Tag Archives: The Summer Girl

A Necklace With a History: 1890

multicolour necklace 1890

1890 necklace of sapphire, zircon, tourmaline, amethyst, garnet https://www.sothebys.com/en/buy/auction/2020/fine-jewels/gem-set-necklace-circa-1890

A NECKLACE WITH A STORY.

Gems From the Engagement Rings of Thirteen Rejected Suitors.

[New York World.]

Engagement bracelets and bangles, hoops tied with knots of ribbon (one color for each adorer), are now surpassed according to a late story by a diamond necklace with a strange history. This necklace, set with thirteen stones, was confidentially declared by the wearer to be composed of the stones from thirteen engagement rings which she had worn at different times. Through a fine regard for the feelings of the thirteen “rejected addressers” this delicate-minded young woman had had them reset, and wore them suspended about her beautiful neck…. It is to be hoped for the sake of fair young womanhood that these “engagements” were like those in vogue at one time in Washington—simply a mutual arrangement by which a young man became for a certain time the acknowledged escort of a young belle, to whose service he felt himself bound, and to whom he furnished bouquets and bon-bons in return for the pleasure of taking her to receptions. In this frivolous but harmless kind of an engagements a young beauty of my acquaintance figured sixteen times, marrying at the end of her second season an army officer of culture and high rank. But she did not accept diamond rings or other valuable gifts from her soi-disant lovers.

The Enquirer [Cincinnati OH] 20 September 1890: p. 13

Mrs Daffodil’s Aide-memoire: Such ladies who trifled with the honest affections of gentlemen were shockingly common:

Emily: What are you crying over, dear?

Julia: Longfellow’s Evangeline! It makes me sad that women don’t appreciate love and constancy as they should.

(Servant enters with cards.)

Julia (after reading them): Chollie Jones and Freddie de Browne. Oh, how lovely! Come down with me and help in the fun. I am engaged to both of them.

Pittsburgh [PA] Dispatch 4 February 1889: p. 4

The old man laid down his newspaper. “My child,” he said to the fair girl in sables who had just come in, her cheeks pink and her eyes shining from the frosty air: “My child, I am unspeakably shocked and grieved. Your mother informs me you are engaged to five young men at once.” But. his daughter laughed and patted his shoulder in reassuring fashion.

“Dear old stupid dad, it’s all right,” she said. “They are football players, and at the end of the season I shall wed the survivor.”

“Oh,” said the father, and, his brow clearing, he resumed his reading.

Nelson [NZ] Evening Mail, 15 February 1908: p. 2

A young woman of Indiana keeps twenty seven engagement rings hung up in her boudoir, the spoils of five years.

Pittsburgh [PA] Weekly Gazette 25 January 1870: p. 1

First Ingenuous Maiden: “How do you like my engagement ring?”

Second Ingenuous Maiden. “Oh, it is the prettiest one you have had!” Tit-Bits.

Logansport [PA] Pharos-Tribune 21 January 1922: p. 4

The Summer girl was a particular offender:

“I have been engaged several times,” boasted the first summer girl, “to men whose names I did not know.”

“That’s nothing,” retorted the second summer girl. “I engaged myself last season to a stager [person of experience/ man of the world]who sig-wagged his proposal from a passing yacht.”

The Alamogordo [MN] News 28 July 1910: p. 7

This morning I was pouring out my lamentation to a young girl, the younger sister of a dear friend. She is at least seventeen, and rather beyond the kitten love period, but I thought it would do no harm to let her know the truth about this imitation of the noble passion by little chits. She quite agreed with me, she said, and then she went on:

“But I have a confession to make, Clara,” said she; “I am in a frightfully awful situation. You see I am engaged to be married in New York, and when I came up here I got engaged to a young fellow up here, you know, just for fun. He is rich, you know, and quite distinguished in appearance, but it wasn’t that which made me let him engage himself to me, so much as that all the other girls, that is, the nice girls, were head over heels after him. It was so pleasant to cut them out. Now, you see, I had done the same thing last summer. I was engaged to the same young gentleman in New York then (really engaged, you know) and I got engaged up here”

“For mercy’s sake!” I exclaimed; “what sort of a story are you telling me?”

“Why, it’s quite customary, Clara; that is, among girls of any life at all. You get engaged up here because it’s better all around. You select a

REALLY NICE, PROPER YOUNG MAN,

And you are both devoted to one another, and it takes up all your spare time; and then a parting you manage to quarrel (It’s quite easy to do it) and off he goes to Chicago or New Orleans, and you go home to your real beau. Well, as I was going to say, I managed it beautifully last season—quarreled all right, and never heard any more about it. But this year things are going to be different. I am in an awful scrape. This young man is a Southerner and he talks of shooting anybody that looks at me and of killing himself if I reject him, and oh, my! Oh, my! I can see that I’ll never, never be able to get rid of him.”

I did not sympathize with her. I might have suggested that she write to her New York young man to attend a shooting gallery and take lessons preparatory to an encounter with the Southerner, but I did not think it just exactly a fit subject for joking. But I am only telling you what success attended my effort to get away from the scourge of the summer resorts. To make it very short, it is just simply no success at all. Why, I strolled into the pretty and ancient grave-yard just at the edge of the village, and if there were not at least six couples tucked away on the grave-stones in the by-paths, and all courting at one hundred pounds pressure, I am no correspondent of yours.

Cincinnati [OH] Enquirer 5 September 1886:p. 9

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

 

A Chat With A Summer Girl: 1904

strolling fashionable gait

A CHAT WITH A SUMMER GIRL,

Edited by John Kendrick Bangs

Her name was not Miss Flora MacFlimsey, and she does not live in Madison Square. What her name is and where she dwells is, however, none of the public’s business. In fact, I should not have been able to get from her lips the plan of her campaign had I not promised under oath, duly attested, that her identity would be kept inviolably a secret. Hence let us call her Miss Flora MacFlimsey, after the heroine of one of most truly immortal satirical poems that have ever been written in the English language.

Neither did I choose the assignment which led me into her sacred presence. It was “handed out” to me by one whose word is law, whose “must” it were oblivion to disobey, whose instincts–well, of that more anon. Anyway, he is an editor, what he tells me to do I do as best I can….

Hence, when he said, “Call upon Miss Flora MacFlimsey of Madison Square and get her forecast of her coming engagements,” I went home, put on my pongee Prince Albert, got out my straw pot hat and my card and called.

Received Graciously.

That she was tall, goes without saying; that she was beautiful, it is unnecessary to state; that she received me graciously, is the main point. It was an unconventional reception, but it was all I could hope for at the moment, since Miss MacFlimsey was engaged in packing her trunks prior to her departure for the Sea View House at Oakhearst-on-the-Ocean.

“You will excuse me if I receive you thus,” she said pleasingly as I climbed over four Saratoga trunks, three “steamers” and a dozen suit cases in the hallway of her charming apartment. “Word has come from headquarters that we are to move on Oakhearst-on-the-Ocean early tomorrow morning, where the enemy is concentrated in large numbers. We shall take them by surprise, and by Tuesday night we expect to have them routed.”

“The enemy?” said I.

“Yes, the enemy,” said she. “Man. Ma and I expect to meet him in several lively engagements this summer. The campaign promises to be a warm one.

“You are well provided with the sinews of war,” said I, with a glance at the lady’s eyes, which, as I know the enemy, Man, were well calculated to carry all before them. “If I were the foe I think I should capitulate at once.”

“No, thank you,” she replied with a laugh, construing my remark as an invitation to a flirtation. “I never level my guns on wholly serious persons or fathers of families. The consequences are apt to be too costly.”

“Madame,” said I, solemnly, “you mistake me. I only said if. I have been chosen for this dangerous assignment for the sole reason that I am know to be immune. Eyes of the deepest blue, the snappiest black, the most scintillating brown or the liveliest green affect me not. No feminine smile of sweetest texture can move my soul. The cherriest lips in all creation move me not, and liquid sighs fall frozen ‘neath my gaze. I am here to interview, not to win. Shall I sit upon this hat box or recline upon yonder suitcase?”

“Make yourself comfortable any way you can,” she said. “I’m busy.” With that she picked up an armful of pink foulard and threw it into an adjacent trunk.

“What are your plans for 1904?” I asked, making for a cozy corner which I now beheld half hidden behind a very Gibraltar of bonnets.

“I’m out for the record,” she sighed, trying on a hat that was trimmed with lace enough to make a comfortable hammock. “Last year Miss Dottie de Limelight came home with thirty-seven engagement rings on her fingers. I am out for thirty-eight.”

“The season is short,” said I.

“Art is long,” laughed she. “And I shall win out. That is why we are going to a transient hotel. The Sea View has the West End people, and it is so badly conducted that no one ever comes back, so that I have a constant supply of fresh raw material to work on.”

“You must suffer terribly,” said I.

“Not at all,” said Miss Flora MacFlimsey. “I am an expert with the chafing dish. It is one of my weapons. I can cook lobsters in sixty different says, clams in ninety-eight and eggs—well, I can’t tell you how many ways I can cook eggs. Mother and I live very well with our chafing dish alone, and when my eyes fail to work havoc with the enemy’s heart I wheel the chafing dish into action and victory perches on my banners.” Here she tied a strip of point lace about her neck in a most fetching fashion and called upon me to admire it—which, of course, out of courtesy I did.

“May I ask your object in winning so many hearts?” I queried, settling down to business. “Is it mere love of conquest?”

Question of Hearts.

“Not entirely,” she replied. “Of course, you like to win in whatever game you go into, whether it is bridge, ping-pong, poker or pit. Some people like to play chess, using inanimate chessmen for the purpose. That does not interest me when I can have real men for my pawns. What is the use of devoting yourself to abstractions when the world is full of live, concrete propositions that it is sheer delight to overcome? No reasonable child would prefer a hobby horse to a real pony. No more have I any patience with playing hearts with cards when I am surrounded with those that actually pulsate, swell with emotions, grow faint with vague fears and respond always to my advances.”

“That is all very well,” said I, “but you might destroy a whole pack of cards and do no harm, whereas if you broke a single real heart I should think Ii would rest heavily on your conscience.”

“It would,” said Miss MacFlimsey. “But you see I don’t break any hearts. If I married any of those many fiancés of mine there would be danger. But I don’t marry them. There was that nice tow-headed little Harvard man I got engaged to at Saratoga last summer, for instance. We had about as delightful an engagement as any two people that ever lived. We had long and beautiful drives together. The ring was the cutest little arrangement of sapphires and diamonds you ever saw. His tastes in the selection of gifts was exquisite–I really hated to sell the things afterward, they were so pretty–and he was perfectly fine to mamma. It was ideal, and best of all, we never spoiled it by even thinking of getting married.”

“You–er–you sold his gifts?” I asked, in some surprise.

Summer Loot.

“Oh, my, yes,” she returned, with a merry laugh. “We always do that. The ring, too. How do you suppose we summer girls live through the winter if we don’t hypothecate our summer loot? We are none of us rich in our own right. If we were we’d become British Duchesses. As it is, we have to eke out a living as best we can, and I must admit I have been very successful. Last summer I cleared $800 on my engagement rings alone, and I should say that out of the books and trinkets I received I got as much more. That, with my commissions from the livery stables and confectionery people, enabled mamma and me to live very comfortably all winter long and provided us with twenty stunning new gowns for this season that we think will pay 200 per cent dividends.

“The commissions on what?” I demanded, for I could scarcely believe that I had understood the lady correctly.

“Confectionery people and livery stables,” she replied. “Don’t you know that we summer girls get commissions on all the candy we eat and buggy rides we take with our fiancés?”

“It is sad and solemn news to me,” said I, shaking my head. “I knew you summer girls were fond of a good time and always ready to make some man temporarily happy by uttering a soft ‘yes’ in response to his passionate request that you be his, but that commercialism, had entered even into that I never dreamed.”

“You funny old man!” she cried, with a silvery laugh, whose potency to stir the heart was undeniable, since it got upon even my weary old nerves. “Of course, commercialism, enters into it, but in an awfully nice way. It is delicately done. Instead of saying to our fiancés that we will be engaged to them at so much an hour, with a special commutation race for the season, we merely take our share of the profits from those who make money out of the fact that we are engaged.

She Gets a Percentage.

“For instance, if, because he is engaged to me, a young millionaire from Altoona keeps returning to the mountain resort where I am spending the summer, the landlord of the hostelry that thus profits pays me 10 per cent of his bill. Two summers ago, up in the Ratskills, ten of my beaux spent altogether 140 days there. If it hadn’t been for me they wouldn’t have stayed ten altogether. What could be more proper, then, than that the landlord should recognize the value of my services to him by giving my mother and myself free board and 10 percent of the money paid him by Teddy and and Harry and Jim and George and John and William and Roderick and Gaston and Leon and Alphonse. I believe my share came to $200. The livery stable people reason the same way.  If Miss MacFlimsey was not engaged to Mr. Robertson Van Tile, Mr. Van Tile would not have used our buck boards so frequently, they say. Hence we should give Miss MacFlimsey some suitable testimonial of our regard and appreciation of the value of her services. Reasoning thus, at the end of the season they send me a check for 15 per cent of Mr. Van Tile’s bill.”

“But how do they know it is to you not to some other summer girl that they owe this–er–rake off?” I asked.

“Because Mr. Van Tile is registered on their books as my fiancé the moment become engaged,” explained the lady. “It is a very simple system. Same way with the confectionery people. Oh, I tell you this summer girl business isn’t so bad, and it’s a great sight pleasanter than becoming a trained nurse or a stenographer.”

Playing the Fiancés.

“Don’t you have some trouble in keeping your fiancés apart?” I queried. “Don’t they ever get jealous?”

“Why, of course they do.” smiled Miss MacFlimsey. “I don’t know what I’d do if they didn’t. I strain every nerve to make them jealous, for that makes us quarrel. Our quarrels increase my dividends, because when we make it up later the young man to show his repentance has to be unusually lavish in his attentions, takes me on longer drives, sends me bigger boxes of candy, buys more trinkets, flowers and all that, so that there is a corresponding increase in my returns. I was engaged to young Reggie Aquidneck five times in one summer and got a new engagement ring every time just because we quarreled so over my becoming engaged to Harry Stockbridge and three or four other chaps whose names I have forgotten. That jealousy complication is one of my richest assets.”

“And you never see these fellows afterward?” I asked.

“Oh, indeed yes,” replied Miss MacFlimsey; “often. In fact, I always give a reception to my ex-fiancés every winter and we have stunning good times at them, but of course entirely without flirtation. No successful summer girl ever flirts during the winter season–unless she gets a special engagement for Palm Beach or some place. It is too great a strain and we need the whole of the winter time to get rested up for the summer campaign.”

“Well,” said I, rising to leave, “I am very much obliged to you for this illuminating chat. I have learned much and I wish you the best of luck for the coming season.”

Will Beat the Record.

“Thank you,” said she. “I think I shall get the record away from Miss de Limelight without any trouble. In fact, I am sure to, for I am already booked for thirty-five engagements in August and six for the first two weeks in September. That’s forty-one sure. Better come down and see me at work,” she added, with that fetching smile of hers.

“No. thanks,” said I, moving toward the door. “I wouldn’t dare. I am afraid I might be jealous of those fortunate others.”

“I’ll let you pretend you are my fiancé for an evening,” she put in demurely.

“What! And involve myself in a row with Reggie Van Toodles or some other lover of your!!” I cried.

“No, that wouldn’t be necessary,” she said, referring to a memorandum book. “I find here that I have one free Sunday, the 28th of August, when I shall not be engaged to anybody. Shall I book you for the 28th?”

But I made no reply, fleeing madly for the door. My engagements have a way of being permanent, and I wanted to escape before it was too late.

The Galveston [TX] Daily News 26 July 1904: p. 9

Mrs Daffodil’s Aide-memoire:  The “Summer Girl” was a figure of fascination and of fun in the newspapers. It was axiomatic that she would become engaged multiple times during the summer, although typically nothing ever came of those engagements. Such entanglements seem to have been a convenient fiction which allowed the young to spend time together with less scrutiny than otherwise. As Miss MacF. notes, Mama is on the scene, but she seems a mere cipher.

Such engagements were the source of many a rude joke. This is one of the more trenchant:

“It is just a malicious fib,” said the returned summer girl. “Of course I didn’t get engaged to three men at once while I was at the seashore. There was more than 30 minutes’ lapse of time between them.”

The Topeka [KS] State Journal 16 August 1895: p. 4

No doubt those young men who had been ensnared by the Summer Girl had their eyes opened, reading this candid description of her heartless transactions. One wonders what happens to the Summer Girls who “age out” of being the toasts of the summer resort? Do they eventually settle down with a millionaire or a little Harvard man with exquisite taste? Or are they seen on the promenade in their formerly stunning gowns, growing ever shabbier, season by season, haunting the watering places like public Miss Havishams?

 

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdote

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Tips for the Summer Guest: 1920

Ten Commandments for the Summer Visitor.

By Dorothy Dix

The World’s Highest Paid Woman Writer

First: Never invite yourself to anybody’s house. When you desire to graft a hotel bill do not write to one friend that you yearn to behold her beauteous countenance, and the seraphic faces of her offspring or to another acquaintance that your doctor has recommended sea baths, or mountain air for you, and will it be convenient for her to have you come and make her a little visit. Bear in mind that the United States mails are still running and pen paralysis is a rare disease. Also that the telegraph and telephone perform their accustomed functions and that those who desire your presence will have no difficulty in making it known to you.

There are many pests that go up and down in the land seeking whom they may devour, but none is so pestiferous as the self-invited guest.

Second: When you go to make a visit go at the appointed hour and on the designated train. Also take with you a small amount of baggage. Nothing gives a hostess such a sinking of the heart as for a guest to arrive with a mountain of trunks that looks as if she had come to stay to the judgment day.

Third: Don’t take your angel child with you, or your Pomeranian, pup, or your cat, or your parrot, or any pet whatsoever. For the child that draws pictures with a pin on the best mahogany table, and plays cars on the Persian rugs, and spoils things at table, and the strange dog that howls by night, and the parrot that wakes sleepers at dawn by its screeching, cause a hostess to curse her who brought these afflictions upon her, and to write “Never again” against her in her visitors’ book

Fourth: If you are a food faddist, and have to live on any sort of diet, for heaven’s sake stay at home, or go to a hotel where you can pay for the trouble you make. It’s sheer brutality to inflict a bum stomach or unstrung nerves on your friends, and If, you have to live on stale bread and skimmed milk, or have everything kept quiet while you sleep of an afternoon, win the eternal gratitude of those who ask you to visit them by saying “no.”

Fifth: Play cricket. Be a sport. When you are in Rome do as the Romans do. Fall in with every plan that has been made for your amusement, and help push things along. If a picnic has been arranged, don’t say you loathe sitting on the ground and eating messy things with ants and bugs in them, and that you will stay at home and write letters while the others go. If your hostess is a golf fiend who lives on the links, golf with her. If she plays bridge, sit in the game no matter how weary it makes you, for an unadaptable guest is even as a bull in a china shop. It upsets everything and messes up the whole place.

**

Never forget that the only way that a guest can pay her way is by making herself as agreeable as she can. Therefore pull all your little parlor tricks and go thru your repertoire. And, above all, can the argument. If you differ with your hostess on politics and religion, and the proper length of skirts, and what is going to become of the youth of the present day, keep your views to yourself. Nobody’s ideal of an agreeable guest is one with whom they were fighting all the time.

Sixth: Put the soft pedal on your attainments and possessions, and swell the chorus in praise of all that your hostess does and has. Rave over her views. Take a real heart interest in her tomato plants. Let her descant to you by the hour about her Minnie and her Johnny. Pat her doggie on the back, and keep silent about your own.

It was to get a sympathetic audience and to show off before you that you were invited. You can get even with her when she comes to see you. Anyway, it’s the price one must pay for visiting in country places, for a country home seems to bring out the vanity in people as a hot poultice brings out the measles. Seventh: Always make your hostess feel that you are having the time of your life. Wear the smile that won’t come off, and whoop up the Glad-I-Am-Here stuff, and when you feel the smile beginning to crack and that there isn’t another cheer in your system, get a telegram that calls you suddenly away.

Eighth: Never be one of the crape hangers who sits and tells what a grand time she had last summer, when she visited the Milllonbucks and what a splendid limousine they had, and how many servants they kept. It makes a hostess think bitterly of her tin Lizzie and her one maid of all work, and wonder why she is putting herself out to entertain you.

Ninth: Never flirt with your hostess’ husband, nor her son, nor her brother. It’s against all the rules of the game. It’s hitting below the belt. Even a savage respects the bread he has eaten, and as long as you are under a woman’s roof, all of her possessions are sacred to her.

Tenth: Make short visits. That is the secret of being a popular and much sought after visitor. There are so many people we would like to have come, if we could be certain when they would go. Never extend a visit, no matter how much you are entreated to do so. After-climaxes always fall flat. Never forget that it is better to go while people weep to see you leave than it is to stay when they shed tears because you refuse to depart.

(Copyright. 1920, by the Wheeler Syndicate, Inc.)

The Topeka [KS] State Journal 25-26 July 1921: p. 4

Mrs Daffodil’s Aide-memoire: Miss Dix, whose byline frequently contained the phrase, “The World’s Highest Paid Woman Writer,” had much to say about the summer visitor. One can only conclude that her immense wealth gave her entrée to a delightful selection of summer resorts and country houses and, consequently, to the summer parasites infesting these earthly paradises.

She adds two other Commandments to the ones above, in other syndicated articles:

Don’t sponge. Provide yourself with the things you are liable to need before you leave home. There are no other guests in the world so afflicting as the borrowers. Take along your own stationery and stamps, your own toilet articles and sewing things. There isn’t a hostess who hasn’t been driven wild by the insatiable demands of girl guests who had forgotten to bring along needles and thread, and scissors and writing paper, and stamps, and curling irons, and who could have kept a relay of servants on the run supplying them with the things they had to borrow. Nobody loves a dead beat.

Mrs Daffodil is pursing her lips dubiously over this dictum. She flatters herself that she runs a well-regulated household. No guest at the Hall would ever be made to feel a “dead beat” if they forgot their sewing kit or curling iron. The maids would look askance at a guest who brought her own writing paper and stamps.  The guest rooms at the Hall, as well as the morning room, factor’s office, and library, are amply stocked with both.

Still, Miss Dix adds a final commandment that will warm the hearts of servants everywhere.

Don’t make any unnecessary trouble for the servants, and don’t withhold the tip from the maid to whose burdens you are adding. Keep your own room tidy. Hang up your clothes. Straighten up your dresser, and be not sparing of small change to faithful Mary who hooks you up, and obliging Eliza who presses out your chiffons. Chief among those who are never asked a second time are those nickel-nursing guests who keep the maids on a trot doing chores for them and who think they have sufficiently rewarded such service by handing out a few words of thanks and a dinky pocket handkerchief upon their departure. The servants determine the invitation list oftener than you think, so if you want to be a popular guest who is much sought after, be not one of those whose coming makes Hilda and Dinah threaten to give notice.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

The School of Hammocking: 1901

IN A HAMMOCK WITH THE SUMMER GIRL

A summer school of hammocking was opened in one of the large cities recently. It was a secret society school, conducted on the strictest lines of never tell, and all information regarding its whereabouts, its pupils, their residences, or the places where they, will spend the summer were to be kept secret.

The object of the school was the teaching of grace to the summer girl, who must spend part of her summer days in the hammock. The lessons embraced the getting in and the getting out of it, also the proper manner of sitting down and talking. How to lie down and sleep, how to recline and read, how to carry on an animated conversation without tipping out backward, how to talk, to flirt, to laugh and to rise from the hammock were all in the curriculum.

The teacher—for, though the aims of the school may seem trifling to the unambitious woman, they were taken in all seriousness by the pupils–was one of the most famous teachers of expression in this country. She teaches some of the most celebrated stage people in the world how to be graceful, and she instructs great speakers on the small arts of gesture. When not otherwise engaged she takes classes of women in the 400 and teaches them how to enter a drawing-room and depart therefrom. She shows them how to look at flowers, how to gaze upon works of art, how to receive a compliment with grace and without blushing, how to decline a verbal invitation well, in short, how to be a belle.

The hammock field is a new one to her, but, on being told that she would, by her instruction, fill a long felt want, she consented to give a dozen lessons in the art of entering a hammock to a select circle of young women. The schoolroom was a roof garden, and the hours for the lessons broad daylight with nothing overhead except the sun and a friendly canopy. At the end of twelve lessons the pupils were turned out graduated, with verbal diplomas. All were bound to perpetual secrecy and to know them this summer you must watch the hammock girls and observe which conduct themselves with most grace. Those who are faultless have doubtless been members of the summer school of hammocking.

hammock girl4 (2)

Belle of Summer

The hammock girl is the belle of summer. Old Sol beholds her by the first light of his yellowing rays, and Luna, when she retires behind the day clouds, looks back again to wish her a good night.

To spend the summer in a hammock is the ideal of the languid maid and the favorite dolce far niente of the July girl.

It is said that the hammock habit is the hardest of all to drop. Once formed it becomes almost an insidious disease, preying upon its victim, who cannot tear herself from its grasp of netting. The hammock is responsible for many an added pound, for many a wasted moment. It is the parent of flirtation and it is the scene of many a jolly summer hour.

The girl who can escape to the country for a month or two takes with her a hammock. But it is not she alone who indulges in such an article. The roof garden girl has discovered that it is mightily pleasant to swing in the net, up under the stars, and for her there are wonderfully built hammocks, supported by uprights that are warranted not to break, or allow the ropes to loosen at the critical moment.

Where lives there a man who has not swung a hammock? To climb a tree, knot a rope to a limb and climb down again is part of the programme of the man who goes away for a rest. The chances are that he will hang many a one and rehang several, for ropes shrink and break, slacken and untie and raise uncertainty generally.

The possibilities of picking one’s self up gracefully when the hammock rope breaks are not to be discussed. That is an emergency which must be met at the time. When the hammock falls there is no choice but to settle down in a heap and to roll over and get up with such God-given grace as may be vouchsafed at the moment.

hammock girl3 (2)

The Getting In

But it is with the chances of being graceful when the hammock is in normal position that this has to deal. It is claimed that the girl who can get into a hammock gracefully and there sit and enjoy a conversation without tipping backward or falling frontward, is entitled to a diploma of grace. Certainly she does well, for the hammock is not a rocking chair, nor an anchored seat. It tips and rolls, shunts and rocks, shifts and falls in unexpected spots and is not dependable as a medium of keeping one’s poise.

The girl who would seat herself in a hammock nicely cannot do so carelessly. Let her merely catch hold of the rope and seat herself and she will find herself landed upon the floor. Possibly she may go entirely over the hammock and seat herself on the other side of it, with her feet clawing the ropes and her hands wildly grasping nothing.

 

To seat yourself in the hammock correctly take hold of one side of the netting, bend slightly, and, with the other hand, draw the hammock in under you. This gives you a purchase upon it; you then seat yourself and find the seat in under you. The trick is twofold. It lies in resting the entire weight upon one foot, and, at the same time, pulling the seat of the hammock forward.

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To lie down in the hammock requires practice. One must not look as though laid out and one must not sink out of sight in the depths of the hammock. The head should rest upon a pillow at one end of the net and the feet should lie together in the other end. To accomplish this gracefully the body must lie slightly at diagonals with the netting, so that the feet just peep out at one side, the head at the other. This gives one more of an upright position and enables one to carry on a conversation while resting. The hammock robe is not often used. It hides the pretty summer gown. If used at all it is thrown across the foot of the hammock, but is rarely employed as a spread.

The Skirt Question

To keep the skirts in place is a difficult matter when planning to lie down. It is done by gently gathering up the side of the skirts with the hand and tucking them in the hammock as one lies down. The feet should be lifted very slowly and deliberately, with the skirts clinging around them, or the general pictorial effect will not be good.

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To sit and converse in a hammock affords a theatre for some of the most delightful poses. One of these brings out the true poetry of motion. The young woman who attempts it must seat herself gracefully, and then, with a side motion, turn herself a little. One hand must be extended to grasp the netting, while the other must rest in her lap. The pose is a very comfortable one and certainly pretty.

The summer girl who coquettes in a hammock is lost unless she be very skilful. She must have practiced the scenes before or she will not be a success. If she own a hammock that is supported by uprights, let her take it and swing it in front of a pier glass. With the mirror in front of her she can practice her poses.

The animated pose is the most difficult of all. She must seat herself and in some manner manage to change her poses as she talks. She must be as free as though in a tete-a-tete chair.

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A coquettish pose, which gives an opportunity for the display of the pretty feet of the young woman, is that in which, with extended feet, she sits with both hands upon the netting and looks straight at you. To keep her poise both arms are stretched out at the side of, her, and both hands are twisted in the netting. Her feet are crossed and pressed forward so that the hammock is swinging. It is not a strictly conventional pose nor one that is in afford with the accepted poses of Delsarte or his followers, but it is effective.

To read picturesquely is quite difficult, until one has acquired the trick. It all depends upon the way one enters the hammock. The young woman who will seat herself in the middle of the hammock, a little toward one end, and who will lift her skirts with one hand, lifting her feet with them, will be sure of a safe deposit into the hammock. She must practice balancing a little in order to keep her head higher than her feet.

The self-taught hammock girl may be a success if she will practice assiduously, but it is far better to engage a friendly spectator who will look on and criticise and offer suggestions at the valuable moment.

AUGUSTA PRESCOTT.

The Philadelphia [PA] Inquirer 26 May 1901: p. 38

Mrs Daffodil’s Aide-memoire: Obviously one needs the correct wardrobe for hammocking: the petticoats that froth beneath the simple summer frock; the pretty stockings and shoes for accidental exposure.

HAMMOCK DRESSES.

“Hammock” dresses, designed for elegant wear on sultry, lazy afternoon, are announced. They are made with long flowing Greek lines; they are steel-less, cushionless, half fitting, but graceful withal, having the look of untidy looseness, and are made of all the soft, pretty crepalines, challis, carmelites and also of China silk, foulard and surah. New York World.

The Salisbury [NC] Truth 12 June 1890: p. 7

Hammock frocks, fashioned from the softest of undressed mulls, delicate batiste and old, quainty-flowered muslins.

Buffalo [NY] Evening News 27 July 1896: p. 43

Mr Binks’s Safety Hammock tells of the perils of hammock customisation, while useful tips about “hammock frocks” are found in My Lady’s Hammock

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.