A Halloween party without a Jack Horner surprise pie would be Hamlet with the Dane and Ophelia and even the ghost left out, so barren would the good old day be without this standby. Made of crape paper and holding little prizes and favors, this novelty is sure to be a success with children and grownups alike. In the pie illustrated each little witch with her bright white spotted dress and apron, red cardboard hat and tiny broom, is attached to a string at the end of which is a suitable favor. Weird red “devils” and ugly black cats are perched on the handle of the basket.
The Colfax [WA] Gazette 28 October 1910: p. 8
JACK HORNER PIES.
The Jack Horner pie is a favorite sort of decoration nowadays for all occasions, and as it serves both as a decoration and a receptacle for favors, it is especially valued by the hostess. It is most appropriate for the Halloween frolic.
One Jack Horner pie is simply huge golden pumpkin, made of crepe paper stretched over a wire frame. Inside the paper pumpkin there are little favors, fastened to ribbons. These ribbons are passed through slits in the pumpkin and at their other ends, one of which is placed at each plate, are tiny pumpkins.
A most beautiful Jack Horner pie for a girl’s party represents a pretty doll driving In a goose wagon drawn by black cats. The goose–which is no more than a pasteboard candy box–can be bought at a good candy store, and the black cats are the usual weird coal black little things, harnessed up with scarlet ribbons, which the dollie inside the wagon holds in her small hands. But as to this small lady, she is nothing but head and hands, for her ballooning skirt is meant only to cover the tissue paper bag containing the gifts. A very effective pie could be made of two flat pieces of cardboard cut out to represent a weird at of the Hallowe’en species and painted black. Fasten these each side of a narrow cardboard box, also painted black, and glue crimson paper around the inside of the box to serve as the pouch for the presents. Slit holes in the paper bag for ribbons to come through, and twist around the top lightly so that everything will come out easily.
A clock is a novel Jack Horner pie. It is a round box, of course, covered with yellow paper. On its big face are fastened figures representing the hours of black paper. Two black hands point to the witching figure for 12 o’clock. Hanging from the bottom. like so many pendulums, are ribbons’ which are to be pulled when time comes for the guests to get their gifts.
Still another “pie” is a basket of pumpkins. The basket is covered with yellow paper and in it are lots of little paper pumpkins. Each, of course, contains a gift and when gift time comes the basket is passed around.
Then there is the witch pie. This is a witch made of a doll’s head, with a capacious orange paper skirt and black paper shawl and cap. Under the skirt are the gifts, with yellow or black ribbons attached to them escaping from beneath the hem.
Evening Star [Washington DC] 27 October 1916: p. 16
The imposing centerpiece illustrated [at the head of this post] is a Jack Horner pie, filled with favors. These favors are hidden in the basket which forms the foundation for the “pie,” and ribbons, passing up through the piecrust of crepe paper are attached to the little witches which decorate the top of the pie. The big witch head in the center is added merely ass an ornament and may be presented ceremoniously to some particular guest. A fringe of snappy mottoes with brooms attached surrounds the basket and the handle is covered by witches’ brooms made of faggots in which roost hobgoblins, banshees and other terrifying creatures. Such a centerpiece, of course, would cost a substantial sum, but the same idea might be carried out with less expense, using one good-sized witch for a center and bringing the ribbons attached to the hidden favors over the edges of the basket where they form a fringe finished by little apples or yellow crepe paper pumpkins. The fagot brooms may be easily made form ordinary twigs and hobgoblins and black cats cut form paper may nestle in the branches.
The Topeka [KS] State Journal 30 October 1909: p. 18
Mrs Daffodil’s Aide-memoire: Jack Horner pies were not just for Hallowe’en, but seemed to receive the most coverage at that time. Many and varied were the shapes and prizes.
Countless are the tiny trifles for 5 cents and less one can find in the stock of some stores and which make the nicest little souvenirs for child parties. One tray discloses little bundles made up of five toys each–a tiny wooden pail of bright apples, a black rake, a black cat, a green frog, a carrot, a cucumber or an onion. Garden vegetables seem to be eminently appropriate for Halloween and everywhere there are delightful candy boxes simulating them. They are all effective on the table, and every box may serve as a souvenir. The small vegetables are, of course, only of painted wood or of cotton, but children find them amusing when they haul them out of a Jack Horner pie.
The more novel the Jack Horner pie for Halloween the more amusing it will seem, so a good deal of personal ingenuity may be exercised. One pie turned out by a toy shop is made like a French doll, the dainty little lady carrying an immense bandbox of flowered paper, this, of course, holding the gifts. Another doll is set in a little cardboard wagon, six black cats, with scarlet leashes, drawing the trap. Behind the wagon fall the ribbons to be pulled, and when the critical moment comes the wagon will go to pieces like the one horse shay.
The Jack Horner pie for Halloween is also often hidden in the stomach of a big scarecrow, and there are balloon aeroplane and goose and owl pies, the gifts tucked away inside the hollow ornament, and covered with tissue paper, so that they jerk out without trouble. But the big paper pumpkin
makes the most effective pie of all for Halloween, and when it is turned out with highest art it may cost $10 in the shop.
The Pensacola [FL] Journal 24 October 1911: p. 5
Mrs Daffodil was explaining the Jack Horner pie to an American acquaintance unfamiliar with the idea, who wondered how the crusts were kept fresh until sold and how the crusts did not crumble when the ribbons were pulled.
Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes
You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.