Tag Archives: Victorian sea side

A Fashionable Bathhouse for Sea-Bathing: 1893

bathing machine LOC image

Bathing Machines, Ostend, c. 1910-1915 Library of Congress.

SEA-BATHING A LA MODE

The Interior of a Lady’s Bathhouse at Long Island.

As we all know, decorous Britishers of both sexes refuse to frolic in the big sea informally and in jovial fellowship as do the unconventional American “brethren and sisteren.” Mr. and Mrs. John Bull or the Misses Bull have little movable rooms, inside of which are the conveniences we enjoy in our seaside bathhouses, says Demorest for September. The rooms are on wheels. Enter Mrs. John Bull with a bathing-suit and a number of towels on her arm; a little pony is hitched, by primitive harness to the room, and when Mrs. J. B. gives a sign at the window of her queer little house the pony is driven down to the beach, even out into the water as far as he can go, is unhitched and trotted back to the shore. Out then, by the back door of her little room, comes Mrs. John Bull, arrayed for the sea, into which she hops and, so long as she wishes, enjoys a dip. The bath over she enters her wheeled room, the pony is sent down and hitched on, and the protean mermaid inside is brought back to terra firma. When the public seen her again she is clothed in the common garb of civilization.

Now this whole idea so pleased a friend of the Van Kortlandts, who went abroad for the first time last summer, that on settling down in her Long Island home she quite made up her mind to have a bathing-machine like those at Brighton. She had a little gable-roofed box built about 5 by 5 feet and at least 8 feet from floor to roof. Outside it is painted a clear sea green and it is swung on two big black wheels. There is a window in the roof and a door and pair of steps at the back.

Inside, madam’s imagination has worked wonders that would make Mrs. John Bull turn green with envy. The interior is all done in snow-white enamel paint, and one-half of the floor is pierced with many holes, to allow of free drainage form wet flannels. The other half of the little room is covered with a pretty green Japanese rug. In one corner is a big-mouthed green silk bag lined with rubber. Into this the wet bathing-togs are tossed out of the way. There are large bevel-edged mirrors let into either side of the room, and below one juts out a toilet shelf, on which is every appliance. There are pegs for towels and the bathrobe, and fixed in one corner is a little square seat that when turned up reveals a locker where clean towels, soap, perfumery, etc. are stowed. Ruffles of white muslin trimmed with lace and narrow green ribbons decorate every available space. When the mistress steps out of this bathing machine her maid dries and airs it, then ‘tis securely locked and wheeled high and dry behind the humble bathhouse of ye vulgar American.

The Morning Call [San Francisco, CA] 3 September 1893: p. 11

Mrs Daffodil’s Aide-memoire:  Ah yes, “the maid dries and airs” the bathing machine.  Mrs Daffodil shudders at those “ruffles of white muslin” decorating every available space. The lace and ribbonry required hand-washing and goffering and a heavy starch to keep them from going limp in the sea-breezes. A delightful effect, but scarcely a sea-side holiday.

Charming as is the description of the white-and-green bathing machine, Mrs Daffodil suggests that it exists primarily in fantasy. The reality is below:

MARINE EXCURSIONS.

We consider the essentials of a watering-place may be alliteratively summed up thus:— Sea, salt, sun, sand, shrimps, shells, sailors, and shingle…

A bathing-machine is an aquatic caravan, containing respectively two towels, two ricketty hat-pegs, a damp flooring, a strong smell of sea-weed, and a broken looking-glass, exhibiting the phenomena of oblique refraction. Though this last cannot be exactly considered the “glass of fashion,” it frequently exhibits the “mould of form” about to have a dip.

The Traveller’s Miscellany and Magazine of Entertainment, 1847

This post was originally published in 2013.

A story of a bathhouse scandal is found in The Bathing Machine Mystery part 1 and  part 2.  And the inside story of The Great Grampus Bath-House Tragedy is found here.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

“Scorching” on the Beach: 1897

beach cycling

RIDE A WHEEL ON THE BEACH

Do This and You Are Up to Date According to Sea Shore Ethics

Sense of Propriety Given to the Fad When a Chaperon is Taken in Charge.

The Clean White Sand Closely Packed Down Forms a Splendid Bicycle Path

Wise Summer Girl’s Plan.

New York, June 12. To be thoroughly fashionable this year you should take a spin on the beach on your wheel. Of course you ride a wheel, because everyone does. If you cannot take a spin on the sea shore, take one along the shore of the lake and if that fails, think up a good substitute. In any event, if you are at the sea shore do not fail to take a breather just as near old ocean as circumstances will permit. Fashion has set the seal of approval on this fad and all her devotees, male and female, are scorching to obey her behests.

One of the most pleasant features of this new idea is that to be strictly en règle, one should ride in a bathing suit. The summer girl is not always at her best in a bathing suit, but if she is at her best then of course the idea suits her to a T. It also suits the summer young man and thus there is nothing left to be desired. To give the sanction of absolute propriety, it has been decreed that the way to take this spin along the sands is to do so in a party which is known as a bathing bicycle party. There must be a chaperon and the chances are that a chaperon who can ride a wheel is not oblivious to the fact that young people do not always dare to be conventional. So there is a delightful combination of a jolly chaperon, a bicycle and a bath.

It might not be thought that the beach would make the best of bicycle paths, but it does. In fact the firm, hard sand seems to have an elasticity that helps a rider to speed along at a great rate. It is very peasant also to go at a scorching pace with the ocean breeze blowing all about you and fanning away the perspiration. Those who have tried it say the exhilaration is simply unspeakable. Add to the joy the scorcher feels in the very movement of his wheel the invigorating effect of the salt air, and the result must be pleasant in the extreme.

Down at Coney Island, along that section of the beach that stretches away westward in horseshoe fashion toward Norton’s Point, lies the speedway of the bathing cyclist, par excellence. Go down there any day and you can see plenty of evidence of the popularity of the new fad. Maidens of from 16 to 40, young men, middle-aged men, and men who would like to be thought middle-aged, are all there. Therefore the fashionable summer girl and her best young man must join the B.B. club—that of the Bicycle and the Bath.

Omaha [NE] World-Herald 21 June 1897: p. 6

Mrs Daffodil’s Aide-memoire:  “Scorching” was wheel-woman/man slang for speeding along at a blistering pace. It was no doubt capital exercise and, for the sea-side rider, it served a cosmetic purpose:

“Nearly all the bicycle girls at the sea shore—and all women who ride wheels are bicycle girls—go in the water without any head covering and take the surf as they find it, and dive and plunge just as if they were not the least afraid of wet hair. They come out of the water, don their bicycle costumes, and, bare-headed, ride up and down the roads, their hair streaming out in the breeze and being dried as fast as sun and wind can accomplish the desired result.” Evening Star [Washington DC] 15 August 1896: p. 10

Possibly the beaches of the States are more congenial to “scorching,” than Brighton’s stony sea-side.  From Mrs Daffodil’s experience with sand, a wheel is more likely to sink into it and hurl the wheel-woman over the handle-bars. Should that occur, jolly as is the notion of riding in one’s bathing-costume, the skin is apt to be “scorched” as well.

A Fashionable Bathhouse For Sea-Bathing: 1893

Victorian Bathing Machines

Victorian Bathing Machines

SEA-BATHING A LA MODE

The Interior of a Lady’s Bathhouse at Long Island.

As we all know, decorous Britishers of both sexes refuse to frolic in the big sea informally and in jovial fellowship as do the unconventional American “brethren and sisteren.” Mr. and Mrs. John Bull or the Misses Bull have little movable rooms, inside of which are the conveniences we enjoy in our seaside bathhouses, says Demorest for September. The rooms are on wheels. Enter Mrs. John Bull with a bathing-suit and a number of towels on her arm; a little pony is hitched, by primitive harness to the room, and when Mrs. J. B. gives a sign at the window of her queer little house the pony is driven down to the beach, even out into the water as far as he can go, is unhitched and trotted back to the shore. Out then, by the back door of her little room, comes Mrs. John Bull, arrayed for the sea, into which she hops and, so long as she wishes, enjoys a dip. The bath over she enters her wheeled room, the pony is sent down and hitched on, and the protean mermaid inside is brought back to terra firma. When the public seen her again she is clothed in the common garb of civilization.

Now this whole idea so pleased a friend of the Van Kortlandts, who went abroad for the first time last summer, that on settling down in her Long Island home she quite made up her mind to have a bathing-machine like those at Brighton. She had a little gable-roofed box built about 5 by 5 feet and at least 8 feet from floor to roof. Outside it is painted a clear sea green and it is swung on two big black wheels. There is a window in the roof and a door and pair of steps at the back.

Inside, madam’s imagination has worked wonders that would make Mrs. John Bull turn green with envy. The interior is all done in snow-white enamel paint, and one-half of the floor is pierced with many holes, to allow of free drainage form wet flannels. The other half of the little room is covered with a pretty green Japanese rug. In one corner is a big-mouthed green silk bag lined with rubber. Into this the wet bathing-togs are tossed out of the way. There are large bevel-edged mirrors let into either side of the room, and below one juts out a toilet shelf, on which is every appliance. There are pegs for towels and the bathrobe, and fixed in one corner is a little square seat that when turned up reveals a locker where clean towels, soap, perfumery, etc. are stowed. Ruffles of white muslin trimmed with lace and narrow green ribbons decorate every available space. When the mistress steps out of this bathing machine her maid dries and airs it, then ‘tis securely locked and wheeled high and dry behind the humble bathhouse of ye vulgar American.

The Morning Call [San Francisco, CA] 3 September 1893: p. 11

Mrs Daffodil’s Aide-memoire:  Ah yes, “the maid dries and airs” the bathing machine.  Mrs Daffodil shudders at those “ruffles of white muslin” decorating every available space. The lace and ribbonry required hand-washing and goffering and a heavy starch to keep them from going limp in the sea-breezes. A delightful effect, but scarcely a sea-side holiday.

Charming as is the description of the white-and-green bathing machine, Mrs Daffodil suggests that it exists primarily in fantasy. The reality is below:

MARINE EXCURSIONS.

We consider the essentials of a watering-place may be alliteratively summed up thus:— Sea, salt, sun, sand, shrimps, shells, sailors, and shingle…

A bathing-machine is an aquatic caravan, containing respectively two towels, two ricketty hat-pegs, a damp flooring, a strong smell of sea-weed, and a broken looking-glass, exhibiting the phenomena of oblique refraction. Though this last cannot be exactly considered the “glass of fashion,” it frequently exhibits the “mould of form” about to have a dip.

The Traveller’s Miscellany and Magazine of Entertainment, 1847

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.