Tag Archives: ladies’ man

Week-end Compendium: 6 January 2016

Mrs Daffodil has not been idling in fancy-dress this week, but shares a caustic commentary on “The Ladies’ Man,” in case the upcoming High Feast of St. Hallmark throws one into the company of one of those serial adorers so unwittingly fatal to a girl’s reputation.

She also tells of a Wisconsin lady-inventor, a Mrs Gearing, who created a woodsy costume: a romper lined with sawdust, which was somehow supposed to emancipate Womankind. Simply barking.

Then Mrs Daffodil shares an interview with a hairdresser who takes pride in her profession of dressing the hair of the dead and comments on the use of “dead hair” in wigs and chignons.

On Sunday Mrs Daffodil intends to give some tips on how to look one’s best for the photographer of 1865 or 1921. Bring talcum powder and blue gauze.

This week at the Haunted Ohio blog:

A flap at Drayton Church, haunted by a uncanny black bird seen perching in the sanctuary and heard fluttering in the vault.

While it is hard to conceive of such a thing, a French widow claimed that her bouncing baby boy was begotten by her ghostly husband–dead for several years. Perhaps a too-fertile imagination was at work here.

From the archives, to whet one’s appetite for Valentine’s Day, Hearts and Powers, Cardiac Witchery and Vintage Advice on Choosing a Spouse.

Some favourite links: A woman after Mrs Daffodil’s own heart: Resistance fighter Nancy Wake.

A ritual horse burial from the War of 1812?

Never say never when it comes to historic dress.

dash of humour in this cartoon, which, not to give away the punch-line, is about Roman soldiers.

The Chinese Year of the Monkey begins on Monday. This is the leader of the monkey orchestra and chorus by J J Kaendler, Meissen, c. 1755 http://www.nationaltrustcollections.org.uk/object/1245667

The Chinese Year of the Monkey begins on Monday. This is the leader of the monkey orchestra and chorus by J J Kaendler, Meissen, c. 1755 http://www.nationaltrustcollections.org.uk/object/1245667

singing monkey

This is the lead singer in the monkey chorus by J J Kaendler, Meissen, c. 1755 http://www.nationaltrustcollections.org.uk/object/1440310.12

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Chris Woodyard is the author of The Victorian Book of the Dead, The Ghost Wore Black, The Headless Horror, The Face in the Window, and the 7-volume Haunted Ohio series. She is also the chronicler of the adventures of that amiable murderess Mrs Daffodil in A Spot of Bother: Four Macabre Tales. The books are available in paperback and for Kindle. Indexes and fact sheets for all of these books may be found by searching hauntedohiobooks.com. Join her on FB at Haunted Ohio by Chris Woodyard or The Victorian Book of the Dead.

 

 

The Ladies’ Man: 1892

gentleman under the lens

The ladies’ man is a species of the masculine sex rarer in the present days than of 20 years ago. He is still, however, to be met with in a modified form, although he does not figure as the hero, not even of the Young Ladies’ Journal stories, men of a stronger type pushing him to the rear. In the days when croquet was the game he was in his glory. That gentle exercise gave him fit opportunities for exchanging those courtesies with the gentler sex in which his soul delights, and enabled him without appearing in the disadvantage of deshabille, to simulate something like the excitement in which the athlete delights. Propelled from beneath a well-shaped, well-booted foot, the merry balls flew. The ladies’ man proper would do many things of a hard nature sooner than appear to a disadvantage before the ladies. Any amusement which demands a negligence of dress is viewed with disfavour by him, and if there be the faintest loophole he introduces the picturesque, with himself as the leading figure. He would not, were he to take a party of ladies for a row, be seen in a shabby slouched hat and unbecoming jersey, but seizes the opportunity the occasion allows and makes a picture of himself.

He has the right kind of clothes for every occasion, and keeps them, if not in a bandbox, somewhere where dust and crinkles cannot touch them for at church, at the kettledrum, at concert, theatre, or dance, his appearance is faultless, and he can well submit to the smiles of his male companions if only the ladies look approvingly his way.

The ladies. In those two words lie the motive of his existence. They are his creed, his hope, his ambition, and his politics. To please them is his highest aim, and in this he is an adept. Long study of all their little whims and ways has made the task an easy one to him and while other men are awkward and blundering men, perhaps, who carry all before them in intellectual and athletic fields in a drawing room he is as much at home and as perfectly at his ease as the hostess herself. If he sings, he knows the songs to reach the hearts under lace and velvet, and the half-contemptuous looks of the men which seem to say sentimental twaddle are but compliments to him, taken in conjunction with the smiles on rosy lips. At a picnic he is in his element. While men who out-do him at shooting and riding are clumsily upsetting things, or trying to eat in the most ungraceful attitudes, he smilingly and unruffled flys from one lady to another, anticipating their wants, and unearthing just what they desire, earning for himself, by his indefatigable amiability and attention, smiles and thanks enough to make him a happy man for a week. On all those occasions where the sexes meet it is the same. Nothing pertaining to his forte is overlooked. Those little services which other men, because of their trivial nature, forget or neglect are as much his mission as it is a butterfly’s to flit from flower to flower.

The bouquet for Miss Smith on the night of the dance, the wreath and cards of condolence for Mrs Jones, the ticket for the boat race for the Misses Brown —all are thought of and promptly attended to. He posts the letters for Miss A., books seats for Mrs B., calls on Miss C., sends fruit to Miss D., disposes of a dozen ticket 3 for Mrs E.’s raffle, all in one short morning, makes half a dozen duty calls, and appears at Mrs F.’s 5 o’clock tea, looking as though he had been living up till that moment of his life for that hour alone. The Misses G. secure him for their tableaux, and Mrs H. insists upon him taking part in her private theatricals, while the curate’s daughters use him at the decoration seasons. All the morning of Christmas Eve he is directing Christmas cards, and all the afternoon in perilous positions on ladders, tacking up floral mottos on church walls. The ladies all like him became he is so obliging. Those little matters with which their brothers, fathers, husbands, and lovers “can’t be bothered” the ladies’ man is “charmed” to perform. He will walk three miles in the hot sunshine to execute a commission for the plainest woman of his acquaintance and declare it was a pleasure. He sips weak tea at afternoons as though the greatest wish of his heart had been gratified, and stands reverentially at the piano turning the leaves for a girl whom other men neglect. Is it great vanity, or great unselfishness, or a mixture of the two that makes this man voluntarily and persistently offer himself a martyr at woman’s shrine from day to day?

He gains nothing by it, he seems to hope nothing, for generally he is not a marrying man. His mild love-making and boundless attentions are distributed without apparent preference. Any lady is privileged to command if she will. Not because she is the lady of all others to him has she the power to make him her servant, subservient to her desires, but because she is a lady is she entitled to rule. All the homage which he evinces concentrated upon one woman would make her regard herself as much adored. He would not think twice about breaking a promise to a man to oblige a woman. The gentler sex come first with him always, and the reason “for a lady” seems sufficient for him to urge to vindicate himself upon any occasion. Usually the men leave him to his own devices, he is one of them but not with them, nor does he seem conscious of any loss on the other hand it seems incomparable gain to him to feel that his name is on the visiting list of the most desirable ladies in town. No breach of etiquette ever gets him into bad favour he knows just the fitting thing to do and say upon every occasion, and does and says it.

At a wedding he is radiant; he is equally at his ease at a christening; and at a funeral he looks as though the sun of his life had set for ever. Whether he is over-sensitive or heartless, whether he has had his heart broken, or never had one to break, remains a mystery he appears to be a polite automaton of gentle acts and words—an embodiment of courtesies. Whether he gets old and tired and crabby, and ultimately dies like other people, I do not know. Usually he glides out of a community like he glided in, and some time after when his name is referred to, somebody says Oh, yes, I remember now—l had nearly forgotten him— wasn’t he a ladies’ man?”

Otago [NZ] Witness, 3 November 1892: p. 41

Mrs Daffodil’s Aide-memoire: A delicate portrait of one who seems to live only to be of service to Womanhood. Yet, there is a more sinister side to the ladies’ man.

Now, we should wish to say a word or two in the ears of young ladies on this point ere closing. The ladies’-man owes his existence as such to you. In maintaining him in such a state you do yourselves a moral wrong—injuring your own position in society. See how! John Somers, a thriving young merchant, is introduced to Miss Julia Likely, a very engaging, affable, and worthy young lady. He feels a desire for further acquaintance, calls, finds her at home with her sisters, but Augustus, the dangler, is there, entertaining her and the company with his unmeaning nonsense, and engaging the whole attention of the party to himself. John calls again, the same scene is enacted; and again, but still finds Augustus at his post: at last leaves off. A friend inquires, ‘John, why, you never visit Miss Julia now?’—’ Oh,bother Miss Julia!’ replies John; ‘she’s a very pleasant girl, no doubt, but that booby Augustus Herbertym is perpetually lounging about the house. One can’t tell what to think of the lady; for my part, I’d as soon not have a wife who delighted in such silly company.’ Julia wonders why John never calls now. He was a very pleasant sensible young man. She is sorry he is gone, but can see no reason for his abrupt cessation of visiting. Could he find any fault with her? she thinks not. Look, young lady, at that simpering vacant countenance, and at that neatly adjusted and polished exterior, beneath which one great or generous thought never lurked, as he stands at your side smoothing his glove and affecting airs sufficient to disgust all his sex. Look there, we say, and you will find an answer to your thoughts; you will see how honesty has been vanquished by vanity—Intentions sacred and honourable routed off the field by the sight of No Intentions—and remember it is all your own fault. Look now reflectively. Do not injure your own position in society, your own chances of marriage, your own happiness. Do not increase your reputation as a flirt or coquette, and advance the probability of an ultimate garret, by maintaining such a creature dallying around you. Act wisely and prudently, then, for your own sakes as well as for the sake of the subject of our sketch. You will not only benefit yourselves, but commit an act of genuine philanthropy by setting your faces steadfastly against such an anomalous wag as The Ladies’-man. Hogg’s Weekly Instructor, James Hogg, 1837: p. 211

You have been warned, ladies….

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

Week-end Compendium: 30 January 2016

Mrs Daffodil is already losing patience with Winter, but unless the Family decides to go on holiday to warmer climes, requiring Mrs Daffodil to supervise things like “bar-b-ques” and drinks with little paper umbrellas in them, there is not much to be done.  Mrs Daffodil invites her readers to don a becoming dressing gown and ask Cook for a mug of cocoa to sip while perusing the Week-end Compendium.

This week Mrs Daffodil has reported on:

Staging a Sandstorm, wherein the stage-magic secrets of the thrilling spectacle are revealed.

An engaging lady detective, who reports on her techniques and cases: her use (or non-use) of make-up, her professional flirtations, and what it takes to be a detective.

And a barber’s ghost who wreaks havoc by walking again, asking in sepulchral tones: “Do you want to be shaved?”

To-morrow, Mrs Daffodil gives a delicate sketch of that rara avis, The Ladies’ Man, and the peril he poses to those he professes to adore.

Mrs Daffodil’s favourite links of the week:  An American millinery apprentice writes about the question of “historical authenticity” and, well, 18th-century bosoms. Plus, who does not love red shoes?

Over at the Haunted Ohio blog, that exceedingly morbid person has out-done herself with this week’s posts:

A Post-mortem Room Ghost, in which a young medical student finds an unwelcome visitor in the Dead-room of a Dublin hospital.

And,  “The Lesser (King’s) Evil,” a shockingly gruesome account of a woman with scrofula, who undergoes horrific DIY surgery at home to relieve her pain. Not for the faint-of-heart or weak of stomach.

From the Haunted Ohio archives, a less fraught post on ladies and their tattoos: “The Girl with the Tell-all Tattoo.”

Incidentally, Mrs Daffodil has been asked by the Haunted Ohio blog author to remind readers that the blog covers international Fortean topics, rather than the merely parochial. One will note that this blog is described as “The genteel and the unspeakable from Chris Woodyard.”

Haunted Ohio’s favourite links of the week: A scientific study of “EVP.” and taxi-drivers in Japan’s tsunami districts are being haunted by ghostly fares.

A jolly frogged and embroidered dressing gown, c. 1880 http://www.nationaltrustcollections.org.uk/object/1362484

A jolly frogged and embroidered dressing gown, c. 1880 http://www.nationaltrustcollections.org.uk/object/1362484

purple dressing gown

Chris Woodyard is the author of The Victorian Book of the Dead, The Ghost Wore Black, The Headless Horror, The Face in the Window, and the 7-volume Haunted Ohio series. She is also the chronicler of the adventures of that amiable murderess Mrs Daffodil in A Spot of Bother: Four Macabre Tales. The books are available in paperback and for Kindle. Indexes and fact sheets for all of these books may be found by searching hauntedohiobooks.com. Join her on FB at Haunted Ohio by Chris Woodyard or The Victorian Book of the Dead.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.