custom of this genial, warm-hearted race to gather together on Hallowe’en for the purpose of ascertaining their destiny, especially their fortune in the coming year just begun. Not only among the Celts, but throughout Europe, the night which marks the transition from autumn to winter was regarded as the time when the spirits of the departed revisited their old homes and joined in the family gatherings around the fire, and partook of the good cheer provided in parlour and kitchen by their affectionate kinsfolk. But it is not only the souls of the departed who ” revisit the pale glimpses of the moon,” but witches speed by on errands of mischief, fairies make their presence manifest, and hobgoblins of all sorts roam freely about. In the Northern Tales of Scotland there is a saying, which, translated from the Gaelic, runs:

Hallowe’en will come, will come ;

Witchcraft will be set agoing ;

Fairies will be at full speed,

Running free in every pass.

Avoid the road, children, children!

On that night in Ireland all the fairy hills are thrown wide open and the fairies swarm forth, and to the man who is bold enough to approach them they will show the treasures of gold, etc., hidden in these green hills. The cavern of Cruachan in Connaught, known as the “Hell Gate of Ireland ” is then opened, and mischievous spirits come forth and roam the country-side, playing pranks on the farmers and peasantry.

The Scotch Highlanders have a special name, Samhanach (derived from Samhain), for the bogies and imps of mischief which go about then molesting all who come in their way.

In Wales, Hallowe’en was the weird night of the year, the chief of the Teir Nos Ysbrydion, or Three Spirit Nights, when the wind, “blowing over the feet of corpses,” brought omens of death in eerie sighs, to those doomed to “shuffle off this mortal coil” within the year.

It was not so long ago that the people of Wales in some districts used to congregate in churches on Hallowe’en and read their fate from the flame of the candle which each of them held; they also heard the names or saw the coffins of the parishioners who would die within the year. In the Highlands of Scotland it was believed that if any one took a three-legged stool and sat on it where three roads met whilst the clock was striking midnight, a voice from the Unseen would tell him the names of those in his neighbourhood who would die within twelve months. It used to be (and may be still) the custom in Scotland for the young people gathered together in one of the houses to resort to various games and forms of divination for the purpose of ascertaining their futures—principally as regards chances of matrimony—such as, would they marry or not, was the marriage to occur that year or never, who would marry first, and descriptions of the future spouse, and so on, when the answers to the numerous queries would furnish a vast amount of entertainment. These practices were not confined to the Highlands, but the Lowlanders of Saxon descent also believed in and followed them—having inherited them from the Celts, the original owners of the country.

Most of the forms of divination are very quaint: the following are a few of the best known instances. A girl desirous of divining her future husband takes an apple and stands with it in front of a looking glass. She slices the apple and sticks each slice on the point of a knife and holds it over her left shoulder while looking in the glass and combing her hair. The spectre of the future husband then appears in the mirror, and stretching out his hand, takes the slices of apple over her shoulder. Some say that the number of slices should be nine, and that the first eight should be eaten and the ninth thrown over the shoulder, and also that at each slice the diviner should say, ” In the name of the Father and the Son.”

Another curious practice is to take an egg, prick it with a pin, and let the white drop into a glass of water; take some of this in your mouth and go for a walk. The first name you hear will be that of your future husband or wife. One old woman in Perthshire stated she tried this when a girl, and she heard the name Archibald, and this proved to be the name of the man she married. In the Hebrides, a salt cake called Bonnach Salainn is eaten at Hallowe’en to induce dreams which will reveal the future. It is made of common meal with a good deal of salt. After eating it you must not drink water or utter a word, or you spoil the charm. It is equally efficacious to eat a salt herring, bones and all, in three bites, provided no water is drunk and no word spoken afterwards. Amongst the farmers and country people a favourite method of divination is to take a winnowing- basket, or wecht, as the Lowland Scotch term it, and go through the action of winnowing corn. After doing this three times the apparition of your future husband or wife will pass through the barn, coming in at one door and passing out at the other. Amongst the young people gathered at the fireside it is often the custom to burn nuts to divine marriage prospects, and much fun is obtained from the pastime. Two nuts representing a lad and a lass who are obviously “in love” are placed side by side in the fire. If they burn quietly together the pair will become man and wife, and from the length of time they bum and the brightness of the flame one may judge of the length and happiness of the married life, but if the nuts jump away from each other then there will be no marriage, and the blame rests with the person whose nut has started away.

In North Wales it was the custom for every family to make a great bonfire, called Cod Coeth, on the most conspicuous spot near the house, and when the fire had died down, for each person to throw into the embers a white stone (marked so as to be identified). They then said their prayers and retired. Early next morning they sought their stones amid the ashes, and if any were missing it was believed that the persons who threw them would die within the year.

In Scotland (as in Ireland and Wales) Hallowe’en was for centuries celebrated by great bonfires on every hill and peak, and the whole country was brilliantly illuminated, presenting a most picturesque scene, with the flames reflected in the dark Highland lochs, and penetrating the deep craggy ravines. These fires were especially numerous in the Perthshire Highlands, and the custom was continued to the first half of the nineteenth century. They were observed around Loch Tay as late as the year 1860, and for several hours both sides of the loch were illuminated as far as eye could see. In Ireland the Hallowe’en fires would seem to have died out earlier, but the divination still survives.

General Vallancey states that on Hallowe’en or the Vigil of Samain, the peasants assemble with sticks and clubs and go from house to house collecting money, bread, butter, eggs, etc., for the feast in the name of St. Colombkill. Every house abounds in the best victuals they can obtain, and apples and nuts are largely devoured. Nuts are burnt, and from the ashes strange things are foretold; hemp seed is sown by the maidens, who believe that if they look back they will see the wraith of their future spouse; they also hang a smock before the fire on the close of the feast and sit up all night concealed in a comer of the room, convinced that his apparition will come and turn the smock ; another method is to throw a ball of yam out of the window and wind it on the reel within, believing that if they repeat the Pater Noster backwards, and look at the ball of yam without, they will see his sith or wraith; they dip for apples in a tub of water and try to bring one up in the mouth; they suspend a cord with a cross-stick with apples at one point and lighted candles at the other, and endeavour to catch the apple, while in circular motion, in the mouth. These, and many other superstitions (the relicts of Druidism), will never be eradicated whilst the name of Samain exists. (Hibernian Folk Lore, Charles Vallancey.)

In County Roscommon, a cake is made in nearly every house, and a ring, a coin, a sloe, and a chip of wood put into it. The person who obtains the ring will be married first, the coin predicts riches for its finder, the sloe longevity, and the chip of wood an early death. It is considered that the fairies blight the sloes on the hedges at Hallowe’en so that the sloe in the cake will be the last of the year. The colleens take nine grains of oats in their mouths, and going out without speaking, walk about till they hear a man’s name pronounced, and that will be the name of their future husband.

In the Isle of Man, Hallowe’en used to be celebrated by the kindling of fires, and by various ceremonies for the prevention of the baneful influence of witches and the mischievous pranks of fairies and elves. Here, as in Scotland, forms of divination are practised. As an instance, the housewife fills a thimble full of salt for each member of the family and empties it out in little piles on a plate and left there during the night. Next morning the piles are examined, and if any of them have fallen down, he or she whom it represents will die before next Hallowe’en. The women also carefully sweep out the ashes from under the fireplace and flatten them down neatly on the open hearth. If, the next morning, a foot print is found turned towards the door it signifies a death, but if turned in the opposite direction a marriage is predicted. In Lancashire, also, the fires of Hallowe’en were lighted up to the middle of the nineteenth century, and similar forms of divination practised as in Scotland and Ireland; and even to-day the Lancashire maiden strews the ashes which are to take the shape of one or more letters of her future husband’s name and throws hemp seed over her shoulder and glances around fearfully to see who is following her. At one time the Lancashire witches used to assemble from all parts of the country at Malkin Tower, an ancient and ruined building in the Forest of Pendle, and there they planned evil and mischief, and woe betide those who were out on the fells at night and crossed their path. It was possible, however, to keep them at bay by carrying a light of some kind. The witches would try to extinguish the light, and if they succeeded, so much the worse for the person, but if the flame burned steadily till the clocks struck midnight they could do no harm. Some people performed the ceremony by deputy, and parties went from house to house in the evening collecting candles, one from each inmate, and offering their services to leet the witches. This custom was practised at Longridge Fell in the early part of the nineteenth century. Northumberland was the only other part of England where Hallowe’en was observed and its quaint customs adhered to to any extent, though in all parts of the Kingdom (and in France also) it has always been believed (and is still) that the Unseen World is closer to this mundane sphere on October 31 than at any other time.

The Occult Review October 1916: p. 213-17

Mrs Daffodil’s Aide-memoire:  It is always pleasant to look at “superstition” on a Friday the Thirteenth, a day so fraught with fear.  We have previously looked at charms to prevent bad luck and have been privy to the secrets of the contrarian “Thirteen Club.” We have also encountered some of these quaint (and sometimes terrifying) old beliefs before in the story of a young woman who wanted to host a completely “authentic” Hallowe’en party called “Nut Crack Night.” 

Mrs Daffodil is amused at how the superstitions above toggle between “sex” and “death,” two of the human race’s most pressing concerns.  The earlier ‘teens had seen a revival of folk-singing, Morris dancing, May Queens, and Corn Dollies. As the world hovered on the edge of War, the old ways evoked some mythical Golden Era of Peace and Plenty.

Yet pestilence, inter-tribal warfare, witches, and midnight horrors—like the poor—are with us always.  This collection of “ancient” rites was published during the Great War, when no end to the bloodshed seemed possible. That year there must have been many sad visions of coffins and many white stones missing from the bonfires.

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

The Two Ponies: 1880s

Shetland Pony and Dogs, John Sargeant Noble. http://www.bbc.co.uk/arts/yourpaintings/paintings/shetland-pony-and-dogs-60989

Shetland Pony and Dogs, John Sargeant Noble. Derby Museum and Art Gallery

THE TWO PONIES

When I was fourteen years old, I went as under nursery-maid to the Hall to look after her Ladyship’s two little children. Beautiful little children, Miss Ailsa and Master Ian were, with yellow curls, and pink cheeks.

          The nurse was Mrs Sinclair, who’d come from the North of Scotland with her Ladyship when she married. She was very severe, but kind with it. She was my mother-in-law later on, and I loved her as much as my own mother.

          Her son Donald, who was to be my dear husband, was, like me, then just fourteen, and an under-groom. Her Ladyship’s mother sent the children a pair of tiny ponies, all the way from the Shetland Islands, dear, friendly little pets, with heavy coats that mustn’t be clipped. And Donald Sinclair had the sole care of them, and hours and horus of brushing their coats and long tails and manes did he put in, and even the Head Groom, Mr Wooton, allowed they looked a picture.

          Then, one day when the little children had been led up and down the garden paths (for they had to be held, they were so small, and Donald had Master Ian, and I had Miss Ailsa, and those dear good ponies knew how to walk on and where to go without being led), my Donald said to me, “Lizzie, how can I get a word to her Ladyship?”

          It wasn’t to be heard of, of course, and it must have been very important, for Donald looked frighted at the very daring of it.

          “Won’t Mr Wooton do?” I said. “He is Head Groom, and the proper one to be told.”

          Donald shook his head.

          “Or your mother?” I said.

          “He wouldn’t believe me, and give me a guid clout, and ma mither, she’d be all in a terrible fright for the bairns. Oh, what will I do?” says poor Donald, and the tears stood in his eyes. “They’ve tellt me to turn the ponies graze (they were never stable-kept) in yon field fornenst the Oak Wood.”

          Well, I’d heard Mrs Sinclair myself, and what she thought of the Oak Wood, and I was never to go near it with Miss Ailsa and Master Ian. She believed there was a wicked band of fairises there, black-hearted, and all in black, and they stole pretty little children right away for ever—especially if they had yellow hair. And I took great pains to mind, for I was frighted myself.

          Her Ladyship was away, and the next morning I slipped down to the stable yard, where I was not supposed to go, unless I had a message, and I got there to say to Mr Wooton that the ponies were not to be used that day.

          Mr Wooton was giving my poor Donald half a dozen with a leather belt, because their coats were tangled and dirty, and the ponies were worn out.

          “D’ye call that grooming?” says Mr Wooton, and Donald had been brushing for hours.

          “I was at the brushing an scraping and strapping for three hours the morn. They’re soaked wi’ sweat,” says my Donald.

          I was almost crying, too, but remember I mustn’t.

          “They’re sweating still, you idle good-for-nought,” says Mr Wooton, giving Donald another cut. “I’ll make a good groom of you yet!”

          Now Mr Wooton was really very proud of my Donald, and had trusted him over the heads of other grooms to look after the children and ponies, for a steady, trustworthy boy, as he was. So he lost his temper, and what would have happened I don’t know—perhaps Donald would be turned away from the Hall, but old Mr Venn, the head gardener, came by for water, and he took one look at the ponies, and says straight out, “Did ‘ee tell the lad to graze by Oak Wood? You ought to know better than that. Look at ‘Their’ (fairises’) stirrups in their manes, and the burrs ‘They’ve’ throuned to spoil their tails, and been hard-ridden all night I don’t wonder. You listen to me for once, and ask others why the Oak Wood Pasture is never used.”

          Donald and me felt much better to find Mr Venn wasn’t blaming him at all, and then they both told him to take the ponies to the lower lawn, where there were apple trees, and sweet grass, and would be under their eyes too—and so could we see them from the nursery window, and the little children liked that.

          The ponies weren’t ridden that day, but left to dry off in the sun, nd rest, while Donald kept watch and was able to give them a brush-down before dark, and pull the burrs from their manes and tails, and untangle the fairises’ stirrup knots.

          Next morning, when I looked out, I couldn’t see the little ponies quiet and happy on the lawn, but after breakfast I saw them, and somehow they looked bad—quite different like. Her Ladyship had come the night before, and came out on the terrace to see the ponies was safe and well, and wanted to know why they were there. I had brought the little children down to ride, but the ponies weren’t even saddled yet, and Mrs Sinclair couldn’t think what ailed Donald to be so late, and come to tell her Ladyship so. Now, when she saw the ponies, she caught hold of Miss and Master tight, and tried to stop Donald putting a hand on those fierce, pretty creatures, but her Ladyship was looking too, with a white face, and cried out to him to come to her at once.”I nearly caught them, ma’am,” says Donald, very upset, but she says, “Stay here!” and she steps forward and calls in a clear, brave voice. “There are no bairns here for you to carry away,” and Mrs Sinclair stood by her, and called too, “Tangye! Shoopiltee! I’m naming names! Off with ye, back! Gang awa’ tae the North, noo!” And the fierce, wild ponies were not there any more. Then her Ladyship took my hand, and said, “We need three who love the bairns to call.” And then they called, and I tried, too, and while Donald held the little children, we cried, “Leave Oak Wood, and go—in the Holy name.”

          And Mr Venn told us later, the keepers saw the great crowd of black weasels running away to the north, and they couldn’t shoot one, but they brought our own poor, lame, over-ridden little ponies back from the wood.

The story dates from 1832. Written down during various visits by a district visitor, and told by a bedridden old housekeeper, aged 85 (verbatim). She was a Mrs Donald Sinclair, but was Warwickshire born. The tale was sent to Miss Tongue’s uncle at Streetley. “The Shetland water-horses appear strangely in an English oak-wood. They seem to have been imported by the lady and the nurse.”

Forgotten Folk-Tales of the English Counties, Ruth L. Tongue  

Mrs Daffodil’s Aide-memoire: Mrs Daffodil does not really understand the Oriental system of naming years after animals and, after all, in England every year is the Year of the Horse. But if one must celebrate, the British thing to do is to tell a story about children and their ponies. Since most ponies are evil little creatures, bent on nothing short of murdering their small riders, the malign characterisation of the ponies in the story above seems appropriate. Miss Tongue [1898-1981] was an associate of folklorist Katharine Briggs, but questions have arisen about her accuracy in collecting and transcribing stories unnoticed by any other folklorists. This particular story was said to have been collected from the narrator, the elderly Mrs Donald Sinclair, at an unspecified date. 

See here for a post over at the Haunted Ohio site, on a ghostly horse and its ghastly rider.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes