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Raw Material: A Christmas Ghost Story

RAW MATERIAL

by Marjorie Bowen

Linley was fond of collecting what he called “raw material” and, as a fairly successful barrister, he had good opportunity for doing so. He despised novelists and romancists, yet one day he hoped to become one of these gentry himself, hence his collection of the raw material…however, after some years he became disgusted and overwhelmed by the amount of “stuff” (as he termed it) which he had gathered together—scenes, episodes, characters, dialogues, descriptions and decorations for all or any possible type of tale; he remained, he declared, surprised at the poverty of invention of the professional story-tellers who gave so little for the public’s money in the way of good, strong, rousing drama, such as he, Robert Linley, had come across, well, more times than he cared to count…

“There isn’t anything,” he declared with some vehemence, “of which I haven’t had experience.”

“Ghosts?” I asked, and he smiled contemptuously.

“Yes, of course, I’ve had any amount of experiences with ghosts, with people who’ve seen ’em, and people who think they’ve seen ’em, and with the ghosts themselves…”

“Well,” I asked, “have you come across a real Christmas ghost story—what we used to call the old-fashioned kind? They’re getting a bit threadbare now, you know; they’ve been told over and over again, year after year; have you got a novelty in that direction?” Linley, after a moment’s pause, said that he had.

“There’s some raw material for you,” he cried, waxing enthusiastic, “the story of the Catchpoles and Aunt Ursula Beane, there’s some raw material—why, there’s everything in it—comedy, tragedy, drama, satire, farce—”

“Hold on!” I cried, “and just tell us as briefly as possible what your ‘raw material’ consists of. I’m out for a Christmas ghost story, you know, and I shall be disappointed if you don’t give us something of that kind.”

Linley made himself extremely comfortable and, with a lawyer’s relish of the right phrase and the correct turn of sentence, gave us the history of Aunt Ursula Beane, with the usual proviso, of course, that the names and places had been altered. Before he began his narration Linley insisted on the novelty of the story, and before he had finished we all of us (those select few who were privileged to hear him hold forth) agreed that it was very novel indeed.

The case of Aunt Ursula Beane, as he called her, had come under his notice in a professional way and in the following manner, commonplace enough from a lawyer’s point of view, although the subsequent case was one which the papers endeavored to work up into what is described by that overworked word “sensational.” As far as the lawyers and the public were concerned it began with an inquest on Mrs. Ursula Beane. In Linley’s carefully selected phrases the case was this:

“Mrs. Ursula Beane had died suddenly at the age of seventy-five. The doctor who had been intermittently attending her—she was an extremely robust and healthy old woman—had not been altogether satisfied with her symptoms. He had refused a death certificate, there had been an autopsy, and it was discovered that Mrs. Ursula Beane had died from arsenical poisoning. The fact established, an enquiry followed, eliciting the following circumstances. Mrs. Ursula Beane had lived for forty years in a small house at Peckham Rye which had belonged to her father and his father before him. The house had been built in the days when Peckham Rye—well, was not quite like it is now. She resided with a nephew and niece—James and Louisa Catchpole. Neither of them had ever married, neither of them had ever left Peckham Rye for more than a few weeks at a time, and the most minute investigation did not discover that either of them had had the least adventure or out-of-the-way event in their lives. They enjoyed a small annuity from a father who had been a worthy and fairly prosperous tradesman. James was, at the time of the inquest, a man over sixty and had been for many years a clerk—’confidential clerk’ as he emphasized it—with a large firm of tea merchants. He received a sufficient, if not a substantial salary and was within a year or two of a pension. His sister, Miss Louisa Catchpole, was younger—fifty or so; she also had a substantial, if not a brilliant, position as a journalist on one of those few surviving monthlies which rather shun publicity and cater for the secluded and the virtuous. She wrote occasional short stories in which the hero was always a clergyman and the heroine sans peur et sans reproche. She also wrote little weekly causeries—as I believe they are called—’Meditations in a Garden’; they were headed and adorned with a little cut of an invalid in a basket-chair gazing at a robin. In these same causeries Miss Louisa Catchpole affected month after month, year after year, with unfaltering fortitude, a vein of Christian cheerfulness, and encouraged her readers with such maxims as ‘Character is stronger than Destiny,’ ‘A man is only as strong as his faith in himself,’ and chirpings about the recurring miracle of spring, together with quotations from the more minor poets—you know the type of thing.

“It is irrelevant to our story to go into why Aunt Ursula Beane lived with those two; they seemed to be the only surviving members of their very unimportant family, and they had lived together in the house at Peckham Rye for forty years, ever since Louisa was quite a small child and had gone there to live with Aunt Ursula who, on her husband’s death, had retired to this paternal abode. Nobody could think of them as apart one from the other. During those forty years James had gone to and fro his work, Louisa had written her articles and stories, and at first had been looked after by, and afterwards had looked after, Aunt Ursula Beane. Their joint earnings kept the tiny establishment going; they were considerably helped by the fact that there was no rent to pay and they lived in modest comfort, almost with (what James would have called) ‘every luxury.’ Besides giving them the house to live in, Mrs. Beane paid them at first thirty shillings, then, as the cost of living went up, two pounds a week for what she called ‘her keep.’ What, you will say, could have been more deadly commonplace than this? But there was just one touch of mystery and romance. Aunt Ursula was reputed to be of vast wealth and a miser—this was one of those family traditions that swell and grow on human credulity from one generation to another. The late Mr. Beane was spoken of with vague awe as a very wealthy man, and it appeared that the Catchpoles believed that he had left his widow a considerable fortune which she, a true miser, had concealed all those years, but which they might reasonably hope to inherit on her death, as a reward for all their faithful kindness. Investigation proved that what had seemed rather a fantastic delusion had some startling foundation. Mrs. Ursula Beane employed a lawyer and his evidence was that her late husband, who had been a tobacconist, had left her a tidy sum of money when he had died forty years ago, amounting to fifteen thousand pounds, which had been safely invested and not touched till about five years before. What Mrs. Beane lived on came from another source—a small capital left by her father that brought her in about a hundred and fifty pounds a year; therefore this main sum had been, as I have said, untouched and had accrued during those thirty-five years into a handsome sum of nearly fifty thousand pounds. The lawyer agreed that the old lady was a miser, nothing would induce her to draw out any of this money, to mention its existence to a soul, or to make a will as to its final disposal. The lawyer, of course, was pledged to secrecy. He knew that the Catchpoles guessed at the existence of the hoard, he also knew that they were not sure about it and that they had no idea as to its magnitude. Five years before her death the old lady had drawn out all her capital—forty-eight thousand pounds—without any explanation whatever to the lawyer, and had taken it away in a black bag, going off in a taxicab from the lawyer’s office in Lincoln’s Inn. It might have been the Nibelung hoard flung into the Rhine for all the mystery that was attached to it, for nobody saw or heard of it again. Both the Catchpoles swore that they had no knowledge whatever of the old woman realizing her capital; she had certainly not banked it anywhere, she must have taken that very large sum of money in notes and, I believe, a few bonds, to that small house at Peckham Rye and in some way disposed of it. A most exhaustive search revealed not so much as a five-pound note. In the bank was just the last quarterly installment of her annuity—barely enough, as Louisa Catchpole remarked with some passion, ‘to pay the doctor and the funeral expenses.’

“There you have the situation. This old woman dead in what was almost poverty, the disappearance of this large sum of money she had realized five years previously, and the fact that she had died from arsenical poisoning. To explain this there were the usual symptoms, or excuses, whatever you like to call them; she had been having medicine with arsenic in it, and she might have taken an overdose. There had been arsenic in the house in the shape of powders for an overgrown and aged dog, and in the shape of packets of weed-killer, James had always taken an industrious interest in the patch of garden that sloped to the Common. The old lady might have committed suicide, she might have taken some of the stuff in mistake, or the Catchpoles might have been murderers. The only possible reason for suspecting foul play would have been that the Catchpoles knew of her hoard and wished to get hold of it. But this it was impossible to prove. I was briefed to watch the case for the Catchpoles. There was, of course, a certain sensation and excitement over the fact of the large sum of money, the only startling and brilliant fact about the whole commonplace, drab and rather depressing story. I myself thought it rather absurd that any question of suspicion should attach to the Catchpoles. After forty years of placid uninspired devotion to Aunt Ursula Beane, why should they suddenly decide to put her out of the way when, in the nature of things, she could not have had more than a few years to live? Their demeanor, too, impressed me very favorably. There was none of the flaunting vanity, posing or vehement talk of the real criminal, they seemed slightly bewildered, not very much disturbed, and to trust wholly in their undeniable innocence, they almost found the whole thing grotesque and I could understand their point of view. The verdict, however, was rather surprising. It was confidently expected that it would be Death from misadventure,’ but instead, the verdict was ‘Death from arsenical poisoning not self-administered.’ This is really about as near as we can get in England to the Scottish verdict ‘Not proven,’ and I was rather indignant, for it seemed to me to attach a great deal of wholly unmerited suspicion to the two Catchpoles. Still, of course, they were quite free and no direct blame was laid on them. In fact, the coroner had remarked on their devoted care of an old lady who must have been, from the various facts proved by the doctors, ‘very trying and difficult,’ as the saying goes. They conducted themselves very well after the inquest, still with that slightly bewildered patient air of resignation. It seemed to me that they did not realize the ghastly position in which they stood and, as I knew when I heard the verdict, the very narrow escape they had had from being arrested on a charge of murder. They paid all the expenses connected with the inquest at once and without any trouble. They had, as James explained with a certain mild pride, ‘savings.’ I was interested in them, they were so meek and drab, so ordinary and repressed; there was something kindly and amiable about them and they were very attached to each other. I questioned them about this mysterious hoard, the existence of which would have been difficult to believe but for the evidence of the lawyer. They did not seem very concerned, they had always known that Aunt Ursula Beane had money and, said Louisa without passion, they had always guessed that she had tried to do them out of it—she had been an extraordinarily malicious old woman, they complained, and it was quite likely that the money was buried somewhere, or had been destroyed. She was capable of feeding the fire with it, of sticking it in a hole in the ground, of throwing it into the water in a bag weighed down with stones, in fact of doing anything in the world with it except putting it to some profitable use. She was undoubtedly not right in her head.

“‘She ought to have been certified years ago,’ I declared.

“James Catchpole shook his head. ‘She was never bad enough for that,’ he announced with resignation.

“They had really been slaving and ‘bearing’ things for forty years for that money, and they took the loss of it, I thought, with extreme gallantry.

“They returned to the little house in Peckham Rye which came to them as next-of-kin. The little annuity, which was all that Aunt Ursula had left of her worldly goods after she had disposed of her main fortune, perished with her. James and Louisa would have to live on his clerkship and her journalism.”

At this point Linley stopped to ask me if we did not perceive a real strong drama in what he had told us—”A whole novel, in fact,” he added triumphantly.

“Well,” I replied, “one might make it into a whole novel by inserting incidents and imagining this and that and the other. As you have given it, it seems a dreary stretch of nothingness with a rather damp squib at the end. After all, there was no murder, I suppose the old woman took an overdose of medicine by mistake. Where,” I asked, “does the Christmas ghost story come in?”

“I will tell you if you will have just a little more patience. Well, I have said that I was interested in the Catchpoles, I even went to see them once or twice. They seemed to me to be what used to be called ‘human documents’—the very fact that they had such blank faces made me want to study them. I know there must be some repression somewhere, some desire, some hope, something beside what there appeared on the surface—this blank negation. They did not betray themselves. Louisa said she missed the old lady and that she was having quite a handsome headstone put on her grave in the vast London cemetery where she had been laid to rest. James spoke of the old lady with a certain deference, as if the fact of her being dead had made a saint of Aunt Ursula Beane.

“I continually asked them if they had had any news of the money. They shook their heads with a compassionate smile at my hopefulness. They were convinced that during those five years Aunt Ursula Beane had completely destroyed the forty-eight thousand pounds—easily destroyed, for most of it had been in hundred- and thousand-pound notes. Of course the garden had been dug over and every brick and plank in the house disturbed, with no result.

“‘And if she never left the house and garden?’ I asked.

“They told me she had. She was a robust old woman, as I said before, and she used to take long walks and every year during those five years she went away for a fortnight—sometimes with Louisa, sometimes with James, sometimes to the seaside and sometimes to lodgings in a farmhouse, and on all these different occasions she had had plenty of opportunity of getting rid of her money. Of course these five several lodgings had been searched and the country round about them, but always with no result.

“‘You see, sir,’ said James, with his meek and placid smile, his pale faded eyes gleaming at me behind the glasses, ‘she was far too cunning for all of us.’

“One winter evening about a year after the inquest the mood took me to go and visit these two curious specimens. I found them with a planchette, their eyes goggling at the sprawling writing that appeared on the piece of paper beneath. James informed me without excitement that they had ‘taken up’ spiritualism, and Miss Louisa chirped in that they were getting ‘the most wonderful results.’

“Aunt Ursula Beane had ‘come through,’ as they put it, almost at once, and was now in constant communication with them. “‘Well, I hope she can tell you what she did with the money.’ “They answered me quite seriously that that was what they were trying to find out, but that the old lady was just as tricky and malicious on the other side, as they termed it, as she had been on this, luring them on with false scents and wayward suggestions. At the same time, they declared, placidly but with intense conviction, they believed that sooner or later she would disclose to them her secret.

“I soon began to lose interest in them after this. When people of the type of the Catchpoles get mixed up with this spiritualistic business they cease to be—well, almost cease to be ‘human documents.’ I thought I’d leave ’em to it, when I received a rather urgent invitation from Miss Louisa Catchpole, begging me to be present at a ‘demonstration’ at which Aunt Ursula Beane would undoubtedly appear in person.

“I went to the little house in Peckham where the furniture, the wallpaper, even the atmosphere did not appear to have been changed all those monotonous forty years—forty-one now to be exact. There was a medium present and no one else save myself and the brother and sister. We sat round the table. The medium who beamed with a rather fussy kindness went off with surprising celerity into a trance, and soon the ‘demonstration’ took place.

“At first I was cynical, secondly I was disgusted, and thirdly, I was rather disturbed, finding myself first in the midst of farce, low charlatanry and chicanery, then suddenly in the presence of something which I could not understand. The ‘demonstration’ began by groans and squeaks issuing from the lips of the medium, greetings to Louisa and James (presumably in the voice of the defunct Aunt Ursula), various jovial references to a bottle containing poison, a few other crude remarks of that nature, and then several knocks from different parts of the room—rappings loud and quick, and then beating time, as if to a piece of music, then a sudden clatter on the table in the middle of us as if the old lady were dancing there with heavy boots on. James and Louisa sat side by side, their hands clasped, listening to all this without a shade of expression on their blank faded faces. The hideous little room was the last resort of the antimacassar, and presently these began to fly about, scraps of the horrible white crocheted tatting gliding through the air in a way which would have been very funny if it hadn’t been rather dreadful. Of course I knew that many mediums have these powers and there is nothing much in them—I mean, it can all be explained in a perfectly practical and satisfactory fashion. At the same time I did not greatly care about the exposition, and I begged the Catchpoles to bring it to an end, particularly as the old lady had nothing definite to say. James whispered that the medium must not be disturbed while she was in trance. Aunt Ursula Beane then began to sing a hymn, but with a very unpleasant inflection, worse than any outspoken mockery. While the hymn was being sung I gained the impression far more vividly than I had ever received before that Aunt Ursula Beane had been a rather terrible person. When she had finished the hymn she began in an old half-broken voice softly to curse them all in a language that was not at all agreeable to listen to, coming as it did in those querulous, ancient feminine tones. This was rather too much for me, and I shook the medium violently. She came out of her trance. Louisa and James did not seem in the least affected, drank tea, ate biscuits, and discussed in banal terms the doings of those on ‘the other side.’

“I received no more invitations from the Catchpoles and did not go near them for a considerable time. In fact, I think I had rather forgotten about them, as I had had a great many other interesting cases and a good many other interesting specimens had come my way. I had heard a vast number of stories as good as the story of Aunt Ursula Beane, but it did happen one day that I had to pass through Peckham and could not resist the passing impulse of curiosity that urged me to go and look at the house on the Common. It was ‘To Let’ or ‘To be Sold,’ according to two or three estate agents’ blatant boards on the front railing. I called next door and was received with the inevitable suspicion with which the stranger is usually regarded in small places. I did, however, discover what I had set out to discover, namely, that the Catchpoles had left the neighborhood about six months ago, and no one knew where they were. I took the trouble to go to one of the estate agents whose address was given on the board, to make further enquiries. The house was to be let or sold, it did not seem to have been considered a great prize, and it certainly had not gone off very quickly, though it was cheap enough; the neighborhood, even the estate agent admitted, ‘was not what it had been.’ Then, of course, one couldn’t deny that the Ursula Beane case and the fact that the old lady had died there, and of poison, had given a slightly sinister air to the modest stucco building. As to the Catch-poles, the estate agent did not know where they had gone; all he had was the address of a bank, nor was it any of my business, so I decided to dismiss the whole thing from my mind.

“Good raw material, no doubt, but none of it worked up sufficiently to be of much interest.”

Linley glanced round at us all triumphantly as he said this.

“But it was all rounded off as neatly as any novelist could do it. Let me tell you,” he added with unction.

“Five years afterwards I ran over to Venice for Christmas—I don’t know why, except just the perverse desire to see the wrong place at the wrong time, instead of forever the right place at the right time. I like Venice in the winter fogs, with a thin coat of ice on the canals, and if you can get a snowstorm—well, so much the better—St. Marco, to me, looks preferable with the snowflakes in front of the blue and the bronze instead of that eternal sunshine…Well, there I was in Venice, and I’m not going to bore you with any more local color or picturesque details. I was in Venice, very well satisfied with myself, very comfortable and alone. I was tolerably familiar with the city and I always stay at the same hotel. One of the first things I noticed was that a large and very pretentious palace near by had recently been handsomely and expensively ‘done up’; I soon elicited the fact that the place which I had always envied had been bought by the usual rich American who had spent a great deal of money in restoring and furnishing it, but who did not very often live there, he only came and went after the fashion of all Americans, and was supposed to travel considerably in great luxury. Once or twice I saw this American going past in a gondola, wrapped in a foreign, rather theatrical-looking cloak, lounging with a sort of ostentation of ease on the cushions. He was an elderly man with a full grey beard, and wore, even now in the winter, blue sunglasses. On two separate occasions when I was sitting on the hotel balcony in the mild winter sunlight and he was being rowed past underneath I had the impression that he was looking at me sharply and keenly behind those colored spectacles, and also the impression, which was likely enough to be correct, that I had seen him before. I meet, of course, a great many people, but even with a memory on which I rather pride myself, cannot immediately place everyone. The hotel at which I was staying—and this was one of the reasons I always selected it—did not have any of those ghastly organized gaieties at Christmas; we were left to ourselves in a poetic gloom best suited to the season and the city. I was seated by myself enjoying a delicious kind of mournful repose, piquantly in contrast with my usual life, when I received a message and a very odd one: the gentleman, Signor Hayden, the American from next door, would very much like to see me. He had observed me on the balcony, knew my name and my profession, and requested the honor of my company. Attracted by anything queer or the least out of the way, I at once accepted, and in ten minutes or so found myself in the newly-restored palace which I had so often admired and envied. The place was furnished with a good deal of taste, but rather, I suspected, the orthodox taste of the professional decorator. Mr. Hayden was not immediately visible, but, I understood, in bed ill; I expressed my willingness to go to his bedside and was shortly conducted there. The room was very handsome, the servants very well trained, and I was impressed by the fact that this rich American must be very rich indeed. One knows, of course, what these out-of-the-way little caprices of newly-restored palaces in Venice cost. The owner of this up-to-date luxury was in bed, propped up with pillows and shaded by old-fashioned mauve velvet curtains. He still wore the colored glasses, and I concluded that he had some defect in his sight. He appeared to see me perfectly well, however, and beckoned to me to approach his bedside. As I did so he removed his glasses; there was an electric standard lamp on an antique table by the bedside and the light of it was turned full on to the sick man’s face, which I immediately recognized. I was looking down into the faded, mild, light-blue eyes of James Catchpole.

“‘Very odd that you should be here,’ he smiled at me, ‘very odd indeed. You’ve always been interested in us and I thought perhaps you’d like to hear the end of the story, that is, if any story ever does end; there’s a pause in ours at this point, anyway.’

“I expressed due surprise and gratification at seeing him. In truth, I was considerably amazed. I was startled, too, to see how ill he was. He asked me to help him up in bed. He declared, without emotion, that he knew himself to be dying.

“‘Where’s Miss Louisa?’ I asked; ‘where is your sister?’

“‘She died last year,’ he answered placidly. ‘She had a thoroughly good time for four years and I suppose it killed her, you know; but, of course, it was worth it, she always said so.’

“The inevitable conclusion had jumped to my mind.

“‘You found Miss Ursula Beane’s hoard?’ I suggested.

“James Catchpole, passing his hand over the full grey beard which had so changed his face, replied simply:

“‘We never lost it—we had it all the time.’

“‘You mean you?’ I asked dubiously, and he nodded and replied:

“‘Exactly!’

“‘That you—?’ I suggested, and this time he nodded and said:

“‘Precisely!’

“‘Louisa persuaded her to realize her capital,’ he continued with childish calm. ‘She was a proper miser and she rather fretted not having the actual stuff in her hands. It wasn’t difficult to make her get it—she liked a real hoard, a thing you can put under the hearthstone or in the mattress, you know. We thought we should get hold of it easier that way when she came to die. You never knew with anyone like that what she might do in the way of a will, she was keen on lost cats and Christians. We thought she would enjoy herself playing with it, and then we’d get it if we were patient enough.’

“He blinked up at me and added, with the faintest of ironic smiles—We’d been patient for forty years, don’t you suppose we spent some part of that time planning what we would do with the money? We were both engaged, to start with, but her young man and my young woman couldn’t wait all those years…We read a good deal, we made lists of things we wanted, and places we wanted to go to…We had quite a little library of guide-books, you may have noticed them on the bookshelf—one of them was a guide to Venice. Louisa, writing her piffling articles, and I at my piffling job, to and fro—well, you don’t suppose we didn’t have our ideas?’

“‘I see,’ I said doubtfully, ‘and then, when there was that little misfortune about the arsenic, I suppose you didn’t care to mention the hoard?’

“‘It wouldn’t have been altogether wise, sir, would it?’ smiled James Catchpole simply. It would have thrown a lot of suspicion on us, and we’d been very careful. There wasn’t any proof, not a shred. We had to wait until the case had blown over a bit, and then we—well, we did the best we could with the time that was left us. We lived at the rate of ten thousand a year. We had the best of everything…Of course it was the pace—don’t you call it?—that killed. We were neither of us young, and we knew we couldn’t stand it for long, so we enjoyed ourselves thoroughly, believe me, sir, thoroughly.’

“He paused and added reflectively:

“‘But it’s a good thing we made a move when we did, we shouldn’t have been able to get about at seventy; she—she might have gone on to a hundred and ten.’

“‘Do you mean that you—?’ I suggested quietly.

“‘It was the easiest thing in the world,’ he smiled, ‘to drop a couple of those dog powders into her milk…’

“I’d always been intensely interested in murderers. I tried to question James Catchpole as to his motives, his sensations, his possible remorse; he appeared to have had none of any of these…

“‘You didn’t regret it afterwards, you haven’t felt the Furies behind you, or anything of that sort?’

“He replied, as far as his feeble strength would permit:

“‘I have enjoyed myself thoroughly. I wish we hadn’t waited so long.’

“I was puzzled. They had always seemed such very nice people.

“‘I am dying now,’ said James Catchpole, ‘and it’s about time, for I’ve spent all the money. The doctor said my next heart attack would be fatal, and I’ve done my best to bring one on. I couldn’t go back to lack of money.’

“‘Who are you going to leave all this to?’ I asked with professional interest. I glanced round the handsome room.

“He smiled at me with what I thought was compassion.

“‘I haven’t been so silly as all that,’ he replied. ‘Everything that I possess wouldn’t pay half of my debts. I have had full value, I can assure you. After all, I had a right to it, hadn’t I? I’d waited long enough.’

“‘What about the planchette and the demonstrations?’ I asked. ‘I suppose all that was a fake to throw us off the scent?’

“‘Not at all,’ he declared, in what seemed to be hurt surprise, ‘that was perfectly genuine. We made up our minds to get in touch with Aunt Ursula Beane, to find out what she thought about it all.’

“‘And what did she think?’ I asked, startled.

“‘She said we were a couple of fools not to have done it sooner.’

“‘Come, come, Mr. Catchpole,’ I cried, something shocked, ‘this is unseemly jesting.’

“‘No jesting at all,’ he assured me. ‘Aren’t I dying myself? I shall be in the old girl’s company in a few minutes, I daresay. You heard her yourself, sir, dancing on the table that evening. She said she’d been a perfect fool herself, and now that she’d “got over” she realized it. She said if we didn’t have a good time, or someone didn’t have a good time with that damn money, she’d never forgive us. You see, sir, at first we began to have that miserly feeling too and didn’t want to spend it. We thought we’d go on hoarding it, living just the same and knowing it was there. She used to scribble out on the planchette saying what idiots we were. That’s why she used all that strong language. “You’ve got it—now use it!” That was what she always said. “I’ll go with you and share in your good time”—and so she has, sir, believe me. We’ve often seen her sitting at the table with us, nodding over the champagne; she’d have been fond of champagne if she’d allowed herself…We’ve seen her dancing in some of those jazz-halls, we’ve seen her in boxes listening to opera, we’ve seen her sitting in the Rolls-Royce revelling in the cushions and the speed…Remorse? Why, I tell you we’ve given the old girl the good time she ought to have had years ago.’

“‘Come, come, James Catchpole,’ I said, ‘you’re delirious. I’d better fetch the doctor.’

“He smiled at me with compassion and some contempt.

“‘You’re a clever lawyer,’ he said, ‘but there are a lot of things you don’t understand.’

“Even as he spoke he seemed to fall into a peaceful sleep and I thought it was my responsibility to fetch a doctor. Of course I believed hardly anything he said—I thought it was quite likely that he hadn’t poisoned Aunt Ursula Beane, but that he had invented the story. At the same time there was the hard concrete evidence of the palace, the servants, the furniture—he had got money from somewhere.

“‘Good raw material, eh? Think what you could make of it if you wrote it up!’

“I went downstairs, telephoned on my own responsibility to the address of one of the English doctors. It was Christmas Eve and I could not find him at home. I was quite uncertain what to do. I stood hesitant at the foot of the wide magnificent staircase, when I observed a dreadful old woman creeping up the stairs with a look of intense enjoyment on her face—Mrs. Ursula Beane—not a doubt of it—Aunt Ursula Beane! I saw her so clearly that I could have counted the stitches in the darns at the elbows of her black sleeves. I ran up after her, but of course she was there before I was. When I came up to the bedside James Catchpole was dead, with an extremely self-satisfied smug smile on his face.

“There’s my Christmas Eve ghost! An hallucination, of course, but you can give it all the usual explanation. There’s the story, you can put it together as you will. There’s plenty of stuff in it—good raw material, eh, take it how you will?”

We all agreed with Linley.

Kecksies and Other Twilight Tales, Marjorie Bowen

Mrs Daffodil’s Aide-memoire: While one sympathises with the Catchpoles in their long wait for the terrible and malicious Aunt Ursula’s hoard, Mrs Daffodil has particular animus for Miss Louisa Catchpole. The image of “a little cut of an invalid in a basket-chair gazing at a robin” and those “chirpings about the recurring miracle of spring” are particularly damning.  One wonders that some literary critic did not slip a couple of dog powders into her milk.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

What a Key Unlocked: 1875

1874 lucretia crouch wedding gown gauze.JPG

What a Key Unlocked.

They were as handsome a couple as one would have wished; indeed, many persons who knew them both intimately, said that Mr. and Mrs. Vivian were samples of what true marriage ought to be. On this bitingly cold January morning they were standing in the elegant library of their residence in New York, numerous evidences of aesthetic tastes surrounding them on all sides; yet, to have looked in their faces, it needed only a glance to tell you of deep abiding trouble. She was a beautiful woman, this peerless Ethel Vivian, with a grave dignity about her that was perfection; with a rare, refined face, lighted by such winsome, violet blue eyes, framing the clear, pure complexion, pale cheeks and glowing scarlet mouth, with masses of pale, dead gold hair that had made her husband so madly in love only two years before. Now, two years, after one year of perfect happiness, when Ethel would tell her husband such bliss so unalloyed could not last much longer; after six months more of vague suspicion, founded on the most shadowy foundation ; then, after the last six months of gradual, then rapid distrust, jealousy, anger— it had all come to this horrible open rupture. And on that beautiful winter morning Ethel Vivian and her husband had met in the library of their home for the last time as man and wife.

And the ponderous document lying on the table where the two had so often read together, was a bill of divorce. Yes, it had come to that—open separation —and all because—why? Ethel Vivian could have told you of Laura St. John’s wondrous face; she could have drawn you a picture of her with such perfection of accuracy, that you would hardly need to see her. And this is how Ethel would have described the woman who lay at the bottom of her life-long misery. A face, witching as a Venus, with such a dainty, scarlet mouth, with the tiny, seed-pearl teeth peeping between her lips, just as the little dimple was called to her scarlet-tinted cheeks by the laugh that so often came.

Her eyes laughed, too—those sunshiny eyes, that sparkled as though they were varnished; wondrous eyes of amber red, with such magnificent red gold lashes, that lay like a heavy shadow on her cheek; perfect arched brows, and hair that seemed a fairy gift, so perfect it was in texture, colour and grace.

Sometimes when she wore it hanging, unbound and unbraided, just as nature had waved it, from the crown of her little, royally set head, to far below her waist, you would have taken Laura St. John for a sprite uncanny gnome, Ethel said; a nymph of rarest beauty, goodness and innocence.

Even after Edward Vivian learned how deceitful, how utterly unprincipled she was, he forgave it her, because it was himself she loved. So, now that this beautiful demoness had so worked her plans that Edward Vivian was oftener by her side of an evening than at his wife’s—now that Ethel had freely come to learn she was no longer necessary to her husband’s happiness, she had requested him to let her go away; let him be freed legally from the bonds that had grown so galling. Now, there the two stood, face to face, to coldly say good-bye. Ethel was deadly white as she took the pen her husband courteously handed her, to sign her name to that which, once signed, unwifed her forever. But was it not better thus? Had she a right to stay where she felt her presence was a burden—where she knew she was merely tolerated? Then rushing memories of the days when she came there in the flood-tide of happiness came surging over her sore heart; she trembled violently; her cold fingers refused to clasp the pen; and, with one swift, piteous look up in her husband’s face, Ethel bowed her head over the divorce bill and wept as only such a woman could weep at such a time. Mr. Vivian looked amazed, then surprised; then a sudden grave expression came into his eyes. He turned away from her, and began to promenade to and fro, walking with restless strides, the while flinging quick glances at the glorious head bowed in such mute agony on the table before him. Then half reluctantly, half angrily, he paused beside her.

“I am so astonished, Mrs. Vivian: I had not expected anything of this kind. I presumed you had arrived at your deliberate decision, and that thenceforth the past was only the past; the future—’

She raised her white face, with its haunting eyes.

‘Oh, the future! The awful midnight, trackless,  endless future that lies before me. Edward! Edward! This will kill me!”

She was trying to speak calmly; she sat folding and unfolding her nervous, chilly hands; but in her very attitude, her vain efforts at courage, was a dumb despair that touched his heart.  “Ethel”—he had not called her Ethel for so long before that  thrilled her to her very soul to hear it once more—“There was no actual need for this. “ and he lightly touched the document “It was at your own request that I had it procured.”

A little wailing cry interrupted him.

“I know, I know,’ she moaned; I wanted you to do this; I want it still, because you love me no longer; because you love Laura St. —’

‘Mrs. Vivian.’

He was stern and icy again, she knew by the curt, sharp way he interrupted her. ‘This is not the first time you have openly accused me of infidelity to you and loyalty to Miss St, John. Cannot a man express admiration for a beautiful woman without a jealous wife using it as a weapon to destroy her own happiness? Miss St. John would be insulted beyond measure did she for a moment suppose—’

‘What?!’

It was a siren voice that startled them both; and then Laura St. John, herself, radiant in daintiest blue velvet and miniver costume, came laughing in, so sweet, so arch.

‘My dear Mrs. Vivian, I am so delighted to—why—’

For Ethel had arisen, cold and still, with no welcome on her white face, and only reproachful sorrow in her eyes.

‘Miss St. John has no reason to be delighted to see the woman whose life she has blasted—whose husband she has tempted,’

Ethel spoke very deliberately, looked Laura full in the face; then she turned to her husband, in whose eyes  there shone a red gleam that portended wrath,

‘Perhaps you will assure your friend she is in the way just now,’ she said, ‘I have only a quarter of an hour to attend to our business.’

And then Ethel consulted her watch with an air of quiet; but, oh, how, under that cold exterior, were her pulses leaping, bounding!

Laura stood motionless, with an ungloved hand resting on the library table, her scarlet lips quivering as if her heart was broken—her big, resplendent eyes slowly filling with tears, as she looked first at Ethel, then Mr. Vivian, as if to humbly beseech them to tell her what it all meant. She was very beautiful at that moment, and she thought Edward Vivian appreciated it to the full; she knew it when he turned towards her.

‘I am sure you will pardon us Miss. St. John,’ he said. At this moment Mrs. Vivian is particularly engaged.

Laura shot him a glance from her liquid eyes.

‘But I must come again and find out what she means! I must know why l am thus accused!’ But her mission was accomplished; and, with a thrill of gratification at her heart, she bowed to Ethel and gracefully departed. And Ethel Vivian, with icy-gleaming eyes, compressed. lip and unfaltering hand, now signed her name in full under her husband’s.

And so it was done—or undone.

***

Two years—twice a twelvemonth— and Laura St. John was standing before her dressing-table, earnestly peering at the splendid reflection she made, with her personal beauty heightened by the chastely-rare bridal attire she wore, that was faultless, from the floating tulle veil, fastened by an orange-blossom spray and a glittering diamond aigrette, to the tiny, white silken slipper, with its rosette scintillating with small jewels. She was beautiful; she was triumphant, for she was successful; and this, her wedding day, would crown her success.

She managed well; according to the chart she had drawn for herself, from the hour she first saw and loved Ethel’s husband, she had marched straight on, regardless of cost, regardless of anything but the ultimate result. Here it was, close at hand—not half an hour from accomplishment.

Down in the saloon Laura heard low, musical laughter at intervals; in the several dressing-rooms opposite she heard the wedding guests preparing to descend to the festivities, and she smiled at her own eyes in the glass, that at last she would marry Ethel’s husband.

And Ethel?

She had dropped suddenly from the social firmament. Like a meteor that comes flashing in dazzling light across the sky, and then plunges into black deeps of obscurity, so had Ethel dazzled delighted and disappointed the people. Now, after two years, she was to them as if she had never been.

To Edward Vivian, if memories of her haunting eyes and quivering lips ever came, he never gave a sign, but deliberately wooed and won Laura St. John.

Laura St. John herself?

In the desert silence of her chamber, as she stood drawing on her gloves—for, with a pretty wilfulness that was irresistible, she had driven her maids from her—a graceful, ebon-robed woman suddenly, silently, swiftly glided across the glaring carpet and confronted her, with upraised veil, and cold clear eyes.

‘It is even I, Miss St. John. Surely you will not despise my congratulations?’ Ethel’s sweet low voice it was, and Laura, after one slight start of great  surprise, bowed constrainedly, and waited.

‘ I will not detain you more than a moment, as Mr. Vivian, doubtless, is impatient for the moment when he may call you his wife. Under the peculiar circumstances, Miss St. John, and to assure you that I bear you no malice, may I present you with this?’

She quietly reached out a small rosewood box, that was mounted with silver.

‘The key is in the lock, you see, Miss St. John. Have I the pleasure of knowing you accept it?’ Ethel set the box on the marble bureau-top, and then awaited an answer.

Laura’s cheeks were flushing slightly; her hands trembled as she essayed to button her glove, and busy thoughts were speeding through her brain.

What did it mean, this sudden appearance of Ethel? Did it augur ill or peace as Ethel declared? Dared this stately, calm woman in black attack her there alone, and wreak a discarded wife’s just vengeance? The thought was natural, and Laura’s heart beat in tempestuous throbs.

‘ I will accept it, Miss Elmore, and thank you. And may I beg that you will allow me to finish my toilette? I would not care to be too late.’

This, with a wonder in her heart if Ethel observed her cowardice.

But Mrs. Ethel—Miss Elmore the law called her—smiled!

‘Assuredly I would not have you too late. I dislike these words, too late. To the superstitious they sound ominous. Adieu, Miss St. John; you will be detained no longer by me, or you might possibly be too late.’

She bowed regally and left Laura shivering with vague unrest at the repeated words. A moment later and from her window she saw Ethel going rapidly down the street, her black veil fluttering like a death pennant in the brisk breeze.

She drew a long breath of relief and then turned to the beautiful little rosewood box with a joyous laugh.

‘Natural curiosity tempts me to see what her present can be. Possibly some horrid snake bracelet, or a dagger for my shawl or something equally delightful.’

She lightly turned the little silver key, and bent her radiant face over the lid. She saw a tiny vaporous smoke wreath roll upward for an instant, and then—

The terrible noise of the explosion brought the horrified guests to her door, and they found her lying in her bridal robes, fresh in her goodness-like beauty, dead.

On the pink velvet carpet, her eyes fixed in a stare that was frozen horror, Edward Vivian bent over her, and knew for a surety what had wrought it, though no lip then, or afterwards, ever uttered a name in connection with the diabolical engine, whose silver key had unlocked the portals of death’s domains to Laura St. John.

Auckland [NZ] Star 25 September 1875: p. 6

Mrs Daffodil’s Aide-memoire:  Miss St John belongs to that particularly odious class of woman who scorns the honourable addresses of unencumbered young men, but finds that the real sport in life lies in seducing married gentlemen away from previously happy homes, while feigning wide-eyed innocence. Sadly, her machinations are only crystal clear to the victim’s wife; never to the “mark” himself.

One wonders if the alimony paid by the bewitched Mr Vivian purchased the infernal machine in the little rosewood box. The creator of such a small, yet deadly, object must have been exceedingly clever. Perhaps the former Mrs Vivian found love with a young munitions expert, who–wittingly or unwittingly–helped her take her revenge.

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

A Haunted Apple Tree: 1800s

A HAUNTED APPLE TREE

Murder Committed Under It and Now Its Fruit is Streaked Blood Red.

“It is probable that the town of Douglass, Mass., alone belongs the reputation of having a haunted apple tree,” writes Samuel S. Kingdon, in the Ladies’ Home Journal. “The tradition of the town is that a foul murder was committed in the orchard many years ago, and that since then it has been haunted by the spirit of the victim. As the story goes, a peddler, whose custom it was to sell goods from house to house from a pack, laid down to rest at midday under a tree in the orchard, and before the day was ended he was found with a cruel gash in the neck, from which his life blood had ebbed away. Suspicion rested on the owner of the orchard and he was said to have been constantly followed by the spirit of the victim. In an attempt to escape from its dreaded presence he moved away. Then the apparition became a terror to all who had occasion to pass over the road at night. So potent was its influence—standing, as it had a habit of doing, under the apple tree, with one hand at its throat and the other extended as though seeking aid, and uttering shrill cries that could be heard half a mile away—that the location of the highway was changed, and it is now a long distance from the orchard. The old trees still bear fruit, and the apples from the one beneath which the peddler was killed are said to be streaked with red, resembling blood, the streaks extending from skin to core.”

Our Horticultural Visitor: A Quarterly Journal Devoted to the Individual Interests of the Practical Horticulturists Everywhere, August 1900

Mrs Daffodil’s Aide-memoire:  Well, good gracious. We all look forward to the spring blossoming of the apple trees, but one does not expect to find one’s pippin Exhibit A in a murder trial.

It is curious how often peddlers are murdered and then haunt the spot of their demise. Given their peripatetic nature, one would expect them to gather up their spectral packs and continue their rounds, but no—they must needs annoy the people in the neighbourhood of their death, such as the Fox Sisters, who called up the rapping spirit of a murdered peddler buried in the cellar. The sisters launched Spiritualism on the strength of this phantom peddler. Some say (and the sisters both confessed and recanted) that they made the rappings by popping their toe joints. Still, when the cellar of the Fox homestead was dug out many years later, a skeleton and a tin peddler’s box were found concealed in the walls…

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

Coals of Fire: 1860s

woman-at-fireplace

COALS OF FIRE.

BY LUCY H. HOOPER.

The Countess de Castro was dying. People— that is to say, her relatives and immediate heirs— were so hard-hearted as to say it was time; for the Countess had passed her seventy-fifth birthday by some months, and had been a hopeless paralytic for over ten years past.

She was dying in the odor of sanctity. Her enemies, and even the Countess de Castro had a few, said that people who can stir neither hand nor foot, can very well earn a reputation, even for exemplary piety. Others said, more charitably, that there was no cause for anybody to grieve over her approaching demise, for that it was rare that any one was so well prepared to take her departure. They talked of the money she had given in charity, of her holy conversation, of her resignation, of her Christian example.

The Countess inhabited an antique hotel in Paris. It was her own by right of inheritance, for she had been, in her youth, a great heiress— Madamoiselle de St. Yvon, of Keriodec, in Brittany. She had been celebrated for her intellect and strength of character, and in her youth she had refused to marry, with a persistency rare in a French damsel of rank. It was reported that Louis XVIII. had sued to her in person, on behalf of one of the greatest of the Legitimist nobles of France, but in vain. She was over fifty years of age, when Parisian society was startled by the announcement of her marriage with the young Count de Castro, who numbered scarce half her own age, and who was notorious for his extravagance and his profligacy. But he was handsome as a picture, and possessed a winning tongue and a graceful address. And so the ill-matched pair were wedded, and took up their residence in the grand old hotel, in the Faubourg St. Germain. There the Countess gave stately balls, whereat all the gentlemen wore white lilies in their button-holes, and the ladies looped their tresses and their draperies with the same flower, and where a giddy young marquise was pitilessly snubbed by the hostess, because she came to the festival in question, wearing a dress trimmed with bouquets of the obnoxious Bonaparte violets. There were state dinner-parties given, also, whereat the guests were all old and dried up, and the ladies wore garments of antique fashion, scorning the mode that followed the lead of a parvenu Empress. But these formal festivities soon ceased, and it was whispered abroad that the Count de Castro was rapidly winning high favor at the Court of Napoleon III.

Of course, such a rumor meant that he had quarreled with his elderly wife; and that portion, at least, of the report, was true. They led but a cat-and-dog’s life of it, in that grand old hotel beyond the Seine. The Count was fast and frivolous, the Countess jealous and severe. He wanted money beyond the income secured to him by the terms of the marriage contract, and she refused to comply with his demands. Stories got abroad of fearful scenes between the pair. Their daily lives had long been as widely parted as possible, Madame going continually to church, while Monsieur frequented balls, and operas, and theatres. This kind of thing went on for some years. At last matters reached a crisis. The Count lost heavily at cards, at the Jockey Club, one evening, and confided to a friend that other claims were weighing upon him. There was a house at Burgival for which he owed, and the furniture, also, had never been paid for. And so the fashionable world was not much surprised when the Count de Castro disappeared, one fine morning, leaving all his debts, whether of honor or dishonor, unpaid behind him.

Madame de Castro behaved remarkably well at this conjuncture, as everybody remarked. She paid the Count’s debts, to the uttermost farthing, and was seen in her usual places of resort a trifle paler, sterner, and stiffer-looking than before, but otherwise wearing an unchanged and placid aspect. One only circumstance revealed how deeply she mourned for her vanished spouse. She caused the suite of apartments wherein she had dwelt with the Count to be closed up, and transferred her abode to the other wing of the hotel. But the servants averred, that after nightfall their mistress would occasionally enter the locked-up rooms, and remain there for a space, as if to mourn for her husband’s absence in solitude and secrecy. Few who knew the grave, stern Countess, would have fancied her capable of any such romantic action; but the story got noised abroad, nevertheless, and spread a sentimental halo about the deserted wife, prosaic and severe as her age and aspect might be.

The Count never returned. Occasionally, vague rumors were current of his appearance in far-distant lands. One story declared that he had gone to America with a certain celebrated dancer, and that he had been seen driving out with her, on the Shell Road, New Orleans. Another report averred that he was holding a high official position under the Governor of Java. Some said he had gone to Algiers; others, that he was in the employ of the French Legation at Hong-Kong. Some of these stories were traced to their source, and were found to be utterly groundless; others remained unquestioned and uncontradicted, till time proved their falsity. At all events, the Count never returned to Paris.

As the years went on, the Countess dwelt more and more in solitude. She did not put on mourning, neither did she assume any of the privileges of a widow. But she never spoke of her husband, nor would she permit his name to be mentioned in her presence. It was ten years after his mysterious disappearance, that she was first stricken with paralysis. She then insisted upon again changing her quarters, and took up her abode anew in the rooms wherein the troubled years of her married life had been spent. At first she used to be drawn in a wheeled chair around the garden, or through the long corridors of the hotel; but years had passed since she had relinquished even that form of locomotion, and had refused to quit the room wherein she now lay.

It was a vast and cheerless apartment; the wood-work, black with age, even to the waxed and polished floor, whose boards, warped and loosened by time, creaked noisily beneath the unwary tread. Some antique tapestry, saved from the sack of the Chateau de Keriodec by the Republican troops, during the first Revolution, clothed the walls, its tints of dull and faded green and sickly yellow adding an unnecessary touch of gloom to the aspect of the room. The ceiling overhead, with massive cross-beams, was of the same dark wood as the wainscoting and the floor. The chairs were mostly huge, carved arm-chairs, with cushions of faded needle-work, the only exception being a patent invalid-chair, lately used by the Countess, which stretched itself out in one dusky corner like some shapeless and huge antediluvian lizard. The fireplace, vast and cavernous, with a chimney-piece that towered to the ceiling, was filled with blazing logs; for the month was November, and the weather was chill, even for the season. At the extreme end of the room stood the bed, a large, old-fashioned structure, with curtains that matched the hangings on the walls. These were drawn aside, and the figure of the Countess could plainly be seen there, stretched out, stark and straight, as though life had already departed, and looking, with her white draperies and bandaged brows, like some monumental effigy on an ancient tomb. She still lived, however, if the faint pulsation at heart and wrist, and the feeble flutter of breath upon her lips, could really be called life. And but for one point about her pallid, wrinkled face, one might readily have supposed that she had passed already beyond the reach of mortal aid. That point was her eyes. Wide open, keen, and glittering, they were turned with a fixed and steady gaze, not forward or upward, but toward the vast dim-lighted room, seeming to seek a particular point in the flooring, and to watch that with unwavering fixity.

Around the wide fire-place were clustered a number of individuals, who talked together in subdued whispers, and only stirred with due precaution and noiseless movements. These were the blood-relations and heirs of the aged Countess, summoned, by her direction, some days before, and now gathered together in the chamber of death, awaiting the event which the doctor, himself also present, declared to them might take place at any moment.

Prominent among these persons was the Count de St. Yvon, an elderly gentleman, with gray hair and most polished manners. Then there was the Demoiselle de Savarre, a hard-featured old maid, with the bluest blood in all Brittany flowing in her withered veins; a devout Legitimist, who passed her time between saying her prayers and embroidering fleurs de-lit upon banners and mantles, to be used at the future consecration of Henri Cinq, when the glad day of the restoration of the ancient monarchy should dawn for France. Then there was the Chevalier de Keriodec, a little older and more wrinkled than his cousin, the Count; and his daughter, a peachy-cheeked demoiselle, Anne Marie Antoinette de Keriodec by name, to whom the eldest son of Count de St. Yvon was whispering soft nonsense in the embrasure of one of the windows. These were all, the Countess having announced her intention of excluding from the succession such of her relatives as should be tinged either with Bonapartism or Republicanism; and as one or the other of these poisonous principles had crept even into Brittany, that sacred stronghold of Legitimism, she had been forced to restrict her bequests to a very few individuals. There was also present, as we have said before, her physician, Doctor Dumaresq, and her confidential maid. This last, a long, thin, stern-looking female, with a face like a German nut-cracker, was fast asleep in the large arm-chair, worn out with protracted vigils and constant toil in her lady’s service.

The silence in the room was very great, broken only by the subdued whispers of the waiting heirs, and by an occasional snore from Agathe, the maid. Outside, the wind went tearing down the Rue de Varennes, banging aristocratic shutters, and whistling around ducal chimney-pots, with no more reverence than it had shown to the shop-signs in the Marais, or the vanes on the Halles Centrales. Occasionally Doctor Dumaresq would rise and go to the bed to lay a finger on the pulse of the patient, and would then, with a sigh and a shake of the head, return to his seat. And so the night went on. The wind howled, and Agathe slept, and the heirs whispered together, and the Countess lay and watched the floor. Thus the hours wore away without change or incident.

Suddenly the blast, that had been sweeping and shrieking along the street, took a sudden turn, and came careering down the great, wide chimney, sending a volley of sparks and smoke into the room. It could do but little more than that. The heavy logs, of which the fire was built, scoffed at the puny efforts of a puff of wind. One glowing coal, however, was dislodged, and flew into the room, alighting on the very plank on which the eyes of the Countess were so pertinaciously fixed. Nobody noticed the coal. The Count was lost in thought; the Chevalier and Mademoiselle de Savarre were conferring together respecting the possible amount of the estate, in an undertone; the two young people were absorbed in each other; and the doctor was half asleep. And so it glowed, and scorched, and sparkled, gnawing its way into the dry oak of the ancient flooring, surrounded by an ever-widening ring of red and charring fire.

Suddenly the dying Countess, she who had been paralyzed for years, arose from her bed, walked straight to the fire-place, picked up the tongs, took up the coal, and threw it back into the fire, and then returned to her bed. Stiff and stark, and stretched out straight as before, she lay, only the wide-open eyes were closed, and her face was, if possible, a shade paler than before.

This strange incident, this sudden revival of vitality in that seemingly lifeless frame, and the apparition in the midst of that listless group, of the white-shrouded, spectral form of the Countess, startled every one present. The heirs ceased musing or whispering, and gathered together, amazed and startled. The doctor, aroused from his doze, sprang to his feet. Only Agathe slept on in peaceful unconsciousness.

Doctor Dumaresq approached the bed, and once more laid his finger on the patient’s wrist. Then he touched her breast gently, and bent his ear to her parted lips. After a brief pause, he turned to the bystanders.

“Pray for the soul of your noble relative,” he said, solemnly. “The Countess is no more!”

The funeral took place two days later. It was a grand affair, with much display of nodding plumes and silver-spotted draperies, of mourning carriages, and of mighty candles, and of all the other accessories of funereal pomp, as imagined by the great Burial Company of Paris. It was a first-class affair in every respect. The cords of the hearse were held by two dukes, a marquis, and three counts, all of the bluest blood in the Faubourg St Germain. The funeral sermon was preached by a bishop, who was himself of princely extraction. Nobody shed any tears, it is true. The only sincere mourner that followed the widowed and childless Countess to her grave, was probably her faithful old servant, Agathe. And she, serene in the knowledge of a snug little annuity, secured to her by the will of her late mistress, was far from feeling wholly broken-hearted.

On the evening of the following day, a mysterious meeting was held in the bed-room of the departed lady. The heavy tapestry curtains were closely drawn across the windows, so that no intrusive outside gaze could penetrate the chamber wherein sat the three principal heirs of the deceased, the Count, the Chevalier, and Mademoiselle de Savarre, in solemn conclave. Three flickering candles threw a pallid light upon the group, and vainly strove to dissipate the darkness that filled the farthest corners of the spacious room.

The Count was the first to break silence.

“We have decided, I believe,” he said, “that it is our duty to examine that point in the flooring which our departed relative watched so constantly.”

“And whose peril roused her to such strange and sudden exertions,” added the Chevalier.

“Who knows what may not lie concealed beneath the scorched plank?” said Mademoiselle de Savarre.

“Family papers, political secrets,” suggested the Chevalier.

“Coin or jewels,” remarked the Count. “Aged people are often like magpies, in their propensity for hiding things.”

“Let us look at once!” cried the old maid, fired to activity by the suggestion.

Each had brought a chisel, or some other tool, and they set to work with a will. The solid oaken plank was soon removed, revealing a cavity between the floor and the beams of the ceiling beneath, large enough to have contained the crown-jewels of an empire, or the archives of a republic. Within there appeared something, neither papers, nor jewels, nor gold, but a long, irregularly-shaped bundle, that rattled strangely when dragged forth to the light. A cry of horror broke from the lips of the three searchers, as the dim rays of their candles fell upon the thing that they had found—a human skeleton, clothed in remnants of what had once been superfine broadcloth and delicate linen; a jeweled pin, gleaming on the discolored shirt-front; a massive seal-ring, hanging loose upon the long hand, and great stains and streaks of rusty-brown upon the linen, which was revealed by the rents in the decaying cloth, splotches; that had once been of a ghastly red.

As if turned to stone, the three seekers after wealth stood speechless, in the presence of Death and Crime.

The Chevalier was the first to recover his presence of mind.

“It is the Count de Castro!” he said, in a horror-stricken whisper. “See, these are his arms!” And he picked up the seal-ring, which had dropped from the fleshless finger and rolled upon the floor.

“And who could have killed him? It must have been the Countess!” cried Mademoiselle de Savarre, trembling from head to foot.

“Hush—sh—sh!” whispered the Count, looking fearfully around. “No doubt it was she.”

“We had better hush this matter up,” remarked the Chevalier, with chattering teeth. And it was hushed up, accordingly. A roaring fire in the mighty chimney soon consumed every vestige of the poor, dried remains of what had once been the gay and gallant Count de Castro.

And when, a few years later, a grand new street was run right over the site of the demolished hotel, the few who remembered anything at all about the deceased Countess, spoke of her with bated breath, and called her “a saint upon earth.”

The Peterson Magazine, 1876: pp. 395-8

Mrs Daffodil’s Aide-memoire: A dark and gothic tale, is it not? While Mrs Daffodil enjoys the odd spot of fiction but rarely, she reads such narratives as the above with a professionally critical eye. Poisoned wine was the obvious solution to the Countess’s wayward husband, yet a more bloody method was selected, perhaps in the heat of the moment. One understands the reluctance to involve others in a private domestic murder, but to leave the corpse under the floor-boards for future discovery argues a carelessness quite out of keeping with that lady’s prudent character.

Surely she and Agathe, whose annuity must have been the result of her discretion, could have managed to do what the Count, the Chevalier, and Mademoiselle de Savarre did: cremate the mummified Count de Castro in the immense fireplace. But perhaps paralysis overtook her before this could be done or it was a case such as we have seen at the courts of Versailles and of Spain, where certain members of the nobility feel that certain tasks are beneath them. Mrs Daffodil seems to remember a King of Spain who died because no person of lowly-enough rank could be found to move a red-hot brazier. Perhaps the Countess did not deign to soil her blue-blooded fingers with the dishonourable corpse of a—one shudders to think of it—Bonapartist.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

The Warning Ghost: 1795

18th-century-couple-and-man-with-knife

THE WARNING GHOST.

Its Timely Appearance Prevented a Dastardly Crime.

A German count, who had served with distinction many years in the Prussian army, found himself, after the treaty of Basel [1795], about to leave the service, not only from his own inclination, but also because called to the management of a large estate, fallen to him through his mother’s early death, but according to her will held during his minority by his father, with whom it was to remain in case the son died first without children.

As a child he had but seldom seen his father, and since his mother’s death, never without aversion, and could all the less love the man, ever unfriendly to him and cruel to his mother, when all the glow of his heart was turned to one whom he, with unceasing pain, had seen at last succumb a victim of many years’ suffering.

After passing some merry weeks among his comrades, and half promising not to leave the regiment forever, he departed, accompanied by a thousand good wishes from his friends who reluctantly saw him go, and went straight to an old castle that belonged to him to make with his father, who dwelt there, the necessary arrangements for the impending change. Reluctantly he approached the parental abode, and a presentiment almost persuaded him to turn back, but from conviction of the necessity for one conference he continued his journey.

The father had married again, and with the second wife had other children. The son, whose remembrance of a beloved mother made him feel ill at the bare idea of a stepmother, was made the more unhappy by knowing how, even in his mother’s lifetime, she stood in relations with his father which had caused the dead much grief. However, the few days he intended to stay there once over and the business done, there opened before him the smiling prospect of a life of independence, which he meant to devote to the improvement of his wide estate. Filled with these thoughts, and more cheerful the nearer he came to his property, already recognizing forests on the side and green mountains in the background as his own, he lost by degrees that unpleasant feeling which had till now accompanied him, and wholly abandoned himself to the happiness of standing on the threshold of a new course of existence.

“Indeed he is to be congratulated who turns his mind to the cultivation of the earth, and brings to it art and knowledge. Nature is grateful toward those devoted to her, and only with the shallow brains who embrace her without ardor can she, in rain and drought, and failure of crops, seem to be angry. The true farmer, who knows how to profit by her manifold gifts, she will never destroy.”

Amid such contemplations he arrived at nightfall at the castle, and could not repress a shudder upon entering. His father, to whom he had written announcing his coming, was absent, but was hourly expected. In the meantime the newcomer visited the garden and the adjoining field, because he did not wish to see his step-mother yet. Later, long after dark, they announced to him his father’s return. He went in, and found a chilly reception. After supper they wished each other “goodnight,” and separated. A servant of the house lighted him to his room, where, wearied by the journey and disagreeable fancies excited by the sight of such strange yet near relatives, he soon found uneasy sleep.

About one o’clock he awoke from deep dreams. A little dog which was very dear to him. and had accompanied him on this journey, sprang anxiously to the bed, and with complaining whimper seemed to want to show his master something. He raised himself, and after he had taken the dog on the bed and caressed him without his ceasing to cringe with fear and softly whine, he gave him closer attention, and observed by the moonlight that the dog’s eyes remained always directed toward one corner of the room. He looked there to learn what could frighten the dog, and his blood ran cold and his hair bristled, when he saw a mist-like figure that resembled his dead mother in every line, and, crouching in the corner, seemed sinking with trouble and fear. She looked sadly at him, and then with audible groans toward the door, while she lifted her arms in lamentation and warning. The count was beside himself, and unable to speak to the phantom; his breath seemed to fail him. Outside he heard heavy steps go up and down, then stop close beside his door, as if someone doubted whether to come in or not.

This lasted by turns a long while, and still more perplexed his stupefied senses. It was impossible for him to scream or move a hand. By and by he sought again to collect himself, and as he again looked in the corner the apparition was no more to be seen, but the walking up and down outside, and the doubtful pauses before the door, went on all the plainer. Then he suddenly took courage, sprang up, seized his sword, and tore open the door, with the words:

“What do you want?”

He could see nothing in the dark vestibule, but he heard something fall near him, and some one flying down the stairs. Looking about, he picked up a large knife, which he kept, and went back to his room, where he watched through the rest of the night, with a thousand torturing thoughts. In the morning, when the servant came with breakfast, the count asked him what had been the disturbance in the house that night.

“So it awakened you, too,” answered the old huntsman. “I thought there were thieves, and would have given an alarm; but when I saw it was the gracious master who went about the house, probably because he could not sleep, I stayed quietly in bed and went to sleep again.”

When the huntsman had gone the count drew the knife from its sheath and found his father’s name on it. An icy chill ran over him. He at once ordered horses. The dog had sprung out when the door was first opened, and could not be brought back by caresses or threats. Just as the carriage came he returned to his master. The count traveled away without speaking to any one, and in melancholy turned back to the city. The fearful thought that his father would have murdered him, and the ghost of his mother appeared to waken and to warn, pursued him incessantly with terrible pain. A riddle to his friends, since he could disclose the horrible affair to no one, his dark meditations not to be dispersed, he had to be given in charge of a skilled physician, who could not learn from him the cause of his sullen behavior.

He died in deep melancholy a few months later, after hearing of his father’s sudden death and his mismanagement of the property. Among his papers this story was found, written down with the same particulars as told here. — Translated for the Argonaut from the German of Barnhagen von Ense.

The Argonaut 13 February 1915

Mrs Daffodil’s Aide-memoire:  This tale illustrates perfectly what Mrs Daffodil always says, viz., that the Germans really have no talent for ghost stories. If this had been a good, wholesome English ghost story, the young count would not have died at the end, but would have struggled in the dark with his nefarious father and cut his throat. Upon turning up the light, he would discover that not only was his father dead, but the “ghost” was his mother, held captive while her death was simulated and the count’s inheritance falsely reported to lure him within reach of his dastardly parent. The story ends as the count tenderly enfolds his mother while blood from the unpleasant incident soaks into the floor, leaving a stain which can never be eradicated.

And that, Herr Barnhagen von Ense* (where do they get these names?) if you will be guided by Mrs Daffodil, is how a proper ghost story ends.

Mrs Daffodil will pass over in silence the florid paragraph about ardour, knowledge, and the gratitude of Mother Nature. She would like to see Herr von Ense spout that sort of rubbish to any sturdy yeoman farmer after his crops have been destroyed by a hail-storm.

*Mrs Daffodil is informed that the correct spelling of the author’s name is Karl August Varnhagen von Ense. The Argonaut did not scruple about “borrowing” foreign authors’ work and Mrs Daffodil suspects that they were often late with royalty cheques.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

Something Nameless, but Unutterably Awful: 1868

misty drapery ghost of woman and man

THE GHOST’S SUMMONS

BY ADA BUISSON

“Wanted, sir—a patient.”

It was in the early days of my professional career, when patients were scarce and fees scarcer; and though I was in the act of sitting down to my chop, and had promise! myself a glass of steaming punch afterwards, in honour of the Christmas season, I hurried instantly into my surgery.

I entered briskly; but no sooner did I catch sight of the figure standing leaning against the counter than I started back with a strange feeling of horror which for the life of me I could not comprehend.

Never shall I forget the ghastliness of that face—the white horror stamped upon every feature — the agony which seemed to sink the very eyes beneath the contracted brows; it was awful to me to behold, accustomed as I was to scenes of terror.

“You seek advice,” I began, with some hesitation.

“No; I am not ill.”

“You require then—”

“Hush!” he interrupted, approaching more nearly, and dropping his already low murmur to a mere whisper. “I believe you are not rich. Would you be willing to earn a thousand pounds?”

A thousand pounds! His words seemed to burn my very ears.

“I should be thankful, if I could do so honestly,” I replied with dignity. “What is the service required of me?”

A peculiar look of intense horror passed over the white face before me; but the blue-black lips answered firmly, “To attend a death-bed.”

“A thousand pounds to attend a death-bed! Where am I to go, then ?—whose is it?”

Mine.”

The voice in which this was said sounded so hollow and distant, that involuntarily I shrank back. “Yours! What nonsense! You are not a dying man. You are pale, but you appear perfectly healthy. You—”

“Hush!” he interrupted; “I know all this. You cannot be more convinced of my physical health than I am myself; yet I know that before the clock tolls the first hour after midnight I shall be a dead man.”

“But—”

He shuddered slightly; but stretching out his hand commandingly, motioned me to be silent. “I am but too well informed of what I affirm,” he said quietly; “I have received a mysterious summons from the dead. No mortal aid can avail me. I am as doomed as the wretch on whom the judge has passed sentence. I do not come either to seek your advice or to argue the matter with you, but simply to buy your services. I offer you a thousand pounds to pass the night in my chamber, and witness the scene which takes place. The sum may appear to you extravagant. But I have no further need to count the cost of any gratification; and the spectacle you will have to witness is no common sight of horror.”

The words, strange as they were, were spoken calmly enough; but as the last sentence dropped slowly from the livid lips, an expression of such wild horror again passed over the stranger’s face, that, in spite of the immense fee, I hesitated to answer.

“You fear to trust to the promise of a dead man! See here, and be convinced,” he exclaimed eagerly; and the next instant, on the counter between us lay a parchment document; and following the indication of that white muscular hand, I read the words, “And to Mr. Frederick Kead, of 14 High-street, Alton, I bequeath the sum of one thousand pounds for certain services rendered to me.”

“I have had that will drawn up within the last twenty-four hours, and I signed it an hour ago, in the presence of competent witnesses. I am prepared, you see. Now, do you accept my offer, or not?”

My answer was to walk across the room and take down my hat, and then lock the door of the surgery communicating with the house.

It was a dark, icy-cold night, and somehow the courage and determination which the sight of my own name in connection with a thousand pounds had given me, flagged considerably as I found myself hurried along through the silent darkness by a man whose death-bed I was about to attend.

He was grimly silent; but as his hand touched mine, in spite of the frost, it felt like a burning coal.

On we went—tramp, tramp, through the snow—on, on, till even I grew weary, and at length on my appalled ear struck the chimes of a church-clock; whilst close at hand I distinguished the snowy hillocks of a churchyard.

Heavens! was this awful scene of which I was to be the witness to take place veritably amongst the dead?

“Eleven,” groaned the doomed man. “Gracious God! but two hours more, and that ghostly messenger will bring the summons. Come, come; for mercy’s sake, let us hasten.”

There was but a short road separating us now from a wall which surrounded a large mansion, and along this we hastened until we reached a small door.

Passing through this, in a few minutes we were stealthily ascending the private staircase to a splendidly-furnished apartment, which left no doubt of the wealth of its owner.

All was intensely silent, however, through the house; and about this room in particular there was a stillness that, as I gazed around, struck me as almost ghastly.

My companion glanced at the clock on the mantelshelf, and sank into a large chair by the side of the fire with a shudder. “Only an hour and a half longer,” he muttered. “Great heaven! I thought I had more fortitude. This horror unmans me.” Then, in a fiercer tone, and clutching my arm, he added, “Ha! you mock me, you think me mad; but wait till you see—wait till you see!”

I put my hand on his wrist; for there was now a fever in his sunken eyes which checked the superstitious chill which had been gathering over me, and made me hope that, after all, my first suspicion was correct, and that my patient was but the victim of some fearful hallucination.

“Mock you!” I answered soothingly. “Far from it; I sympathise intensely with you, and would do much to aid you. You require sleep. Lie down, and leave me to watch.”

He groaned, but rose, and began throwing off his clothes; and, watching my opportunity, I slipped a sleeping-powder, which I had managed to put in my pocket before leaving the surgery, into the tumbler of claret that stood beside him.

The more I saw, the more I felt convinced that it was the nervous system of my patient which required my attention; and it was with sincere satisfaction I saw him drink the wine, and then stretch himself on the luxurious bed.

“Ha,” thought I, as the clock struck twelve, and instead of a groan, the deep breathing of the sleeper sounded through the room; “you won’t receive any summons to-night, and I may make myself comfortable.”

Noiselessly, therefore, I replenished the fire, poured myself out a large glass of wine, and drawing the curtain so that the firelight should not disturb the sleeper, I put myself in a position to follow his example.

How long I slept I know not, but suddenly I aroused with a start and as ghostly a thrill of horror as ever I remember to have felt in my life.

Something—what, I knew not—seemed near, something nameless, but unutterably awful.

I gazed round.

The fire emitted a faint blue glow, just sufficient to enable me to see that the room was exactly the same as when I fell asleep, but that the long hand of the clock wanted but five minutes of the mysterious hour which was to be the death-moment of the “summoned” man!

Was there anything in it, then?—any truth in the strange story he had told?

The silence was intense.

I could not even hear a breath from the bed; and I was about to rise and approach, when again that awful horror seized me, and at the same moment my eye fell upon the mirror opposite the door, and I saw—

Great heaven! that awful Shape—that ghastly mockery of what had been humanity—was it really a messenger from the buried, quiet dead?

It stood there in visible death-clothes; but the awful face was ghastly with corruption, and the sunken eyes gleamed forth a green glassy glare which seemed a veritable blast from the infernal fires below.

To move or utter a sound in that hideous presence was impossible; and like a statue I sat and saw that horrid Shape move slowly towards the bed.

What was the awful scene enacted there, I know not. I heard nothing, except a low stifled agonised groan; and I saw the shadow of that ghastly messenger bending over the bed.

Whether it was some dreadful but wordless sentence its breathless lips conveyed as it stood there, I know not; but for an instant the shadow of a claw-like hand, from which the third finger was missing, appeared extended over the doomed man’s head; and then, as the clock struck one clear silvery stroke, it fell, and a wild shriek rang through the room—a death-shriek.

I am not given to fainting, but I certainly confess that the next ten minutes of my existence was a cold blank; and even when I did manage to stagger to my feet, I gazed round, vainly endeavouring to understand the chilly horror which still possessed me.

Thank God! the room was rid of that awful presence—I saw that; so, gulping down some wine, I lighted a wax-taper and staggered towards the bed. Ah, how I prayed that, after all, I might have been dreaming, and that my own excited imagination had but conjured up some hideous memory of the dissecting-room!

But one glance was sufficient to answer that.

No! The summons had indeed been given and answered.

I flashed the light over the dead face, swollen, convulsed still with the death-agony; but suddenly I shrank back.

Even as I gazed, the expression of the face seemed to change: the blackness faded into a deathly whiteness; the convulsed features relaxed, and, even as if the victim of that dread apparition still lived, a sad solemn smile stole over the pale lips.

I was intensely horrified, but still I retained sufficient self-consciousness to be struck professionally by such a phenomenon.

Surely there was something more than supernatural agency in all this?

Again I scrutinised the dead face, and even the throat and chest; but, with the exception of a tiny pimple on one temple beneath a cluster of hair, not a mark appeared. To look at the corpse, one would have believed that this man had indeed died by the visitation of God, peacefully, whilst sleeping.

How long I stood there I know not, but time enough to gather my scattered senses and to reflect that, all things considered, my own position would be very unpleasant if I was found thus unexpectedly in the room of the mysteriously dead man.

So, as noiselessly as I could, I made my way out of the house. No one met me on the private staircase; the little door opening into the road was easily unfastened; and thankful indeed was I to feel again the fresh wintry air as I hurried along that road by the churchyard.

There was a magnificent funeral soon in that church; and it was said that the young widow of the buried man was inconsolable; and then rumours got abroad of a horrible apparition which had been seen on the night of the death; and it was whispered the young widow was terrified, and insisted upon leaving her splendid mansion.

I was too mystified with the whole affair to risk my reputation by saying what I knew, and I should have allowed my share in it to remain for ever buried in oblivion, had I not suddenly heard that the widow, objecting to many of the legacies in the last will of her husband, intended to dispute it on the score of insanity, and then there gradually arose the rumour of his belief in having received a mysterious summons.

On this I went to the lawyer, and sent a message to the lady, that, as the last person who had attended her husband, I undertook to prove his sanity; and I besought her to grant me an interview, in which I would relate as strange and horrible a story as ear had ever heard. The same evening I received an invitation to go to the mansion. I was ushered immediately into a splendid room, and there, standing before the fire, was the most dazzlingly beautiful young creature I had ever seen.

She was very small, but exquisitely made; had it not been for the dignity of her carriage, I should have believed her a mere child. With a stately bow she advanced, but did not speak.”I come on a strange and painful errand,” I began, and then I started, for I happened to glance full into her eyes, and from them down to the small right hand grasping the chair. The wedding-ring was on that hand!

“I conclude you are the Mr. Kead who requested permission to tell me some absurd ghost-story, and whom my late husband mentions here.” And as she spoke she stretched out her left hand towards something—but what I knew not, for my eyes were fixed on that hand.

Horror! White and delicate it might be, but it was shaped like a claw, and the third finger was missing!

One sentence was enough after that. “Madam, all I can tell you is, that the ghost who summoned your husband was marked by a singular deformity. The third finger of the left hand was missing,” I said sternly; and the next instant I had left that beautiful sinful presence.

That will was never disputed. The next morning, too, I received a check for a thousand pounds; and the next news I heard of the widow was, that she had herself seen that awful apparition, and had left the mansion immediately.

Belgravia, Vol. 4, Mary Elizabeth Graddon, 1868

Mrs Daffodil’s Aide-memoire: One wonders what this gentleman did to arouse the enmity of his dainty wife. Even a husband with a private staircase leading to his bed-chamber is innocent until proven guilty. And, the last time Mrs Daffodil examined the criminal statutes of Great Britain (for one likes to stay abreast of  legal developments) the penalty for a gentleman proven guilty of infidelity or intemperance is still not death. Surely a separation agreement with adequate maintenance including a London townshouse and a pied-a-terre in Paris would be a pleasanter outcome than a conviction for mariticide. But, of course, that would make for a far less atmospheric Gothic narrative. The lady was unfortunate that her late husband chose such an observant death-bed watcher, although Mrs Daffodil notes that she got away with it, at least for the present. One suspects that she will try the same game with her next husband… The amateur never knows quite when to stop.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

The Most Expensive Christmas Card: 1874

Maharani Sita Devi of Baroda wearing a diamond necklace, suggestive of the riches of the dynasty.

Maharani Sita Devi of Baroda wearing a diamond necklace, suggestive of the riches of the dynasty.

The Most Expensive Christmas Card

The most costly Christmas card in the world was undoubtedly one made some years ago by an English firm in Calcutta, to the order of the Gaekwar [Gaekwad is the correct term] of Baroda, the potentate who was afterwards deposed for attempting to poison the British Resident by mixing diamond-dust with his food.

The “card,” which was of ivory, measuring 12 by 10 inches, and more than forty elephants were sacrificed before a piece of ivory of the required size was obtained. Four of the most skillful ivory-cutters in the province were employed to decorate the costly plaque, each devoting his energies to his own particular quarter. They worked almost incessantly at their task for six months, and when it was finished the eyesight of all four was affected, and one of them went totally blind shortly afterwards.

The carvings represented ten thousand scenes in the various lives, or stages of existence, of Buddha, and their execution involved more than eight million distinct motions of the graver.

Ranged round the edge, so as to form a sort of frame or setting to the whole, were forty-four diamonds, each as large as a hazel-nut, and of the purest water. Its value was estimated at half a million sterling, and it was intended as a Christmas gift to a certain European lady of high rank, with whose charms the Gaekwar was greatly smitten.

It never reached is destination, however, for before the anniversary came round the Gaekwar was arrested. Its ultimate fate was never known.

Philadelphia [PA] Inquirer 24 January 1897: p. 34

Mrs Daffodil’s Aide-memoire: The Gaekwar above was Malharrao, a person of the “vilest character,” who had conspired to have his brother, the reigning Maharaja of Baroda, killed. Nevertheless, Malharrao still succeeded him in 1871, after the Maharaja’s widow gave birth to a posthumous daughter. Malharrao proceeded to empty the coffers of the kingdom, ordering solid gold cannons and a carpet of pearls.  He was just the sort of person who would sacrifice 40 elephants and four carvers’ eyesight to a whim. His tyranny and cruelty were reported to the British Resident, whom he tried to poison with arsenic rather than diamond-dust—a lovely touch one wishes were true. (Far too rich for Mrs Daffodil’s purse, but ground glass will do in an emergency.) Malharrao was deposed after four years of terror for his subjects and sent into exile. One wonders if the extravagant Christmas card still exists in some forgotten vault.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

‘That’s funny, not a grain of lead’: A Strange Story from Monte Carlo: c. 1890s

gambling dice and cards

At the tables were sitting girls who had better been playing drafts in their schoolrooms, and hawkeyed beldames who seemed ready to stake the price of their coffins on the winning number. Only when they won did a muscle relax in their tired faces. The presiding croupiers were a perpetual lesson in the art of concealing emotions. But as they were never allowed to join in a stake, they shovelled the money like so many beans. What perfect flunkies they would have made for the Sphinx! “Messieurs failes vos jeux,” sang the croupiers, and a minute later came the warning signal, “rien no va plus!” followed in a few long seconds by the announcement of the winning number, red or black, odd or even, and the swift scraping in of the lost stakes. And so it would be all afternoon and into the night and the next day again and the day after . . . crack! a sudden shot broke through the great room and everybody who was not watching a stake rushed into a corner, where some unknown plunger had just taken the last plunge into eternity by blowing out his brains. The attendants collected from every corner and formed a hedge round the dead man. Quickly and soundlessly they began moving him out by a side-door, while gamblers picking up their stakes ran to dip a finger in his blood for luck. In five minutes he had disappeared as though he had fallen off a liner into a boiling sea. Monte Carlo cannot afford to have scandals on the premises any more than any well-established and well-connected institution, and is generally more successful than others in concealing them. Blood is soon mopped up, especially if the passers believe that it is a charmed fluid. The roulette ball was soon spinning round again, and the only trace of the tragedy was the struggle of a dozen gamblers to sit where the suicide had been sitting all the afternoon. It was a superstition that the dead gambler’s spirit does not leave the rooms immediately with death, but remains to avenge his ill luck on the bank; and against the unknown forces of the underworld even the bank cannot win….

[The narrator then speaks to a long-time gambler.]

I asked him what the pleasures of memory meant to him, and he confessed that they were considerable. I asked him if he believed in any gambling superstition, whether he thought sitting round a gambling-table ever produced any result one could compare with spiritualism; for instance, the result of touching a dead gambler’s blood, which we had witnessed an hour or two before.

“No,” he said, “but I have come to the conclusion that it often makes a difference to the luck at a table who is sitting at it. Some people cause others to win. That is how it works out.” I asked him if in all his experience he could think of an instance when a psychic influence had been at work. He sat back thinking. Then he said quietly: “I do not answer your question. I cannot say yes or no, so I say nothing.” “Then you must have met something that was inexplicable,” I pressed. “Perhaps,” he answered; “but I have never told anybody.” I knew my only chance of hearing it was to say nothing leading the conversation elsewhere, so I just waited. He got up and began walking again.

When we came in front of the pigeon-shooting green, which juts like a tiny grass-green arena into the sea, he stopped and pointed to a corner of the fence. A pigeon popped out of a trap, took flight, and fell to an invisible gun. Another flew out, but fell the wrong side of the fence into the open sea, where fishermen were waiting to retrieve it from boats. Each marksman was allowed two shots to bring the pigeon down. It seemed deadly monotonous. Then my friend spoke: “That is where the first incident happened.”

I knew now I had only to keep silent to hear what he had to say.

“I used to shoot pigeons a good deal in company with a friend of mine. When we lost at the tables we often made good by winning the prize for shooting. I sometimes won, but my friend never. Whatever he gambled at, he lost, roulette, chemin-de-fer, baccarat, and dice. He fell into the hands of the sharpers, a gang who induced him for a long time to believe that he was winning. Then they played him with loaded dice and he lost a fortune. One evening I was with him and the dice fell six times the same against him and every time for double or quits. He challenged the dice and they agreed to saw the ivory cubes asunder. A third party was called in and in breathless silence the dice were broken up. My friend picked up each piece with a face whiter than ivory himself, but there was no suspicion of a fraud to be found. If they had been playing with loaded dice they had substituted others. Sleight of hand can work wonders. I have no doubt my friend’s challenge had been perfectly justified, but he was up against the deliberate wickedness of this world. For a moment he turned over the fragments of the dice. The scoundrel who had been playing with him smiled and murmured: ‘C’est dréle, Pas un grain deplomb’ (‘That’s funny, not a grain of lead’). My friend put down his bank-book and went out. That evening he killed himself.

“After I had seen to his burying I felt miserable and went for a long trip. When I returned I instinctively made my way to Monte Carlo. I could not change my thoughts or get my friend out of my mind, so I decided to return to the scenes of our long companionship. I immediately found that my luck had improved at the tables. Then a very strange thing happened. I sent for my guns and entered for the grand prix at pigeon-shooting. I found myself in winning fettle. You always know at the tables or on the green if you are in a successful mood.

On the first day I killed fourteen pigeons out of fifteen. The second day saw me in the running for the championship. If you miss five birds you have to withdraw from the shooting, and soon only four guns were left. In the end two of us were left. We had each shot twenty-four out of twenty-six. Then the other missed and I only had to kill one bird to win. Seconds are long on such occasions and my eye was caught by a little sailing boat out to sea. I could not get my eye off it and out flew the pigeon, not like an easy owl but like a flighting snipe. Ping! I missed my first shot and he swerved. Then I fired to the other side. Ping! I thought, in fact I was sure, I had missed, but no, I had just done the trick. As he flew over the fence he suddenly shot low as though something rose in his path, struck the top of the fence, and fell stone-dead on the right side of the line.

I was heartily congratulated by everyone on my prowess. I can tell you it was one of the good moments of my life and, as the retriever brought back my last bird, I strolled to the man in charge to see where I had hit my lucky bird. The dog man was handling the pigeon all over. I asked him if I hit the head or the body. He began plucking the feathers. When the bird was bare he looked up with a perplexed grin and said: ‘C’est dréle, par un grain de plomb! ’ As soon as I heard the fatal words I walked away feeling sick. I did not shoot a pigeon again for many a long day, not until I was absolutely in want of money. And for months I tried to get those words out of my head.

“Years passed, but I never would let my mind dwell too long on the reason why that last pigeon could have shied and knocked its brains on the fence for my special benefit. It was possible that my last shot passed close overhead and drove it downward with the shock it caused in the air. I have heard of duck being killed by the sheer force of a gun’s explosion without being struck by the pellets. So I attributed my good fortune to a combination of natural reasons and my own skill. And the years passed. I went on gambling and gambling, and I must say I had begun to forget my companion of other days. But one evening at Monte Carlo sitting at a table I caught sight of a face opposite which instantly telegraphed my friend’s back to me.

It was the scoundrel who had cheated him at dice of all his money and indirectly of his life. He was obviously down on his luck, shabbily dressed and playing small stakes with furtive apprehension. I know that look so well. A man often has it the first time he throws a stake. He generally has it when he throws his last. I could see that he had not recognized me, but to my horror, when I had a run of luck, he took special notice and came up to address me. He began talking about a system of his own in which he suggested that I should take a share. However, my own was working very well that day and I played on till I had won five thousand francs.

“When I came back to my hotel I was surprised to be told that a friend of mine was waiting in my room for me, and even more so to find that this ugly customer had followed me out of the Casino and somehow discovered where I was staying, for while I strolled home he had skipped ahead and imposed on the concierge with some trumped-up tale. Anyhow, he had been admitted and was there, staking his life and liberty on the chance of making me disgorge a little of my winnings. As he had a revolver pointing at me from the moment I entered my room, I would have been inclined to buy him off as cheaply as I could. But I remembered what he did not, that I had a blood feud with him of many years’ standing.

My revolver was in my outside pocket and we fired about simultaneously. I missed him, shattering the window behind, but he hit me in the shoulder. His pellet ran under my shoulder-blade like a knife. We stood facing each other and aiming. I was trying to fire, but something held me like a vice, and I could not. Every second I expected he would shoot me through the head. I could see his fingers twitching round the stock of his gun. But as I covered him I noticed a horrible look come into his features, and if I was held, he was held doubly. Though I had missed him clean, a look of fear shot through his eyes, not the fear of a coward or a fool, or even the fear of one man of another, but the veritable fear of the devil for the Evil One when he cheats them at the end. He was staring over my shoulder into the empty bedroom behind me with glazed eyes and a tremor running through his body. He never said a word but fell back dead!

“Just then the concierge and the police threw open the door and I found myself arrested. I declined to tell my story except in the presence of a British consul, and was taken first to a doctor, who found my wound slight, and then to the guardhouse, where I was detained for the night, but I must confess I never slept with a lighter conscience. In the morning there was an inquiry before the authorities and I saw from the first that I had matters in my own hand. It was shown that I had left the Casino a winner and my assailant a heavy loser, that he had made his way on a false excuse into my room and that I had been found wounded. There was every suspicion that he had provoked the quarrel.

I was only anxious that the affair should be taken down in black and white for my future good name, and I was quite ready to be accused and saddled with an act of justifiable manslaughter. The magistrates after consultation with the police said that they would be delighted to release me, but that they would be much obliged if for the purposes of their report I would tell them exactly how I had killed the deceased. I pointed to my revolver lying on the commissary’s desk.

‘No, monsieur,’ I was politely told, and they all shook their heads mysteriously. ‘No, monsieur, you may have fired, but you must have killed him in some other way.’ I looked bewildered. Then the commissary went on in a quiet voice to say that they had found no bullet-hole, and he ended: ‘C’est dréle, pas un grain de plomb!’

But whether from loss of blood or excitement, I had fainted.”

Scribner’s Magazine, Volume 72, Edward Livermore Burlingame, Robert Bridges, Harlan Logan, editors, 1922

Mrs Daffodil’s Aide-memoire:  Now that is what Mrs Daffodil calls a story with a frisson! The world of gamblers is full of many such thrilling and grewsome superstitions, such as the use as a lucky charm of a hangman’s rope or some artifact from a murderer, so beloved of society ladies. That speculative person over at Haunted Ohio has written of “Dicing with Death,” about dead men’s hands and other dire talismans of gamblers.  Mrs Daffodil herself never gambles, having seen an otherwise blameless butler who was fond of a flutter descend, first into debt, and then to Australia.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

“Poison!” “Arson!” “Death His Bride!” How to Make a Newspaper Go: 1898

police news

The Path to Success.

‘Double Murder!”  “Suicide!”

‘Poison!” “Arson!”  “Death His Bride!”

‘Dead Man’s Message!”  “Poor White Slave!”

‘Earthquake!” “Landslide!”  “Tidal Wave!”

‘Crushed to Death by Cable Car!”

‘How to Run a Private Bar!”

“Prlze-Fight Makes a Strange Romance!”

‘Woman in Hypnotic Trance!”

‘Smallpox!”  “Typhus!”  “Spotted Death!”

‘Man with Poison in His Breath!”

‘Pretty Actress Breaks Her Leg!”

‘Russell Sage on ‘How to Beg’!”

‘Frightful Deluge!”  “Holocaust!”

‘Railroad Smash-Up, Ninety Lost!”

‘Cut in Two by Whirling Saw!”

‘Woman Smashed her Husband’s Jaw!”

‘Three-Eyed Baby!”  “Armless Man!”

‘Strychnine Put in Milking Can!”

‘How I Murdered Ninety Men!”

‘Raving Dog that Mangled Ten!”

‘Woman Samson!”  “Man Ate Glass!”

‘Blown to Atoms!”  “Killed by Gas!”

 

That’s the kind of stuff we know  

Makes the Yellow Papers go.  

McLandburgh Wilson , Life, 1898

Mrs Daffodil’s Aide-memoire: There has always been a moral divide between newspapers one could read aloud to the family circle and newspapers that one might actually enjoy reading. Some editors fulminated against the latter as in this editorial:

CLEAN NEWSPAPERS.

There is a growing feeling in every healthy community against journals which make it their special object to minister to a perverted taste by seeking out and serving up in a seductive form licentious revelations. There is reason to believe that the clean newspaper is more highly prized to-day than it was four or five years ago. It is also safe to predict that as people in all ranks of life, who protect their own at least from contamination become more conscious of the pernicious influence of a certain class of journals, they will be careful to see that the journals they permit to be read in the family circle are of the class that never forget the proprieties of life.

The Cambridge [OH] Jeffersonian  6 February 1879: p. 1

In a juxtaposition entirely overlooked by the Jeffersonian copyeditors, in the next column over from this editorial utterance is a lurid story about grave robbing. Just below it is an article containing the statement: “Dr. O’Donnell loaded a wagon with Chinese lepers, in San Francisco, and exhibited them in the streets as proof of his previous assertions that the leprosy was common in that city. He was arrested but a justice discharged him. He declared that he could fill the court room with lepers in two hours.”

As she writes this, Mrs Daffodil can hear the tweeny squeaking with delighted horror as Cook reads The Illustrated Police News aloud at tea…. 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

The Coroner and the Corset: 1874

 corset

How to Put on a Corset. [From a report on a murder inquest.]

At this juncture the Coroner desired to show the jury the course taken by the ball, and for this purpose produced the corset worn by Mrs. Burkhart at the time of the tragedy. “You see,” said he, and here he drew the corset around his waist with the laces in front! “the ball must have gone in here from behind. No, that can’t be, either, for the doctor says the ball went in in front. Confound it, I’ve got it on wrong. Ah! This way.” (Here the Coroner put the corset on upside down.) “Now, you see,” pointing to the hole in the garment, which rested directly over his hip, “the ball must have gone in here. No, that can’t be it either, or—“

Here Mr. Mather, the handsomest man on the jury, broke in, “Dr. Stillman,” said he, “you’ve got that corset on wrong.”

Here Dr. Stillman blushed like a peony.

“Well,” said he. “I’ve been married twice, and I ought to know how to rig a corset.”

“Yes,” said Mr. Mather, “but you don’t. You had it right in the first place. The strings go in front and the ladies clasp them together at the back. Don’t I know? I think I ought to; I’ve been married. If you doubt it, look here (pointing to the fullness at the top). How do you suppose that’s going to be filled up unless you put it on as I suggest?”

“That,” said Dr. Stillman; “why, that goes over the hips.”

“No it don’t,” said Mr. Mather; “that fullness goes somewhere else—this way;” and here Mr. Mather indicated where he thought the fullness ought to go.

At tis the pale-faced young man with a voice like a robin and a note-book under his arm, said he thought the ladies always clasped their corsets on the side. The pale-faced young man said this very innocently, as if he wished to convey the impression that he knew nothing whatever of the matter. The jury laughed the pale-faced young man to scorn, and one of them intimated that he thought the young man was not half so green about women’s dress as he tried to appear. The young man was a reporter, and it is therefore exceedingly probable that his knowledge was fully as limited as was apparent from his suggestion, the juryman to the contrary notwithstanding.

Here another juryman discovered that Dr. Stillman had the corset on bottom side up. “Doctor,” said he, “put it on the other way.”

Then the Dr. put it on in reverse order, with the laces in front. This brought the bullet holes directly over the tails of his coat.

“I don’t think,” said Mr. Mather, “that the bullet went in there, Doctor.”

“No, I don’t think it did,” was the reply. “Confound it, it’s mighty funny—six married men in this room and not one that knows how to put on a woman’s corset.”

Here the Chronicle  reporter, who had several sisters and always keeps his eyes open, advanced and convinced Dr. Stillman and Mr. Mather, after much argument, that the laces of the corsage go behind, and that the garment is clasped in front. After this explanation the course of the bullet was readily traced; and found to bear out the explanation afforded by one or two physicians. Jamestown [NY] Journal 8 May 1874: p. 7

Mrs Daffodil’s Aide-memoire: The victim was Mrs Harriet “Hattie” Burkhart or Burkhardt, shot by Jacob Wilkerson in 1872. Mrs Daffodil has been unable to find  an explanation of the motive for the shooting. The papers of the period are full of stories of ladies, unlike the unfortunate Mrs Burkhart, whose lives were saved by their corsets. For example:

A LIFE-PRESERVING CORSET

How Kate Rafferty’s Stays Caused a Bullet to Glance

New York, April 7. Kate Rafferty, a domestic, employed by William Burns at No. 328 East Thirty-third Street, probably owes her life to her corset. She was sitting at a back window on the first floor yesterday afternoon, when she was startled by the report of a pistol. There was a crash of glass and she felt a sharp pain in her back. She screamed, and the son of her employer went to her aid. He found her bleeding from a bullet wound just beneath the left shoulder blade. Examination showed that the bullet had struck a steel in her corset, and had glanced aside, inflicting only a slight flesh wound. The police believe the shot to have been fired by some careless boy. St. Louis [MO] Republic 8 April 1896: p. 1

and

A CORSET STEEL SAVED THIS WOMAN FROM DEATH

Franklin, Pa., Oct. 13. Mrs. Elia Zone of Woodcock owes her life to her corset steel. She was on her way to Meadville and passed a man carrying a rifle. After he had gone some distance the man attempted to load his gun, with the result that a cartridge was accidentally discharged. The ball struck Mrs. Zone in the side; she gave a scream and the man ran toward her. An examination disclosed the fact that the bullet had been deflected by the steel in her corset. But for that she would undoubtedly have received a fatal wound. Boston [MA] Journal 14 October 1900: p. 2

On the other hand…

SAWING HIS WAY TO LIBERTY

Girl Who Gave Prisoner the Corset Steel Informed the Jailer

Vineland, N.J. Dec. 25 “Al” Stevenson, a colored ex-convict, arrested on Saturday on the charge of stealing a wagon-load of farming tools, came near escaping from the Vineland jail. He borrowed a corset steel from Gertrude Wright, in the adjoining steel cage, and was sawing his way to liberty when, at the midnight round of the jailor, Miss Wright informed on him. Stevenson was placed in the dungeon and the informer was given her liberty. Philadelphia [PA] Inquirer 26 December 1899: p. 4

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.