Tag Archives: Great War

A Parlour-maid Goes to War: 1918

A munitions worker, also sometimes popularly called a “Munitionette.”

A WOMAN OF FURNACELAND: A STORY AND ITS SEQUEL  

She had felt the strain; she was not well. To a woman unaccustomed to standing on her feet for twelve hours on end, the work had been terrific.  

She had been a parlour-maid in a good situation, with plenty of room and fresh air, where she had cleaned silver, answered the door-bell, waited at table, carried trays, turned out her pantry, gone to the door, had her regular outings, and was perfectly certain to get an hour or two for sewing or reading every afternoon; where she had never got out of her bed before half-past six and was generally back in it before ten; where she had been well fed and well paid, warmly housed and generously considered.  

Tom had joined the colours at the first roll of the drum. She would not have “walked out” with him had he not done so, and truth to tell, he was mighty keen and patriotic.  Quickly trained, hard trained, strenuously trained, he was ready amongst the first batch of the New Army who went to the front, ten or eleven months after the outbreak of war. During these ten months she had kept her situation, had knitted him socks and mufflers, had seen him when on leave, and had encouraged him to do well at the guns.  Then came the final parting. He was to sail from Southampton for “somewhere in France.” Before the momentous day, he received a final few days’ leave.  

“Tom,” she said, “you are off to do your bit, God bless you, and you will be constantly in my thoughts and my prayers;  but I do not suppose we shall meet again for many months — perhaps longer — and I am going to spring a mine upon you, not a German mine, old chap, but a truly British one.  While you are at the front firing shells, I am going into a munition factory to make shells. The job will not be as well paid as domestic service, it will not be as comfortable as domestic service; it will be much harder work, but it will be my bit, and every time you fire your gun you can remember I am helping to make the shells.” 

“Well done, my girl, it is splendid of you, but can you stand it?“ 

“I will stand it,” she replied with that determination which one knows to be the British characteristic, even when it means getting up at five o’clock every winter morning and not returning home for fourteen hours at a spell. 

« « « « «  

It was an awful night. The wind howled. Sleet blew in great blasts. Tom’s letters had been frequent from “somewhere in France,” interspersed with those quaint postcards every soldier and every home knows so well.  He had been through those awful days at Loos, when his battery had pulled out into the open and the only shelter was under the limbers. His leading horse’s driver had been killed before him, and without even waiting for the word of command he had scrambled along to that horse’s back and taken the dead man’s place. He had done his bit with a vengeance. The work of the 15th Division at Loos will never be forgotten; but very little news had travelled home, so the encouragement and inspiration that the girl might have had on that score had been sadly lacking.  

That night Tom was constantly in her thoughts. It was her week of night duty. She had made a railway Journey, to arrive at the factory wet, cold and dejected, and before her lay a twelve-hours shift. Warm food in the Y.W.C.A. Canteen at midnight cheered her. She washed her hands in warm water (which means a great deal to workers, many, thousands of whom had to wash in cold and exist all the first cruel winters without a canteen at all), and through the factory mud and slush she waded back to her workshop, picturing the mud of Flanders and Tom.   

What a scene!  

A veritable beehive of workers. Eight thousand women answered the call of the drum in that district alone. Neat khaki caps and neat khaki overalls made them both trim and smart and a veritable little soldier-women’s army.  

The glass domes of the Birmingham “shop” had been blackened overhead so that Zeppelins should no longer find their whereabouts. The great furnaces below were roaring flames. The machinery was drumming and banging and screeching. The noises were deafening; it was impossible to hear a neighbour speak. Everything was carried on by signs.  

We have all seen men at the forge of a country village putting their black horseshoes into the fire with iron tongs and pulling them out red hot. That was what this woman was doing, but her horseshoe was a part of a shell, and it must be remembered that it takes 150 operators to finish the parts of one fuse, and 21 operators to machine a 4.7 shell. In addition there are other workers who gauge, who assemble, paint and varnish them, and yet others who fill them with explosives. Yes! one hundred and fifty operators to prepare the parts of one fuse and twenty-one people to machine a single shell.

Pause and think then: the brains, the skill, the machinery, the efforts put in motion to make; that little shell before it leaves the hands of the workers and reaches those of the gunner at the front, where hundreds of shells, now that the women have made them, may be fired in a single day from one single gun to which a dozen or so were handed out before and at Loos. And this is war, a half-century planned war, undertaken by the enemy for might against right, a deadly cruel war.

 The chorus of machinery in that shed never ceases, it is incessant, it appears eternal and the amount of human effort is prodigious. Such is the exigency of war. A woman — one of hundreds — presses a lever with her foot, and instantly a big hammer falls with a heavy thud. At a single blow it fashions the-red hot metal on the anvil, and with a shriek it is snatched up again in the twinkling of an eye. The operator picks the still hot metal off the anvil with a tongs and drops it into an iron box with many others, while her mate— a young girl— pulls another piece from the furnace and places it in the die. The machine does the heavy work and yet the strain of that pressure of the foot is bad for the delicate mechanism of woman-kind. There is every class in that shed. There are well-educated ladies— enthusiasts; there are parlour-maids, like this girl— who are patriots; there are the usual factory hands, who have come from soda-water-manufactories, jam, biscuit, cocoa, toy or cheap jewellery factories, who are all doing their bit.  

As the morning draws on in that thundering noise, that roar of machines almost as deafening as the roar of the guns, the drumming lathes work on; but the want of sleep, the fatigue of work, the need of food begin to tell, and our little parlour-maid is feeling weary, well-nigh prone to drop; so she makes herself a cup of tea, that everlasting and ever- joyful cup of tea, which the men enjoy even more than the women — and she thinks of Tom.  

Renewed strength comes with the thought, and she works on.  She looks at the lathe-belts as they go round and round, and feels that every turn furthers her job, and every day brings more succour to the front and the war nearer to its end. But, still she grows weary again. The hours are long. The night shift seems unceasing, the only possible rest from her factory is on Sunday, when she is almost too worn out to leave her bed. As for an evening out, or a cinema show, such a recreation has long left her horizon, such a thing as an hour’s sewing or an hour’s reading in a cosy parlour has ceased to be.  

Two things keep her going, the thought of Tom, with a certain feeling that she is helping him, and the canteen at last provided by the Y.W.O.A. with its chairs and comforts. Had it not been for that canteen her health would have given out long before, for with all the will in the world the women Munition Workers’ hours in 1916 were too incessant for them to stand the strain.  

“What?” 

Through the din no one heard.  

“What did you say? “ 

“Zepps!“ 

Every one knew they would be thrust into darkness. Every one knew they must stop work. Every one knew they were prisoners amidst the worst of dangers — explosives on every side of them, inventive devils of cruelty above them — prisoners in a great arsenal. The chorus of machinery ceases. Belts are released and those palpitating iron and steel machines that grind the daily soul of the workers, slowly and dreamingly cease to toil. In a few minutes all is still.  

Oh, the tension of it. The anxiety, the expectancy, yet not a woman falters. The hours wear on. It grows colder. The action of the right leg on the lever has ceased. Both arms are at rest. The cold seems to penetrate their very soul; but the women say nothing. They know their men face the guns day and night. Big guns, little guns, every kind of hell fire. They know a shell or a rifle-bullet may end a man’s life any minute. They know these men at the front never shirk, why should they? The only people who shirk are the slackers at home, the “down tools,” the wasters, the scum. No soldier shirks his duty, no woman worker turns chicken-hearted. Both are out to do their bit to consolidate and hold a great nation together and build up a great people under the greatest Democracy in the world, known as the British Empire and King George. Numbed, chilled, but not nervous, she sits on a backless stool and thinks of the first months of toil without any seat, without warm water to wash those dirty, swollen, sore hands, without a food canteen, and with only paper-bag lunches of sandwiches and buns; and she remembers the new canteens outside, where a fourpenny or sixpenny dinner can be “bought out of her pay of 3d. per hour, and there is a warm fire and a cheery welcome.  

The clock strikes midnight, one, two, three. The Zepps have gone home again; but she can’t go home, she must still pull in and pull out of the re-kindled furnace her bits of red-hot metal. All she minds is the three hours’ loss in making shells for Tom.  

Was it telepathy?  Was it second sight? What was it that made her pause, as a cold shudder ran down her spine a couple of hours later and seemed to numb her senses? The night was still dull and cold and drear. Her face was deadly pale; the red glow from the furnace fire but accentuated the fact. She was just tired and nervy perhaps. And Tom’s cheery face pictured itself before her in the flames, as she worked on.  

* * * *  

An official envelope “On His Majesty’s Service” told the tale — “Killed in Action,” was all it said.  

Tom was dead.  

And she?  She turned sick and faint when the news came. She almost gave in; but no. There were others, there were other mothers, other sweethearts, and other wives, and for them she would work harder even than before. Work till the war ended.

God Bless her, the Heroine of Furnaceland. These are the women who will never falter until real victory by the Allies puts an end to war for ever.  

Surely if such a soldier-woman’s labour ends in death, she deserves as honourable a military funeral as any fighting-man in the field.  

Women and Soldiers, Mrs. Alec-Tweedie, F.R.G.S., 1918

Mrs Daffodil’s Aide-memoire: Mrs Daffodil would not dare trivialise the work of such a woman by calling her a “Munitionette,” and wishes that the women workers had received better from Britain than the post-war governmental admonishment to go home, be good wives and mothers, and let the men have their jobs back. The author of the piece, Mrs. Alec-Tweedie was Ethel Brilliana Harley Tweedie, a travel writer and advocate for women’s rights. One of her sons was killed in the First World War; her second son was also in the military and died in a military aircraft accident while serving with the RAF.

This post was originally published in 2014.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Choose Your Fan and Then Your Flutter: 1919

fans2

American Girls Reviving the Fan, That Fit Symbol of Fluttering Femininity

Approach of Period of Coquetry Foreseen in New Popularity of Long Fashionable Appendage

By Esther Harney

Fans are coming back into vogue again. They never go out of fashion, of course, for they are as old as coquetry, as gallantry itself. But today they are appearing in full blaze of glory, a sure sign, we are told, that an age of coquetry and extreme femininity is approaching as a reaction from the stern period of the war.

Manufacturers will tell you this news happily. Not for years have they had so many orders for fans of every description from the hand-made lace and tortoise shell varieties of the duchess to the little inexpensive chiffon spangled fan which the high school girls “perfectly adore” to flutter at school “hops.”

Manufacturers will also tell you that there could be no stronger evidence of a general return on the part of woman to her ancient arts and wiles than this reinstatement of the fan. (They are qualified to speak—of course.) During the war there was little time for fans and for femininity. Nor in that period which preceded the war did woman fancy fans; instead she preferred a riding crop or a tennis bat. It was not the fashion then, you will recall, to be delicate and feminine.

But today with all our boys returning from overseas from harsh scenes of war and from other scenes and adventures (oh, the reputed wiles of les belles Francaises), American women are beginning to realize that they must rise to the occasion. Femininity must rule supreme. (The soldiers like womanly women, they say.) and as a symbol of lovely femininity the women have taken up the fan.

International Imagination.

Then, too, American girls are looking to France these days. (They are trying to cultivate an international imagination, you know.) And among the French, fans are popular. With them, for instance, the wedding fan is an important item of the marriage trousseau. And was it not Mme. E Stael who recognized an art in the graceful handling of the fan? “What graces,” she wrote, “are placed in woman’s power if she knows how to use  a fan. In all her wardrobe there is no ornament with which she can produce so great an effect.” Verily the revival of the fan in American can be traced to the influence of France on the American doughboy…

Descended from Palm Leaf.

All ages have contributed to the history of the fan. It has it pedigree like everything else. If a thorn was the first needle, no doubt a palm leaf was the first fan. Standards of rich plumage were present when the Queen of Sheba paid homage to Solomon. Queen Elizabeth gave the fan a place of distinction and was the cause of prosperity among the fan-makers of her day. She is said to have had as many as 30 fans for her use. During her reign ostrich feather fans were introduced in England. Charlotte Corday of French evolutionary fame is said to have used a fan expertly : She held a fan in one hand while she stabbed Marat with a dagger which she held in the other hand.

Great painters of all ages have tried their hands at fans. One famous artist spent nine years completing a fan for Mme. De Pompadour, which cost $30,000. Period fans arose to commemorate events, follies and fashions of the day. Besides an intermediary in the affairs of love a fan became a vehicle for satire, verse and epigram.  

Coronation of Napoleon fan, 1807 http://data.fitzmuseum.cam.ac.uk/id/object/117894

Coronation of Napoleon fan, 1807 http://data.fitzmuseum.cam.ac.uk/id/object/117894

In the canons of “fanology” are described “the angry flutter, the modish flutter, the timorous flutter, the confused flutter, the merry flutter, the amorous flutter.” A flutter for every type, you see.

American girls should then first choose their fan and then their flutter. Perhaps they will revive the art of miniature fan painting as a new profession for women. They should, of course, remember that they can learn much of the art of the fan from Europe (except from Germany. Can you fancy a German woman flirting with a fan?) and plan to obtain their practice on the back porch some hot July evening. That will surely amuse their soldier callers. And at least we all can afford a fan of the palm leaf variety. But if we must take up the fan, the symbol of the new age that is before us, just we also take up the spirit of the age in which it was wafted victoriously? Must we be Victorian?

Boston [MA] Herald 10 May 1919: p. 15 

Mrs Daffodil’s Aide-memoire:  And what, Mrs Daffodil wishes to know, is wrong with being “Victorian?” Alas, the author of this piece was entirely too sanguine about a return to femininity. Far from becoming more womanly, young persons shingled their hair, abandoned proper corsetry, smoked in public, and adopted sexually ambiguous costumes and attitudes. The queenly curves of the pre-War years gave way to a flattened feminine figure that caused many physicians to despair of the continuation of the species. Still, in one detail, the author was correct: The beaded and brilliantined females who thronged the night clubs, did carry fans—immense, vampish affairs of ostrich feathers or sequined chiffon–but recognizably fans. One might suggest that these accessories lent their name to the Girl of the Period: the Flapper.

For a school of “fan-ology,” see this post.  And for more details on how to select a fan, this post.

A vampish fan of the period.

A vampish fan of the period.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Tommy Atkins is a Fatalist: 1918

Good Luck Charms used by Soldiers in the Great War. The Wellcome Collection.

Good Luck Charms used by Soldiers in the Great War. The Wellcome Collection.

TOMMY ATKINS IS A FATALIST

Many British Soldiers Carry Charms and Keep Mascots; Black Cats Favored.

Behind British Lines in France. The feeling of fatalism is strong among soldiers. Many hold the opinion that “if the bullet is not made for you you won’t be hit.” One soldier boasts that he knows he will come through the war all right, because during his latest battle, a large piece of shrapnel on which he found his own initial fell at his feet.

“It was made for me, all right,” he said, “but it missed the mark, so nothing else can kill me.”

Mascots and luck-bringers of various sorts are numerous in all the armies today. They are of great variety, although perhaps tiny rabbits and black cats made of “lucky” metal are encountered more frequently than anything else. Probably in most cases the lucky charm which a soldier carries is something sent him by his womenfolk in the homeland—a thimble, a ring, or a child’s trinket of some kind that has been passed down in the family as a luck-bringer.

Fear Number Three.

Among soldier’s superstitions, of which the British soldier has his full share, one of the most characteristic is connected with the number three.

“The third time is never the same,” is a proverb among the Irish troops. “The third anything is fatal,” is a common expression among the English country battalions. Soldiers have been known to refuse to take their third leave, feeling certain that it will be their last. A soldier’s third wound is said to be the one which must be most carefully attended to. A development of this same superstition prohibits the lighting of three cigarettes with one match.

Odd numbers, according to the British Tommy, are more likely to be unlucky than even ones, and thirteen is no worse than nine. Friday as an unlucky day has been dethroned, and there is no particular bad luck connected with any day of the week in Tommy’s estimation. Sunday, however, is preeminently a lucky day for battles.

White Heather is Lucky.

The lucky flower, by common consent, is white heather, and a piece properly tucked away inside the hatband is supposed to save the wearer from a fatal wound.

Some regiments regard certain decorations and medals as unlucky, not to the wearer, but to the regiment in general. One very well-known battalion objects strongly every time one of its number is awarded the Military Cross.

As regimental pets, black cats are regarded as the luckiest possession a detachment can have, and the arrival of a stray animal of this color at a gun-pit or dugout is an event of great importance. Everyone is bound to be lucky for some hours at least. To meet a black cat while marching up to the trenches puts every member of the company in the happiest humor. On the other hand, a black magpie flying across the line of march is a bad omen. To hear the cuckoo calling before breakfast is another bad omen.

Idaho Statesman [Boise ID] 20 February 1918: p. 5

Mrs Daffodil’s Aide-memoire:  The Imperial War Museums shared five “lucky objects” from the Great War.

On the subject of regimental pets:

SOLDIERS’ MASCOTS.

Some regiments possess curions mascots. The Royal Fusiliers for the last hundred years have kept a goat as the regimental pet, and the mascot of one of the Lancer regiments is also a goat, which they acquired some years ago in South Africa. This animal went through the Matabele war with the regiment, and though several times under fire escaped without a scratch. The 17th Lancers—the “Death or Glory” boys used to possess a large black bear with white markings, but she became bad-tempered, and so was presented not long ago to the Dublin Zoo. Star 11 September 1919: p. 6

To-morrow is Armistice Day, the 99th anniversary of the end of the Great War, reminding us that many “Tommies,” despite their charms and mascots, were not lucky enough to return.

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

The Mask of Glory: 1920

Mrs Daffodil will caution the sensitive that some may find this post (and its illustration), which is about French soldiers disfigured in the Great War, disturbing.

The Mask of Glory

Paul Junka [pseudonym of “Mlle Ferponnes”]

A powerful car, marked with large white initials, U. S. A., called for me to begin my series of visits to the principal establishments of the American Red Cross in and around Paris. I was shown to-day one of the most ingenious and touching things that has arisen from the war, which if it has developed means of destruction to a degree hitherto unknown, has, on the contrary, exalted to sublimity acts of devotion and the divine art of healing sorrow.

“Now,” Miss Farrand, my guide, announced, with that lovely smile which told at the same time her intimate pride in the great things she showed me and the modesty which she brought to her role. “Now I will show you the masks.” “The masks?” “Yes; for the mutilated.”

We crossed Paris and reached that part of the Rue Notre-Dame-des-Champs, which, with its little houses behind gates hung with ivy and glycin, recalled a corner of our calm Provinces, where, in similar dwellings and silent gardens, grow the virile virtues which our race has proved to the world—to the world that knew only its superficial and glittering side. The motorcar stopped before one of these homes, well designed to shelter the dream of a thinker and artist.

“Here is the studio of Mrs. Maynard Ladd, under whose direction the masks for the wounded are made.” said Miss Farrand.

We followed an alley between two walls covered with vines and entered a room where one noticed only plaster casts and molds, the habitual equipment of a sculptor’s studio. From thence we climbed three flights up to Mrs. Ladd’s private studio, and at first saw but a vast bay-window showing a sunlit perspective of sky and foliage. Several people were working here, and I was presented to Mr. Wlerick, the sculptor, Mrs. Ladd’s collaborator. As Mrs. Ladd was at Vichy, he courteously placed himself at my disposition to furnish me all details of interest.

A soldier rose to go, but Mr. Wlerick cordially called him back. “Wait a moment, will you, old fellow? Madame came to see the masks. Will you kindly show her yours?”

With military discipline the soldier made a haft turn and stood before me, his face raised for my inspection. He was a sharpshooter, with slightly olive complexion, and on the ardent face, under his rakishly worn cap, I could find nothing whatever abnormal. I was surprised, and said: “And the mask?” Mr. Wlerick smiled, saying, “He has it on. Look closer, Madame.” I approached and could, indeed, distinguish a faint line upon the soldier’s check; a shadow, rather, that went from mouth to ear. It was so slight a thing that I said, “Oh, yes,” out of politeness, not being able to realize that beneath the perfect appearance of the face was a terrible mutilation. Then, pressing the soldier’s hand, I added, “My friend, it is wonderful; no one could believe that you wear a mask!”

My sincerity was obvious, my astonishment so complete that I was not conscious of it. The poilu was overjoyed, saluted and went out; shortly afterward I understood why my simple words gave him such keen pleasure.

On one side of the large bay-window that lighted the studio numbers of plaster molds were lying. I started forward to see them and stopped, horror-struck. It was almost impossible to discover human lineaments in these casts that, nevertheless, represented poor martyred faces which had been serene, often beautiful, almost always smiling from being loved, from being young, and having all the future before them, and which were now but terrible formless ruins, something indescribable, “which has no more a name in any tongue.” There were noses torn off, twisted lips, disfigured chins and crushed foreheads—the whole gamut of deformity.

While I gazed, wide-eyed, Mr. Wlerick explained to me that these were the first molds, made upon the mutilé exactly as his wound had left him. Finally a second mold is modeled after a photograph of the blesse taken before his wound, which is a reconstruction of his normal face. To restore a complete resemblance to this visage and give back its proper psychological expression a medical study is often necessary, examination of the throat, etc. This work requires a rather long and delicate series of processes, no less than ten in number:

  1. A plaster negative on the mutilé.
  2. A plaster positive on the mutilé.
  3. Modeling after a photograph prior to the wound.
  4. and 5. Plaster molds on the portrait model.
  5. Galvanoplastie (deposit of sulphate of copper by electricity).
  6. Work of adjustment upon the blesse.
  7. Unalterable painting upon the mutilé.
  8. Placing of artificial eyes, lashes and brows.
  9. System of spectacles to hold the mask in place. “When this difficult work is ended and the arrangement is as it should be, it is difficult to realize that the one who wears this mask is generally completely disfigured,” continued M. Wlerick. “You have seen it in the case of the sharpshooter whom I presented to you just now. Here is his cast. . .”

The sculptor indicated a plaster mold which seemed a strange animal head and which would have appeared to be a caricature had not we compared it with the corresponding cast which showed the head reconstructed. For this terrible deformation was due to the absence of the whole lower part of the face, and I had not even guessed it! I understood now why my unthinking compliment had so delighted the poor soldier!

An example of a mask for a wounded soldier, 1919

An example of a mask for a wounded soldier, 1919

Upon further inquiries I learned that the invention of the mask is due to Captain Derwent Wood, of the Second London Hospital. Mrs. Ladd adopted it as it was first made, but it has been since developed and perfected. The first masks were necessarily heavy and quite different from the models of delicacy and lightness which were shown to me. The masks, if need be, may contain a dressing and are indestructible; if the wounded is careful they will last indefinitely. They are made at the expense of the American Red Cross, and the painting upon them has been rendered completely unalterable.

I approached another soldier who was seated in the center of the room. Standing beside him an artist, a colleague of Mrs. Ladd’s. was moving a paint-brush across his cheek with a light, gracious movement that would have seemed a gesture in a game if one had not known, as I had just learned, that this motion on the wretched wounded face represented the height of art and love. At this moment the painter was giving the finishing touches to the indefinable bluish tone that the razor leaves upon a close-shaven cheek. It was unbelievably natural, and one would have to be informed that it was not a face fresh from the hands of a careful barber, but rather an extraordinary imitation of a human visage.

“Oh, it is fine; it is splendid! How they should bless you, these young men!” I cried, considering by turns the soldier beaming with pleasure and the artist, who stood there as modest as though she had accomplished the most ordinary work. “Certainly they will never forget you; you make them again the lovely boys they were before their wounds; you give them back all the joys of life, all the possibilities of happiness.” Ah! how he looked at me, the poor poilu so terribly disfigured. I am sure this boy, tried beyond human endurance, was upheld in his adversity by the tenderness of a dream, and for him this mask, which hid so admirably his fearful and glorious misery, was the Mask of Love!

I was delighted with this sudden thought that came to me; then I smiled, for what I had believed to have been an inspiration was only a memory. The Mask of Love is the title of one of the most famous books by Daniel-Lesueur.

“These masks,” I said to those about me, “are a glorious achievement, indeed, and one can never sufficiently realize how much patience and talent is spent here to lessen the heroic suffering of our soldiers. However, it seems to me that the using of this mask implies a real vanity upon your part; for one should not hide a glorious wound, but wear it proudly. …”

They smiled, flattered, because in the depths of their simple souls they had sincerely thought themselves too disfigured to appear in public. A little farmer of Châlons expressed the humiliation that indiscrete looks cause our wounded. “Oh! you know, Madame, one does not like to be conspicuous. …”

Still filled with my idea. I continued, “Listen, I have an inspiration. I owe it, moreover, to your modesty. I shall call the article which I am to write concerning you the Mask of Glory, because it is, indeed, your glory you mask!” There were many exclamations around me, and Mrs. Ladd’s collaborators approved heartily.

Later, talking with Mrs. Ladd herself concerning the zeal expended and the difficulties conquered, Mrs. Ladd smiled gently and said, “We are amply rewarded by the joy of our mutilés. They write me very lovely letters; would you like to see them?” I accepted her offer eagerly and quote here two of the most affecting:

Dear Madame: I am so greatly satisfied with my mask that I cannot wait to come to thank you again. My parents, too, are very happy to see me as I am. When I arrived they scarcely recognized me as the same wounded man. Also the neighbors wondered how it is possible for one to make such a beautiful nose in so short a time! Briefly, it is a tremendous success. If I return to Paris, as I hope, I will certainly come to see you.François Gorall, September 6, 1918.

Madame: I surprised my parents with my mask and I can find no words to paint their delight; they could hardly believe it was I! You have done so much for me that I do not know how to express my gratitude, for it is thanks to you that I will be able to have my own home. My fiancée finds me not unpleasing and has not refused me as she would have had the right to do. She will soon be my wife.Marc Maréchal.

“All who enter here leave hope behind” was inscribed upon the portal of Dante’s Inferno. I would that a poet of genius might find the fitting inscription for Mrs. Ladd’s studio, where so many beings, secretly despairing, have found and will find supreme comfort. And once more the homage of our gratitude goes out to the American Red Cross, which has discovered here an incomparable and almost divine means of soothing one of the most poignant forms of human suffering.

The New France, Vol. 3, 1920: p. 544

Mrs Daffodil’s Aide-memoire: On this Armistice Day we remember the service of veterans everywhere, and especially the wounded, who bear scars both visible and hidden.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

The Jack-o-Lantern at War: 1918

pumpkin-dance-mother-earths-children-the-frolics-of-the-fruits-veg-1914

JACK O’LANTERN ENLISTED FOR WAR;

DOES DOUBLE DUTY

Jack o’ Lantern, high elf of Hallowe’en, is to be transformed by order of the food administration.

The merry twinkle of Jack o’ Lantern’s wide open eyes will be a trifle subdued this year. The gleam must come from a non-smoking candle with a regulated flame instead of the old flaring lights that made Jack a winking, blinking elf.

Big Mouth Barred.

And instead of the great, generous mouth, with its jagged teeth, that made the kiddies shiver with glee, the 1918 Jack o’ Lantern will smile properly from a neat buttonhole of a mouth.

It’s all because every pumpkin, whether it falls into the Jack o’ Lantern class or not, must eventually form “makings” for golden brown pies for the boys over there or for the home folks.

After your Jack o’ Lantern, with small, careful cutouts for features, has spent his little hour on the window sill, remove the candle, cut him into little bits, then boil him.

Here’s Sugarless Pie.

Now you are ready to make a pie.

And here, according to the food administration, is the proper sugarless way to proceed:

“With the mashed and strained pumpkin mix one-half cup of sorghum, one teaspoonful of cinnamon, two cups of milk, one-half teaspoonful each of ginger and salt and two eggs. Next make a wheatless crust of 1 1-2 cupfuls of rye flour, one-half cupful of barley or corn flour, water to make a dough, one-fourth to one-half cupful of fat and one-half teaspoonful salt.”

“Have fun with your pumpkins,” said Herbert Hoover, “but eat them afterward.”

Grand Forks [ND] Daily Herald 31 October 1918: p. 2

Mrs Daffodil’s Aide-memoire: Mr Herbert Hoover was, of course, later the President of the United States. At the time of this writing, he was head of the U.S. Food Administration, which administered food reserves, particularly for the troops and their allies overseas. There was rationing at home, hence the omission of sugar and wheat. “Meatless Mondays” and “Wheatless Wednesdays,” were two programmes for voluntary participation in rationing.

Mrs Daffodil might add that Mr Hoover sounds a bit of a spoil-sport. If the pumpkins were to be turned into pie, why could not the eyes and mouths be cut to regulation size and the scraps saved to be boiled?  Where is the Hallowe’en menace in a “neat buttonhole of a mouth?” “Small” and “Careful” are not adjectives associated with the holiday.  And why the fussy specifications about the  jack-o-lantern’s candle?   Requiring “a non-smoking candle with a regulated flame” smacks of an officious government interfering in the private pleasures of its citizens. It is this sort of thing that breeds Bolsheviks.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

 

Encore: Choose Your Fan and Then Your Flutter: 1919

fans2

American Girls Reviving the Fan, That Fit Symbol of Fluttering Femininity

Approach of Period of Coquetry Foreseen in New Popularity of Long Fashionable Appendage

By Esther Harney

Fans are coming back into vogue again. They never go out of fashion, of course, for they are as old as coquetry, as gallantry itself. But today they are appearing in full blaze of glory, a sure sign, we are told, that an age of coquetry and extreme femininity is approaching as a reaction from the stern period of the war.

Manufacturers will tell you this news happily. Not for years have they had so many orders for fans of every description from the hand-made lace and tortoise shell varieties of the duchess to the little inexpensive chiffon spangled fan which the high school girls “perfectly adore” to flutter at school “hops.”

Manufacturers will also tell you that there could be no stronger evidence of a general return on the part of woman to her ancient arts and wiles than this reinstatement of the fan. (They are qualified to speak—of course.) During the war there was little time for fans and for femininity. Nor in that period which preceded the war did woman fancy fans; instead she preferred a riding crop or a tennis bat. It was not the fashion then, you will recall, to be delicate and feminine.

But today with all our boys returning from overseas from harsh scenes of war and from other scenes and adventures (oh, the reputed wiles of les belles Francaises), American women are beginning to realize that they must rise to the occasion. Femininity must rule supreme. (The soldiers like womanly women, they say.) and as a symbol of lovely femininity the women have taken up the fan.

International Imagination.

Then, too, American girls are looking to France these days. (They are trying to cultivate an international imagination, you know.) And among the French, fans are popular. With them, for instance, the wedding fan is an important item of the marriage trousseau. And was it not Mme. E Stael who recognized an art in the graceful handling of the fan? “What graces,” she wrote, “are placed in woman’s power if she knows how to use  a fan. In all her wardrobe there is no ornament with which she can produce so great an effect.” Verily the revival of the fan in American can be traced to the influence of France on the American doughboy…

Descended from Palm Leaf.

All ages have contributed to the history of the fan. It has it pedigree like everything else. If a thorn was the first needle, no doubt a palm leaf was the first fan. Standards of rich plumage were present when the Queen of Sheba paid homage to Solomon. Queen Elizabeth gave the fan a place of distinction and was the cause of prosperity among the fan-makers of her day. She is said to have had as many as 30 fans for her use. During her reign ostrich feather fans were introduced in England. Charlotte Corday of French evolutionary fame is said to have used a fan expertly : She held a fan in one hand while she stabbed Marat with a dagger which she held in the other hand.

Great painters of all ages have tried their hands at fans. One famous artist spent nine years completing a fan for Mme. De Pompadour, which cost $30,000. Period fans arose to commemorate events, follies and fashions of the day. Besides an intermediary in the affairs of love a fan became a vehicle for satire, verse and epigram.  

Coronation of Napoleon fan, 1807 http://data.fitzmuseum.cam.ac.uk/id/object/117894

Coronation of Napoleon fan, 1807 http://data.fitzmuseum.cam.ac.uk/id/object/117894

In the canons of “fanology” are described “the angry flutter, the modish flutter, the timorous flutter, the confused flutter, the merry flutter, the amorous flutter.” A flutter for every type, you see.

American girls should then first choose their fan and then their flutter. Perhaps they will revive the art of miniature fan painting as a new profession for women. They should, of course, remember that they can learn much of the art of the fan from Europe (except from Germany. Can you fancy a German woman flirting with a fan?) and plan to obtain their practice on the back porch some hot July evening. That will surely amuse their soldier callers. And at least we all can afford a fan of the palm leaf variety. But if we must take up the fan, the symbol of the new age that is before us, just we also take up the spirit of the age in which it was wafted victoriously? Must we be Victorian?

Boston [MA] Herald 10 May 1919: p. 15 

Mrs Daffodil’s Aide-memoire:  And what, Mrs Daffodil wishes to know, is wrong with being “Victorian?” Alas, the author of this piece was entirely too sanguine about a return to femininity. Far from becoming more womanly, young persons shingled their hair, abandoned proper corsetry, smoked in public, and adopted sexually ambiguous costumes and attitudes. The queenly curves of the pre-War years gave way to a flattened feminine figure that caused many physicians to despair of the continuation of the species. Still, in one detail, the author was correct: The beaded and brilliantined females who thronged the night clubs, did carry fans—immense, vampish affairs of ostrich feathers or sequined chiffon–but recognizably fans. One might suggest that these accessories lent their name to the Girl of the Period: the Flapper.

For a school of “fan-ology,” see this post.  And for more details on how to select a fan, this post.

A vampish fan of the period.

A vampish fan of the period.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Volunteer Nurses in the Great War: 1914

nurses uniforms

The fashionable women of England are very anxious to help. At least they say they are, and never would we doubt a lady’s word. But their good intentions are thwarted on every side. Lord Kitchener does not want them as nurses. He says he prefers nuns, presumably because they have no matrimonial ambitions, and it is said that he went himself to a nunnery — fancy Lord Kitchener in a nunnery — in order to arrange matters. Doubtless Lord Kitchener has painful memories of the Boer War, where the lady helpers proved such a nuisance that he classed them with the flies as among the unbearable plagues of camp life.

But the ladies who stayed at home were nearly as bad. They, too, felt the enthusiasm of action, and so they made presents for the troops at the front. All kinds of presents, such as ladies make for each other at Christmas time and such as they give to their long-suffering male friends, who say things and throw the gifts away. They made candy boxes for them embroidered with pretty sentiments. They made night-shirt covers and pillow-cases and cigarette cases. They made collar-boxes and brush bags. Heaven only knows what became of all this truck. Presumably it was burned, but it was all innocent enough in comparison with the activities of the ladies who went to the front as nurses under the conviction that nursing meant bathing the brows of handsome young officers and writing letters for them to their mothers.

It is said that a good many of the volunteer nurses in the present war have expressed a preference for the nursing of officers and were thereupon requested to go home and stay there.

The French army allows no nurses at the front except nuns, who can be relied upon for the absolute and unswerving performance of duty and for an absence of the hysterias that so often afflict their more worldly sisters.

These nuns go to the firing line and show themselves as indifferent to bullets as the soldiers themselves. But the aristocratic French ladies are allowed to meet the wounded on their arrival in Paris and to offer their ministrations under the strict supervision of medical officers. And they show themselves as willing enough to do whatever is necessary, whether it be washing, scrubbing, or cooking.

The Argonaut [San Francisco, CA] 5 December 1914

Mrs Daffodil’s Aide-memoire: While there were many unsung heroines among volunteer nurses, those who had spent much time at the Front reported encountering too many “heroines” who sang their own praises:

My own latest experience was with an American woman of awful vulgarity. I asked her if she was busy, like everyone else in this place, and she said: “No. I was suffering from a nervous breakdown, so I came out here. What is your war is my peace, and I now sleep like a baby.” I want adjectives! How is one to describe the people who come for one brief visit to the station or hospital with an intense conviction that they and they only feel the suffering or even notice the wants of the men. Some are good workers. Others I call “This-poor-fellow-has-had-none.” Nurses may have been up all night, doctors may be worked off their feet, seven hundred men may have passed through the station, all wounded and all fed, but when our visitors arrive they discover that “This poor fellow has had none,” and firmly, and with a high sense of duty and of their own efficiency, they make the thing known.

No one else has heard a man shouting for water; no one else knows that a man wants soup. The man may have appendicitis, or colitis, or pancreatitis, or he may have been shot through the lungs or the abdomen. It doesn’t matter. The casual visitor knows he has been neglected, and she says so, and quite indiscriminately she fills everyone up with soup. Only she is tender-hearted. Only she could never really be hardened by being a nurse. She seizes a little cup, stoops over a man gracefully, and raises his head. Then she wants things passed to her, and someone must help her, and someone must listen to what she has to say. She feeds one man in half an hour, and goes away horrified at the way things are done. Fortunately these people never stay for long.

My War Experiences in Two Continents, Sarah Macnaughtan, 1919

In pre-Revolutionary Russia, too, Society Nurses were a problem. Grand Duke Nicholai had a solution.

In Russia, as in other countries, there were many women who, not appreciating the character of the services required, and merely from a shallow emotionalism, volunteered as nurses, more for the purpose of wearing the uniform and talking of what they were doing than because they sincerely wanted to help. They volunteered without knowing what they were expected to do, without any knowledge of nursing save that the Russian nurse’s headdress is becoming to almost any type of beauty.

A bevy of these women offered their services to the Grand Duke. He needed nurses, and he needed many nurses, but he wanted nurses, not society women who thought it would be interesting and romantic to hold the hand of a suffering soldier but had no idea of scrubbing floors or of sanitation or of all the hundreds of things nurses, and especially a war nurse, must know. So the Grand Duke told one detachment of them to come to a certain place where he would meet them and assign them to their duties.

They came, a fluttering lot of amateur ministering angels, and presented themselves as directed. The Grand Duke looked them over. There were about a hundred in the lot. He lined them up and made a speech to them.

“Ladies,” he said, “I appreciate, and so do my soldiers, and so does our country, the patriotic and heroic impulse that has caused you to offer yourselves as nurses. We need nurses. This war is very terrible and there is much suffering to be alleviated. I shall be glad of your services.”

The ladies all fluttered and were so glad and so interested and so anxious to go right into the hospital and make things easier for the poor, dear soldiers.

“But,” continued the Grand Duke, “in nursing, as in every other line of service, there are several divisions of labor. For example, we have officers to nurse and we have private soldiers to nurse. Now, of course, you ladies will have a preference. So I shall allow you to make your choice. All those of you who would prefer to nurse officers will please step over to this side, and those of you who are willing to nurse the private soldier will please step over to this side. I leave the choice to you. Of course it will be pleasanter, perhaps, to nurse the officers than the common soldiers but the common soldiers must be nursed too, you understand. Those who prefer to nurse officers on this side, if you please, and those on this side who are willing to go into the wards where the private soldiers are placed.”

The ladies divided themselves. All but about twenty of them thought that it would be much nicer and more interesting to serve their country by nursing handsome officers rather than peasants who were privates. But twenty said that they were willing to nurse the private soldiers, the peasants who had been wounded.

Whereupon the Grand Duke bundled back to Petrograd the ladies who wanted to nurse officers, and kept the twenty who really had a sincere desire to do something more for their country than wear a becoming headdress and sit about the cafes in it. That is a sample of the way the Grand Duke does things.

History of the World War, Frank H. Simonds, 1918

Despite the plague of titled lady nurses, there were a good many stately homes opened as hospitals and convalescent homes for the troops. See this delightful post, with its anecdote of the Duchess of Westminster and her way of “doing her bit” for the men in uniform.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

Week-end Compendium: 27 January 2016

Leap Year ladies wooing a very self-satisfied snowman.

Leap Year ladies wooing a very self-satisfied snowman.

Mrs Daffodil, who entered into the so-called “Week-end Compendium” arrangement at the behest of that persuasive person over at the Haunted Ohio blog, wishes to poll her readers as to the continuation of the compendium. Mrs Daffodil can revert to posts designed to educate, elevate, and amuse or continue this omnibus format. Mrs Daffodil will ask that you write your vote for “Continue” or “Revert” in an impeccable copper-plate hand on white or ivory note-paper with your crest engraved at the top and send it to the comments section of this blog. Mrs Daffodil thanks you.

In this week’s posts:

Mrs Daffodil is shocked, shocked by the vile goings-on among a group of club-women arranging a patriotic entertainment in A Lady Washington Tea Party Comes to Grief.

A 1903 enamel and diamond motor-car brooch. http://www.bonhams.com/auctions/18191/lot/45/

A 1903 enamel and paste motor-car brooch. http://www.bonhams.com/auctions/18191/lot/45/

The Automobile Girl, it is explained, has chosen motoring for its fashion possibilities. Other voices, advocating veils and warm coats, weigh in.

It being Leap Year, Mrs Daffodil thought it would be amusing to look at some of the topsy-turvey traditions of the Leap Year and its Proposals.  Mrs Daffodil sees much potential for an economical refurbishing of one’s wardrobe if one chooses one’s prey carefully.

On Sunday, in spite of her reluctance to encourage prattling tots, Mrs Daffodil shares the touching story of “Nellie’s Leap Year Proposal.”

Leap Year Joke: If there is any girl who doesn’t like to pop the questions even if it is leap year, she can get around it by asking her young man if he’d be willing to fill in his name on her marriage certificate. The Christian Recorder 9 October 1884

From Mrs Daffodil’s archives: Two rival prostitutes fight it out.

Contemplating the possibilities of Leap Year.

Contemplating the possibilities of Leap Year.

Over at the Haunted Ohio blog, we find much that is distasteful:

A Ghost With the Smell of a Charnel House infests a property near London. Olefactory unpleasantness ensues.

A visit to a Dead-House at Munich, (part of the “Little Visits to the Great Morgues of Europe” series) reveals grewsome sights and the smell of antiseptic. Much nicer than the Paris Morgue, however.

From the archives, a shocking history of electric practical jokes.

There are some quite exciting links this week: An author solves a 160-year-old mystery involving an erstwhile portrait of Pocahontas.

The quest for Dicken’s pet Raven, Grip.

A truly evocative Great War knitting project, which inspired a documentary: Tell Them of Us.

And an amusing look at historic advice for writers of romantic fiction.

Mrs Daffodil wishes all Leap Year Ladies the best of luck. (Girl with Good Luck Charms, Raphael Kirchner, 1902 http://www.mfa.org/collections/object/girl-wearing-lucky-charms-from-the-series-girls-with-good-luck-charms-553207

Mrs Daffodil wishes all Leap Year Ladies the best of luck. (Girl with Good Luck Charms, Raphael Kirchner, 1902) http://www.mfa.org/collections/object/girl-wearing-lucky-charms-from-the-series-girls-with-good-luck-charms-553207

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Chris Woodyard is the author of The Victorian Book of the Dead, The Ghost Wore Black, The Headless Horror, The Face in the Window, and the 7-volume Haunted Ohio series. She is also the chronicler of the adventures of that amiable murderess Mrs Daffodil in A Spot of Bother: Four Macabre Tales. The books are available in paperback and for Kindle. Indexes and fact sheets for all of these books may be found by searching hauntedohiobooks.com. Join her on FB at Haunted Ohio by Chris Woodyard or The Victorian Book of the Dead.

Christmas in Belgium during the Great War: 1915

British Red Cross Nurse, First World War, 1915

British Red Cross Nurse, First World War, 1915

25 December. My Christmas Day began at midnight, when I walked homehrough the moonlit empty streets of Furnes. At 2 a.m. the guns began to roar, and roared all night. They say the Allies are making an attack.

I got up early and went to church in the untidy school-room at the hospital, which is called the nurses’ sitting-room. Mr. Streatfield had arranged a little altar, which was quite nice, and had set some chairs in an orderly row. As much as in him lay—from the altar linen to the white artificial flowers in the vases—all was as decent as could be and there were candles and a cross. We were quite a small congregation, but another service had been held earlier, and the wounded heard Mass in their ward at 6 a.m. The priests put up an altar there, and I believe the singing was excellent. Inside we prayed for peace, and outside the guns went on firing. Prince Alexander of Teck came to our service—a big soldierly figure in the bare room.

After breakfast I went to the soup-kitchen at the station, as usual, then home—i.e. to the hospital to lunch. At 3.15 came a sort of evensong with hymns, and then we went to the civil hospital, where there was a Christmas-tree for all the Belgian refugee children. Anything more touching I never saw, and to be with them made one blind with tears. One tiny mite, with her head in bandages, and a little black shawl on, was introduced to me as “une blessée, madame.” Another little boy in the hospital is always spoken of gravely as “the civilian.”

Every man, woman, and child got a treat or a present or a good dinner. The wounded had turkey, and all they could eat, and the children got toys and sweets off the tree. I suppose these children are not much accustomed to presents, for their delight was almost too much for them. I have never seen such excitement! Poor mites! without homes or money, and with their relations often lost–yet little boys were gibbering over their toys, and little girls clung to big parcels, and squeaked dolls or blew trumpets. The bigger children had rather good voices, and all sang our National Anthem in English. “God save our nobbler King”—the accent was quaint, but the children sang lustily.

We had finished, and were waiting for our own Christmas dinner when shells began to fly. One came whizzing past Mr. Streatfield’s store-room as I stood there with him. The next minute a little child in floods of tears came in, grasping her mother’s bag, to say “Maman” had had her arm blown off. The child herself was covered with dust and dirt, and in the streets people were sheltering in doorways, and taking little runs for safety as soon as a shell had finished bursting. The bombardment lasted about an hour, and we all waited in the kitchen and listened to it. At such times, when everyone is rather strung up, someone always and continually lets things fall. A nun clattered down a pail, and Maurice the cook seemed to fling saucepan-lids on the floor.

About 8.15 the bombardment ceased, and we went in to a cheery dinner—soup, turkey, and plum-pudding, with crackers and speeches. I believe no one would have guessed we had been a bit “on the stretch.”

At 9.30 I went to the station. It was very melancholy. No one was there but myself. The fires were out, or smoking badly. Everyone had been scared to death by the shells, and talked of nothing else, whereas shells should be forgotten directly. I got things in order as soon as I could and the wounded in the train got their hot soup and coffee as usual, which was a satisfaction. Then I came home alone at midnight—keeping as near the houses as I could because of possible shells—and so to bed, very cold, and rather too inclined to think about home.

My War Experiences in Two Continents, Sarah Macnaughtan, 1919

Mrs Daffodil’s Aide-memoire: Prince Alexander of Teck, brother to Queen Mary,  renounced his German title in 1917, just as the British Royal family ceased to be the Saxe-Coburg and Gothas and became the Windsors.  He was seeing active duty with his regiment, the 2nd Life Guards in France and Flanders, and was head of the British Mission to the Belgian Army.

Miss Macnaughtan was a first-aid worker and journalist. She volunteered to go to Belgium to help nurse the wounded and stayed when given a chance to go back to England. You can read more about her bravery in the face of battle here.  As a Red Cross worker and writer, she spent most of her adult life abroad. She became very ill on an expedition to Persia and returned to England in May of 1916, dying in July of that year.

Here are some stereo-opticon images of the field hospital at Furnes and information about its history and staffing.

Mrs Daffodil would like to take this opportunity to wish you all a very Happy Christmas and a Peaceful New Year.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

War Toys for Christmas: 1914-1917

Get Rid of Huns maze puzzle, Victoria & Albert Collection

Get Rid of Huns maze puzzle, Victoria & Albert Collection

WAR TOYS FOR THE KIDS

Toy Makers Take Cue from War Now Raging, and Miniature Armies and Ordnance is in Style

Santa Claus will fill the stockings of Emporia boys and girls this year with guns, cannon, soldiers and warlike toys such as they never before have seen. It will be a military Christmas and the Emporia youngsters will fight the battles of the Argonne and Ypres like the real soldiers across the Atlantic, only the soldiers will be tin and the guns small and harmless.

The Emporia stores have their toys on display this week and in their big stock are many war implements. Miniature Krupp guns will slaughter tin soldiers in front of the fireplace Christmas Day, and the boys will imitate the Belgians and Germans with an assortment of air rifles, pop-guns, cannons and other forms of ordnance. There will be games of war where the boys will be generals, and like the kings in Europe, will recklessly feed their soldiers to the cannons of their opponents.

The children who have a preference for naval engagements will find many interesting toys in the Emporia stores. Superdreadnaughts, destroyers and other sea craft are waiting their launching in the family bathtub or rain barrel. The toy shelves are well stocked with boats this year and a heavy sale is expected.

The newest phase of war, the aviation conflicts, will find popularity in Emporia homes Christmas. Biplanes and monoplanes are for sale in a few stores. Kansas City stores are advertising Zeppelins which drop paper bombs but the Emporia merchants have not plunged so deeply in the toy business.

The supply of Christmas playthings is not short this year because of the war. The Emporia dealers bought their imported toys in the summer and received their goods before Germany—the Toyland of the world—was plunged into the war. Emporia [KS] Gazette 30 November 1914: p. 1

In 1914 the War was in the headlines of American newspapers, but, as is remarked, the primary concern at Christmas was a supply of toys and decorations, most of which were manufactured in Germany. By 1917, the date of this next article, German goods were anathema in the United States and U.S. factories were manufacturing their own toys.

war toys

WAR TOYS HAVE THE CALL

“TANKS” AND DESTROYERS WILL DELIGHT CHILDREN AT CHRISTMAS

Forts, Artillery and Airplanes Which Actually Fly Are Among the Military Playthings This Year.

The war has had a pronounced effect on the Christmas toys offered this year. Before the United States entered the conflict toys were made to discourage children from playing soldier. Playthings shown this year will cause the child to think in terms of war.

There will be little danger of rearing a generation of pacifists if many “young hopefuls” receive toy motor tanks Christmas. These are clever imitations of the effective British fighting machines. They consist of continuous metal shields constructed about toy motor cars, with even the wire wheels protected by “armor.” There are small openings for the drive to look out and frowning guns project from the front, sides and rear. The exterior is painted battle ship gray.

Then there are toy motor cars simulating destroyers. Graceful hulls are built about the vehicles, with equipment of rapid fire guns.

EVEN THE WIRE ENTANGLEMENTS.

There is a wide assortment of toy cannon, some with pivots and cranks for aiming. This ordnance projects wooden darts mostly. There also are little forts with barbed wire entanglements, and fearsome field pieces.

One of the most interest war toys is an airplane which lifts itself from the ground. The frame is of thin wire and the planes are silk. A long rubber band operates the propeller. By adjusting the rudder the plane may be made to travel in a circle.

TOYS BEAR AMERICAN LABLES.

The words “Made in Germany,” heretofore seen on many toys, are absent. The trade marks on most of the articles indicate they were made in the United States. Much native inventive genius apparently has been devoted to toy designing in the last year. A number of new mechanical toys of American manufacture are to be had. Many of the cheaper toys were made in Japan. There is said to be a scarcity of toys this year. Buying is brisk.

Kansas City [MO] Star 2 December 1917: p. 4

Mrs Daffodil’s Aide-memoire: It is difficult to know how deeply ingrained in the youthful psyche is the impulse to shoot. Mrs Daffodil has heard of parents banning all weaponry from the nursery, only to have the child point a finger in the age-old “bang-bang” gesture or of using a triangle of thin bread-and-butter as a gun. She does not even want to think about the so-called “video-games,” which allow children to feel as if they are in a war-zone, killing the enemy.  This Father Christmas  had a kindly idea. This was, of course, before the United States entered the European conflict, but the War news was unavoidable.

SANTA CLAUS BANS WAR TOYS FOR THE KIDDIES

Everything Else For the Children Being Made in Great Kensington Plants.

Philadelphia. Santa Claus sat in his workshop. ‘Twas nearing the middle of December—the children’s own month—and Santa was wondering what they’d like in their stockings.

“Haven’t you been reading the papers?” queried his first assistant. “War—nothing but war! Give ‘em soldiers this year. Tin soldiers with medals on their breasts, and muskets and cannon and block fortresses and real submarine ships that will sink and war aeros that will fly! Give the babies the war to play with!”

But Santa gazed with sad eyes. “Peace on earth,” he said softly. “Men slay each other, but the children of men mustn’t cherish thoughts of murder. We’ll give them their dolls and their toy animals to teach them love, and pray through them it may rule all men.” That’s what Santa Claus said. He gave orders that never a cannon nor a soldier was to be made in his workshop. And he sent out word to all his assistant workshops up and down the world that he didn’t care to drive his reindeer along housetops this year for the purpose of dropping war toys down chimneys.

At the big toy factories in Kensington [Philadelphia] the word that Santa Claus sent down from the North Pole was received joyfully. The factories never did make many war toys. This year they’ll make almost none. Broad Ax [Chicago, IL] 23 December 1916: p. 7

That bellicose person over at Haunted Ohio has posted on the grewsome war toys indocrinating the youth of Germany.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.