Tag Archives: Hamlet

The Nail in the Skull: c. 1600, 1840s

celtic knot with skull 1900.JPG

AN ENGLISH GREEN-ROOM STORY.

There is a story told in English green-rooms, for the truth of which, writes Celia Logan, in the N.Y. Dispatch, I cannot vouch. It is to the effect that a certain carpenter, a long, long time ago, murdered his wife by driving a nail into her skull. He fled, and the better to conceal his identity, became an actor. He rose to eminence, and the whirligig of time and the wheel of chance brought him to the very village in which years before he had killed his wife, whose murder, however,–so the story runs—had not been suspected, her long, thick black hair concealing the cruel wound from which no blood had flowed.

The part was Hamlet. Whatever memories the place evoked, he had sufficient mastery over his feelings to keep them hidden. The first scene of the fifth act came on. The theatre stood on what had formerly been a burial ground, and the property man had not far to go for skulls, but just dug a little and brought up a dozen or more, and at night tossed them into the trap for the gravedigger to shovel on the stage. He handed a skull to the Hamlet, saying:
“Here’s a skull now hath lain you in the earth for three-and-twenty years.”

Hamlet—“Whose was it?”
Gravedigger “This same skull, sir, was Yorick’s skull, the king’s jester.”

Hamlet took the skull saying: “This—“

He turned pale and staggered, for the skull had left on it one long lock of black hair. Handed to him upside down, the lock fell back, revealing a nail in the skull! The actor recognized it as that of the woman whom he had murdered twenty-three years before. At this mute evidence of his guilt coming from the grave to confront him the actor lost his presence of mind and his senses.

In his insane utterances he revealed his terrible secret, and was only saved from punishment by his fellow actors hushing him up and hurrying him away. He never recovered his reason, and died in a madhouse, raving of the nail in the skull.

About thirty years ago a story was written by a Frenchman on this same ghastly subject, laying the scene in private life in France, and making the perpetrator of the deed a woman. It had a great success, and to this day is occasionally revived, and goes the rounds of the newspapers, but old English actors insist that it was founded on the incident in theatrical life which I have just related, and which did transpire on the British stage.

Rhode Island Press [Providence RI] 21 July 1877: p. 1

Mrs Daffodil’s Aide-memoire: A nice story to give one the grues!  This was a popular version of what those more learned than Mrs Daffodil might term an “urban legend,” and came in various flavours. Dr John Donne was said to have been the discoverer of a nail-murderess.

The Murderer discovered.

When Dr. Donne, afterwards Dean of St. Paul’s, took possession of the first living he ever had, he walked into the church-yard, where the sexton was digging a grave, and throwing up a skull, the doctor took it up to contemplate thereon, and found a small sprig or headless nail sticking in the temple, which he drew out secretly, and wrapt it up in the corner of his handkerchief. He then demanded of the grave digger, whether he knew whose skull that was: he said he did very well, declaring it was a man’s who kept a brandy shop; an honest drunken fellow, who, one night having taken two quarts of that comfortable creature, was found dead in his bed next morning,  –Had he a wife?—Yes.—What character does she bear? —A very good one: only the neighbours reflect on her because she married the day after her husband was buried. This was enough for the doctor, who, under the pretence of visiting his parishioners, called on her. He asked her several questions, and, among others, what sickness her husband died of. She giving him the same account, he suddenly opened the handkerchief, and cried in an authoritative voice, Woman, do you know this nail? She was struck with horror at the unexpected demand, and instantly owned the fact.

A Thousand Notable Things, Edward Somerset, 2nd Marquise of Worcester, 1822

Mrs Daffodil always likes to give credit where credit is due; she found the John Donne anecdote along with an exceedingly nasty ghost story in a post by that pointed person over at Haunted Ohio—The Old Lady with the Nails.

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

A Dissatisfied Spectre: 1903

ghostly knight

A Spectral Job.

I had been told that the Blue Room was haunted, and was prepared accordingly for a pleasant, sociable evening.

“Oh, yes, a splendid old fellow,” said my host, referring to the resident spectre. “Fought at Agincourt, and is full of racy stories of the period. You ‘re certain to like him. Get him to tell you that story of his about Sir Ralph and the suit of armour. Good-night.”

When I reached the Blue Room the first thing I saw was a shadowy form seated in a despondent manner on the chest of drawers.

“Evening,” I said; “glad to meet you.”

He grunted.

“Mind if I open the window?”

He grunted again.

I was not used to treatment of this kind. All the ghosts I had ever met before had been courteous, and, even when not conversationalists, they had never grunted at me. I was hurt. But I determined to make one more effort to place matters on a sociable footing.

“You seem a little depressed,” I said. “I quite understand. This shocking weather. Enough to give anyone the blues. But won’t you start haunting? I have often known a little spirited haunting work wonders when a spectre was feeling a cup too low.”

This time he did speak. “Oh, haunting be hanged!” he said rudely.

“Well, tell me about Agincourt, then. Glorious day that for Old England, Sir.”

“I don’t know anything about Agincourt,” he snapped. “Why don’t you read your Little Arthur?”

“But you fought there”

“Do I look as if I had fought at Agincourt?” he asked, coming towards me. I admitted that he did not. I had expected something much more medieval. The spectre before me was young and modern. I pressed for an explanation.

“My host distinctly told me that the Blue Room was haunted by a gentleman who had fought at Agincourt,” I said. “This is the Blue Room, is it not?”

“Oh, him,” said the spectre, “he’s a back number. He left a fortnight ago. They sent him away so that they might give me the place. I don’t want to haunt. What’s the good of haunting? Foolishness, I call it. They talk about a career and making a name. Bah! Rot!”

“Tell me all,” I said, sympathetically.

“Why, it’s not my line at all, this haunting business. But just because I came of an old family, and all my ancestors were haunting houses in different parts of the country, the asses of authorities would have it that I must be given a place, too. ‘We’ll make it all right, my boy,’ they kept saying. ‘You. leave it to us. We’ll see that you get a billet.’ I told them I didn’t want to haunt, but they thought it was all my modesty. They recalled the old chap who was here, and gave me the place. So here I am, haunting an old castle, when I don’t know how to do it, and wouldn’t do it if I could. And everybody in the Back of Beyond is talking of the affair, and saying what a scandalous job it was. And so it was, too. The Spectral News has got a full-page caricature of me this week in colours, with a long leader on the evils of favouritism. Rotten, I call it. And just as I hoped I was going to get the one billet I wanted.”

“Ah, what was that?” I inquired.

“I wanted to go on the boards, and be a real ghost in a play, you know— just as they have real [persons of colour] that don’t need blacking.”

“Then your leanings are towards theatrical triumphs?”

“Rather,” said he; “I’m all for going on the stage. You should see me knock ’em.”

“Then I’ll tell you what I can do for you. I know the manager of the Piccadilly Theatre. He is just going to produce Hamlet, and I know he is looking about for someone to play the ghost. I don’t see why a real ghost shouldn’t make an enormous hit. Call on him, and he may give you the part.”

He was off in an instant.

A month later the papers were raving about his interpretation of the part, and wondering what Shakespeare was thinking about it, and the Blue Room was once more occupied by the ghost who had fought at Agincourt, one of the dearest old fellows I ever met.

Punch, Volume 125, 25 November, 1903

Mrs Daffodil’s Aide-memoire:  One can only imagine the scathing reviews in the Spectral News. But that is the younger generation of ghosts for you: spoilt, only concerned with their own affairs, not willing to lend a hand or begin at the bottom and work their way up. It is the same way with this modern generation of servants. But Mrs Daffodil is pleased that the old gentleman got his job back.

The ghost story was a standard of any self-respecting British periodical Christmas Number.  Such stories were usually goose-fleshers, but there are also some humorous classics, such as Jerome K. Jerome’s Tales Told After Supper and John Kendrick Bangs’s The Water Ghost of Harrowby Hall.

Mrs Daffodil has written before about a threat to the traditional Christmas ghost.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

 

 

Unappreciated Shakespeare: 1875

Children Acting the Play Scene from Hamlet, Charles Hunt, 1863, Yale Center for British Art

Children Acting the Play Scene from Hamlet, Charles Hunt, 1863, Yale Center for British Art

Since this is the 450th anniversary of William Shakespeare’s baptism, [The Bard’s exact birth date is unknown] let us have an encore of this story about a stage-struck youth who struggled to share Shakespeare’s genius with an unappreciative world.

 UNAPPRECIATED SHAKESPEARE.

A few days ago, young Gurley, whose father lives on Crogan street, organized a theatrical company, and purchased the dime novel play of ” Hamlet.” The company consisted of three boys and a hostler, and Mr. Gurley’s hired girl was to be the “Ghost” if the troupe could guarantee her fifty cents per night.

Young Gurley suddenly bloomed out as a Professional, and when his mother asked him to bring in some wood, he replied: “Though I am penniless thou canst not degrade me!”

“You trot out after that wood or I’ll have your father trounce you!” she exclaimed.

“The tyrant who lays his hand upon me shall die!” replied the boy, but he got the wood.

He was out on the step when a man came along and asked him where Lafayette street was.

“Doomed for a certain time to roam the earth!” replied Gurley, in a hoarse voice, and holding his right arm out straight.

“I say, you—where is Lafayette street?” called the man.

“Ah! could the dead but speak—ah!” continued the boy.

The man drove him into the house, and his mother sent him to the grocery after potatoes.

“I go, most noble Duchess,” he said, as he took up the basket; “but my good sword shall someday avenge these insults!”

He knew that the grocer favored theatricals, and when he got there, he said:

“Art thou provided with a store of that vegetable known as the ‘tater, most excellent Duke?”

“What in thunder do you want?” growled the grocer, as he cleaned the cheese knife on a piece of paper.

“The plebian mind is dull of comprehension!” answered Gurley.

“Don’t try to get off any of your nonsense on me, or I’ll crack your empty pate in a minute!” roared the grocer, and “Hamlet” had to come down off his high horse and ask for a peck of potatoes.

“What made you so long?” asked his mother, as he returned.

“Thy grave shall be dug in the cypress glade!” he haughtily answered.

When his father came home at noon Mrs. Gurley told him she believed the boy was going crazy, and related what had occurred.

“I see what ails him,” mused the father, “this explains why he hangs around Johnson’s barn so much.”

At the dinner table young Gurley spoke of his father as the “illustrious Count,” and when his mother asked him if he would have some butter gravy, he answered:

“The appetite of a warrior cannot be satisfied with such nonsense.”

When the meal was over the father went out to his favorite shade-tree, cut a sprout, and the boy was asked to step out into the woodshed and see if the pen stock was frozen up. He found the old man there, and he said:

“Why, most noble Lord. I had supposed thee far away.”

“I’m not so far away but what I’m going to make you skip!” growled the father. “I’ll teach you to fool around with ten-cent tragedies!  Come up here!”

For about five minutes the woodshed was full of dancing feet, flying arms and moving bodies, and then the old man took a rest and inquired:

“There, your Highness, dost thou want more?”

“Oh! no, dad—not a bit more!” wailed the young ” manager,” and while the father started for down town he went in and sorrowfully informed the hired girl that he must cancel her engagement till the fall season.—Detroit Free Press.  

Brotherhood of Locomotive Engineer’s Monthly Journal, Volumes 9-10, 1875

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Unappreciated Shakespeare: 1875

Children Acting the "Play Scene" from Hamlet, Charles Hunt

Children Acting the “Play Scene” from Hamlet, Charles Hunt

 

UNAPPRECIATED SHAKESPEARE.

A few days ago, young Gurley, whose father lives on Crogan street, organized a theatrical company, and purchased the dime novel play of ” Hamlet.” The company consisted of three boys and a hostler, and Mr. Gurley’s hired girl was to be the “Ghost” if the troupe could guarantee her fifty cents per night.

Young Gurley suddenly bloomed out as a Professional, and when his mother asked him to bring in some wood, he replied: “Though I am penniless thou canst not degrade me!”

“You trot out after that wood or I’ll have your father trounce you!” she exclaimed.

“The tyrant who lays his hand upon me shall die!” replied the boy, but he got the wood.

He was out on the step when a man came along and asked him where Lafayette street was.

“Doomed for a certain time to roam the earth!” replied Gurley, in a hoarse voice, and holding his right arm out straight.

“I say, you—where is Lafayette street?” called the man.

“Ah! could the dead but speak—ah!” continued the boy.

The man drove him into the house, and his mother sent him to the grocery after potatoes.

“I go, most noble Duchess,” he said, as he took up the basket; “but my good sword shall someday avenge these insults!”

He knew that the grocer favored theatricals, and when he got there, he said:

“Art thou provided with a store of that vegetable known as the ‘tater, most excellent Duke?”

“What in thunder do you want?” growled the grocer, as he cleaned the cheese knife on a piece of paper.

“The plebian mind is dull of comprehension!” answered Gurley.

“Don’t try to get off any of your nonsense on me, or I’ll crack your empty pate in a minute!” roared the grocer, and “Hamlet” had to come down off his high horse and ask for a peck of potatoes.

“What made you so long?” asked his mother, as he returned.

“Thy grave shall be dug in the cypress glade!” he haughtily answered.

When his father came home at noon Mrs. Gurley told him she believed the boy was going crazy, and related what had occurred.

“I see what ails him,” mused the father, “this explains why he hangs around Johnson’s barn so much.”

At the dinner table young Gurley spoke of his father as the “illustrious Count,” and when his mother asked him if he would have some butter gravy, he answered:

“The appetite of a warrior cannot be satisfied with such nonsense.”

When the meal was over the father went out to his favorite shade-tree, cut a sprout, and the boy was asked to step out into the woodshed and see if the pen stock was frozen up. He found the old man there, and he said:

“Why, most noble Lord. I had supposed thee far away.”

“I’m not so far away but what I’m going to make you skip!” growled the father. “I’ll teach you to fool around with ten-cent tragedies!  Come up here!”

For about five minutes the woodshed was full of dancing feet, flying arms and moving bodies, and then the old man took a rest and inquired:

“There, your Highness, dost thou want more?”

“Oh! no, dad—not a bit more!” wailed the young ” manager,” and while the father started for down town he went in and sorrowfully informed the hired girl that he must cancel her engagement till the fall season.—Detroit Free Press.  

Brotherhood of Locomotive Engineer’s Monthly Journal, Volumes 9-10, 1875

Mrs Daffodil invites you to join her on the curiously named “Face-book,”where you will find a feast of fashion hints, fads and fancies, and historical anecdotes.