Category Archives: Irregular Lives

A Wealthy Widow Weds a Ghost: 1894

 

 

 

MARRIED TO A SPOOK

WEALTHY WIDOW BECOMES A GHOST’S BRIDE

UNCANNY STORY FROM THE ONSET SPIRITUALISTS

The Bangs Sisters, May and Lizzie, Continue to Startle the Peaceful Residents of a Massachusetts Town—

The Spirit Bridegroom.

Onset, Mass., Special to Inter-Ocean.

May Bangs, one of the Bangs sisters, materializing mediums and slate writers of Chicago, now at Onset Bay, declares positively and without any provisos that a person in flesh and blood in this life could be married to a materialized spirit. She declares that a woman from the west, a woman of wealth, had been married to her spirit lover in the very room in which she sat.

Charming May Bangs and her sister, the great spiritualists, who, when at home, reside in Chicago, have lately startled the natives of Onset, Mass., This statement means more than might appear on the surface when it is added that the little town is almost wholly made up of spiritualists. Thither the Bangs sisters hied themselves some weeks ago to take part in the summer assembly of the eastern societies. They made their headquarters at Happy Home cottage, where they were daily visited by pilgrims in search of friends and relatives long since in the “other world.” Among those visitors was a rich widow from the far west, who wanted to see her lover, how had been a captain in the United States army. The captain, who came from Maryland, died on the eve of his marriage to the rich widow. For a year she has worn widow’s weeds and longed for even a visit from the spirit of her departed lover. Miss Bangs informed her that she could not only produce the captain’s spirit, but that the marriage ceremony that had been cut off by death would be performed in Happy Home cottage. A few days ago an item was given out for publication to the effect that the ceremony had been effectually performed some days before. In speaking of it, May Bangs said:

“I materialized the form,” she said, “and the lover came out of the cabinet attired in the uniform of an army officer. The premises had been previously examined to prove that there was no mortal about. The materialized spirit asked that the curtains be drawn for a while to shut off the front parlor. The bride wanted him to put on her slippers and he did.

“Only a faint light shone through the room where the minister and others were waiting. He kissed her numerous times. The bride was in a new wedding dress. Then the materialized spirit lover requested that the marriage ceremony be performed and the request was granted. He placed a ring on her finger. They were together a long time that evening.” The reporter who investigated the spiritual marriage had heard from other sources of such a matrimonial event and from two different persons he had heard that the woman in the case was from the west, that she was wealthy, well-educated and a woman of refinement. She is said to be a firm believer in spiritualism and has long know the Bangs sisters, Lizzie and May. She is about 35, short in stature, plump in form and dresses elegantly. Another account of the wedding from the lips of one who claims to have possession of facts, is this:

“On the night of Aug. 8, which was Wednesday, everything was ready for this strange ceremony, and the wedding party, consisting of about half a dozen persons, was within the walls of ‘Happy Home’ cottage, which is but a few rods distant from the grove where all the big spiritualistic meetings are held. Miss ___, who was to be married to one who had passed away, had purchased flowers and with her own hands had decorated the rooms. Curtains covered the windows just as at a séance. A single dim light was burning in the parlor, just a candle in a box, the tiny flame being subdued by blue glass.

“Lizzie Bangs and the minister were to be seen in this room next to the street, surrounded by the floral display of ferns and lilies. A cheese cloth had been hung across the double doorway which led into the cabinet-room behind.

“May Bangs came tripping down the stairs and entered the dark little apartment where the spirits first made their appearance. She was followed by the bride, who took a seat in the cabinet-room and awaited the appearance of the sprit who was to become her husband. May Bangs materialized the form of a late captain of the army, who in life hailed from Maryland.

“An ordained minister then went through the marriage service, and at the close declared the couple to be husband and wife. When the minister, who is a woman, at present in Vermont, finished, she was heard to say that she hoped it was really a materialized spirit that was married, for if it was a man in earth life he was married sure enough.”

It is rumored that when the Bangs sisters start for Chicago on Monday two young men will go with them. one of these young men, who struck Onset with only $2 in his pocket, has been spending money lavishly of late.

“I’ve stuck a snap,” he said to a reporter. “I am going to Chicago with May Bangs, but I’m going to get $20 in my fist before I start, or I don’t go. I’ve had a promise of $15 and week and my board bill. Have you heard of the spirit marriage? It took place all right. The spirit groom was George—Capt. George__. They wanted me to put on a uniform and represent the groom, but I was out with May once, and Miss__ bobbed up suddenly and May had to introduce me to her, so the girl knew who I was.”

The strange marriage has been the talk of Onset for some time, but as most of those there are deep-dyed spiritualists they think it nothing unusual.

RECALLS PREVIOUS NUPTIALS.

New York, Aug. 26. [This case] The Onset Bay spook wedding recalls with a difference the famous marriage in the family of the late George D. Carroll, once of Dempsey & Carroll, stationers, who wasted much of his substance on a medium named Fanny Stryker. Carroll has lost a young son, and, though the medium never materialized the youth for him, she did act as priestess in a “spirit marriage” between the boy and “Bright Eyes,” a ghost with no family name. Elaborately engraved invitations for the ceremony were sent out and the priestess officiated in white uncut velvet. The elder Carroll died recently in comparative poverty and the medium buried him.

Dallas [TX] Morning News 9 September 1894: p. 5 and The Fort Wayne [IN] Sentinel 10 September 1894: p. 4

Mrs Daffodil’s Aide-memoire:  Such “spirit marriages” were a regrettable and venal feature of Victorian spiritualism; they usually ended in tears, lawsuits, or an asylum. Lawyers would have difficulty in untangling the legal status of the young man who played the dead Captain George, although the lady parson, wittingly or unwittingly, seems to have voiced an obvious truth. There was still the question of who signed the wedding licence and, in the United States, unlike France and China, marriages between the living and the dead are not sanctioned.

That person wearing orange blossoms over at the Haunted Ohio blog has written about a gentleman who married his late sweetheart in Cincinnati and a rather stingy bridegroom who foolishly thought that he could save on household expenses by marrying a spirit bride.

 

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

 

The Wife’s Answer: 1895

Weiland, Johannes; Young Girl Reading, 1870; Leeds Museums and Galleries; http://www.artuk.org/artworks/young-girl-reading-38472

The Wife’s Answer.

BY CHRISTINE MARTINEZ,

The fishing fleet had set out early in the morning from the little harbour of Leeport. The atmosphere was very clear, and the boats could still be seen in the distance, strung out in a long line across the horizon, far out at sea. A few sailors’ wives, children, and old men, still loitered on the wharves, all in excellent humour, for with such weather there should certainly be a fine haul of fish. The sea was admirably blue, but, lashed by the wind it broke into little waves, which rushed, white capped, toward the shore. ‘Do you see papa’s sloop, yet mamma?’ asked a little fellow, who had stayed away from school that morning in order to see his father start with the fleet. His mother had a fine telescope, a luxury that her neighbours envied her. In such clear weather as this, if they could not distinguish the men they could at least recognise most of the fishing smacks. The boy would have remained a long time watching his father’s sloop, the Laurent, as it grew smaller and smaller in the distance, out his mother led him away. They must go back to the house to their work. They loitered by the harbour, which had lost its animation now that its fleet of fishing craft was gone. Mrs Fanshawe stopped mechanically in the centre of the wharf to look at a fine brig, the Harding, which came every week with a cargo of assorted merchandise. A sailor, leaning over the rail of the ship, saw her, and waved his cap gayly to her. She turned away and hurried up the street to her home. Two hours later the loungers in the main street of the village were greatly surprised to see Captain Robert Fanshawe, the owner of the fishing sloop Ajax, hastening angrily homeward. He had not entered the house before the neighbours had ran to learn the reason of his sudden return. Why had he come back? The backstay of the Ajax had been broken, and Fanshawe was compelled to come back to port for repairs. These were already under way, and, once he had seen his men at work, he had come up to see his wife a moment.

‘Your wife she has gone out but she will be back directly.’ He was pouring out a glass of cider from the pitcher he had drawn that morning before leaving, when he noticed the inkstand open on the table, and the pen beside it, still wet with ink. It was his son’s pen and inkstand, but as the little fellow never wrote during the day, he concluded that his wife must have been writing. Almost at the same moment he noticed a letter in the blue vase on the mantel-piece, and, without thinking, he opened it and read, ‘Dear Mrs Fanshawe, I love you more than I can tell. I implore you to set a time when we can meet. You are free; your husband is gone. Harry Evans.”

“Oh, Heavens!” cried Fanshawe, Harry Evans! He knew him well, this handsome sailor of the Harding, who had already ruined more than one home in Leeport; a tall fellow, as tall as Fanshawe himself, fair, with the complexion of a girl, and tender blue eyes. He sprang up to rush to the wharf and strangle the audacious rascal, when he heard his wife returning. Evidently she had answered that insulting letter, and she would tell him what answer she had given. He trusted his wife. ‘I hurried back,’ she said, as she came in. ‘I heard of the accident as I was doing my marketing.’ As she laid on the table the purchases she had made, he had time to thrust the letter back into the vase. He would wait for her to speak. Mrs Fanshawe continued to busy herself with her household duties. He watched her, and he found her still young, browned like himself, a most graceful woman in her No. 3 boot, and with a waist still slender. From time to time she looked at him with a smile. She was not surprised to see him looking sombre after the accident. She did not say anything about it, for she knew to discuss the accident would annoy him.

‘Wife, have you nothing new to tell me?’

‘Nothing, my dear husband.’

His face contracted as with a sudden pain. His wife, thinking it due to chagrin at the accident, kissed him tenderly. He pressed her to him with unaccustomed force. Never, even in the fiercest tempest, had he suffered as he suffered now. Suspicion entering his simple, loyal heart, ravaged it terribly.

‘Well, good-bye. I am going to the wharf. We shall go out with the next tide if the backstay is repaired. Good-bye!’

She accompanied him to the end of the street, and bade him farewell so frankly, that he asked himself if it were possible that such a woman could lie. He was about to go to the Harding, and taunt Harry Evans with his infamy, when one of his crew saw him and came after him. Compelled to return to his vessel, he had time to reflect. A sudden fit of rage, a fight would prove nothing, and he would never know the truth. So he calmly watched the work of repairs, which was going on apace. At twelve o’clock his wife brought him his lunch; at five his son came to kiss him good-bye and that evening he set sail again, after having seen the Harding sail out of Leeport.

The following Saturday, after a terrible tempest, the fishing fleet returned to Leeport, laden with a fine catch of fish. Captain Fanshawe looked quickly to see if the Harding was at the wharf, but she was not there. Disembarking, he learned that the Harding had gone down in the storm, in sight of Owl’s Head Bluff, and that all on board had been lost. Harry Evans, then, was dead. His wife alone knew the truth; he would not dare to question her; he would never know the truth; he would doubt her always. From that time everyone in Leeport remarked that Captain Fanshawe had grown taciturn. They asked his wife the reason, but she replied evasively that she did not know. His crew found him rougher than before and more avaricious. He often returned to Leeport on Sunday morning and left again the same evening without a night’s rest. One week he came on Tuesday, and the news spread that the Ajax had brought back the corpse of a drowned man. He had returned earlier than usual, he said, in order to bury the drowned man. Accompanied by two of his crew, he made his deposition before a commissioner of deeds, and the latter had him sign the declaration that the body of a drowned man had been recovered by the Ajax at a point fifteen miles south-south-west of Owl’s Head Bluff, measuring five feet ten inches in height, dressed in a blue shirt, trousers of gray cloth, and neckerchief of black silk, no papers, no marks to establish identity supposed, from the place of drowning, in default of other evidence, to be one of the crew of the Harding. Early the next morning a funeral procession traversed the little village, and bore to the church the remains of the unknown sailor found by the Ajax. Behind the coffin walked the crew of the Ajax, their captain at their head, and behind the men came the wives, sisters, or mothers of the sailors. The religious ceremony was brief, and the unknown dead was conducted to the cemetery by the great family of sailors of Leeport, who honour themselves in thus honouring the remains of others.

‘Get yourselves ready,’ announced Captain Fanshawe to his men, ‘we go to sea directly.’

Fanshawe led his wife to a little knoll a few paces away from the cemetery. He wished to speak to her in private. ‘Wife,’ he said, ‘do you know for whom you have come to pray?’

She trembled and pressed her husband’s hand. She had never seen him so solemn. ‘The man we have just buried was Harry Evans.’

Mrs Fanshawe turned pale. Her husband tendered her a paper, stained as with water. ‘Wife, I have doubted your fidelity. My punishment is to accuse myself of it. I read the letter he dared to write to you, and I have been very miserable. The other night when this drowned man was found, I searched him. I could not show to others, not even to the commissioner of deeds, the only paper he had on him, in a little bag of oiled silk. The water had dimmed it a little, but I have read it nevertheless.’

It was the answer written to the handsome sailor by Mrs Fanshawe.

‘Sir, I love my husband ; that is the sole answer I can make to your letter. I shall say nothing to my husband, for he would kill you. Never come here again.’

‘Wife, do you forgive me?’

‘Oh, my poor husband, how you have suffered!’

From that day Captain Fanshawe grew young and gay again and he honours and trusts his wife as a jewel beyond price.

Observer, 14 September 1895: p. 6

Mrs Daffodil’s Aide-memoire:  She was, indeed, a “jewel beyond price,” if all she could say is “my poor husband, how you have suffered!”  A woman of the paste-gem variety would have been indignant at the slur to her honour; it would not have been unthinkable for her to resort to spiteful words or the skillet on the skull.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

The Wedding Pest: 1915

Unwelcome Wedding Guests

June—magic month of blossoms, of dreams, fulfilled and yet to be, is upon us and with it comes the ever lovely bride and the negligible bridegroom, the not always lovely wedding and the wholly unlovely “Wedding Fan.” Not your sweet-scented, delicate bit of lace and ivory, dangling from the arm of the bride, or in a moment of fluttering consciousness, serving to shield her blushes from a too-curious world. Oh, dear no! Nothing of the sort!

The “Wedding Fan” is a pest, an unmitigated, unadulterated nuisance, from the standpoint of those on the “inside,” at least, a public peeping-tom, a beast of prey, a vulgar pushing person to whom the sight of a striped awning outside the portals of a city church is the signal for commencement of his machinations.

Aye, more! He needs no striped canvas, no splash of scarlet velvet reaching across the pavement to start him on his journey of impertinence. Two lines in the penny paper of a June morning, and presto! The germ is alive, crying for quick liberation.

“The marriage of Miss Claribel Astor Vanderbilt, only daughter of Townsend DeLancy Vanderbilt, to Mortimer Spuyten Duyvil Tuxedo will be solemnized at the Fifth Avenue Church of the Apostles on Wednesday next at 4 o’clock.”

This is sufficient to awaken the germ in the “Wedding Fan” and cause it to demand to be taken out for a little exercise. Mostly it is a female germ, keen with the heritage of Pandora, for insinuating itself into forbidden places.

Sex curiosity, desire to borrow a thrill form the joyous exaltation of the young bride, a yearning to gaze on the trappings of a world in which she plays no part, to discern wherein lies the difference between her Eighth avenue “steady” and the titled fiancé of the Fifth avenue heiress, are some motives. And the ‘igher the contractin’ parties, the keener the appetite for the ‘umble fan or faness for a “nose-in” at the show.

“Nose-in,” “toes-in,” any-way-to-get-in, is the motto of your chronic wedding “ug,” to whom invitations are never counted among the requisites of sightseeing in High Society. The fashionable church wedding, calling for “cards of admittance,” has a lure all its own to one of these cratures of the polished brass front crew.

Imperturbable, rebuff-proof, case-hardened against mere insults from minions, these determined devotees of Hymen, who by no other means than plain larceny could possibly put their thumb-prints on the precious, engraved (they feel of it to see) pasteboard, yet somehow find their devious way, trusting to miracle or lie for an open-sesame, past of the police, past the ushers, up the aisle and sometimes e’en to the sacrosanct precincts of the “family pew.”

At a Fifth avenue wedding a fortnight since, a handsome, dignified “grand dame” and her pretty “daughter,” both impeccably attired, were halted at the church door on their failure to produce the proper passports.

The “mother’s” first cue was pretense at not understanding and with supercilious eyebrow at the delay, swept on toward the centre aisle. Usher No. 2 tapped her on the arm, meaning, “Come across, or right-about-face.” Did she weep? Oh, none of such!

Instead a great indignation inspired her and “daughter” added her pretty protest, not a bit overdone. Finally when the old dear found her progress permanently impeded, she condescended to open her dangling opera bag and search for those “really quite unnecessary cards.” Daughter joined in the quest and both exchanged ostentatious glances of puzzled (sic) dismay when the cards remained “hid out.”

“Why, mother dear, I saw them in the limousine,” said “daughter,” but the ushers had ushered before—“no card, no see.” By this time groups of bidden guests, holding crested credentials, who had been pouring forth from motors, were frothing at the mouth.

“Why, I went to school with her mother,” protested the “grand dame” as the bride’s party went in but a few feet away. “Little Gladys here is such a friend of the groom’s. Surely we can have seats without those stupid cards.”

Surely they couldn’t! The suspicious ushers, who possessed the instincts of headquarters detectives, with quiet but firm pressure on the shoulder, escorted those who had attempted to “horn in” to the vestibule, where the angry views of both became audible and culminated in a tirade of Bowery blasphemy, at the ushers, the bride, her parents and grandparents, the church and all future functions of the “Upper Ten.”

“Can you beat it?” asked the ushers.

From all walks of life come the “Wedding Fans.” With some, insatiable curiosity for all doings of the “beau monde,” seems congenital to all ages, they are on the “qui vive” at the first notice of any function, whether wedding or funeral. These are the morbidly curious, and omnipresent as the innocent bystanders, always to be found, an anticipatory foot across the “dead line.”

Philadelphia [PA] Inquirer 27 June 1915: p. 1

Mrs Daffodil’s Aide-memoire: The gawking multitudes were always present at the Society Wedding, hence the introduction of “pew cards,” as they are called, to keep out the uninvited. Mrs Daffodil understands that they are now called wedding “crashers,” which suggests an assertive lady in a fascinator carrying a battering ram.  Well-trained ushers usually kept the Wedding Pest at bay, but occasionally an unwelcome guest slipped by:

NO IMPEDIMENT.

An Objection to a Wedding Ceremony That Was Overruled.

A popular politician tells a story about one of his electioneering campaigns. He had arrived about noon at a certain small station. He started out after dinner for a walk about the village, on the outskirts of which he came upon a building thronged with people.

The building was a church, and a wedding was about to take place. He edged his way through the crowd until he reached a spot where he had a good view of the bride and bridegroom and the clergyman who was about to perform the ceremony.

The church was packed, with the exception of a low, dark gallery near the roof. This was apparently deserted.

The minister proceeded with the ceremony until he came to the point where custom required him to pause and inquire if there was any one present who knew any reason why the couple should not be made husband and wife. A hush fell upon the assemblage and every one waited in breathless suspense. Something of a sensation was caused when a voice came from the upper gallery, saying:

“Yes, I do.”

All eyes were turned to the gallery where, seated all alone in the gloom, barely discernible, was a meek-looking little man, with a haggard face and disheveled hair. After the clergyman had recovered from his surprise he said sternly, “State your reason, sir!”

The suspense was turned to merriment by the little man’s reply:

“I want the girl myself,” he said.

Harrisburg [PA] Daily Independent 1 September 1909: p. 4

In this case of a bridal veil imposture, an uninvited guest saved the day.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

The Black Rose: 1910

THE BLACK ROSE

Triumph of Botanical Chemistry, but Who Would Want One

(from the New York Times)

The inventor of a process for growing black roses naturally takes pride in his achievement. The black rose is new in agriculture. Nature, within the knowledge of man, has produced no rose of that color, and the black rose, if it is a shapely, full-grown flower, will be cordially received. If it have the perfume of the garden rose, its value will be greater. Some of the most esteemed roses of the florist’s shops are almost odorless. The inventor of the black rose is to be congratulated. Black diamonds and brown ones are esteemed far above their intrinsic value. Mr Burbank’s horticultural hybrids are highly prized. It will not do, in this scientific era, to condemn the gardener or agriculturist for using his wit and art to produce freaks in defiance of nature. The freakish tendencies of nature are now too well understood. The cunning of man cannot outdo them. Only nature has not yet produced a black rose, and the first of its kind will surely command a high place in the market for curiosities.

The utility of a black rose is questionable. It will never satisfy the eye like the red, yellow or white rose: a new poetry of roses must be made to fit it; no lover will come to use it as a symbol of his passion. At its best it will seem a thing of mystery. A bunch of black roses carelessly laid on the rail of a parterre box at the opera will not necessarily charm the vision of the unfortunate lookers-on in the stalls. The near-sighted ones may fancy that the principal occupant of the box is displaying her overshoes. A black rose in a lovely woman’s hair will resemble a rosette of silk or velvet. As a gift the black rose, after its first novelty has worn away, will fit only funeral occasions. Even then its oddity and the extravagance its presence implies, will serve to make it seem unsuitable.

The advent of the black rose will be an event, a triumph of botanical chemistry, a subject for learned discussion, and some more or less tedious frivol. But, after that—what? Who really wants a black rose?

Charleston [SC] News and Courier 17 February 1910: p. 10

Mrs Daffodil’s Aide-memoire:  To-morrow is, Mrs Daffodil is given to understand, World Goth Day. While previously Mrs Daffodil thought that the day was to celebrate European barbarians who opposed Imperial Roman rule, this year she knows better and was ready with this post about the Goth’s favourite posy: the black rose.

It is curious that the alleged inventor is not named in the piece above; Mr Luther Burbank, the distinguished American horiculturalist was always cited as the ne plus ultra of plant breeders, but even he did not breed a black rose.

Two gentleman, both Russian, were named in the British and United States press as the inventor of the black rose.

The honor of making the black rose belongs to an amateur horticulturist—Mr. Fetisoff, of Voronezh, Russia. Mr. Fetisoff has accomplished what professional horticulturists for fifty years have been striving for. They have tried again and again and the wisdom of years has been combined in their efforts and yet they have never succeeded in producing a rose whose petals were absolutely black.

Mr. Fetisoff is guarding the secret of the existence of his black rose with religious care. The Evening Times [Washington DC] 2 July 1898: p. 6

and

A Russian nurseryman, named Seraphimoff, has actually produced a black rose….One would suppose that the admixture of manganese in the soil in which roses or tulips are grown would produce a purple shade in the flowers, but how black, which isn’t recognized as a color, can be developed, one utterly fails to understand.

The name Seraphimoff, is suspiciously religious. One fears that a sacrilegious nature faker is abroad. The word “seraphim” is one not to be used in jokes. The Brooklyn [NY] Daily Eagle 19 May 1908: p. 20

Experts who commented on these stories suggested that a black rose might be produced by intensive cross-breeding, or “culture in highly medicated soils.” The cultivar is said to exist in nature in Tibet and in Turkey; outside of nature, they may be purchased at Cartier, in onyx.  If Mrs Daffodil had to guess its meaning in the “language of flowers,” the black rose might signify, “I adore your skull jewellery and your jet lip-stick.” or “You are dead to me.”

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

Letters from the Grave: 1850s

 

Romney, George; A Hand Holding a Letter; Kendal Town Council; http://www.artuk.org/artworks/a-hand-holding-a-letter-143151

The curtain has but recently fallen on a touching drama of society, whose hero’s name I could give you if I chose. Though I suppress the chief actor’s name, the play has naught of fanciful construction, being really a natural series of terrible facts.

The personage in question, who is in the enjoyment of a high social position, a handsome establishment and a large fortune, had, as a consequence of a youthful folly, a natural daughter, whose mother died a few years after her seduction. The seducer, afterwards marrying, had not force of character enough to confess to his young wife the existence of this poor child, and having long confined himself to a mere mercenary care of the latter, he finally neglected her altogether.

The aged mother of this parvenu, being cognizant of the circumstances, was deeply moved by this abandonment, though she herself was barely supported by her snobbish son, in lodgings respectably distant from his own sumptuous hotel. But Madame N—–, the mother, who had in days gone by pinched herself to pay for her son’s education, and having nothing but the little pension she now received from him, nevertheless took all possible care of the forsaken child. And the child grew up to be a fine young girl capable of taking up some occupation. The occupation chosen was art.

Hortense, that was the girl’s name, applied herself to it with all her mind and heart, and struggled bravely against the many difficulties which society stupidly puts in the way of unmarried women in their efforts at self-support. She thus reached her twentieth year, her grandmother her seventy-eighth. While the father of one, the son of the other, gave magnificent balls, delicious dinners, vain fêtes in his rich hotel, the young girl and the old woman suffered the most cruel privations—the requests for a little supplementary aid from the rich man being often left unanswered.

One night the poor old woman died. At the simple funeral which he gave her the son necessarily came into contact with his daughter, and, glad of the chance to persuade himself that she now had a livelihood, departed, leaving her a trifling pecuniary assistance. A few weeks rolled by, and society’s whirlpool engulphed him deeper than ever.

Winter came. He gave a ball one night, and the salons of his hotel were crowded with the fashionables of the court and of the city. The rooms were dazzling with the light, the rich toilets, the French and foreign uniforms, the decorations, the gilded ceilings, the polished mirrors, the everything that could lend a lustre to the scene. The conservatory, lit up by colored lanterns, afforded little mysterious corners, where beautiful and romantic Polish women listened to the whisperings of love. The English ladies present danced with untiring gaiety; the daughters of Italy, listlessly extended on the sofas, kept up their flowery chat; the Parisiennes, with a Frenchwoman’s eye to good things, began to look for the magnificent supper which was to be served by Chevet. The rich man had the world in his salons. He revelled in ostentation and vanity, he was intoxicated with the great names announced at his door, his cup of pride was filled to the brim, and when ministers of state, with waistcoats bedizened with honorary orders, came to shake him by the hand, his delirium was not far from that when Cæsar, at the culmination of unheard-of power, exclaimed, “I feel myself a god.” Our parvenu mentally said, “I feel myself a duke.”

A group of guests had surrounded him, loading him down with praises of his fête as they sipped his delicious sherbets. A great foreign lady complimented him upon the completeness of his conservatory; an ambassador told him that his ball was the thousand and second night. The rich man, crammed with vanity, was fast losing his senses, when suddenly a valet de chambre enters, passes through the aristocratic circle, and presents to his exalted master a large letter on a golden salver.

The rich man, brusquely awakened from his dream, followed into his empyrean of pride, deprived of his aureole of glory, and nettled at being brought down to earth again by so vulgar a matter, exclaimed,

“You stupid rascal, idiot, donkey! could you not choose another time!”

And he pushed away the salver with an angry movement; but as the servant resisted a little, his eyes fell upon the peaceful cause of the disturbance, the letter, and in an instant he turned frightfully pale.

By his half-stifled cry, by the haggard eyes which he could not remove from that mysterious letter, every one about him saw that something extraordinary had occurred.

The guests politely drew aside, whispering to themselves, exchanging looks and words of surprise. Soon our Crœsus found himself alone with the valet in the middle of the salon, and still before his face the obstinately presented letter.

He had recognized in the address the handwriting of his mother, who had been dead eight months!

He seized the letter with a trembling hand and succeeded with difficulty in reaching the adjacent library, where he locked himself in, to the great surprise of his guests, who had followed his movements with wondering eyes. There he fell, rather than sat down on a sofa and looked at this terrible letter, sent him from the grave and bearing the unmistakable trace of a hand long since cold in death.

He summoned up all his strength, excitedly broke the black seal of the letter, and read as follows:

“My son, your daughter is suffering! her ill-requited labor does not suffice to keep want away from her door. In the midst of your opulence remember her. Your mother begs you to do it; your mother who is now looking upon you and knows what is passing in your heart.”

Then followed the signature.

In intense excitement the gentleman rang a bell; a servant answered it.

“Who brought this letter?” he asked.

The lackey replied that it was a young girl poorly clad, who had been nearly run over by the equipage of a Russian count, as it dashed into the courtyard of the hotel.

The host returned to his salon with a pale and troubled face; a cloud had settled over his fête, and his guests saw it without understanding the reason.

He retired early, before the party had broken up, but could not sleep, so strong a hold did the ghostly features of this demand from his dead mother take upon his imagination.

In the morning he sent two hundred francs to the young artist, who, in point of fact, had not money enough to buy bread to eat nor colors to work. What would this miserable sum do to rescue her from such distress? But the gentleman probably thought he had been very generous.

The winter past, he went to Italy.

Months went by, and the circumstance became erased from his mind. One evening at Naples, he had just returned with a brilliant company of tourists from an excursion to an island near by. As he entered his room he discovered on a table a letter bearing the Paris postmark. He opened it carelessly, continuing his chat with his friends. But suddenly he became agitated, turned away and left the room. It was another call from the grave; it was his mother again imploring aid for his child. Finally, several months after, in Paris, at his own house, as he was just stepping into his carriage for a drive in the Bois, another letter was handed him, another appeal, and this time more earnest, more imperious, more solemn than ever before.

He now determined to rid himself at once of the annoyance; he was becoming blasé to the emotion. He went to his lawyer and constituted in favor of Mademoiselle L—–, artiste, a life pension, just sufficient, if not to live on, at least to keep her from starving— exacting at the same time that he should have handed over to him in a lump all the letters which might yet remain in the hands of her who had received this trust so admirably conceived, so terribly made use of!

In fact, as you have, perhaps, all ready divined, the poor old mother dying had foreseen the future miseries of the young girl, for she well understood the character of her precious son. Hence, she had the sublime inspiration of the letters, and, thanks to them, the maiden—that child of love, protected by death—was snatched from a poverty so full of perils to one of her age—her sex, and, above all, her abandonment. 

Frank Leslie’s Weekly.22 October 1859.

Mrs Daffodil’s Aide-memoire:  What a pity that the shock occasioned by the letters from beyond the grave was not fatal. His daughter would then have had a claim upon his estate and could have lived happily ever after without repeated calls upon the cold charity of such a heedless father. A life pension “sufficient, if not to live on, at least to keep her from starving,” suggests that he had not learnt anything from the salutary letters. Mrs Daffodil hopes that his mother decided to appear in person, preferably in a state of advanced decomposition in a bloody shroud, a visit which might have proved more effective than writing.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

Women Gamblers of New York: 1884

An Avid, Masked Lady Gambler

Women Gamblers

How They Pursue The Exciting Game in New York City

A cable dispatch, says a New York correspondent, recently referred to the high play at the various clubs in London and Paris, and incidentally mentioned the fact that a Russian nobleman lost at one sitting £80,000. In an issue of a Western paper some weeks ago the propriety of the country was startled by a detailed description of a gambling-house engineered and patronized by females. Since then the existence of such institutions in various other cities has been made known. The most prominent and noteworthy of them all, however, has been overlooked.

It is located in a cozy, quiet-looking old mansion of the stately and monumental New York type, and within two blocks of the Brevoort House. To all outward appearances the place is only one of the many residences of aristocratic elegance which line the street. All the windows are heavily curtained, and a face is seldom seen there. Even at night it is rarely lighted in the front. So quietly and unobtrusively has the business of the establishment been carried on that, although it has been in existence for months, its real character has never been suspected. The proprietress of the house was originally the friend of the proprietor of one of the most famous gambling-houses in this city. She quarreled with and left him. Finding herself cast on her own resources and owner of a valuable collection of jewels, she determined to profit by her experience. She hired a furnished house—the same in which she now carries on her trade—and, after instructing two or three of her intimate acquaintances in the mystery of dealing and manipulating cards, began work with their assistance. The place was extensively advertised as a “ladies’ club-house,” and soon became quite popular, the more so as no men were admitted. Roulet and faro, as well as occasional games of rouge-et-noir, were at first dealt, but the gaming soon resolved itself into faro alone. Heavy playing has taken place in this house. One lady is known to have carried off over $5,000 as the result of a day’s lucky play. Another female won upon three days in succession $4,800. The bank was so low at one time that the proprietor contemplating closing, and would have done so but for the appearance of a creole gamestress fresh from New Orleans, who lost over $8,000 in money and jewels at a sitting, and so replenished the nearly empty coffers. For the past few months the “bank” is said to have enjoyed an almost unexampled run of luck, scarcely ever losing.

For obvious reasons the games are all confined to daylight. In order to obtain admission it is necessary to have either a card from the proprietress or an introduction from a frequenter. Regular habitués have latch-keys which admit them into the passage between the outer and inner doors, both of which are always kept closed. The inner door is guarded by a pretty young girl whose orders are to admit no stranger or unprovided with the proper credentials. The post-office box of the proprietress is daily filled with applications.

No gentleman, it is said, has been admitted except into the basement, where groceries, wines, etc., are delivered. The servants, of whom there are several, are all females, as are also all the dealers, casekeepers, and attaches. The house originally belonged to a well-known millionaire, a former agent for one of the great transatlantic steamship lines, from whom its present owner rented it. Since then she has purchased the building outright. It is furnished in the most luxurious style throughout, nothing that taste could suggest or money procure being absent.

The gambling is carried on in a back drawing-room on the second floor. In the first drawing-room an elegant lunch is always laid, with the most delicate and costly wines. The upper floors are devoted to the use of the attaches of the establishment, who all reside on the premises. The proprietress is a woman verging on middle age, of a commanding figure, and very handsome. She dresses in black, is famous among all her acquaintances for her love of pearls, which are the only jewels that she is known to wear, and of which she is reported to have the most magnificent collection in the country.

One complete set in particular belonged to the Empress Eugenie, and the gems which once queened it in the drawing-room of an Empress now preside over the fortunes of a game of faro. One of the dealers is also a famous character. She is comparatively a young woman, who some years ago enjoyed the favor of no less a person than “Jim” Fisk Jr., in whose Grand Opera-House she began life as a ballet-girl. In her circles she is known as “Diamond Jennie,” on account of her weakness for those precious minerals. The rest of the executive corps are a more or less equivocally famous and attractive, and are said to be as skillful and cool in all the traits and tricks of their trade as a veteran gambler.

The housekeeping is on the most extravagant scale, and is chiefly served by two prominent Fulton Market dealers and a wine merchant who supplies the principal clubs. All of these dealers affirm that the consumption of the finer quality of their wares far exceeds that of many of the clubs where male New York finds such luxurious comfort.

There are several other institutions for a like purpose scattered about this city and Brooklyn,, but they are on a far inferior scale, and their use is restricted positively to elected members. In these places only round games of cards are played; even at that limited rate, however, much money is lost and won. After the incalculable wrong wrought, the place of which we especially treat is indubitably the worst. Women are proverbially infatuated gamblers, and once embarked on the sea of chance, with their fates totally at the mercy of the fickle goddess Fortune, or worse, with the chance of the game dependent on the honesty or dishonesty of an unscrupulous dealer, the result may easily be imagined.

In conversation with the sporting man upon whom the proprietress of this novel temple of chance once depended for a living the following particulars were learned.

“I heard nearly a year ago,” said he, “that ‘Belle was running a game somewhere in the city, but where it was exactly I never could find out. I often met women who had been there, but they would never give the place away. It was too good a thing, you see, for them to risk its being shut up. When ‘Belle’ and I were on good terms she used to take great interest in faro and all sorts of games. She would come down to my Broadway place and watch the game for hours. She made me buy her a faro lay-out and teach her how to deal. Then little Barney, one of my dealers, who is dead—and a smart little chap he was—had to show her all the points. He taught her how to stack cards and how to finger the turn. I’ve seen them at it many a time, and laughed at what I thought was a silly freak.”

The general opinion is that “Belle” is backed in her venture by ladies of high social position and influence. Some even did not hesitate to accuse two well-known leaders of society by name.

“I tell you,” said one. “There’s more than one lady in society here that’s mixed up in such affairs. I know of two myself who are actually bankers of faro-banks run by their husbands, who of themselves never had money enough of their own to start a 50-cent limit on avenue A. One of these women to my knowledge deals faro to her friends in her own house. The other is the shrewdest poker-player in the city. She’d bluff even old Schenk himself. [Possibly Austrian murderer Hugo Schenk] Oh! There’s another thing,” he added, “and that is that there is a deuced sight more faro played in private houses than there is in public games. Whenever you find a lodging or boarding house full of young clerks you will find one faro layout at least, and some shrewd fellow to work it.

Chicago [IL] Tribune 5 April 1884: p. 16

Mrs Daffodil’s Aide-memoire:  Mrs Daffodil does not gamble;  she has a wholesome horror of leaving anything to chance. She also observes that someone must be paying for the lavish décor and the delicate foods and wines, which rather spoils any pleasure in watching the wheel spin or the dice fall. Then, too, Mrs Daffodil has seen ladies over-extend themselves at the gaming tables, with dire consequences:

In Fifth Avenue and Fourteenth and Twenty-third streets, there are often parties of ladies from which the opposite sex are sternly excluded, where the fair gamesters play until daylight for large stakes; and it not infrequently happens that when their purses are depleted they put up their bracelets, necklaces and watches as wagers. Some of the feminine gamesters lose heavily, and the desperate shifts—no allusion to wardrobes—to which they are put to conceal their losses and replace them, must be fearfully demoralizing. A young woman, the daughter of one of our most opulent citizens, was pointed out to me in the Park, as a notorious gambler, by one of her own sex, who informed me she had parted with nearly $100,000 since she went to Saratoga, in July, and made her doting papa believe she had expended the sum in dress and charity. The young woman in question is very pretty, not more than twenty and no one regarding her pale, spirituelle face, her soft blue eyes, and gentle and reserved manner, would imagine she had fallen a victim to one of the most dangerous of vices. N.Y. Correspondence Cincinnati Gazette. Dayton [OH] Daily Empire 13 October 1865: p. 1

Amateur Lady Gamblers.

The ladies of Arensburg, Germany, are passionate card-players. Since they are not allowed to play at local clubs, they make up games at their friends’ houses and gamble all day through. As soon as the cash funds run short, they take to various articles, mostly toilet belongings. Thus, one lost to another her corset, one lost a bonnet, a third some lace and perfumes, and they go even as far as losing their prayer books. The San Angelo [TX] Press 18 June 1902: p. 2

Mrs Daffodil suggests that the ladies of Ahrensburg may have invented that popular American entertainment known as “strip poker.”

For a previous post on a very unusual wager over a young actress’s clothing, see Her Jewels Weighed More Than Her Clothes.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.

 

The Model Millionaire

The Model Millionaire

Unless one is wealthy, there is no good in being a charming fellow. Romance is the privilege of the rich, not the profession of the unemployed. The poor should be practical and prosaic. It is better to have a permanent income than to be fascinating. These are the great truths of modern life which Hughie Erskine never realized. Poor Hughie! Intellectually, we must admit, he was not of much importance. He never said either a brilliant or an ill-natured thing in his life. But, then, he was wonderfully good-looking, with his crisp, brown hair, his clear-cut profile, and his gray eyes. He was as popular with men as he was with women, and he had every accomplishment except that of making money. His father had bequeathed him his cavalry sword, and a “History of the Peninsular War,” in fifteen volumes. Hughie hung the first over his looking-glass, put the second on a shelf between Ruff’s Guide [to the Turf] and Bailey‘s Magazine [of Sports and Pastimes], and lived on two hundred a year that an old aunt allowed him.

He had tried everything.  He had gone on the Stock Exchange for six months; but what was a butterfly to do among bulls and bears? He had been a tea merchant for a little longer, but had soon tired of pekoe and souchong. Then he had tried selling dry sherry. That did not answer. Ultimately he became nothing, a delightful, ineffectual young man with a perfect profile and no profession.

To make matters worse, he was in love. The girl he loved was Laura Merton, the daughter of a retired colonel, who had lost his temper and his digestion in India, and had never found either of them again. Laura adored him, and he was ready to kiss her shoestrings. They were the handsomest couple in London, and had not a pennypiece between them. The colonel was very fond of Hughie, but not hear of any engagement.

“Come to me, my boy, when you have got ten thousand pounds of your own, and we will see about it,” he used to say; and Hughie looked very glum on those days, and had to go to Laura for consolation.

One morning, as he was on his way to Holland Park, where the Mertons lived, he dropped in to see a great friend of his, Alan Trevor. Trevor was a painter. Indeed, few people escape that nowadays. But he was also an artist, and artists are rather rare. Personally, he was a strange, rough fellow, with a freckled face and red hair.

However, when he took up the brush he was a real master, and his pictures were eagerly sought after. He had been very much attracted by Hughie at first, it must be acknowledged, entirely on account of his good looks. “The only people a painter should know,” he used to say, “ are people who are bête and beautiful, people who are an artistic pleasure to look at and an intellectual repose to talk to. Dandies and darlings rule the world.” However, after he got to know Hughie better, he liked him quite as much for his bright, buoyant spirits and his generous, reckless nature, and had given him the permanent entrée to his studio.

When Hughie came in he found Trevor putting the finishing touches to a wonderful life-size picture of a beggar-man. The beggar himself was standing on a raised platform in a corner of the studio. He was a wizened old man, with a face like wrinkled parchment, and a most piteous expression. Over his shoulders was flung a coarse brown cloak, all tears and tatters; his thick boots were patched and cobbled, and with one hand he leant on a rough stick, while with the other he held out his battered hat for alms.

“ What an amazing model!” whispered Hughie, as he shook hands with his friend.

“An amazing model?” shouted Trevor, at the top of his voice ; “I should think so ! Such beggars as he are not to be met with every day. A trouvaille, mon cher; a living Velasquez! My stars! what an etching Rembrandt would have made of him !”

“ Poor old chap!” said Hughie; “how miserable he looks! But I suppose, to you painters, his face is his fortune.”

“Certainly,” replied Trevor; “you don’t want a beggar to look happy, do you?”

“How much does a model get for sitting?” asked Hughie, as he found himself a comfortable seat on the divan.

“A shilling an hour.”

“And how much do you get for your picture, Alan?”

“Oh, for this I get a thousand.”

“Pounds?”

“Guineas. Painters, poets and physicians always get guineas.”

“Well, I think the model should have a percentage,” said Hughie, laughing; “they work quite as hard as you do.”

“Nonsense, nonsense! Why, look at the trouble of laying on the paint alone, and standing all day long at one’s easel! It’s all very well, Hughie, for you to talk, but I assure you that there are moments when Art approaches the dignity of manual labor. But you mustn‘t chatter; I’m very busy. Smoke a cigarette and keep quiet.”

After some time the servant came in, and told Trevor that the framemaker wanted to speak to him.

“Don‘t run away, Hughie,” he said, as he went out, “I will be back in a moment.”

The old beggar-man took advantage of Trevor‘s absence to rest for a moment on a wooden bench that was behind him. He looked so forlorn and wretched that Hughie could not help pitying him, and he felt in his pockets to see what money he had. All he could find was a sovereign and some coppers.

“Poor old fellow,” he thought to’ himself, “he wants it more than I do, but it means no hansoms for a fortnight;” and he walked across the studio and slipped the sovereign into the beggar’s hand.

The old man started, and a faint smile flitted across his withered lips.

“Thank you, sir,” he said, in a foreign accent.

Then Trevor arrived, and Hughie took his leave, blushing a little at what he had done. He spent the day with Laura, got a charming scolding for his extravagance, and had to walk home.

That night he strolled into the Palette Club about eleven o’clock, and found Trevor sitting by himself in the smoking-room drinking hock and seltzer.

“Well, Alan, did you get the picture finished all right?’ he said, as he lit his cigarette.

“Finished and framed, my boy!” answered Trevor; “and, by-the-by, you have made a conquest. That old model you saw is quite devoted to you. I had to tell him all about you—who you are, where you live, what your income is, what prospects you have——”

“My dear Alan,” cried Hughie, “I shall probably find him waiting for me when I go home. But of course you are only joking. Poor old beggar! I wish I could do something for him. I think it is dreadful that any one should be so miserable. I have got heaps of old clothes at home-do you think he would care for any of them ? Why, his rags were falling to bits.”

“But he looks splendid in them,” said Trevor. “I wouldn’t paint him in a frock coat for anything. What you call rags I call romance. What seems poverty to you is picturesqueness to me. However, I’ll tell him of your offer.”

“Alan,” said Hughie, seriously, “you painters are a heartless lot.”

“An artist’s heart is his head,” replied Trevor ; “ and, besides, our business is to realize the world as we see it, I not to reform it as we know it. A chacun son metier. And now tell me how Laura is. The old model was quite interested in her.”

“You don’t mean to say you talked to him about her?” said Hughie.

“Certainly I did. He knows all about the relentless colonel, the lovely damsel and the ten thousand pounds.”

“You told that old beggar all my private affairs?” cried Hughie, looking very red and angry.

“My dear boy,” said Trevor, smiling, “that old beggar, as you call him, is one of the richest men in Europe. He could buy all London to-morrow without overdrawing his account. He has a house in every capital, dines off gold plate, and can prevent Russia going to war when he chooses.”

“What on earth do you mean?” exclaimed Hughie.

“What I say,” said Trevor. “The old man you saw to-day was Baron Hausberg. He is a great friend of mine, buys all my pictures and that sort of thing, and gave me a commission a month ago to paint him as a beggar. Que voulez-vous? La fantaisie d’un millionnaire.’ And I must say he made a magnificent figure in his rags, or, perhaps, I should say in my rags; they are an old suit I got in Spain.”

“Baron Hausberg!” cried Hughie. “Good heavens! I gave him a sovereign!” and he sank into an armchair the picture of dismay.

“Gave him a sovereign !” shouted Trevor, and he burst into a roar of laughter. “My dear boy, you’ll never see it again. Son affaire c’est l’argent des autress.

“I think you might have told me, Alan,” said Hughie, sulkily, “and not let me make such a fool of myself.”

“Well, to begin with, Hughie,” said Trevor, “it never entered my mind that you went about distributing alms in that reckless way. I can understand your kissing a pretty model, but your giving a sovereign to an ugly one —by Jove, no! Besides, the fact is that I really was not at home to-day to any one and when you came in I did not know whether Hausberg would like his name mentioned. You know he wasn’t in full dress.”

“What a duffer he must think me!” said Hughie.

“Not at all. He was in the highest spirits after you left; kept chuckling to himself and rubbing his old wrinkled hands together. I couldn’t make out why he was so interested to know all about you; but I see it all now. He’ll invest your sovereign for you, Hughie, pay you the interest every six months, and have a capital story to tell after dinner.”

“I am an unlucky devil,” growled Hughie. “The best thing I can do is to go to bed; and, my dear Alan, you mustn’t tell any one. I shouldn’t dare show my face in the row.”

“Nonsense! It reflects the highest credit on your philanthropic spirit, Hughie and—don’t run away. Have another cigarette, and you can talk about Laura as much as you like.”

However, Hughie wouldn’t stop, but walked home, feeling very unhappy, and leaving Alan Trevor in fits of laughter.

The next morning, as he was at breakfast, the servant brought him up a card, on which was written, “Monsieur Gustave Naudin, de la part de M. le Baron Hausberg.” “I suppose he has come for an apology,” said Hughie to himself; and he told the servant to show the visitor up.

An old gentleman with gold spectacles and gray hair came into the room, and said, in a slight French accent, “Have I the honor of addressing Monsieur Hugh Erskine?”

Hughie bowed.

“I have come from Baron Hausberg,” he continued. “The Baron-——”

“I beg, sir, that you will offer him my sincere apologies,” said Hughie.

“The Baron,” said the old gentleman, with a smile, “has commissioned me to bring you this letter;” and he handed Hughie a sealed envelope.

On the outside was written, “A wedding-present to Hugh Erskine and Laura Merton, from an old beggar,” and inside was a check for ten thousand pounds.

When they were married Alan Trevor was the best man, and the Baron made a speech at the wedding breakfast.

“Millionaire models,” said Alan, “are rare enough; but, by Jove, model millionaires are rarer still!”

Lord Arthur Savile’s Crime and Other Stories, Oscar Wilde, 1891

Mrs Daffodil’s Aide-memoire:  Ah, we all love a happy ending, particularly when it involves immense cheques bestowed upon the Deserving, who find themselves not only the Handsomest, but the Luckiest Couple in London. The Baron was perceptive enough not to offer young Hughie a job, recognising in him the spirit of Bertie Wooster and the Drones Club.

Mrs Daffodil first read this slight fiction in Frank Leslie’s Popular Monthly for 1887, where it was >ahem< published anonymously, not credited to Mr Wilde. Such “borrowings” seem to have been a fact of life in the management of a nineteenth-century newspaper or journal.

Mrs Daffodil invites you to join her on the curiously named “Face-book,” where you will find a feast of fashion hints, fads and fancies, and historical anecdotes

You may read about a sentimental succubus, a vengeful seamstress’s ghost, Victorian mourning gone horribly wrong, and, of course, Mrs Daffodil’s efficient tidying up after a distasteful decapitation in A Spot of Bother: Four Macabre Tales.