Tag Archives: haunted clothing

The Haunted Dress: 1850s

1850s blue brocade ball gown, Augusta Auctions

THE HAUNTED DRESS

I am no longer a young girl. The age of illusions is over with me, and that which I state now, I state with a calm conviction in its truth which no amount of incredulity can shake. It is many years ago since I was a school-girl. It chanced that I formed a friendship with a girl of my own age, but not of my own temperament. Our physiques differed as widely as did our fates. She had been christened Emmeline, but to me, and to others of her familiars, she was always Milly Deane. A handsome brunette, with a wealth of colour and vitality about her that made of her large-pupilled grey eyes two dancing stars, and of her rounded firm cheeks two ever-blooming roses. A fine upright girl, whose attitudes never required correction at the tongue of the stiffest of governesses, and whose back never was condemned by the ignominy of a board. In the days of which I write, if Milly Deane was a fair embodiment of night, I was a fairer one of morning ; for I had waves of feathery ringlets of bright gold, when she had pounds of bonny brown ones ; and pale pink roses in my cheeks in place of her crimson blooms. The daughters of the royal tribe of wanderers–those dusky flowers who break into bloom all over the land simultaneously whenever the sun shines genially–had told our fortunes over and over again. I, Annette Davant, was to love, and be loved by, a dark gentleman, whose lot was cast in India, whither I was to accompany him, and live a life of Oriental splendour, amongst elephants, and punkahs, and Cashmere shawls. Milly, on the contrary, was to marry young young and happily a gentleman who rolled in wealth in the city, and to have a large family, and a long life, and everything else that the heart of woman can desire. We accepted these prophecies with assumed incredulity, and real belief. We left school the same quarter, and came out at the same county ball. Our homes were not very far apart. Milly Deane’ s home was in the high street of a flourishing country town; a tall, square, considerable mansion of red brick, with white stone copings, which her father had bought the freehold of on his attaining the position of first solicitor in the neighbourhood. My home was more exclusively situated. It was an old, rambling, picturesque Grange, in the environs of one of the prettiest villages of Norfolk. A house with an oaken parlour, and a cedar room in it, with a grand old grey-balustraded terrace in front of it, and with our coat-of-arms carved massively on a shield over the entrance door. It was in this house that I came home to live just before Milly Deane and I made our debut at the county ball. Ours was a very small family. It consisted only of my mother and myself. Our household was composed of a number of old, stolidly-unimaginative servants, who had lived with us for years, and to whom our interests and our nerves were of the dearest consequence. They were tenacious, too, about the regulation of the house. Idle rumour asserted it to be haunted by a discreditable ancestress, but none of those then resident in the house had either seen anything or heard anything when I left school with Milly Deane. In the order of things–at least in what appeared to be the order of things to young girls’ minds–my favourite schoolfellow and I deemed it incumbent upon ourselves to spend a large portion of our time together. It was easy enough to ride and drive over to see one another constantly; but that did not satisfy us. Friendship demanded that we should stay at each others’ houses–that our morning aspirations and evening conclusions should be breathed in each others’ ears–and the demands of friendship were attended to. We did these things, and I don’t know that we were ever the worse for doing them, in spite of the current scepticism which mocks at all that it does not understand.

The county ball, at which Milly Deane and I were to make our first appearance as grown-up and eligible young ladies, came off in the Christmas week of 1850. It had been the source of joy and woe to us both for at least a fortnight previously– that is to say, we were charmed at the idea of going–but, as became young women to whom it was still left to make the first impression, we stood very much upon the order of our going, and were severe, even in our slumbers, with audacious dressmakers, who presumed to hold adverse opinions to ours on the important subject of when it was needful for our costumes to come home. For several days before the great event Milly had been staying at the Grange with me, sharing my room, as well as my costumes, cares, and creating a feeling of dismay in the minds of one or two of our old servants by her obstinate persistence in stating that the house was haunted. It was about a week before the ball that she confided her conviction to me, first quite calmly. I had run up hurriedly into my room one afternoon, when darkness was just creeping over things, meaning to dress quickly for the dinner, that my dear mother never liked to have kept waiting. I burst into the room, with my hat and habit on, my hair blowing about somewhat loosely, and my whip in my hand, just as I had come in from riding since two o’clock. Candles were burning on my dressing table, and, by the fire, Milly stood ready dressed in a soft amber silk, which became her dark glowing beauty well. She was speaking and laughing as I came into the room; and, to my surprise–for I made sufficient noise–she did not look up at my entrance. The words I caught were, “Will call me the yellow crocus still, for I wore this dress the last night he saw me.” I looked round the room in an instant. There was no one but ourselves in it. She must have been speaking to herself–yet that was never a habit of hers. In that instant my face had time to pale, and my flesh had time to creep. “Milly,” I exclaimed, and she looked straight at me without the slightest start or hesitation. As her gaze fell upon me, though, she gave vent to a surprised ejaculation, “Annette, how have you managed to metamorphose yourself in this minute?” she asked quickly, and I said–“In this minute, indeed! I am very much as I have been ever since I started for my ride, I believe.” Milly Deane came and put her hand on my shoulder. and looked at me with bewildered eyes. ” You came in some time ago, Annette–half an hour ago, at least.” she said earnestly. “I didn’t. I wish I had; I shall be late for dinner, as it is.” I answered, beginning to hurry off my riding gear. “But you did.” she repeated emphatically. “How silly of you to try to mystify me! why you should have taken the trouble to put on your habit again, puzzles me.” “I have never had it off, Milly,” I said, rather crossly; “it is you who are trying to mystify me, talking to yourself aloud, and arraying yourself in amber silk, as if some one was coming.” “I was not talking to myself, I was talking to you,” she said, indignantly; “and you told me yourself to put on this dress, when you said Captain Danvers was coming.” “I have never spoken to you since luncheon,” I said, “and as to Captain Danvers, I have never even heard of him.” Her face blanched, as I spoke, with a sort of horror that quickly reflected itself in mine. “You never told me to put on this dress because he was coming?” she said. interrogatively. “No, I didn’t,” I said, shaking my head. “Do go and ask Mrs. Davant if you didn’t come with that message to me, half an hour ago. Stay! I’ll come too. I dare not be alone now.” “I shall not face mamma until dinner is ready,” I said, going on with my dressing. “Half an hour ago I was two miles away from home, in the middle of the common, on Cock Robin.” “Then the house is haunted,” Milly said; “and I have seen and spoken to a spirit. And it was like you,” she added stammeringly; and then she sat down, and seemed to be trying to collect herself. I had a very natural elucidation to offer, both to her and to myself, of this seeming mystery. “You probably sat down by the fire when you came up to dress?” I asked her. She nodded assent. “There is the clue to your mental maze.” I said, rather scornfully. “The heat overcame you, and you slept and dreamt a dream that has bothered you.” “It may have been a dream; but if it was, I am not awake now,” she said, slowly; “it was so vivid–so horribly vivid. I will just tell you how it all happened or how it seemed to happen,” she said. “I was sitting by the fire in my dressing-gown, when you came quickly into the room, dressed in a blue silk, with a quantity of Christmas roses in your hair and on your bosom. You didn’t look at me, but you said, ‘Make haste, and dress yourself in your amber silk, Milly; mamma wishes it.’ And when I asked, ‘Why?’ you said, ‘Oh! because Captain Danvers is coming to dinner.’ Then you went again, and I dressed: and that is all.” “A dream!” I said laughing. “Now, I am ready: mamma will think you crazy when she sees you such a swell. Who is Captain Danvers?” “An army officer,” Milly said, with a young country girl’s pride in knowing a military man. “I saw him several times while I was up in London with my aunt.” “You never mentioned him to me,” I said. “I know that,” she said, blushing a little. “I made myself a goose about him, so aunt said,” she continued, laughing, “and so I have held my tongue about him since; but I was very glad indeed when you told me just now that he was coming here to dine.” “When you dreamt it,” I insisted; and then we went in to dinner, and told this joke, as we both began to consider it, to mamma.

By the time the ball came off, we had nearly forgotten Milly’s vision, as she would insist on calling it. It does not in the least matter my mentioning now, at this distance of time, that Milly and I were the rival belles of the evening. We were young, we were fresh, we were pretty–above all, we were new. Being both under the wing of the same chaperone, we met at long intervals during the progress of the ball, and in the midst of my own triumphs I found time to notice that Milly was frequently on the arm of a handsome, distinguished looking man, a stranger, who was in the uniform of an infantry regiment. “That is Captain Danvers, Annette,” she had time to whisper to me once in the evening; and from the tone of that whisper I judged that she fancied she had met with her fate. I soon knew Captain Danvers very well indeed; for shortly after that ball, he became Milly Deane’s declared lover. I have called him distinguished looking, and so he was to our girlish eyes. Perhaps if we looked at him with the matured vision of to-day, we might substitute the word unhealthy for distinguished, and be considerably nearer the mark. But in those days he was, if not a god of beauty, a very fair object of admiration to us. He was very tall and very slight, and his hair and eyes were both black and shining, and his face was of almost a ghastly pallor. Unquestionably he was a very striking looking man; and we stricken ones, in those early days, pronounced him an Apollo. He talked in a way that was quite new to us both, too. We trembled, but admired, when he avowed his beliefs, which were few, and his non-beliefs, which were many. His shallow scepticism, and his mystical metaphysical allusions, seemed to be very brilliant things to us in those early hours of our luckless intercourse with him. Yet all the time I felt him to be a dangerous man and wondered how Milly’s infatuation would terminate for herself.

They were married in about four months from the ball at which they had renewed their acquaintance. Milly went off to India almost immediately with her husband, and so we parted, my pretty friend and I. And soon a romance of my own swept her romance from my mind and memory, although for herself I had a warm affection still. I settled down into the happy wife of a prosperous man, and the proud mother of fair good children. Milly and I corresponded with tolerable regularity. Of her husband she never spoke after the first six months or so of her marriage. That she was a disappointed and unhappy woman I could not fail to perceive.

At the end of five years Mrs. Danvers came home alone on a sort of sick leave which had been granted her by her husband. We were living in London at the time, and it seemed to me only natural that my solitary friend should have made our house her home. The very morning after her arrival in town I went to the hotel at which she had given me her address, and solicited her to do so. But she refused decidedly at once, saying that she was better alone for many reasons. I questioned her closely, with the loving curiosity my affection for her entitled me to display, as to how she was wont to pass her time, and whether her husband and herself were sympathetic in their pursuits or not. “Very sympathetic!” she said once, rather harshly. “We both like to please ourselves.” “Have I been superseded, Milly?” I persisted. “Have you any female friend in India who seems nearer and dearer to you than I do?” “I haven’t a female friend besides yourself in the world,” she said, quietly; “not one I assure you, Annette; not one that I would go a yard out of my way to confide a joy or a sorrow to.” “You would confide both to me if we were thrown much together again,” I said, determined not to be rebuffed. “Not trivial ones.” “Great ones, then?” I said. She moved uneasily off the sofa on which she had been reclining, and stood with her back to me, gazing out of the window. “Great ones, perhaps,” she said slowly, after a long pause.

“Annette,” and she turned round suddenly upon me, “shall I promise you that in the greatest trouble of my life I will come to you? I will so promise if you wish it.”

“You may not be able to come to me,” I began protesting. I was going on to say, “but I hope you will always write to me if–,” but she interrupted me. “I may not be able to come to you in the flesh,” she said emphatically ; and I answered “That is exactly what I meant; but you will write?” She nodded her beautiful head and said,–“I promise that, in my greatest trouble, I will come to you, Annette; and you, on your part, promise that you will not shrink from me.” An interruption occurred just then, and we never renewed the subject. “Annette,” she said to me one day, when we were sitting alone, talking over schoolgirl days, “have you a blue dress trimmed about the body and sleeves with Christmas roses?” “No,” I said, laughing; “haven’t you forgotten my ghostly visitation to you yet?” “No, I haven’t forgotten that ghostly visitation, and I never shall forget it.”

Milly Danvers stayed in England about eight months ; then she re-embarked for India, “which I shall probably never leave again,” she said sadly. “Does the climate try you so very much?” I asked anxiously. “Cruelly! cruelly!” she said warmly; “I can’t live there long.” “Does Captain Danvers know this?” I asked, indignantly. “Yes, dear champion of mine;” she said, affectionately. “Why else should he wish me back?” she said, curling her lip a little; “of course he knows it. Captain Danvers would not miss me–” “Oh, yes, he would!” I interrupted, hastily; her tone was so desperately despairing, that I could not bear it. “Oh, yes, he would! why else should he wish you to go back to him?” “Because no questions are asked, either about gradual decay, or sudden death there,” she said; and then she peremptorily decreed that nothing more should be said about it. We parted very soon after this, and when I heard from her that she had arrived in their cantonment in the Madras Presidency safely, the gloomy impression upon my mind by our last interview faded away.

Months passed away, and Christmas-tide was upon us. We had arranged a juvenile party on the occasion of our eldest child’s seventh birthday, and. in decking out my little men and women, and arranging my rooms, I overlooked that usually important matter–my own toilette. A couple of days before our juvenile ball, I laughingly told my husband of my dilemma. “I haven’t a ball dress fresh enough to wear in honour of our little Milly,” I said to him, “and really I have no time to go to my dressmaker.” “I will go and order you one; leave it to me, Annette,” he replied; and I agreed to do so, only stipulating that he should not make me too fine, and that he should avoid pink. The night of little Milly’s ball arrived in due season; and, fatigued with my exertions, I went up to my dressing-room, determined upon resting until it was time for me to dress. My robe had not come home yet, but I could rely on Madame Varcoe’s honour–she had said that it should be home by half-past eight at the latest, and I knew that she would keep her word. Feeling thus easy, I fell asleep, and slept a dreamless sleep of some hour and a half. Then I awoke, and found my dress laid out ready for me to put on, and my maid waiting to do my hair. “It’s one of the prettiest dresses Madame Varcoe has ever made for you,” my maid said, as I cast a glance towards the bed, “a most delicate rich blue, trimmed with the most loveliest Christmas roses.” Strange as it may appear–at least, strange as it does appear to me now–I gave no thought at the time to the coincidence between my actual dress and the dress of Millv Deane’s dream. My head was full of other things, and memory was effectually put to flight by the entrance of my three little girls, vociferously declaring “that I should be late, and that it seemed as if people were never coming.” But the little guests came all in good time, and enjoyed themselves almost as much as I did. I say almost as much as I did advisedly, for that must be the happiest ball for a woman which she organises for the first time for her eldest child. At any rate, I can imagine no higher Terpsichorean happiness than this. Yet the day has been (not so very long ago either) when I enjoyed a ball as gaily as the gayest.

It was over at last, and when I had seen my pleased and sleepy children safely into their respective beds, I went slowly to my own room, and sat down by the fire to wait for my husband. I had told my maid that I would dispense with her services, and so I sat alone, and pleased myself with recalling the little ebullitions of childish pleasure which I had witnessed that night. My husband was down in his study still, looking through the evening papers, the late editions of which had been neglected by him in his endeavours to contribute to the little people’s entertainment. It must have been about two o’clock in the morning when I roused myself from my cheerful reverie, and stood up to commence my preparations for retiring for the night. The chair I had been occupying was a large massive carved oak one, with a very high back. As I stood up, I became conscious, without seeing anything, that some one was leaning on this back, and, thinking that it must be my husband, I said quietly, “You have come at last, dear?” “At last,” a very soft voice whispered–breathed rather; and then I turned round startled, and saw nothing on the spot from whence the voice had proceeded. A nameless horror, a dreadful fear possessed me. I could not cry out; even in my agony of fear I revolted against doing that. When I could move–and for a few moments I was quite unable to do so–my impulse was to get nearer to the gas, which was low, and turn on a brighter light. I had two lamps in my room, one on either side of my cheval glass; and as I reached up to turn on a higher light, I caught sight of myself. I was in just such a dress as Milly had described me as wearing when she saw me, or fancied that she saw me, or dreamt that she saw me. Sick and horrified, and chilled with a more than mortal dread, I staggered back to my chair, and buried my face in my hands. Something swept softly up to me from a darker corner of the room, swept softly up and stood beside my chair. I felt the air grew heavier, as occupied air does grow. I heard low breathings; some one was bending over me nearer and nearer. Then the breathings formed themselves into words, into a word rather, and I heard my own name murmured distinctly,

“Annette, Annette,” and I knew that it was murmured in Milly Danvers’ voice. I shuddered, and tried to look up. I took my hands down from before my face, and strove to lift my eyes and strove in vain. I could not do it. I had a dread of being so awfully frightened that I might never recover it. That Milly Danvers was standing close to me I was well assured. But I was also well assured that it was not Milly Danvers in the flesh. Then I remembered the words she had spoken to me. “I will promise to come to you in the greatest trouble of my life,” she had said ; and I felt, as her words flashed back upon me, that my friend must be in fearful trouble now. Again the impalpable presence spoke, “Annette, remember the hour! note it!” Shiveringly, shudderingly I raised my eyes at last, and there, gilding away into the shade by the side of the bed, I saw a slight frail form. Instantaneously I turned to my clock. The hour hand stood at three, the minute hand at five minutes past twelve. I grasped the bell, “all my soul within me sinking,” and rang such a peal as quickly brought my husband to my side. I wrote to Milly the following day, and I got no answer. I wrote again, and my second letter shared the fate of my first one. Then I gave up the attempt to elucidate whatever of mystery there was in the affair, and tried to forget it–and could not. Just twelve months after this I was spending the Christmas week, together with my husband, at the house of one of his married sisters in the country. We arrived just in time to dress for dinner, and in the brief interval between my going up to my room for that purpose, and being joined by my husband, my sister-in-law came to speak to me for a minute. “We have a goodly party dining here to-day, Annette,” she said. “Captain Danvers expressed the greatest pleasure at meeting you again.” “Captain Danvers! is he here?” ” He is, with his wife,” she said, shutting the door, and running off; and I was left alone, repeating to myself, “His wife! Then Milly is not dead!” and then we dressed, and went down to dinner. I recognised Captain Danvers the instant I got into the drawing-room. He was considerably altered; still I knew him at a glance. I looked round the room. Milly was not there. Impulsively I went up to him and asked, as I took his offered hand, “Where is your wife?” “She will be here in a few moments,” he answered, smiling his old, brilliantly flashing smile and the wild throbbing at my heart ceased. She was alive, and she was here! That was sufficient for me. I curbed my impatience, and stood still, watching the door. Two or three ladies, strangers to me, entered the room, and, a moment after, my brother-in-law asked a gentleman to take me down to dinner. We all went down. Captain Danvers was on the opposite side of the table, at some little distance from me. I looked round the table, and Milly was not there. The dinner that day seemed to be an endless affair to me. I was most impatient to ask our hostess where Mrs. Danvers was. I went to her the moment we got into the drawing-room, ” Where is Mrs. Danvers?” I said; “she is my dearest old friend, and I’m longing to see her.” “You might have renewed your acquaintance at the table, then, surely,” she said, pointing out a fair, pretty young woman whom I had observed sitting very near to me at dinner. “That Mrs. Danvers! impossible!” “But the truth, notwithstanding,” she said, laughing; “she is a bride, and a beauty, and altogether rather an acquisition to my Christmas party, I consider.” I was almost stunned at the revelation of Milly’s death; and when Captain Danvers, later in the evening, came sauntering up to me suavely, saying, “Now, at last, I can renew my very pleasant acquaintance with you,” I cut him short at once by saying, “Captain Danvers, when did Milly die?” “Last Christmas Eve,” he said. ” At five minutes past three?” I asked eagerly, and he said—“Yes.” And as he said it the two ghostly episodes which connected the three (Milly, Captain Danvers, and myself) together, stood out like bodily presences before my eyes.

My story is finished. Call it a ghost story, a fable, a fancy—what you will. I can only declare that the spiritual visitations actually occurred. Milly’s fate was never cleared up. She died, we learnt afterwards, after a long, tedious illness which defied the medical skill that was called in, nearly at the last, by her philosophically calm husband, Captain Danvers.

The Bradford [West Yorkshire England] Observer 18 November 1869: p. 6

Mrs Daffodil’s Aide-memoire: How very solicitous of Captain Danvers to recall his ill and unhappy wife to that place where no questions are asked, either about gradual decay, or sudden death–and where physicians called to a death-bed, are commendably discreet about the belated summons. One wonders whether the Captain (who had surely attained the rank of Colonel) retained the services of the same medical gentleman when he tired of his beauty of a bride.

Touching though it is to see the two friends reunited by the late Milly’s apparition, it would be far more satisfying to see the first Mrs Danvers haunt the Captain so that he would be found dead in his bed with an expression of stark, staring horror on his ghastly, pallid face and a scrap of amber silk clutched between his fingers.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

The Haunted Garden-Party Dress: 1970

Blue and white summer gown, c. 1912, albeit not the exact gown in the story  http://vintagetextile.com/new_page_137.htm

Mrs Daffodil is pleased to present a story of haunted textiles from that vintage-clad person over at Haunted Ohio. This particular tale comes from the first volume in the Haunted Ohio series. “Alexis” is a pseudonym for the witness, a person of the highest respectability who did not wish to be named.

The Haunted Garden-Party Dress

It was August, with the stiflingly humid weather that made Alexis want to crawl to a pool of water and stay in it until first frost. She was on her way to the Historical Society’s costume collection to begin another day of photographing and cleaning antique garments. In the front hall she passed the Egyptian mummy, which had always given her the creeps as a child. She rode up to the attic workrooms in the tiny elevator. Its walls seemed to close in on her like the walls of a coffin.

Alexis tried to shake free of such morbid thoughts, but all her life she had been unusually sensitive to atmosphere and what she called “vibrations” from objects and people. She walked down the hall past what had been the servants’ quarters in the former mansion and unlocked the door of the workroom.

In spite of the heat outside, the air conditioners were doing their job and Alexis began to relax as she put away her purse and got out the materials she needed: fine needles and cotton thread to stitch catalogue numbers on garments, acid-free tissue paper to stuff into sleeves and bodices, the Polaroid camera and extra film.

Alexis had a passion for antique clothes. She loved the beautiful materials, the tiny stitches and exquisite workmanship, the laces, beads, and sequins. In exchange for volunteering to remove rusted pins and staples from the old labeling system and to stuff tissue into sleeves, she’d gotten permission to photograph and study items in the collection.

She sighed as she handled an 1880s champagne velvet evening cloak, slit in the back to accommodate a bustle. Cascading over the shoulders and bodice was an encrustation of corded ivory embroidery and, around the neck and sleeves, a froth of swansdown to keep the wearer from the cold. It transported Alexis to a faraway world, a world of late suppers at Maxim’s, of the Merry Widow Waltz, of top-hatted admirers calling out, “Cheri, where have you been?”

Her favorite dress was a luminous scarlet velvet sprinkled with garnets. The fabric glowed from within, while the garnets winked at the slightest motion. There were two bodices: one cut low, with heavy lace sleeves, for evening wear; the other molded to the body, with those same glittering garnets, like drops of blood on the bosom.

Alexis loved antique textiles, but she also had a problem with “vibing out” whenever she was around a lot of old clothes in one place. There were over 7,000 items in this collection, Alexis realized. She also realized that it was the costume curator’s day off. She would be alone in the attic. She started with a rack of clothes from the 1880s up to the First World War, not by any means the oldest items in the collection. The garments were grouped by type. There was a collection of slipper satin evening skirts with trains—a whole row of pale ivory, sky blue, a vivid gold. There were racks of fine chiffons, looking as though they had been spun by spiders and a section of velvet evening gowns—soft and black as a raven’s wing.

Alexis pulled out a dull green velvet dress that looked like it could have been worn by one of Oscar Wilde’s “aesthetic dress” disciples. She hung it on the wall and took a Polaroid shot. As she put the dress back on the rack, her hand brushed the velvet and she shivered.

Alexis hung another dress on the end of the rack and stepped back to frame the picture. The dress was a garden-party muslin, white with great garlands of heavy, heavenly blue embroidery looping around the bottom of the wide skirt. She squinted through the viewfinder of the camera. The bosom of the dress stirred. Slowly she lowered the camera. Inside the dress, tissue paper crackled as it uncrumpled itself. She smiled and raised the camera once more. Her hands began to shake. If I press the button, she thought, driven by an overpowering certainty, I will see the woman in the dress.

She began to panic in slow motion. She realized that it wasn’t a matter of “wouldn’t it be funny if the woman showed up on the photo?” but an emphatic, “I will see the woman when the photo comes out.”

At that moment, as though a radio had been switched on, came a chaos of voices. Women: shrieking, imploring, summoning, commanding—all demanding to be heard, desperate to make her understand. Some imperious, some furious, some insane with frustration. All struggling like birds against a glass to get through, to make her hear.

Look at me Listen to me Hear what I’m saying Listen  

The noise swept over her like a wave. She couldn’t breathe; her heart was bursting. I will die, she thought, calmly as a drowning person, and then I will scream too.

The frothiest pieces seemed the noisiest, Alexis thought incongruously. Like the lawn dress, c. 1918…a lot of the young women in lawn dresses didn’t make it through the influenza epidemic.

Later, in a haze, Alexis remembered hanging all the dresses back on their racks. Remembered putting away the tags and supplies and locking the door. Remembered forcing herself to take a photo of the dress, even though a woman from another time would appear on the film.

But when she returned the next day the door stood open. Cautiously she entered, careful not to brush against the racks of clothes. The dresses were where she had left them: the red velvet dress lying on the table, the white dress with blue embroidery at the end of the rack. She held her breath, listened. Nothing but her own heartbeat in her ears. Quickly she hung the dresses in their places, put away the supplies, picked up bits of lint. Slowly she sorted the photos on the work table. There was none of a white dress.

Alexis picked up her portfolio, placed the photos in it, her muscles tensed as if for flight. In the doorway, she looked back at the racks and racks of gleaming silks and velvets. A jet dangle on a beaded cape winked at her.

She shut the door and locked it, feeling as if time were running out. She quietly pushed on the knob to make sure the door was latched and turned away. Something, a breath of air from under the door, made her turn back, made her stand listening, pressed against the door, to the taffetas whispering among themselves.

Haunted Ohio: Ghostly Tales from the Buckeye State, Chris Woodyard, 1991

Mrs Daffodil’s Aide-memoire: Since the season of ghostly stories approaches, Mrs Daffodil will, on October Fridays, be sharing some tales of the supernatural.

Chris Woodyard is the author of The Victorian Book of the Dead, The Ghost Wore Black, The Headless Horror, The Face in the Window, and the 7-volume Haunted Ohio series. She is also the chronicler of the adventures of that amiable murderess Mrs Daffodil in A Spot of Bother: Four Macabre Tales. The books are available in paperback and for Kindle. Indexes and fact sheets for all of these books may be found by searching hauntedohiobooks.com. Join her on FB at Haunted Ohio by Chris Woodyard or The Victorian Book of the Dead. And visit her newest blog, The Victorian Book of the Dead.

The Ghost with One Shoe: 1910s

Shoes with cut-steel buckles, c. 1914-17 http://collections.lacma.org/node/228104

When one reflects upon the number of people one meets who lead almost entirely animal lives, can one wonder that so many cemeteries and churchyards are haunted! It was once popularly supposed that only the spirits of suicides and murderers were earthbound, but that idea has long been exploded, and it is now recognized by all who have given the subject any earnest reflection at all that the bulk of hauntings when not due to elementals are caused by the earthbound phantoms of the extremely sensual or even the merely intensely material. The spirits of such people would appear to be attached to the material world they loved through the medium of their bodies, articles of clothing, or any personal effects which act as magnets, and to be either loosened from it and transferred to some other sphere. or maybe annihilated altogether–no one knows–the moment such remains and effects are cremated or otherwise equally obliterated.

This being so, these phantoms would divide their visits between the places containing the objects of attraction, haunting most frequently that spot to which they were most strongly magnetized, in the majority of cases the spot containing their bodies or skeletons, usually a churchyard or cemetery. And as it is so often but a step from the grave to the chancel, a reason may thus be supplied for some, at least, of the occult happenings that are commonly reported as taking place in churches. The cessation of hauntings do not, however, always depend on the destruction of articles; on the contrary, they are not infrequently dependent on their careful preservation and return to the rightful owners, when those owners are either alive or, as it more often, perhaps, happens, dead. Here is a case in point: Rathaby Church until quite recently was haunted by an old lady with a poke bonnet and violet petticoat. The Vicar, The Rev. C. Bodkin, was inveigled one day into confessing that he had seen the apparition on at least three occasions. The first occurrence was as follows: Entering alone into the Vestry one August evening, hot and weary, he sat down, and taking off his boots, which, being new, had blistered him badly, he was preparing to put on a pair of somewhat antiquated “elastic sides” which he kept there, when, to his surprise, he saw standing in front of him a little old lady with a big poke bonnet and a violet silk petticoat. As the bonnet covered the upper part of her face, which she kept rather bent down, and the sunlight was fast fading, the Vicar could not distinguish any of her features saving the chin, which was very prominent, but from her clothes he saw that she did not belong to the parish and accordingly concluded she was a stranger. He felt annoyed that she should have entered without knocking, more especially as he was not in the mood to be disturbed. However, trying to appear as courteous as possible, he hurriedly slipped on his old pair of boots, and rising to his feet exclaimed, “What can I do for you, madam?” There was no reply-only a silence which at once impressed him as being singularly emphatic, if not awe-inspiring. He repeated his question, this time, he admits, not quite so politely: whereupon the old lady slightly lifted her gown, and with a naive gesture, pointed at her feet.

The Vicar, who, no doubt, despite his vocation, was human enough to admire a pretty ankle, following with his eyes the direction indicated, perceived with astonishment she only had on one shoe–a remarkably small patent leather one with a large, highly polished silver buckle. On her other foot was a violet stocking, nothing more.

“Good gracious, madam,” he ejaculated, “you will catch your death of cold. Pray be seated here whilst I go and find your shoe. Where do you think you dropped it?”

He took a step towards her as he spoke, with the idea of helping her into a chair, and his hand was actually within reach of her arm, when she suddenly vanished, and there was nothing in front of him but a bare wall. He was then frightened, for he could not persuade himself that what he had seen was merely an hallucination, and without waiting to complete his toilet, he went into the and waited there till the arrival of the sexton.

Ten days later he saw the same phantasm again. The encounter took place this time during the evening service. The congregation were kneeling down and the Vicar was about to begin the collect when some one laughed, a very malicious and highly disrespectful he-he-he! The Vicar, shocked beyond his senses, instantly stopped, and glancing furiously in the direction of the noise, was on the verge of ordering the offender to quit the Church, when his jaw fell. Looking up at him from almost beneath his very nose were a pair of pale, wide open, luminous eyes, full of an expression of malevolent quizzical coyness, that at once sent his thoughts back to certain queens of the demi-mondaines he used to see, surreptitiously parading the streets, in Cambridge, thirty years ago. They made him so hot and cold all over, he was horribly ashamed–ashamed that his, or as a matter of fact any other church, could hold such things. They must be removed with the utmost precipitation–immediately.

He tried to speak–to tell her to go, but found himself spellbound, hopelessly fascinated. His throat was parched, his mouth all tongue, he could not articulate a syllable, and all the while he was striving his utmost to overcome this condition of helplessness, the eyes kept continually leering at him. As for the rest of the face, it was that of an old, a very old, woman with obviously dyed hair arranged coquettishly in tiny yellow curls on either side of a low, straight forehead. She had neat, regular features, a trifle aquiline perhaps; with a chin that although rather too pronounced now–the inevitable effects of old age–might well have been once full of soft dimples, and beautifully rounded. The teeth even, pearly and glittering, struck the Vicar as far too perfect to be anything but false, though on that score he had no grounds for complaint, as he was in the same plight himself, having long since parted with his own molars, a fact which, however much he tried to persuade himself to the contrary, was the common knowledge of every one in the parish. The figure wore a rich cream-coloured cashmere shawl, from between the folds of which he could catch the gleam of silver buttons and mauve silk; and although the rest of her was hidden by the pew, he knew her at once to be the unknown stranger who had vanished so inexplicably. As he -stared she got up, and, leaving the pew, commenced gliding towards him, holding her violet skirt high above her ankles, and pointing significantly at her tiny feet, one of which was encased in a glittering buckle shoe and the other merely in a stocking.

The Vicar’s heart almost ceased to beat, his eyes swam, his knees shook. God help him, in another second she would be in the pulpit!

In the frenzy of despair he burst the paralytic bonds that had so effectually held him, and stooping down picked up a box of matches and threw it at the old lady. She instantly vanished.

Then the reaction set in. Relief brought hysterics, and in a state of utter collapse the worthy Vicar lolled against the ledge of the pulpit and began to laugh and cry alternately. He was promptly escorted home by a half dozen sympathetic, if somewhat—at least so his wife thought–over-zealous ladies, and the congregation, who, it transpired, had seen nothing of the phantom, attributed his behaviour to an unlimited variety of popular ailments.

The third encounter with the ghost occurred about a year after this incident. It was on St. Martin’s Eve, and the Vicar was preparing to leave the church for the cheerier precincts of the vicarage, where a substantial supper was awaiting him, when a current of icy air suddenly blew into his face, and he found himself confronted by the dreaded figure of the old lady. The enveloping gloom, for there was no other light in the church save that proceeding from the candle the Vicar carried, intensified the lurid glow emanating from the phantom and made it stand out with horrible distinctness. Each line, each feature, were magnified with a vividness that is indescribable, the ultima thule of horrordom being attained in the eyes, which, paler and larger even than before, scowled at the Vicar in the most diabolical fashion.

Paralysed with the suddenness of the vision, the Vicar felt all the strength die out of his limbs; his blood congealed, his hair rose on end. Nor were his feelings in any way mollified when the figure stretched out a long and bony forefinger, and shook it angrily at the floor. The Vicar looked down, and be it to his everlasting credit, blushed-he admitted as much to me afterwards–for whilst there was the same gaudy, shameless buckled shoe on the one foot–on the other there was simply nothing, not even half a stocking. And the abandoned phantom laughed a laugh that set every stone and rafter in the great, gaunt building resonating. When the Vicar looked up again the figure had disappeared. This was the climax. Sooner than, run the risk of incurring another such indignity, the Vicar declared his intention of leaving. One of his most ardent devotees heard of the matter, and in mad desperation wrote to me. Candidly, I never refuse ladies. I am an advocate not merely of woman’s suffrage, but of woman’s participation in everything. I daily visit a lady barber’s, and think there ought to be lady soldiers, sailors, Members of Parliament, dentists, coal-heavers, gutter-rakers and sanitary inspectors.

I went to Rathaby, and although my vigils in the church for three consecutive nights were productive of no ghostly result, the atmosphere of the place struck me as so conducive to occult phenomena that I was quite ready to believe that what the Vicar had seen was subjective and not hallucinatory. Consequently I made vigorous inquiries in the neighbourhood, and at length elicited the information that some forty years before an old lady corresponding to the phantom in the violet petticoat had stayed for the summer in a farmhouse about three miles from Rathaby. Rambling about one morning on the lonely hillsides, she had fallen into a disused quarry and broken her neck.

“I remember quite well,” my informant went on to say, “that when I helped raise her body she had on only one shoe–a shining leather thing with a bright buckle. We could not find the other anywhere and concluded it had got wedged into some crevice.

Her relatives–a nephew and niece–were at once sent for, and at their directions, the old lady was buried in the Rathaby Churchyard in the exact clothes she wore at the time of her death.”

This is all the information I was able to extract from this individual. Another person–a septuagenarian ex-blacksmith–afforded me a great sensation. Leading me upstairs into a tiny bedroom not much bigger than a bathing machine, he approached a worm-eaten chest of drawers, opened it cautiously, and beckoning to me in a very mysterious manner, pointed to an object that lay in one comer. It was a small patent leather shoe with a large silver buckle and Louis heels. A more rakish-looking affair I had never set eyes on.

“I found that,” he said in a hoarse whisper, “in the quarry where the old lady broke her neck. It had got wedged into a hole. You may have it for a trifle.”

I gave him five shillings and brought away the giddy article.

My next step was to find the grave of the old lady, in order that the missing shoe, which I suspected was the origin of the haunting, might be returned to the rightful owner. But here an unexpected obstacle presented itself. The Vicar foolishly declared he could not sanction the opening of the coffin without permission of the old lady’s relatives. As this permission could not be for the simple reason that the relatives were not traceable, all further investigations ceased, and I came away highly incensed.

The third night after my return home, between 2 and 3 a.m. there was a violent knocking at my bedroom door and on opening it–very reluctantly, I admit–to see who was there, I perceived a shadow on the moonlit wall opposite-the shadow of an old lady with a poke bonnet. For some seconds I stood and watched it anxiously. Then I fetched the shoe and gently threw it at the spectre. It vanished, but from along the passage, down the narrow winding staircase, and from the hall beyond there came the clearly unmistakable tappings–the sharp resounding tap-tap-tap of a fast, a joyfully fast, receding PAIR of Louis heels.

The front door slammed–a neighbour’s dog howled–a church clock sonorously thundered two—and all was still. From that night, neither in my house nor in Rathaby, has the ghost been seen again.

The Occult Review June 1913: pp 310-314

Mrs Daffodil’s Aide-memoire: Even in death, ladies understand the importance of fine foot-wear. There is an ancient Greek ghost story about a husband haunted by the ghost of his dead wife, who appeared wearing only one sandal. She angrily told him one of her sandals had fallen off and not been burnt on the funeral pyre–hence her barefoot condition. He immediately ordered a lavish new wardrobe, including several pairs of expensive sandals and had the garments burned, which placated his ghostly wife.

This narrative, by the way, comes from Mr Elliott O’Donnell, a popular “ghost-hunter” of the early 20th century. Despite his assurances that he never refuses the ladies, he exhibits a strong misogyny in his work, manifesting here in his unpleasant insinuations about the character of the Louis-heeled ghost. If dyed hair and violet stockings were a crime, Mrs Daffodil knows a number of ladies who would find themselves in the dock.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

The Haunted Garden-Party Dress: 1970

Blue and white summer gown, c. 1912 http://vintagetextile.com/new_page_137.htm

Blue and white summer gown, c. 1912, albeit not the exact gown in the story  http://vintagetextile.com/new_page_137.htm

Mrs Daffodil is pleased to present a story of haunted textiles from that vintage-clad person over at Haunted Ohio. This particular tale comes from the first volume in the Haunted Ohio series. “Alexis” is a pseudonym for the witness, a person of the highest respectability who did not wish to be named.

The Haunted Garden-Party Dress

It was August, with the stiflingly humid weather that made Alexis want to crawl to a pool of water and stay in it until first frost. She was on her way to the Historical Society’s costume collection to begin another day of photographing and cleaning antique garments. In the front hall she passed the Egyptian mummy, which had always given her the creeps as a child. She rode up to the attic workrooms in the tiny elevator. Its walls seemed to close in on her like the walls of a coffin.

Alexis tried to shake free of such morbid thoughts, but all her life she had been unusually sensitive to atmosphere and what she called “vibrations” from objects and people. She walked down the hall past what had been the servants’ quarters in the former mansion and unlocked the door of the workroom.

In spite of the heat outside, the air conditioners were doing their job and Alexis began to relax as she put away her purse and got out the materials she needed: fine needles and cotton thread to stitch catalogue numbers on garments, acid-free tissue paper to stuff into sleeves and bodices, the Polaroid camera and extra film.

Alexis had a passion for antique clothes. She loved the beautiful materials, the tiny stitches and exquisite workmanship, the laces, beads, and sequins. In exchange for volunteering to remove rusted pins and staples from the old labeling system and to stuff tissue into sleeves, she’d gotten permission to photograph and study items in the collection.

She sighed as she handled an 1880s champagne velvet evening cloak, slit in the back to accommodate a bustle. Cascading over the shoulders and bodice was an encrustation of corded ivory embroidery and, around the neck and sleeves, a froth of swansdown to keep the wearer from the cold. It transported Alexis to a faraway world, a world of late suppers at Maxim’s, of the Merry Widow Waltz, of top-hatted admirers calling out, “Cheri, where have you been?”

Her favorite dress was a luminous scarlet velvet sprinkled with garnets. The fabric glowed from within, while the garnets winked at the slightest motion. There were two bodices: one cut low, with heavy lace sleeves, for evening wear; the other molded to the body, with those same glittering garnets, like drops of blood on the bosom.

Alexis loved antique textiles, but she also had a problem with “vibing out” whenever she was around a lot of old clothes in one place. There were over 7,000 items in this collection, Alexis realized. She also realized that it was the costume curator’s day off. She would be alone in the attic. She started with a rack of clothes from the 1880s up to the First World War, not by any means the oldest items in the collection. The garments were grouped by type. There was a collection of slipper satin evening skirts with trains—a whole row of pale ivory, sky blue, a vivid gold. There were racks of fine chiffons, looking as though they had been spun by spiders and a section of velvet evening gowns—soft and black as a raven’s wing.

Alexis pulled out a dull green velvet dress that looked like it could have been worn by one of Oscar Wilde’s “aesthetic dress” disciples. She hung it on the wall and took a Polaroid shot. As she put the dress back on the rack, her hand brushed the velvet and she shivered.

Alexis hung another dress on the end of the rack and stepped back to frame the picture. The dress was a garden-party muslin, white with great garlands of heavy, heavenly blue embroidery looping around the bottom of the wide skirt. She squinted through the viewfinder of the camera. The bosom of the dress stirred. Slowly she lowered the camera. Inside the dress, tissue paper crackled as it uncrumpled itself. She smiled and raised the camera once more. Her hands began to shake. If I press the button, she thought, driven by an overpowering certainty, I will see the woman in the dress.

She began to panic in slow motion. She realized that it wasn’t a matter of “wouldn’t it be funny if the woman showed up on the photo?” but an emphatic, “I will see the woman when the photo comes out.”

At that moment, as though a radio had been switched on, came a chaos of voices. Women: shrieking, imploring, summoning, commanding—all demanding to be heard, desperate to make her understand. Some imperious, some furious, some insane with frustration. All struggling like birds against a glass to get through, to make her hear.

Look at me Listen to me Hear what I’m saying Listen  

The noise swept over her like a wave. She couldn’t breathe; her heart was bursting. I will die, she thought, calmly as a drowning person, and then I will scream too.

The frothiest pieces seemed the noisiest, Alexis thought incongruously. Like the lawn dress, c. 1918…a lot of the young women in lawn dresses didn’t make it through the influenza epidemic.

Later, in a haze, Alexis remembered hanging all the dresses back on their racks. Remembered putting away the tags and supplies and locking the door. Remembered forcing herself to take a photo of the dress, even though a woman from another time would appear on the film.

But when she returned the next day the door stood open. Cautiously she entered, careful not to brush against the racks of clothes. The dresses were where she had left them: the red velvet dress lying on the table, the white dress with blue embroidery at the end of the rack. She held her breath, listened. Nothing but her own heartbeat in her ears. Quickly she hung the dresses in their places, put away the supplies, picked up bits of lint. Slowly she sorted the photos on the work table. There was none of a white dress.

Alexis picked up her portfolio, placed the photos in it, her muscles tensed as if for flight. In the doorway, she looked back at the racks and racks of gleaming silks and velvets. A jet dangle on a beaded cape winked at her.

She shut the door and locked it, feeling as if time were running out. She quietly pushed on the knob to make sure the door was latched and turned away. Something, a breath of air from under the door, made her turn back. Made her stand listening, pressed against the door, to the taffetas whispering among themselves.

Haunted Ohio: Ghostly Tales from the Buckeye State, Chris Woodyard, 1991

Chris Woodyard is the author of The Victorian Book of the Dead, The Ghost Wore Black, The Headless Horror, The Face in the Window, and the 7-volume Haunted Ohio series. The books are available in paperback and for Kindle. She is also the chronicler of the adventures of Mrs Daffodil in A Spot of Bother: Four Macabre Tales. She blogs on international fortean topics at hauntedohiobooks.com.

 

 

 

A Haunted Coat from a “Misfit Clothier:” 1898

A gentleman's cutaway coat. From morningdressguide.com

A gentleman’s cutaway coat.
From morningdressguide.com

A HAUNTED COAT.

Curious Experience of the Original “Misfit Clothier.” 

Denis Shea, the well-known clothier, died at his residence on Washington Heights. After trying his hand at various occupations, he finally embarked in the misfit clothing business. His place on Broome Street is known all over the country—its unique feature being that most of the goods came from the shops of the fine merchant tailors of New York and other large cities. Of this branch of the business Mr. Shea was the originator, and enjoyed practically a monopoly.

  The notion which led to the establishment of the misfit clothing business originated in Mr. Shea’s brain when he worked in a fashionable tailor shop in Fifth Avenue nearly forty years ago. Clothes that did not fit or were never called for he saw lying around the place or packed away to be sold eventually for a song. The fact that the garments were of the highest grade of material and workmanship and that, nevertheless, they brought smaller prices than ordinary ready-made clothes, struck the young man forcibly. He accumulated a little money, and with this as a basis decided to set up in business.

  Mr. Shea used to tell of a peculiar experience he once had in the matter of a cutaway coat. It had come from a Fifth Avenue shop, along with several other garments that had been refused or left uncalled for, and it was sold to a regular customer, who approved it as an admirable fit. A week after the purchase the customer came to see Mr. Shea.

“There’s something the matter with that coat, Shea.”

“It looked to fit you very nicely,” said the dealer. “What seems to be wrong?”

“Nothing that I can explain. It’s a first-class fit, but it doesn’t feel comfortable. No; I don’t mean that it binds or pinches me anywhere. It isn’t that kind of uncomfortable. It’s a sort of nervous feeling as if I didn’t have any right to the coat. It couldn’t have been a stolen garment, could it, that got in here by mistake?”

“Not possible. Came direct from ____’s.”

“Well, just for the curiosity, I’d like to have you find out for whom it was made, and why it wasn’t accepted. I’m sure there’s something queer about it.”

Having occasion to go to _______’s on the following day, Mr. Shea made inquiries about the coat.

“Oh, that was made for Mr. J_____,” said the tailor. “Killed in the big railroad accident in Buffalo the other day. That’s how you came to get that, and a particularly fine garment it is, too.”

“Yes,” said Mr. Shea, “so it is. A particularly fine coat.”

A week later the purchaser of the coat brought it to the shop.

“Give me any price you like for it,” he said. “I wouldn’t put it on again for $1,000.”

“What’s wrong with it?” asked the dealer.

“Well, Shea, you can laugh at me if you want to, but that coat’s haunted.”

“Did you ever see J______, the well-known lawyer?”

“No, but I’ve heard of him often. Let me tell you about the coat. Yesterday evening I wore it, and I felt all through the evening as if somebody were trying to get it away from me. After I went to bed something came into the room and put on that coat. When I jumped out of bed the figure vanished away, and left the coat in a heap on the floor. The figure was that of an elderly man with a white mustache.”

“Very curious,” said Shea. “If I were superstitious I should say that you had seen the ghost of J________. Who was killed in a railroad collision last week. As it is, I’ll take back the coat—yes, it was J_______ that it was made for—and give you another one for it.”

The coat was afterward sold to a Western man, who never reported any peculiarities connected with it.

In his business Mr. Shea became widely known and was often asked to go in to politics, but he steadfastly refused, saying that his business gave him all the exercise he needed. He died possessed of considerable property. New York Sun.

Alden [IA] Times 21 October 1898: p. 4

Mrs Daffodil’s Aide-memoire:  Mrs Daffodil regrets that the dreaded Dash of Anonymity precludes her from giving the particulars of J___’s death in the big railway accident near Buffalo.  However, she has heard other stories of haunted clothing: a black velvet jacket that choked the actress whose costume it was; a Civil War re-enactor’s shirt which became mysteriously soaked with blood whenever he wore it into “battle.”  An elaborate shawl haunted by the sinister spirit of the former femme fatale owner. Mrs Daffodil once knew a woman who ran a vintage clothing shop. She told how a woman tried on a white cotton blouse c. 1910 and seemed to go into a trance, describing a festive summer picnic by a lake as if she was actually there. And Mrs Daffodil has previously posted the story of the ghost who ordered a hat.