Nurse Sees a Ghost: c. 1910s

nurse and baby

The Old Nurse’s Story

By Gerda Calmady-Hamlyn.

The following story was related to me by a respectable elderly woman—a children’s nurse—who said she had held “no belief in ghosts or any of that there sort of nonsense” till the curious experience which I am about to relate fell to her lot.

Nurse Mitchell had undertaken a temporary but extremely well-paid post at W——, a town in the Midlands famous alike for its beautiful Cathedral and the fact that the bones of a world-renowned novelist lie buried therein. She was to be nurse to a young married-lady with one very delicate and fretful baby requiring the greatest care. The lady was not the actual owner of No. 21, Stevenstone Street; she merely rented what appeared a most picturesque old place, with low casement windows, carved and panelled walls, and a corkscrewy sort of staircase—”just the sort to break your neck over—going downstairs on a darkish night.” Originally the quaint abode may have been built as two separate smaller houses, joined together now by the staircase alluded to. There was a wide hall in the centre from which opened doors into passages leading away to the kitchen-regions; while upstairs were bedrooms round a gallery, and the nursery at the back part of the house.

Nurse had been in residence for over a week, and her infant charge had proved so unusually fretful that she found herself tied almost entirely to the nursery. One morning, after a particularly restless night, she was carrying baby from his own apartments to those of his mother in the front part of the house, and had to pass down the winding staircase, across the hall, and up on the farther side, holding the child on one arm and a bundle of shawls upon the other. Both burdens proved somewhat cumbrous, and just as Nurse reached the most difficult portion of the stairway the bundle of woolly shawls began to slip. She must either drop them altogether, or lessen her hold on the sleeping infant. That would be pretty sure to wake him—a thing to be avoided at all costs. At that crucial moment. Nurse Mitchell caught sight of a plump little dark-haired girl, in a pink-cotton dress and neatly-starched cap and apron, very similar to the little between-maid, Polly Awcott, who usually brought up her breakfast and supper trays.

“Polly, my girl,” cried she, “just come and give me a hand with these shawls or I’ll drop them and the blessed baby too in another minute!”

To her amazement, the girl paid not the faintest attention to her request, but slipped through a red baize door leading to the pantries and disappeared from view.

Late that evening. Nurse went down to the kitchen to fetch hot water, and seeing that same girl (as she believed) who had played her such a shabby trick, said, “Hullo, Polly, is that you, I see? Why didn’t you come this morning when I called to you, may I ask? You might have stretched out a friendly hand.”

Polly, who was a wholesome sensible-looking girl with a smiling face, stared at Nurse with a puzzled expression, then burst into a laugh, in which several of the other domestics joined.

Nurse Mitchell began to feel angry. “What’s the wonderful joke all about?” she exclaimed.

Cook, a fat good-natured woman, explained, “It’s nothing, Nurse; nothing against you anyway; this house is supposed to be haunted, by a maidservant. We’ve most of us seen her, and one or two of us have spoken to her, but she never answers back. Neither does she do any harm to us or anyone else that I know of— just flits about the house, an inoffensive little thing, sometimes in a pink-cotton dress such as Polly wears of a morning, sometimes in a neat black afternoon get-up, as if she were going to the front door to let in callers. Whose ghost she is, or what she’s supposed to be doing here none of us know.”

“Fancy that now,” exclaimed Nurse in astonishment; “I wouldn’t have believed what you say for one single minute if I hadn’t seen the little maid with my own eyes!”

“I’ve always heard that this old house was haunted, and it has been my wish ever since I grew up to try and get a place here and see what I could for myself,” put in Peggy the kitchen-maid, a striking-looking damsel with luminous psychic black eyes.

After which, Mary the head housemaid, said, “That ghost you saw, Nurse, ain’t by any manner o’ means the only one in this house; there’s far worse than that. One parlour-maid here got the fright of her life one evening, and left before she’d been in the place six days. Two visitors were expected the day after she came, a young married couple; and Annie K—–had orders to prepare the big blue spare-room for them to sleep in. That’s just over the drawing-room suite, and is the best bedchamber in the house. About six o’clock in the evening, —the visitors weren’t due to arrive till nearly eight—Annie ran upstairs to the blue room with clean towels and to see that all was straight. She opened the door to walk in, and saw a beautiful young lady, standing in front of the glass, wearing a pink silk dressing-jacket and lace petticoat, who had masses of lovely golden hair flowing down over her shoulders! For a moment Annie fancied that the lady guest must-have arrived by an earlier train, unbeknown to her. ‘If you please, Ma’am,’ she began, but all of a sudden, the young lady swung round from the glass with a face of the most awful fury, rushed across the room as swift as a sheet o’ greased lightning. Annie hurried out and the lady slammed the door behind her. In the passage Annie fainted and it was an hour and more before anybody found her. Her people came and took her away, and the doctor said she was on the verge of brain fever.”

As much of the history of the old house as Nurse Mitchell could discover ran something like this—it belonged to a wealthy family of bankers. Some sixty years before Julia, the only daughter of the house—a beautiful young girl of nineteen—became engaged to a young man whom her people highly disapproved of. Parents were strict in those days, and the father was so enraged at his daughters engaging herself without his knowledge that he forbade his would-be son-in-law the house and kept the unhappy damsel virtually a prisoner, permitting her to hold communication with no one, not even to see a friend. Somehow or other she escaped by the help of a maidservant, and her lover having sailed for India, mistress and maid agreed to follow him. The ship on which they sailed foundered, and all on board were drowned. It was after that the hauntings at 21, Stevenstone Street began. Months went by without tidings of the fate of the two fugitives; but long before news of their death reached England, Julia had appeared in spirit form, first to a favourite brother, and then to other members of the family. The maid also was frequently seen, both then and afterwards—a little quiet flitting figure, who molested no one and disappeared at once if you spoke to her.

Nurse Mitchell concluded—“I don’t like them kind o’ things, do you ma’am? and I hope I’ll never take situation in another haunted house. I don’t wonder that wretched parlour-maid gave notice!”

The International Psychic Gazette August 1919: p. 167

Mrs Daffodil’s Aide-memoire: It is quite a roster of staff: delicate servants who fall into brain fever at the sight of a ghost in an attractive combing jacket, kitchen-maids with luminous psychic black eyes, and a ghostly maidservant who, even though correctly garbed for her duties, won’t lend a helping hand.  Mr Elliott O’Donnell has written censoriously about the slatternly appearance of a ghost-maid with red hair. And who could forget the ghost of that previous paragon of a maid, Ann Frost, who gave such trouble when she was murdered?

It is no wonder that ladies despair over the “servant question.”

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

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