Tag Archives: Victorian fashion accessories

Floral Sunshades: 1884

 

flower bedecked parasols 1895

Floral Sunshades.

Floral sunshades are, as we learn the latest innovation in flower fashion just now in Nice, where the ladies are using parasols composed entirely of natural flowers, so that their sunshades resemble nothing so much as gigantic bouquets stuck on sticks. The stalks of the flowers are woven together, so as to form a network of bloom, the inside being lined with silk. One parasol is made entirely of violets, with a bordering of jessamine; another of geraniums, white and red in rows, fringed with maiden-hair fern; another of pansies, and so on. When the flowers fade the parasol has to be made up again, generally at intervals of two days. We always thought our New York friends a little extravagant in their flower torture, nor could any one persuade us to admire the great massive crosses, anchors, wreaths and wedding- bells affected by some portions of American society: but even there they do not, I believe, expose their beautiful flowers on sunshades to wither and die. I hope that it is only some ladies, and those only a few, that degrade nature’s flower gifts in this way. A friend to whom I showed the above paragraph said she should as soon think of skewering a living dove or a lark in her bonnet as of abusing lovely flowers wholesale in the manner that I have just indicated.

The Clay Center [KS] Dispatch 31 July 1884: p. 2

Mrs Daffodil’s Aide-memoire: The Hall Head-Gardener, Mr McKew, would have a word or two to say about the fashionable abuse of flowers. It pains his soul to supply even cut flowers for the table and he would, no doubt, call the floral parasol a shocking waste and a sin against floriculture .

Still, the showiness and ephemeral quality of the floral parasol made it a popular fad:

FLOWER BEDECKED PARASOLS.

The coming season’s sunshades are bewildering in floral effects. One is of violet-colored chiffon, with wreath and nosegays of artificial violets. Big bows of violet ribbon ornament its stick at top and handle, and the graceful ruffle around its edge is gay with silver spangles. A nosegay of violets nestles in the knot of the ribbon on the handle and the whole is delicately scented with violet sachet.

Another new floral parasol, although more severe in style, is even more chic. It is trimmed with orchids, one huge cluster hanging from the bow at the top and a smaller one at the handle. The sunshade itself is of heavy cream-tinted silk, with mother-of-pearl handle. All the parasols this year are noticeable for their elegance and showiness. Every detail is most costly, and, in many instances, most

Perishable, as the fluffy and flowery effects so greatly in vogue are not meant for wear and tear. The good old-fashioned plain parasol, lasting a whole season through, is completely obliterated by this crowd of fragile and efflorescent novelties.

The Abbeville [SC] Press and Banner 3 April 1895: p. 3

Mrs Daffodil does not see the appeal in the floral novelty, although there will always be those who will follow a fad merely for the extravagance of the thing. The floral parasol lacks the tidiness one likes to see in fashion accessories. This fashion writer made a very apt comparison:

Some of the floral parasols have a peculiar effect when carried closed. These look as if the owner had been cutting for herself a large posy and fixed it on a stick, in the style of a May day posy of long ago. The impression is still further carried out when a florally trimmed hat to match is worn—as is often the case. The Ottawa [IL] Free Trader 4 August 1888: p. 7

The floral parasol did, however, finally find its niche as a wedding decoration.

floral parasol wedding decoration

A Rose Parasol Instead of the Usual Bridal Bell.

June with its roses affords many tempting opportunities to the floral decorator. For weddings—and June is the favorite month for weddings—no prettier idea could be devised than that of substituting for the hackneyed wedding bell a floral parasol under which the bride and bridegroom may stand during the ceremony or at the reception. The roses and smilax are mounted on a skeleton parasol frame. Pink or white roses are suitable, the garden rose or the hothouse variety being adapted to the purpose.

The Richmond [IN] Palladium and Sun-Telegram 27 July 1911: p. 8

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

Jewel-set Gloves: 1896-1899

JEWELS SET IN GLOVES

The Latest Parisian Fad Which Is on Its Way Here.

The latest fad in the way of eccentric dress is the wearing of jewels upon various articles of clothing. This extravagance originated in gay Paris, where the jewelers are falling over one another in their attempts to find some new use to which to put gems.

There are now on the market as a unique result of this attempt to find or devise something new, gloves in the back of which rubies, pearls and emeralds, and, in fact, any gem whose natural color harmonizes or makes a pleasing contrast to the color of the glove. Diamonds seem to be the favorite gem used for this purpose.

The jewels are set in the back of the glove, along the seam and are held in place by means of a small nut attachment. Thus far only a few of the more advanced women of the ultra-fashionable set have taken to wearing the diamond ornamented glove, but the fad is slowly but surely spreading and no man can tell to what extent it may be carried.

The wearing of gems, according to jewelers, has never been so widespread and extensive as at the present time. While a year or two ago it was considered bad form to wear any but the plainest jewels, the extreme will soon be reached, and jewels will be worn in ways never before thought of.

Like every other fashion which originates in Paris, the fad of wearing diamond-backed gloves has crossed the English Channel and a few of the more daring English leaders of fashion have promptly had jewels set in the backs of their gloves. Following the invariable order of such things, the fad will reach this country during the present season.

St Louis [MO] Republic 14 June 1896: p. 21

Mrs Daffodil’s Aide-memoire: While the jeweled-glove fad was extensively reported from about 1896 to 1899, there were varying descriptions of precisely how the gemstones were attached. Mrs Daffodil is uncertain about the particulars of that “small nut attachment.” For example, this description is from 1897:

Jewelled gloves are now numbered among the many luxuries indulged in by fashionable Parisians, who adorn their gloves, according to the colour of the kid, with real diamonds, rubies, pearls, turquoises, etc. These are fastened on fine chains, which replace the raised seams on the back of the hand. Short gloves are ornamented at the wrists and gauntlets, and they have not unfrequently a jewelled monogram conspicuously placed in the middle.

Hawke’s Bay Herald, 3 April 1897, Page 1

An engraved newspaper illustration, which somewhat inadequately conveys the splendour of jewelled gloves.

An engraved newspaper illustration, which somewhat inadequately conveys the splendour of jewelled gloves.

And this account of jeweled gloves on the Riviera:

JEWELLED GLOVES,

A New Fashion Started by Leaders of Society at Nice and Rome

Several leaders of society at Nice and Rome have taken to jewelled gloves, and the fashion is said to be spreading. At a Russian dinner on the Riviera, one woman wore jewelled gloves which represented a fortune. The jewels were not set in the gloves, but were detachable. Hoop rings of rare rubies and diamonds encircled each finger. From each ran a tiny gold chain, and these chains were caught together on the back of the hand by a superb cluster of the same stones. The chains then extended to the wrist, where they were fastened to a ruby and diamond bracelet…the wearer was a countess who is a power in European society, and other women are wearing less pretentious ornaments of the sort.

The Times [Richmond, VA] 31 January 1899: p. 7

Certainly the notion of jewelled chains couched to the fabric of the glove or of linked rings and bracelets worn over the glove seem far more practical than painstakingly attaching prong-set gems to the accessory.  It is certainly more palatable than the disagreeable fad of setting jewels into one’s finger-nails. When the jewelled glove fad was revived in the 1930s and 1940s, large and blatantly faux jewels, attached with adhesives, simplified life immensely. The effect, as may be seen at the top of this post, was eminently satisfying.

 Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.